we release whatever the fuck we want records is insanely proud to team up with the mighty ze records (kid creole and the coconuts, was not was, lio…) for an exclusive re-edition of garcons no wave gem re-bop. the limited 12 inch vinyl includes the original song by marie et les garçons produced by john cale, its infamous re-bop electronique rework and a dancefloor-ready and ivan smagghe-approved edit by tel aviv producers red axes.

is it balearic recordings latest is the reflextion ep from baldelli & rocca. 3 electronic disco bombs and a quality remix from ray mang. reflextion is a driving synth italo disco stomper. mr mang adds a little acid and a touch odf house. side bs first track is a classically italo disco dancefloor gem lots of symth action a flappy percussion give this a hypnotic quality ready for some smoke drenched dancefloors. out to lunch is a more quircky take on the same theme. like a lost maxi 12 b-side pf an italian elctropop ftrack from the late 80s. great ep.

hot new release from sunkissed recordings celebrating italian synth pop hero mike francis aka francesco puccioni. back in the 80s, francis elegant electronic style and smooth rich vocals provided a perfect backdrop to nights dancing on the sand and in clubs throughout the mediterranean and his popularity continues today amongst the balearic cognoscenti. this ep features the fantastic in-demand club mix of *features of love*, a funky pop-soul opus washed with lush synths, lazy guitars and dreamy vocals plus the sought-after long 12 inch cut of *survivor*, a gorgeous slice of blue-eyed soul with a strong dancefloor sensibility. flip over for big cosmic play, the magnificent 12 inch version of *body thrill*, a bass-heavy chunky instrumental with an art of noise feel followed by francis beautiful laid-back cover of the bill withers classic *lovely day* and lastly the heavenly hypnotic *on and on*, a little-known gem from the b-side from a rare 12 inch. a great package!

back to the roots of uk techno starting from.. colombia! all the great feelings of the 90s style, no frills, just proper banging techno and your desperate attempt to survive on the dancefloor. an absolute retro flavoured gem!

this raunchy future disco gem firing laser beams and propagating dancefloor mayhem wherever it set foot.no filler, all killer!

sol asylum is back with their third release, this time around a various artist ep featuring tracks from friends and family members dana ruh, miss jools, and patrice meiner. this solid collection delivers a heavily swung slice of style and class without ever losing its straightforward dance floor attitude. the ep gets a proper start with dana ruhs >overcome<.a modern take on forward thinking house music with a cleverly swinging groove, pulsating filtered synths and provocatively soul stirring voices. all the rhythmical elements mold and evolve the track into a vibrant and energetic gem. next stop on our journey brings us to patrice meiners >uva< a broken beat dedication to his mother with fiery snares, atmospherically floating ghost like synths, intricately pitched hi-hat patterns and a tightly woven groove that is the signature sound weve all come to know and love from him. last but certainly not least is our trusted resident of sol asylum miss jools with >calamity cloud<. mysterious voices speak to us with an infinite realm of hovering synths, a playful but complex groove, driving hats, then a finely crafted layout brings us to alternate states between light and darkness creating a perfect balance that reminds us of a cloudy berlin day.

once again, the sunkissed camp get it spot on with this loud-pressed 12 inch collection of balearic classics from brazilian songstress astrud gilberto. opens with the original version of mesmerising dancer *black magic*, a great dj weapon that got the tangoterje edit seal of approval a few years back. followed by balearic favourite *beginnings*, a jazzy take on chicago s classic hit which spins out into eight minutes of sensual bliss. turn over for big daniel wang play, the obscure lp track *all i ve got*, a glorious low-slung floor-filling gem produced by none other than salsoul orchestra founder vince montana who also supplies the sublime disco version of the song that made astrud a household name *the girl from ipanema*. lastly comes her cool and breezy version of the bossanova jazz standard *agua de beber*. beautiful stuff.

for our fourth installment, we turn our focus to the middle east this time. presenting a bit more of an early doors tip with mehmet aslan making another appearance , serving up a turkish folk nugget and tel avivs mighty red axes delivering an industrial disco gem.

end of dayz is back with this powerful release by aiken. the original tracks are hard times that is a driving techno madness track, and impatient more hypnotic and deep, but intense as well. the remixes come from the hands of cleric and jared wilson. the first one is a destroyer techno bomb and the second is a 90 s flavored house gem. supported by: laurent garnier, nx1, dj deep, benjamin damage, thomas hessler

finest hour is back with another house gem incl. birdsmakingmachine remix. tip

if you re going to launch a label, it s always wise to start with a bang. that s exactly what newcomers audio visual have done here, recruiting detroit veteran terrence dixon and chez damier cohort michael zucker (boss of finale recordings, no less) for a four-track trip into deep techno and intergalactic house. dixon goes deep into the groove on the hissing, intoxicating deep techno roller -mta-, before delivering a touch more melody on the retro-futurist gem -over the top-. zucker, on the other hand, opts for a jaydee-does-deep house feel to -foundation (part 1)-, before setting off towards the heavens with the deliciously deep, smooth reflections

bulletdodges next instalment comes from us producer sean ray, delivering a single called deep 454 with 3 superb remixes from mgun, space djz & mr o and gareth whitehead. seans original track is a deep affair, heralding sparkling pads and grooving percussion. the track is cemented by a dark yet infectious piano riff and soulful bassline to make it a dancefloor classic. first up on remix duties is ur’s very own newcomer mgun. mgun has been taking the scene by storm lately with his incredible productions and his take on sean’s deep 454 is no exception. for this remix he has provided us with a detroit infused gem of a track. he has used soulful pads that eminate detroit and an upfront kick to create nothing short of a masterpiece. for the next remix we have an exciting collaboration between techno stalwarts space djz and one half of the detroit grand pubha’s mr o. their joint venture has produced a deep techno monster. it has a solid bassline and hypnotic use of the pads that shouts out 5am madness. lastly to remix deep 454 is bulletdodge’s head honcho gareth whitehead who has created a more old school stripped back deep house vibe. his tight drum programming and clever usage of the original tracks pads and piano riff rounds this perfect package off very nicely. supported so far by audio injection, colin dale, craig richards, dj deep, gary beck, paul mac, pig & dan, samuel l. session, sasha carassi, skream, slam, tom hades and vince watson plus many more!!!

oh yes, this a heavyweight bad boy on gamm from french beatmaker/producer izem. after his extensive travels around the globe the sound on the ep is influenced by africa, cuba as well as the middle east.
itt is an electronic take on a classic fela joint, celia (cruz) goes along a similar route but on the latin tip. both are pretty nasty and a near perfect marriage between futuristic productions and raw retro samples. finishing off the ep we get served a slice of arabic boogie using hipnotics hard to find boogie gem *are you lonely* and some fierce middle eastern vocals.

after the we make music vinyl trilogy release in 2013 house is ok men are back and ready to kick it. they took their time polishing this new black piece of gem youll be holding in your hands and after a period of careful track selecting, dedicated a&r work and multiple mastering sessions they proudly present the first, full ep on the label!

i-boat captain returns to iib with a real gem of a tune. major spam is a chugging nu kraut dub disco bomb. driving drums and relentless bassline wrapped up in swirling synths and delayed vocals. almunia beef up the tempo and the kick, adding their trademark guitar melodies. tiedye turn major spam into an big piano balearic house monster ready for some hands in the air moments. finally on the remix our friends up north last waltz create a beautiful lush disco synth chug out. the extra track on the b side poly punk is a slo mo acid treat. squelching 303 underneath a delayed picked guitar and a soaring pad. balearic acid dub style.

the mighty maw from nyc, rick wade from detroit, baaz & tomska from europe returns with this vinyl only release featuring an unreleased gem from back in the day the aptly named tribute from maw a 6 minute live deep jazzy house symphony workout from the boys themselves with groovy fat bass & uplifting fluids, which has never seen the light of day. the release also features tracks by rick wade & baaz & tomska

limited reissue of a lost gem from 1980.

another superb selection of eclectic rarities from balearica. includes the great chugging groove of *dubbing in buk-in-hamm palace*, a floor-filling reggae disco bubbler from the legendary peter tosh followed by bella vistas rare and in-demand *mister wong (disco dub)*, a slo-mo balearic gem. the flip side features dwight druicks wonderful french jazz funk cover of totos classic *georgy porgy* and an extended edit of the afro disco flavoured *stop, stop stop*, taken from the sought after cosmic zig zag lp. an essential collection.

another deep cosmic house gem from the one and only vakula on his own bandura label.

recorded summer/fall of 2008 and originally released in january 2009 this gem has been open to a only very close circle of people only yet. the main idea was to have a bunch of short tracks with a soundtrack mood and a slight taste of early 4ad and factory records (or as frans de waard noticed alot of les disques du crepuscule and even early human league which i admit i adore). a must for fans of the pop ambient series, max richter or type records. limited coloured vinyl edition.

third release for serie limitée. still 300 copies, 180g, no digital and no repress. a1 is, once again, reserved to chicagos underground pioneer joey kay who released his first record back in 1994. a raw house track with a neverending intro. the next track is pure deepness with another production from moscows young talent shyam. as deep and dark as russia s winters.. as usual to complete this side, the label manager, monsieur cedric, prepared a short bonus track. on the b side, the french co-founder of serie limitée, steve frisco, strikes back with a classic deep sound inspired by the early 90s after hours... ... while our friend from denmark, desos, owner of deso records, vibes ltd etc... closes the third volume of this story with a nice and deep house gem.

third 12 inch of the wiener dog wonder series. 4 dope edits/remixes from chi-town: do me like is a floor stomping update on a long lost boogie gem while deep space takes a classic flips it into orbit and rinses it with toxic space dust plus 2 tugboat classics. hand stamped & numbered.

apartment kickstarts 2014 with a various artists compilation focusing on irish talent from all across the isle. following on from their collaboration as bande apartment in 2013, tr one and new jackson once again appear together on apartment. this time around new jackson remixes tr ones bruising techno beast >viceroy-9c< (the original of which appeared on the last apartment release, a split 12 with phantom planet outlaws), turning it into an emotive, acid-laced breakbeat gem. house duo slowburn, coming off a year that included appearances on lunar disko, appian sounds and grounded in humanity deliver the off-kilter and immersive >riders of the sea<. hints of the work of artists such as drexciya and kassem mosse are combined with their own unique stylings to create an intoxicating, tripped out journey to the deepest recesses of the dancefloor.the cyclist garnered huge praise last year with his >bones in motion< lp on leaving records/stones throw and apartment is excited to deliver his first original material since then. his individual brand of over-driven electronics – >tape throb< – combines distortion with the most delicate of inflections and >crax< surmises this approach perfectly, an uncommonly euphoric slice of wounded electronica. last but by no means least is the superior inferior. after his debut release on belfast’s one electronica label went so far as to be licensed by sven vath to his sound of the 14th season compilation, he returns with the throbbing, rapturous >a bit much confusion<. wave and electro influences carry this bass heavy number towards it’s crescendo of skyscraping synths and skewered monopoly madness.

a limited number of vinyl copies are available for this, the latest uncle dog gem so grab one while you can! the two remixes on the vinyl are by taste of honey and a mysterious italian artist who prefers to remain incognito.

it was a very successful year for gilesku records and therefore it is only fair to top it off with yet another wonderful gem.

smooth southern european house music from italian master chef riccio (bosconi, super value, italy) on this 5th release on the spanish slowtown label. a small gem that comes as limited 10inch as a special 1st anniversary release. never go away shows the warmer side of riccio. a house cut, with balearic taste and mediterranean flavor. in the glow, the beat goes spacey and psychedelic drawing a dark disco-house vintage track. riccio al dente. classy house music from the south!

bristol born producer guido releases his second album *moods of future joy* through home town label tectonic recordings. alongside joker and gemmy, guido completed bristols purple trinity generation of dubstep producers, whose collective sound took the worldwide underground scene by storm in 2009.

2013 reissue of true lowtec gem: wonderful 2001 ambient techno ep

theres no room to argue, joseph capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. self portrait, the typically reflective album title track is an understated ambient gem led by warm trickles of melody.

theres no room to argue, joseph capriati has enjoyed his finest year to date and his escalation as one the principle profiles in techno knows no boundaries. self portrait, the typically reflective album title track is an understated ambient gem led by warm trickles of melody.

having previously reissued *i want you to know*, the 1991 gem from simonellis groove committee project, deep down slam now return with a remix package. leading the way is italian house producer nicholas in collaboration with marcoradi, with the original s vibe very much intact but complemented by some fresh new beats and arrangement. the second remix comes from french house producer dj steaw who brings the usual quality and gives the remix the classic steaw touch we re used to know. zurich based italian producer demetrio giannice conjures the spirit of vintage tom moulton on his remix and deep down slam have also included simonellis original bonus beats version from 1991 that was mastered by legendary nyc mastering engineer rick essig.

the first music to be lifted from her forthcoming sophomore album, zara mcfarlane drops *angie la la* on 2nd december 2013. in many ways an underground cult classic, zaras reworking of this jamaican psych gem by nora dean features former brownswood bubblers alumnus and new yorker leron thomas on trumpet and vocals. consistently one of our favourite producers from the house realm, the truly legendary osunlade aka yoruba soul applies his golden touch to *angie la la*, crafting an exquisitely sensitive and soulful groove founded on booming kicks and handclaps.

top quality reissue of one of the holy grails of the deep house scene - the original deep south recordings release of mission controls classic *outer limits*. originally released in 1990, this floor-filling gem is one of the earliest productions by murk’s ralph falcon and one of his finest. with its deep analogue bass and cool spoken word vocals, it went on to become an underground classic and is now hugely in-demand with djs and collectors. on the flip is the often overlooked brilliance of *give yourself* by the other murk partner oscar g, a bass heavy slo-mo groover that just sounds incredible loud. absolutely essential, do not sleep!

it is a family affair as grimy returns with heat from the windy city known for amazing dance edits. tim mcallister takes it out the gate with *rollin*, a classic soul/disco beater replete with joyous flute trills, leslie speaker efx and a pumping house kick. in-demand newcomer cratebugs *get up move your body* is a spacious, cosmic edit of a little-remembered canadian gem. the song ends with an intuitive synth jam that will be enjoyed by djs and home listeners alike. longtime grimy associate rahaan ends things with a bang. his largely original *buari traxx* mixes ghanaian rhythms with killer disco bass and the nuanced, tracky drum programming you could find on a dancemania record. the brilliant track is built for the floor and also serves as an apt transition into grimy trax, a sister label that will release all new music. chicago is still burning.

in their most furious release to date, blank code presents the strumpet ep. kicking off with the distorted dirty stomp of the original mix, drumcell and material object let loose this dark gem that thunders forth the forgotten language of noise. crowned with explosive hi hats, strumpet seems to tear through any speaker it touches.

hvnxx is one of the most special projects weve taken part in as a label. some months ago the xx and young turks asked our artists to remix tracks from coexist. it was a big honour and also a big responsi- bility, specially considering that the xx is one of our favourite bands. the outcome of such challenge is a four-track ep that showcases the sound of both well-established members of the hivern family, such as marc pinol and new jackson, and upcoming talents such as round and mistakes are ok. all four remixes are pretty different among them, but they all manage to maintain the distinctive spirit of the original songs in their own way. marc pinol takes fiction to the good ol days of chicago house, laying the original vocals on top of analog drum-machines and a rubbery bassline to that suggest an imaginary collaboration between adonis and oliver sim. the elusive mistakes are ok maintains the tropical vibe of reunion but provides a warped atmosphere combining breezy chimes with static haze and a propulsive bass that boosts the song towards the second part of the remix. hiverns latest signee round transforms the fragility of missing into a soothing house cut through uplifting organ chords and vigorous rhythms fulfilling dancefloor demands without loosing its melancholic character. finally, new jackson proves once again his knack with nocturnal ambiences flipping swept away into a sensuous deep-house gem guided by an absorbing piano and a slow but steady groove. the release comes in an embossed sleeve with artwork designed by arnau pi. hvnxx is a co-release with young turks.

1 per customer a gem of the parisian underground electronic music world for those who know, voiski hits us with three tracks of high bpm techno which at points reminds us of early steve bicknell or oliver ho. the b-side hits hard with the epic from sea to sea a monstrously beautiful building track that does all the right things in the right places just when you want them to happen. a big release to say the least

we are very happy to welcome back fx mchn since his track jackie on number 1 got so much support, he has given us a dark rave beast. alphonse delivers another machine based twisty thing with drum tweaks from the other lht man prima who is releasing his first solo track on the next one number 5 .... heads up! facade comes correct with a whole side to himself - a simple house groove that will make any party an lht party, and a cheeky bonus track that sounds like a lost electro funk gem from rimini via harlesden and brooklyn.

played by: max essa, i love disco!, sleazy beats recordings, coyote is it balearic?
review: japans 9dw release their first track for is it balearic..? right on is a super chilled loopy slo mo disco gem. touches of soft acid and boogie bassline make this a certain for the more discerning dancefloor. the mushrooms project remix creates an ever growing tribal dubby trip with what sounds like a jews harp thrown in for good measure. mesmerising. the b side features a track that has been an iib favourite for a couple of years since it was heard live in loop tokyo. this slowave almost out of sync techy chugger is not like anything else. evolving with analogue synths and stabs to become a heads downs stomper. international man of mystery man power adds man power to the track and creates a slightly darker journey into synth land

sc001, titled *streets are like*, is the first installment on new born label scandalo music, launched as a platform to bring brazils very own musical footprint mixed with collaborations with international artists and pioneer producers. the limited edition 12 inch offers up an original nu-disco gem reminiscent of early lcd soundsytem along with a collection of outstanding remixes showcasing the originals funky bassline, captivating vocal and live disco feel that so many tracks fail to achieve. prepare to be served warm crunching guitars, floating soundscapes and latino percussion blended, filtered and delivered sunny side up.

limited reissue of this ultra-rare gem from 1978 originally released on tiny nyc private press label wabine productions. both tracks on the 12 inch are absolute killers and hugely in-demand with djs and collectors alike. although *sail on* is the acknowledged biggie, a highly sought-after jazzy soul classic melding super-cool low-slung grinding island funk with understated steel pans and a dreamy female chorus, dont overlook side as wonderful *the martians visit* - a tight slab of sun-drenched space-disco with a solid up-tempo caribbean groove, great strings and squelching bass.

3 tracks to keep things moving during the fall months: *cause* is a bass heavy gem. *effect* is adames interpretation of chicago jack tracks. *repercussion* is a dark almost sterile track leaning heavily on the techno side.

unearthed detroit techno gem with new remix (european manufacturing)

another superbly crafted ep released on the organic-music imprint features tom ellis three original tracks and a brilliant remix by leif. neither of the producers featuring on the release need any introductions as they are very well known names around the underground dance music scene for quite some time now. the ep has a very eclectic feel to it that can satisfy todays very demanding musical palates. deep. funky, bass driven, cross-over between live and electronic soundscapes, one can hear all of that in this little gem of a record.

limited vinyl reissue of this obscure and incredibly rare production by the legendary disco pairing of rinder and lewis. released in 1977, the discognosis project is definitely one of the powerhouse duos more experimental offerings - a wildly eclectic yet inspirational mix of styles. of course the biggie here is cosmic floor-filler step by step, a chugging synth monster layered with chunky beats, grooving piano, great vocals and of course those searing synths. but the album is packed with other highlights including the super-funky horror-tinged title track discognosis, slick jazzy delight one on one with its superb brass and dark flamenco overtones, weird slo-mo space-groover movette, the sweet summery 60s pop-soul of love belongs to everyone and disco-funk stompers love shortage and good time man. dont miss this superb disco gem.

the 5th installment from ahd brings back one of the label bosses, madrids epiphany aka damian schwartz. keeping consistent with the previous and first release of the label. the formula for this new gem remains an uncompromising raw substance, innovation, and timeless music. beautiful strings, pads, arpeggios and metalic basslines are all over the place on this release that follows up fred ps anthem, reach.

autophobia ft. luna is the lead cut from louie frscos forthcoming debut album due early next year. it comes backed with a stunning remix from label bosses art department, their first mix in some time for the imprint and a real gem from the ever on-point production duo. also offered up is an equally interesting effort from eric volta and that is sure to take the versatile young producer to the next level.

repress .. for those that knoe has dug a little deeper into the history books to unearth a somewhat understated gem in the form of casey tucker for the second chapter of for those that knoe.

st. louis soul trifft auf die los angeles beat scene. der spirtuelle r&b-sänger coultrain ist von künstlern wie lonnie liston smith, patrice rushen, miles davis und stevie wonder beeinflusst. sein selbstveröffentlichtes debütalbum wurde auf webseiten wie the roots okayplayer.com gefeiert. er hat sich durch gastauftritte bei künstlern wie sureshot symphony solution (nature sounds), hawthorne headhunters (plug research) und platinum pied pipers (ubiquity) einen namen gemacht. sein album mit detroit-produzent waajeed ist bislang leider nie erschienen. nun folgt mit jungle mumbo jumbo sein zweites studioalbum. für fans von bilal, platinum pied pipers und dj spinna!