vinyl only! ny based undulate recordings is ready to get serious, and as such launch a new vinyl only sub label that will focus on great house music. for its first release, label bosses billy disciple & al alvarez bring you a new up and coming talent in the form of james ellis aka jpe complete with two remixes from house hero gerd, including one under his classic house moniker ny stomp. on the evidence of their first offering, undulates new vinyl only sub label will fast become house heads favourites.

the mole, philippe cam, master muzikbox and sucre sale present this new split ep with a part of the karat family. the mole already released a track on a past compilation, he is coming back with a nice built up piece, as good for djs than for home listening. philippe cam is one of the greatest french electronic music composer and there is nothing more to prove it that to listen to this new gem! master muzikbox strikes again with a powerful classic and updated house track, elegant. then the youngsters sucre sale show us whats the deal with the new generation, classy dance tune. enjoy!

vinyl only
2 classic ciara rnb vocals, refixed by behling & simpson in their trademark chunky slow house style. following their extremely well received edits of faith evans love like this and julio bashmore father father on boogiefuturo, the production duo from bristol - known for their records on futureboogie, 2020 midnight visions, applepips and outernational - finally release their long-awaited refixes of ciaras classic tunes like a surgeon and goodies. strong early support from jackmaster, who used surgeon in his 2012 mastermix, as well as x-press 2, midland, redlight and eliphino, has led to a steady wave of requests for these edits for over a year, resulting in this limited vinyl-only release

new perc trax sub-label hits hard with a re-release of matt whiteheads classic acid cut. limited 1st pressing comes on clear vinyl in a clear poly bag and full size insert

leftymood records is an italian label based in milan, born from the minds of danny deep, chris carini and alberto ampezzi, three artists with very similar musical background but with different artistic evolution. and these three artists make also the debut of leftymood records. dannys track is a trip through different electronic genres that range from indie and deep with creative acid synth sounds. perfect for a more sophisticated audience. ampezzis unconditional is made up of percussions, drifty ipnotic beat and marvelously deep groove that push an unconventional raw energy. suitable for underground situations. chris carini presents his track introducing techno groove with house elements like classic piano and voices that will burn the dancefloor in every moments in a dj set... first pressing ltd to 200 copies

blue love featuring the vocals of erika tele is aux 88 black tokyo love theme for the dance floor. in the vein of detroits 4/4 classics from the past, you can know see that aux 88 has some full circle in their musical quest.
blue love is a happy and beautiful take on love and spiritual release you get while dancing on the dance floor. erika teles angelic robotic vocal make this a keeper.
dark deceptions opens with emotional strings and arp like baseline intro creating a sense of a movie intro. erika teles vocal are spoken words in japanese. the track is clearly a sort of intro for more.
the ep gives you a soft string beat dance driven homage to love. pick this up quickly sure to be classic dj track for aux 88 presents plack tokyo fans.

in mood swings ep, miguel migs and shades of gray have come together to deliver a fine deep house affair drenched in rich textures, subtle undertones and moody melodies. aspects of both classic and modern deep house intertwine expertly on these four tracks, creating edge and dynamism that is dance-floor ready.

limited edition of 275 numbered copies.
when gilles peterson reacts to a house record, you know it is a very special house record. deep and soulfull, love it - was what the 6 music dj thought of these two. if that wasnt enough, trickski described best things in life are free as one hell of a bomb. add in support from jimmy edgar, mark e, severino and dusky and this is looking like one of glasgow undergrounds most successful records to date. love games is the a bit of a wolf in sheeps clothing. what starts off as hooky percussive groove slowly morphs into a full vocal classic with swirling chords and a killer synth hook. severino dropped it at fabric recently and took the roof off the place. best things in life are free is a darker affair – all wandering acid lines and moody, emotional strings - but as trickski proved when they played it at watergate, just as effective.

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

this is a record designed for dark, gritty, steamy basements and it goes straight to the floors. following the well received ohmu ep, cage & mirrors is enders new twelve-inch release on seahorse & castle. its featuring that trademark percussive and driving modern house / techno sound. a- sides title track >mirrors< has a truly classic detroit feel with grooving hi-hat and swelling keys. b-sides >cage< and >lush mile< both are analogue house cuts with the right tension throughout. eps beautiful cover art is designed by fellow compatriot eero johannes.

second out on jean claude gavris coco bin wax imprint sees him deliver two superb retouches of a certain classic record from the eighties.
the original artist has been rather popular over the years, a hero to many, known for floating in tin cans, sporting screwed up eyes and a screwed down haircut, a man who has fallen towards his home planet and questioned life on others.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records sub – label wax classic. for this 2nd release, we give you the opportunity to grab 4 fantastic trax done by some of the best deep house producers at the moment

after the success of the slam & gary beck (alliances 1) release, slam welcome friends and peers pan-pot to the next phase of their alliances series on the a side. on the flip we have a slam remix of chicagoan mike dearborns classic track 1991 (a new age)

ashley beedle and the legendary dj harvey re visit a true classic in the shape of voices giving at fresh lease of life for todays dance floors and discerning record buyer. they have kindly supplied an acapella for hours of mixing fun and games. limited 12 inch pressing in full picture sleeve

#2 in the new series from australian edit maestro lntg: nobody is an epic rework of the chaka khan classic whilst reality blends chic with soul ii soul for dancefloor devastation.

nine titles in all and ninety-nine emotions on the clock. come to my empire is the first single taken from hypnoloves new album ghost carnival, produced by ed bangers mickey moonlight, out on may 13th worldwide. ready for the parade!

for hardway bros first ep for throne of blood, sean looked back to the late 80s belgian new beat scene as well as chicagos storied wax trax imprint for inspiration, turning in two walloping originals that could just as easily soundtrack a gothic club night instead of an acid house rave. on the a-side, a/b musique kicks off the proceedings with a steady lurching rhythm, driving the dancefloor to ecstacy thanks to densely layered synths and the contributions of timothy j. fairplay of the asphodells fame. the flipside features the absolutely devasting rhythms of shorty backed by an utterly epic nine-minute remix by scott fraser which manages to fuse the disparate sounds of new beat and the lush analog house vibes of classic mr. fingers even as it name checks the latters legendary above the clouds lp.

repress of the classic tsuba remixes from nina kraviz & steffi!

next up on local talk we got a raw peak hour jam from liverpool producer dale howard (lost my dog, large, morris/audio, off rec). there is nothing light or fluffy about these tracks, its just dirty straight up house music with a dark 90s basement feel. for the main track we actually chose the dub version of throwback over of the original mix. we just thought this version was soooo freakin raw even though its more stripped than the original version. you’ll see what we mean when you drop it in the club! the second track in out goes along the same house theories as throwback with jackin beats and deep chords that will do wonders in any authentic house basement. all in all, a might fine release of classic local talk house music. enjoy!

emotional rescue is proud to reissue one of germanys best - if most underrated - collectives dunkelziffer. formed of dominik von senger, reiner linke and helmut zerlett, the floating line up also included contributions from cans damo suzuki and jaki liebetzeit, as well as the unknown cases stefan kratchen and reebop kwaku baah. this true supergroup, over a 6 year period, made 4 ground breaking albums that covered the classic krautrock blend of heavy, repetitive drumming, intricate, overlapping melody and sonic intonation, but expanded it to include heavy dub, soul and jazz elements. this special retrospection obi set is being issued as part of record store day and features the three 12 inches that will later be released individually.

kool vibes groovin ep oozes classic french house vibes form the get-go thanks to the opener no more wastin. stocato rhode stabs are met with quick-jangled percussion, cut vocals (like the french only know how) and thumping beats. underground settles down a little, maintaining a sultry groove with a chord driven hustle, while groovin is upbeat french house at its best. feel it features more juicy and looped up sample action with call and response vocals thrown in for added effect. a must have for the french house connoisseur.

the latest offering from san franciscos icee hot label finds the young imprint officially welcoming another artist to its gradually expanding roster. that said, contakt isnt exactly a stranger. the michigan-reared, new york-based producer is one of the founders and resident djs at brooklyns turrbotax® party, which has long been a sort of sister party to icee hot. contakt has previously released music for respected outposts like local action, grizzly, and dutty artz, but nobody else and tessera 04 find him taking an important step forward as an artist, delivering tunes that are richer and more really realized than anything from his past. particularly on nobody else, contakts flair for big-room melody remains intact, but he takes notes from classic kms, filling out the songs cresting synths with a full-bodied bassline, a hooky vocal sample and a sturdy rhythmic underpinning. tessera 04 goes deeper, channeling maurizio while delving headlong into a dense cloud of synths and maintaining a steady sense of forward momentum. on the flipside, icee hot resident ghosts on tape continues his recent hot streak, infusing nobody else with punchy drumwork and a potent rave sensibility. detroit legend robert hood then rounds out the release, transforming tessera 04 into a pulsing and purring slice of heady analog techno.

classic jel ford release from 2003 - 5 cuts of pumping techno on double 12 inch vinyl.

an unmissable 12 inch collection from legendary soul-jazz organist charles earland. first up we have the wonderful over and over. co-produced by organist earland and randy muller, the man behind brass construction and skyy, this nine-minute masterclass in jazz-funk greatness was as big on the uk all-dayer scene as it was at david mancusos loft and blows up any dancefloor today. over on the flip is steppers delight, the classic anthem let the music play. released in 1978, this superbly fast and furious jazz-funk workout blasted onto the disco and club scene leaving a lasting impact today. last, but not least, intergalactic love song brings the tempo right down with a great spacey sound which doesnt lose earlands unmistakeable signature keys and sleek jazz style. essential!

four classic techno cuts from 1999 by adam beyer, joel mull and cari lekebusch.

stunning techno classic, back on board

fresh again, silks favorite dunce-dance diva, maria minerva, tries on a new wardrobe with her bless ep. busting out with sweet n swingy single black magick, minerva caters her classic la-la lyrics about an occult/joke-cult romance over a new waif, schneider-esque pop-rock lobsta beat. space 4 u slips echo-drone vocal monologues over a laface-style rnb booty bumper, while symbol of my pleasure sneers with a walk this way funk lick, both reminding fans of minervas naughty/playful creep-creativities. rounding out the ep are soul searchin – a sleazy, down-tuned, junk-jungle comatose doser – and lady blacktonikas black magick garage trippin remix – a layer cake of luscious tush pushin and an ode to another sassy lady, miss kier herself. confidence is key, and this is maria minerva struttin,’ on and off key, through her newest collection of wand songs.

house is at home with bobby browser, who may be “still browsing” after 2012’s “just browsing” ep, but these four tracks feel like he’s finally splurged on the pleasure-purchase. never afraid to fuse sad soul ii soulisms with flute-floozy milan model-walk wonders, or blue lipstick, platform dance with classic groove-back ogle-voguing, bobby browser remains a san fran late-night-on-haight-night latin legend. browser’s known for djing gel-gems like “bad bad boys” and other, mostly forgotten, romantic thrift store singles and as producer he’s got the same no-boundaries deep-‘preciation for all that can be stirred in his stoopid stew. howard jones meets earth, wind, and fire meets n’dea davenport meets sade meets frankie knuckles but not at all straightforward, and nothing short of silky slip-peeling. always lovely and light, sleek and chic, bobby browser’s bought a spot on your yacht. it’s going to be a smooth cruise.

limited exclusive record store day release on nicolas jaars clown and sunset label. intriguing coverversion of the leonard cohen classic by just friends who are nicolas jaar and sasha spielberg. b side features no less touching versions of said song by julia holter and shlomo. epic.

the first release on a new label, aa trax, which has been set up by the acid originator himself dj pierre with the aim of introducing classic house and techno sounds to a new generation, the aa stands for afro acid. kicking things off in style is a 3 tracker from the legendary detroit grand pubahs comprising paris the black fu and the mysterious mr o.

stygian stride is jimy seitang, a new york based musician in the no neck blues band axis who, as a member of psychic ills and most currently with rhyton, was brought up in the midst of the groundswell of avant-garde and improvised psychedlic music in new york city over the past decade. on this, his debut solo release, seitang has moved away from rock music completely, instead turning his attention to gauzy electronic music reminiscent of gas and the classic era of mille plateaux and chain reaction, with nods to manuel goettsching and tangerine dream

miles has been releasing material on modern love for a decade, first as one half of pendle coven, then on his own as mlz, and eventually pairing up with sean canty to record as demdike stare. in between he has also pursued more experimental terrain under the suum cuique moniker, produced jungle for the hate project and (together with andy stott) taken on the occasional release as millie & andrea for modern love sublabel daphne. he is also an admired, exhilarating dj, his sets have been known to span a broad spectrum of electronic music, from the obscure uk techno of labels like radioactive lamb and irdial, to classic chicago house, detroit techno and - most importantly - early 90s jungle and breakbeat, feeding into his love of the most uncompromising end of the italian experimental movement, musique concrète, synthwave and contemporary noise.

last night on earth continues to support and pluck artists that are turning heads, with ejeca at the forefront of ushering in the recent heavy 90s revival. his nu-house, garage style is ever present in his latest frequency ep. the first two tracks hi rollin and neva 2 far are dripping with classic vocals and vintage house sound. nassau storm brings a dubby side to the ep, while time for change adds calming intelligent beats fused with soul. last night on earth hit the spot once again as the supreme ejeca puts out another incredible release.

following his recent collaborations with ai records, electronique.it, and icon of desire, passenger finally comes back to eclipsemusic to release a new 12 vinyl record, titled chord abuse ep. the release takes off with solar flare, one of passengers most airy, housey and positive works till now, with its melodic sequence and uplifting atmosphere. on the same side of the 12 inch, surface debris de-construct the classic techno elements to build an abstract, moody, hyper-cynetic slice of futuristic techno. on side b solar flare gets then a special remix treatment by stephen brown, one of the most personal and notable european techno producers: the result is a tight, swinging rework of tiny slices of the original, turning the track into a classic techno builder..

james holroyds wonderful begin returns with another vinyl only limited edition selection. the elate ep features a second chance to get hold of what has become a cult classic from ep 3 after regular spins from lcd soundsystems james murphy, dj lexx & todd terje, eager fans had to pay the often ludicrous discogs prices to track down this enduring and beautiful cut as a result, james at the label decided to include the track on this new release

slowly but surely spencer parkers work them label has been gaining a deserved reputation as a no nonsense house and techno imprint thanks to releases from the likes of pittsburgh track authority and dana ruh. now it is the turn of the s:vt who serves up one track, basement sweat, complete with a remix, which will then be followed by a separate 12 inch featuring two remixes from arttu. the original track pairs classic, piled-on-top-of-each other claps with a freewheeling melody that runs up and down the scale. the bottom end is streamlined and techno inclined, bringing with it plenty of raw warehouse vibes. the no strings attached mix loses the melody and ups the percussive ante, chopping up and slicing out patterns as that bottom end continues to burrow on.

lower east, the brainchild of cozzy d & lee brinx, returns with michael jansons brand new single *addiction*. following his debut release *i know you re feeling ok*, jansons returns with this slick new offering, stamping his authority as one to watch for 2013. title track *addiction* kicks off the proceedings and is deceptively ambient, before jansons drops in a pulsing bassline that rolls out under mizbees eerie yet classy original vocal.
*addiction* is given the remix treatment by none-other than detroit dub master marc mk kinchen. mk retains the deep, gritty and brooding elements of the original, adding his own trademark organ riffs. on the flip side *just us* deliver a more uplifting affair, with a precision bassline and chopped and cut vocal samples adding a touch of soul to give the record and overtly classic house feel.

containing proper art, raised with time & dedication. the tracks are guarented natural and can live up to a hundred years with proper care. thery are also stocked and accessible at the bibliotheque national de france & converted numerically for a safe and proper memory of today music. featuring designed sounds melted to rare vinyl sampling covering a 40 years area. reaching classic textures and close current structural forms, meanwhile using today tools to the max combining digital technology with analogic and hardware analogic processes. it is just amazing, thousand of details to discover for your pleasure by the professor. a rich, complex and truely unique sound enhanced by the mastering of mathieu berthet with who he collaborated on several projects before and also do music together.

lampin techno with a disco twist and a kink remix. the classic sweet pussy pauline sample crops up on a cowbell-kinked and chugging sims original. bulgarian house god kink takes things deeper on the flip with his rollin remix of freaks.

with *canyons* rivulet records releases another debut from a young artist. niklas krafts aka talski musical roots are basically jazz and freejazz and he is active as a saxophonist and keyboarder in some relevant combos like klinke auf chinch, eder or the niklas kraft quartett to mention only a few. as talski he presents his very own variation of deephouse. doleful chords, cheerful drums, sophisticated sample-work but mainly the sound of his analog hammonds and junos build up the charm of his tracks. it is hard to specify his sound but after all it ranges somewhere between electronica and deephouse. the danceable part of the ep is a classic deep-house remix produced by the leipzig based duo boytalk.

chasing voices breaks its short ceasefire and rearms for the 5th installment in the ongoing series of musical theses at the forefront of new york citys electronic scene. purging the emotional distance and ironic poise of an increasingly numb aesthetic culture, *awoken by tears* is the naked, stark and barren truth of a deeply sentient musical form. heartbroken and angry, this is the new techno militancy taking on the classic materials of creative drive: pain, loss, memory—those negative spaces of the human condition that lay waste to so many weak souls, leaving behind piles of dust and rubble in their path.

new yorkers john selway and elliot taub as neurotic drum band make dance music fun again, mixing elements of classic house, italo disco, techno.

the first morris audio release in 2013 is a big one: zoo look with a dam swindle remix! the zoo look guys are well know for their quality deep house music, and >over me< feat. the beautiful vocals of amy lyon and > the sound of someone< prove that once more! dutch guys dam swindle can well be called >newcomer of 2012< and have been getting great reactions to their fat sound – with releases on freerange, dirt crew or wolf music to name but a few! 84 – a classic morris release! zoo look are on their way to the top with releases / tracks scheduled for dirt crew, hizou, join the dots and albion!

another round of wonderful eclectic delights from balearica. side a features the in demand *tonys song* by tony g. originally released back in 88, this floorfilling electro-tinged house classic features an incredibly catchy piano riff, phat bassline and some spoken vocals taken from al pacinos *scarface*. a massive hit both at amnesia in ibiza as well as at manchesters hacienda and at the early acid house parties, this track still sounds super fresh. next up is the dope vocoder-laden groove of escape from new yorks *slow beat* - a brilliant balearic chugger that features high on many most-wanted lists. on the flipside, we get the much desired slo-mo disco of steve benders *the final thing* - a moog-heavy groover that hit big at both the balearic parties and on italys cosmic scene. then finally, to round off this great compilation is the extended instrumental version of bowie & methanys *this is not america* - a favourite of everyone from alfredo to theo parrish. quality stuff!

spherical coordinates is the new project by oscar mulero and christian wunsch.they join software and hardware to explore the deeper side of techno, heavily inspired by space and futurism, focusing on liquid textures, harmonic sequences and classic drum machine sounds, yet preserving the danceable feeling.mike parker and reeko on a deep tip on the b side. great release on tsunami records!

groovy bass lines, sassy drums and a classic and clubby wave conduction. there is a little something in every track to help you find the mood when you miss the groove

>a blink of an eye< is the long awaited successor with 10 tracks of future funk. ranging from the nastiness of >jump bugs< to the fragile beauty >ray & claire< its classic syclops all the way. produced by maurice fulton.