very limited single-sided upfront copies! exclusive store in germany
danton eeproms sophomore album *if looks could kill* is set to be released february 3rd, the aftermath of an intense period at the controls of his purpose-built studio. the result is a record which is hybridised at its core, chere pop songs gradually intertwine with dance floor values while sprinkling risqué references in the process. a foretaste? femdom. femdom may have early nineties techno written all over it, but still manages to leave a strong eeprom aftertaste when it is all said and done.

sneaky music maintain the pressure that the labels debut release from silk 86 built up, welcoming london pairing ashworth & kiwi into the fold with the dawn ep. south london based kiwis music combines influences from disco, funk and house and has notable released on needwant and deepshit, whilst east londoner ashworth debuted on balsaal, garnering support dixon, dj t and josh wink and recently teamed up with citizen for waze & odysseys label w&o street trax.

seems bristol may not be the only bass-built uk city to spawn true dirtybird talent. midway up the little island the city of birmingham is boiling its bins and splitting its subs with the sounds of hannah wants and chris lorenzo.

it is a family affair as grimy returns with heat from the windy city known for amazing dance edits. tim mcallister takes it out the gate with *rollin*, a classic soul/disco beater replete with joyous flute trills, leslie speaker efx and a pumping house kick. in-demand newcomer cratebugs *get up move your body* is a spacious, cosmic edit of a little-remembered canadian gem. the song ends with an intuitive synth jam that will be enjoyed by djs and home listeners alike. longtime grimy associate rahaan ends things with a bang. his largely original *buari traxx* mixes ghanaian rhythms with killer disco bass and the nuanced, tracky drum programming you could find on a dancemania record. the brilliant track is built for the floor and also serves as an apt transition into grimy trax, a sister label that will release all new music. chicago is still burning.

akra, otherwise known as nick woolfson, is one half of mock & toof and has built a reputation for producing quality underground deep house and nu-disco, releasing with the likes of mule musiq, rvng intl, dfa and his own imprint tiny sticks / m&t inc, as well as remixing reputable artists such as scissor sisters, groove armada, zero 7, hot chip and ladyhawke. now woolfson moves into techno territory with his new side project as akra having already impressed the likes of kink, chicago damn, ame, sasse, dj deep and deep space orchestra

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs.
limited edition of 300 copies, download code included.

the cultured minimood extra label introduces london based newcomer tcherneyan with remixes from the mighty och and minimoods own volt.mar on green colour vinyl. the a1 is provided by och, producer of the legendary whalesong, and consists of icy hi-hat ringlets and rippling dub techno chords, which merge into a slice of prime time excellence. next a2 mauvais présage is a deep techno track built around a dumpy kick drum that gets slowly embellished with skating and skirting percussion and distant groaning chords that sound like sad monsters. the b side opens with tcherneyans second original b1 vision, an eerie, vast and empty open space of chilly synths and echoing voices. finally, volt.mar on b2 then reworks mauvais présage into something that lurks with menace in some desolate industrial park where intriguing synth lines weave their own path and white noise blasts occasionally jolt you from your trance. much like the previous release, minimmood have struck stripped back, deep and dubby techno gold with this latest ep. vinyl only / no repress!

dj sliink, springing from the jersey club scene, has built an impressive reputation for his contributions to north american dance music. so much so that vibe magazine included him on their list of 30 djs to watch. his angular, spare take on club music can be described as straight forward, as much as a punch in the face can be described as straight forward anyway

aah, the breakbeat, the very foundations on which the british underworld of dance music was built upon, takes it rightful place once again, and will azada royally plunders the spirit of the rave scene on his opening track, mysterious white powder.

local talk is proud to welcome back tony blitz from c.r.s.t. - remember monster munch ep back in january? t stands for tony blitz, the one and very same we got on this release.
on the a-side we are treated to two slammin tracks, vodka & valium & bring it back are both the perfect mix between uk garage & house. studio wizard crackazat, last heard on our sub-label oneoffs, re-built the track into a piano driven house track infused with lots of melodies.

up steps the prodigiously talented 20­year old justin jay, a true california golden child, born, raised and nourished within the la city limits for his culprit debut with the jaguar. the three track ep has been the result of organically built relationship with the la­based imprint, with songs inspired by la and the labels sound and credo.

nestled between the house & techno divide, this duo makes tracks purpose built for inner city warehouse parties with crusty open hats, thick verbs, & dissident synth stabs. carter bros transform into a versatile, bag staple.

growing up in the deep south of germany with multi ethnic friends and big interest in many different music genres of the world, borrowed identity built his wide knowledge in music. this variety in his musical taste is also the reason why he is working under different aliases producing a big variety of sound from ambient to house to experimental music and everything inbetween.

mole city is not in the tradition or deviating from the tradition – it is the tradition. after two decades of launching drums, guitars and pianos through the shifting interzones between harmony and chaos (moonlighting along the way with the likes of sleater-kinney, wild flag, elliott smith, built to spill and a long list of others), quasi are a genre of their own - they write songs in the style of quasi, and mole city is the quasi song book: parlour sing-alongs for the last century.
now in their 20th year as a band, and a two-piece once again, sam coomes and janet weis hand-deliver the double album/liberation cookbook/encyclopedia of kicking ass, mole city, to those of us who still care about well-built, homemade objects crafted with integrity, spirit, fire, and skill.
pressing on double 180 gram heavyweight virgin vinyl, housed in gatefold sleeve with mp3 download code included.

diametric. is pleased to welcome imugem orihasam to the rooster of artists. having released for labels such as sistrum, statik entertainment and nsyde amongst others, the japanese producer has built a strong reputation amongst lovers for fine, well thought out and interesting electronic music, ranging from house to techno. his first release for diametric. adds another facet to his portfolio as these three tracks are harsh industrial-infused dark and funky techno cuts, with an experimental edge.for this release detroit based producer and member of aux 88 keith tucker aka optic nerve has blessed us with a remix and delivered a stunning funky dj friendly remix of grain. deep futuristic melodic detroit techno. 300 hand-numbered limited vinyl copies only. no digital distribution.

the pedigree of this collaboration should need little explanation. luminaries of british electronic music spanning over two decades, russell haswell (gescom, haswell & hecker) and downwards label founder karl o connor (regis, sandwell district, british murder boys) have come together to produce three tracks of inimitable experimental techno in their debut collaborative release. with each track built upon a permutating sonic foundation, these are muscular and expertly paced compositions that effortlessly transition between hypnotic rhythms and textural and timbral experimentation.

vicissitude - zu deutsch wandel, wechselhaftigkeit, unbeständigkeit - ist der titel des neuen, dritten albums von maps alias james chapman, das anfang juli auf mute erscheint. schwang im zweitling *tuning the mind* noch der hedonismus des mercury price nominierten erfolgsdebüts *we can create* nach, vermittelt das wunderschöne indie-rock/pop-album *vicissitude* nun die unmittelbare konfrontation chapmans mit der realität: *writing and recording coincided with quite a lot of things in my life changing. although things are good for me now, every song on the record comes from a long period of me having to take stock, to start again almost. i took myself out of everything and had a hard look at what i wanted to do and where i wanted to take maps.* den letzten feinschliff der platte übernahmen produzent und sound engineer ken thomas (sugarcubes, m83, sigur ros), der zuletzt auch an *we can create* mitarbeitete, und sein sohn joylon, der schon als programmierer und produzent für bands wie s.c.u.m. und telepathe aktiv war.

the heart melting, floor obliterating grooving beast when the mud falls is held with high regard in the gc stables. solidly built on a foundation of fat tuned kicks, curly sub and an uncompromising tour de force piano spiral. effervescently ethereal, bringing on vague recollections of 80s high-end synth led kosmische production

after 17 years at the top of its game chronic is undergoing an evolution. from its beginnings as an undercover outlet for some of the scenes biggest names chronic has always kept its feet firmly on the dancefloor. with d&b now commercially accepted the world over, 2013 sees one of the scenes original no frills labels reborn, with a new look and a renewed passion to cater strictly for the underground on which this scene is built.
a new roster of fresh talent joining forces with established artists to produce what can only be described as raw, uncompromising drum & bass. switching between straight up rollers, deeper darker beats and dancefloor smashers. 4 huge tracks taken from the 20 track chronic rollers album this double pack gives a snapshot of the chronic sound, and you need that sub turned up loud to feel these – these tracks are not for daytime radio!
club support: bailey, bryan gee, crissy criss, dj hype, sub focus, dj marky, dj krust, dj craze and more!

cocoon recordings welcomes pele & shawnecy for his cocoon 12 inch debut. without any doubt the rosenheim resident is one of the fastest rising names in germany. the bavarian tech-house-hero has built up an impressive reputation over the last two years. his driving and testosterone loaded productions and remixes can be found in many top notch dj-sets and charts. pele is a master of kicking tech-house and his style of incorporating chords and vocals create real peaktime highlights. there is no escape when the sound of pele kicks in on your pa system!

from the soul-stirring opening strains of ex friendlys sublime start to the people are looking at you imprint, it is clear that the emerging nottingham-based producer has a gift for music that travels further than mere surface physical response. in a scene littered with disposable vocal turns, the simple poetry of rich medinas narrative that runs through journeyman resonates perfectly with the yearning strings and low-slung, bass-rich groove that come to define this exquisite approach to deep house. jonno & tommo hone in on the more rhythmical elements with their own dub of journeyman as a clearer club-ready intent meets with the psychedelic potency of the aqueous sound effects and that ubiquitous string hook. whether reaching for a more meaningful dimension to add to a set, or to simply drift away on the cradling nature of the music and its message, it is clear from the outset that this is music built to last.

belfast bass producer unknown who has built up a huge following with a steady stream of tunes on youtube and soundcloud, made his vinyl debut with last years #001-010 series on champion sound recordings, and now he returns to the label with his best and most diverse work yet, the i cry ep. the unknown trademarks – waves of sub-bass, expertly swung percussion and a dark, seductive and tense atmosphere – are all there, and he is pushing into new and fascinating territories too, with some brighter textures, house vibes and his first ever vocal collaboration on the stunning title track, *i cry*.

will & ink, a new label and production duo for felix lenferink (aka frits wentink) and presk. showing their male side with some raw and pounding sounds that is brought to life through custom built hardware. will & ink step away from their solo productios and goes into techno realms! starting the action with this amazing three track fermat ep.

the first ever vinyl release by dircsen. four mindblowing tracks with ultrafat basslines, 303s to the max and sharp, spheric synths. dircsens tracks are always built to perfection, distinguished and raw at the same time. timeless tracks which will last a lifetime. you’re gonna enjoy this one! vinyl only.

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

the organ grinder returns to top form and delivers a smashing second ep for 4lux. on title track steam roller the grinder joins forces with fellow cardiff producer chesus to bring you true dance floor heat! deep undercover is built around an infectious disco loop while the driver and order in the house display the grinders love for joyful house grooves! another big 4lux!

allez! real tone is back with another fresh new ep, full of deep flavours from two underground rebels. as always we are focused on the highest quality and the best music, regardless of genre, regardless of style and most definitely not concerned with the latest trends.
our man at the controls for this journey into the depths of electronic music is alland byallo, a los angeles-born producer who really hit his stride while living in san franscisco. it was there where he became one of the team behind the west coast citys legendary kontrol parties, along with sammy d from pillow talk, greg bird, nikola baytala, and craig kuna. the seminal events gained all promoters worldwide notoriety and helped alland to evolve his style. he is currently residing in berlin where, of course, he has really found himself musically so consider this new ep a cocktail of west coast usa meets berlin. a product of allands melting pot upbringing, yet oh-so-cohesive and built for dancefloor workouts, as proven by his outings on labels such as liebe*detail, poker flat, dirt crew and now real tone records.

the secret squirrel returns with number two in this limited edition series of vinyl only, dance floor delights. cut loud and built for maximum club use. dance floor devastation is guaranteed!

hafiza innocenceis olugbenga’s debut release. having built a following djing at festivals and clubs worldwide, crafting remixes and producing mixtapes, olugbenga’s music draws on elements from techno, gospel and the claustrophobic soundscapes of post-rock.

slamming disco edits at it best, huge dj support: danny krivit, late nite tuff guy, ashley beedle, rayko ...
derek kaye married his schoolboy passions of music and electronics in 1973 when he constructed his first disco sound system, aged just 13. prior to this, with dj equipment something of a rarity in those days, he created a custom setup that bypassed the need for a mixer by rewiring his turntables in such a way that he could flip the sound from one deck to another, and installed a switch that would dip the music so a microphone from a portable cassette player could be used to announce the song on rotation. his work soon grew in sophistication and a new console was built, with his schoolmate, greg wilson, buying derek s old rig, thus beginning his own well-documented dj career.

a powerful and unique musical voice from brussels, belgium, goldffinch have launched themselves swiftly to the forefront of their chosen electronic music style with a series of unmissable dancefloor weapons on labels numbers, dirty bird, saigon recordings, airflex labs and audio culture. yoann and gilles, the duo behind goldffinch, have let themselves be inspired by current movements in electronic music and have worked to redefine it in their own unique way. one of their trademarks is stuttering vocal samples worked indecipherably into their own groove, a skill built from their formative years listening to hip hop.

the mole, philippe cam, master muzikbox and sucre sale present this new split ep with a part of the karat family. the mole already released a track on a past compilation, he is coming back with a nice built up piece, as good for djs than for home listening. philippe cam is one of the greatest french electronic music composer and there is nothing more to prove it that to listen to this new gem! master muzikbox strikes again with a powerful classic and updated house track, elegant. then the youngsters sucre sale show us whats the deal with the new generation, classy dance tune. enjoy!

mr. oleg poliakov joins the phonogramme team. also known for his releases under the skat moniker, olegs early production career was built on creating beats for hip-hop mcs and lending his studio skills to rappers. switching to radio production, he went onto to work with french national stations, further enhancing his technical skills. it was at this time his began to explore electronic music as a composer. with a sound that strays from specifics, he looks to create his own compositions using a subtle combo of all electronic worlds. his early releases on labels including karat and sthlmaudio won him acclaim, but it is his releases for circus company that have really put him on the map.

the mysterious and anonymous secret squirrel no 1 has landed and will drive the djs nuts! a limited edition & vinyl only delight, this series is cut loud & built for maximum club use.

raudive a.k.a. oliver ho heads home with two guilty dancefloor pleasures. gritty surface, smoove bottom. for those damp, dimly lit cellar clubs: low ceilings, fog, smoke and all that.ruins runs a relentless groove against angular guitar overtones, blowing out the valves of its amplifier. metal sheets, rusty strings, sweaty bodies. visitor is built on a naughty percussion sequence and is elevated by a morphed girls inquiring voice straight out of a 1984 shibuya version of blade runner.

our second release of 2013 comes from lovers rights, the glasgow based-trio featuring members of golden teacher, silk cut & dam mantle. on this, their debut release for high sheen, they have laid down 4 killer house cuts spawned from improvisation heavy, free flowing electronic jams and completed with painstaking attention to detail. from the raw, rolling subs of urn to the complex multi textured synth patterns of mt. florida, each track has its own individual identity all the while working together within the cohesive whole of the ep. this is electronic dance music built with dancefloor freakouts in mind and we absolutely love it. the 12 inch comes packaged in a twice hand screen printed, roughcast sleeve, designed by sam bellacosa.

vinyl only release, limited to 400 hand-stamped copies.
for our third release, we are joining forces with bristol stalwart - kowton - finding the link between two genres that are very close to our hearts - grime & techno. built as an ode to ruff sqwads raw 2 da core, kowton is able to build up and take down the rough and rugged aesthetic that is found within both genres in just over 5 minutes. on the flip, taking on the original is blawan and pariahs collaborative project - karenn (sheworksthelongnights). keeping true to the spirit of uk techno, they manage to translate the raw and grimey quality of the original through a heap of analogue gear, all in one take.

what did you do the year you turned 21? hip-hop prodigy fashawn earned a spot on the cover of xxl magazine, toured the world and built a rep as one of raps new rising stars. fashawns debut album, *boys meets world*, was heralded by critics and fans alike as one of the best albums of 2009 for its gritty, streetwise and intelligent rhymes. some even compared his introductory opus to nas brilliant *illmatic*. it was enough for xxl to name fashawn to its list of hip-hops best freshman.
fast forward to 2012 and over 200 shows and 2 mixtapes later fashawn is back in full effect with his latest release *champagne and styrofoamcups*. featuring taylor gangs wiz khalifa, mfn mr. exquire, kobe, k young, chevy woods and more champagne and styrofoam cups is considered a top release in 2012. working with boy meets world producer exile, fashawn also called upon hip hops next generation of producers in dj dahi (kendrick lamar, dom kennedy), rahki (eminem, 50 cent) and classic west coast producers jake one and hecktik.

every place, in which the human being lives, imposes you to choose. we are continually bombed by voices that try to check us and more our mind digs in the depth of own heart, more we hear the necessity to go over the barriers that are built. this way we are and so we will stay. we walk in a crowd of voices and we are continually looking for a something that can maintain us hungry and rebellious against our bossy ego.

in recent years spanish producer baldo has built a great style and following in the modern house scene, catching the attention of andrade who has recruited him for this fantastic new five tracker ep called far away. with a well developed sensitivity, baldo has featured a sensual combination of house and susceptible feelings to create an outstanding and very special cocktail. three crisply produced tracks likely to spoil the senses with delicate melodies and bass-driven sound. the music speaks for itself. once again we welcome our friends on the remixes. hold youth main man, le loup, the protagonist of the paris scene and known for his releases for wolf+lamb, eklo and fragil, re-creates a dubby version of in the crowd, setting an impressive atmosphere and deeper experience.

from the depths of the cavernous restoration headquarters comes the debut album from the notorious analogue cops and marks their return to the infamous berlin imprint. after a busy 2012 curating the third side project together with steffi, the duo pair up for this filthy, distorted and crackling collection of hardware oddities, body stompers and circuit-bending analogue excursions built for total dance floor annihilation....

forthcoming tony lionni lp due on kerri chandlers madhouse imprint due in march. recent releases and remixes for madhouse, lo:rise and rebirth. ever since his seminal found a place release on osgut ton in 2009, tony has built a solid reputation as both producer and dj.

sugar jim jr.: dj, founder, event manager, movin�e gu.nther (one part of tricky fixin�f), head of it all. this man knows what works in the club, has also built a few dance temples with his own hands. awesome dude! music wise? very simple. deephousedisco & 6 a.m. euphoria!

fluxus is danny scrillas first transmission for civil music and the munich based producers second release. following on from 2012s flash powder ep for om units cosmic bridge label, *fluxus* sees scrilla in expected fine form, and takes in four original neck snapping instrumental tracks plus two remixes from japans deep medi member goth-trad and london producer and one to watch deft. on fluxus scrillas productions run at 80-90bpm / 160-180 bpm exploiting slowfast halftime tempos yet are seemingly engineered from the sonic essence of 06 og dubsteps dark sparse dreadnought sounds, with waves of quaking bass growing under iced-out percussion accentuated by toiling snares. floating chords and hypnotic melodies drive skeletal riddims, sci-fi synthlines arc over the spacious heavyweight ruffage built for towering stacks and pitch black rooms.

saveds next release is a single from label debutants the italoboyz who present *hi fi*. built on punchy kicks and a pulsating bass line, the track is peppered with chopper effects, stand out vocals and rising synths that combine to cause maximum dance floor destruction. federico molinari provides an intelligent remix which instantly pulls the listener in with its hurdling bass line and fx. accelerated congas layer the mix and the vocals are processed through big ambient delays to great effect.

the first part in the two part series featuring new tracks by developer, psyk and new emerging talent rhomb. four funked out raw techno tracks built for the floor or the club. the release has gained support by all the heavy weights in techno landing continuous play on floors around the world. huge support!

saveds second release for 2013 comes from label debutant julien chaptal who presents the 2 track *illin ep*.
fist up on the a side is *eat ya foe*, a track which is built on unique percussion that possesses a warm bit crush effect. these foundations support the bouncing bassline which has an acid feel to it that works well against the potent vocals.
further damage is caused on the flip with *illin* where the rolling drums build nicely into the engaging lead line that advances through the track with filters and variations.

frames of thought is a concept built around the ideas of its founders, consists of a matrix of electronic origin and developed in a technological way. electronic landscapes in a techno way.

lopasura (love pain sunshine & rain) starts up with a profound record composed by its label-owner benedikt frey. all 3 tracks were deliberately built up with his typical shuffled drum patterns and hypnotic filtering pad structures...