next up on deep distance (following the sold-out-in-a-day sula bassana lp) is a fabulous newly expanded first time on vinyl double lp set of colin potter’s seminal 1980 cassette only release “the ghost office”.
the label is gradually working through colin’s revered back catalogue of cassette only releases, with previous titles the scythe and two nights selling out instantly. his run of half of a dozen home recorded, diy / minimal synth cassettes between 1980 and 1982 is rightly granted legendary status, influencing a slew of home produced diy experimental electronic artists and all attaining high collectors prices online for original copies. so these lp sets filled out with all manner of unreleased cuts, demos and excluded tracks truly are a treat.

in keeping with the label’s philosophy of promoting new talent, the pont du gard ep is sbot’s first release. he comes out of the gates strong with four tracks of crunchy house music. sizzly hats and loose kicks keep time over pads and bass lines that ebb between driving groove and moments of hazy descent into madness.

the 4th edition to the limited series drops on banoffee pies records. more mixed taste loving for your record bag. italo feelings on safari from fyi chris’ own watson leading the charge on 80’s mode along with a chugged out creeper from hysteric. plenty of acquarium breaks from dj ok and rasputin and more bongos in between from ny*ak and ian blevins on k dance. more friends of the love making an appearance. music for prancing. love and dancing. banoffee pies x heat.

nyc disco legend danny krivit returns to the editing block on behalf of seminal miami disco powerhouse tk disco. with 45 years in the dj game under his belt and having played endless gigs all over the world during that time its safe to say mr.k knows exactly what hes doing when it comes to the re-edit thing! with unprecedented access to tk s vaults danny has been turning in some stellar reworkings as of late and the cuts included on this latest instalment keep the quality sky high!

off the back of their first ep release, super fun bumper editions trends, which received support from the likes of xl8r, thump, future classic, and bradley zero, beats of no nation is now gearing up for its second release by the chord memory band. chord memory band is a recent collaboration between michael medlycott (from the band vulture street tape gang) and dom bird (bonn co-founder and member of the live disco 4 piece mitzi). at the end of 2016, michael and dom caught wind of a cave, nestled beneath a sacred mountain, deep in the australian outback. the rumours described a cave filled with nocturnal animals and ancient flora, but more importantly, a stash of vintage synthesizers and drum machines. guided by whispers and caught up in the mystic mystery of it all, the duo set off with a dusty four-track tape recorder in an attempt to capture these mythical cave vibes and place them on a record. michael and dom surfaced several months later, with four recordings and no memory of what had occurred. these recordings became their synergistic third eye ep – an analogue journey into the spiritual world, with one simple message, the answer is inside.

clear & sharp- edged new material from the german duo. -the beauty and significance of the music piece lies in how rich the silence is between the the sounds- yaku murakami

french producer keumel makes a poised vinyl debut on the inner balance imprint, with three originals of fine skipping house and a remix by imprints head domenico rosa. “laïka” is an afternoon space-walk in the vein of vintage derek carr, its synths, hats and mid-track acid line surfing light and breezy over a scudding, bumping bassline. rosa’s remix strikes a more contemplative note by placing a soft breakbeat under the acid line and airborne pads. “no chill” is a fast-tempo stripped-down house jam that kicks to the sound of the label’s father figure chez damier and his contemporaries. “space birds” rounds out the ep by building a slowburn groove out of which a lightly-warped acid line slinks part-way through.

das komplex, aka marcin £ukaszewicz aka. what is this guys name? whoever he is, he is fucking slow. but word on the street is, he is super happy, to be slow, and to make records, and build ships, or whatever it is that he does, when hes not answering our emails. rumour has it, that henry is the man who built the ostbahnhof - with his own bare hands. before that he was making music. for twenty carefree, happy-go-lucky years. recently, he started releasing some of it, much to his surprise, on nice, family-themed labels such as young adults and father & son. this is his first offering for love on the rocks. its sublime, its soft, and it wants you to fall in love, at night, back in the days, under the electric light of your favourite dancefloor, with two major jams on the a-side, and a consciousness-altering, life-changing, dance floor destroying, 13-minute disco trip on the other. music to microdose to.

there’s not a lot to tell about the project glow in the dark by a certain harry miller. only perhaps we can state that with these eight tracks at hand harry miller accomplished probably the most enchanting album of the still quite young year. just when we wanted to dismiss the short-dated genre of chillwave wistfully, “future bliss” comes along with a bewitching sound hailing from an optimistic but cranky future. already the opening track “step one” with its vocal samples and its spoken word intro is futuristic soul full of affirmation of life pillowed on a synth bedding smoothed to the max up to its edges. but also the following seven tracks spread infectious positive vibes all around. the magic of glow in the dark’s tracks is energized mostly by miller’s delicate way of treating his various samples, a wary manner one usually only shows when picking up a guitar. and unlike sample based music feeding from hiphop his tracks are completely free from any sort of nostalgia, because all of his songs are designed for the future through and through. “future bliss” is one hell of a joy ride, from the first note to the last tone. the neon funk of “1987”, the broken beat of “7 billion = 1”, the synth pop of “the last dance” and in general, all of the eight tracks could be little, but great hymns on their own. but only in its entirety they sparkle this fathomless ingeniousness hidden in glow in the dark. in the end it seems to be wiser that one has as little background information as possible to be able to lose oneself fully in this “future bliss”.

rico puestel is in charge for our cocoon recordings 144th release. rico is an producer animal who released more than 100 tracks & remixes since 2005 under various project names such as dinamoe, central scrutinizer and of course under his main moniker rico puestel. the enormous amount of productions shaped ricos knowledge and taste and his new cocoon release neyst and enokid seems to be the logical result of his long journey through the techno-universe. puestels style is very unique and merges elements of dark and hypnotic mainfloor techno as well as orchestral sounds and even industrial elements. neyst is the perfect hypnotic and dark techno circle that keeps on progressing and building up into sheer madness. no fast food, no leightweight, this is heavy techno business! enokid comes with a little more of a chicago house vibe however it is again still deep in puestels very own style. we especially fancy the crazy break in the middle with the spaced out room effect part and the melody coming in after the break. as stompy and musclepacked this track is, it still seems to be very musical and deep at the same time - what a trip! this one demands a good and proper sound system, well what other cocoon release doesnt?

henrik schwarz first work for running back and concurrent solo piece since 2013 is a prime example of the mans uncanny production abilities. recent years saw schwarz more and more gravitating towards the intersections between electronic music and jazz, classical compositions or african sounds than serving the weekly bread and butter at clublands busy buffet car. now, not also you is a return to exactly that honourable craft and service. built around an imagined and imaginary curtain lecture from a saint to a sinner and housed in one of henriks most techno looking robes as of yet, its a no-brainer or shall we dare say a reaper of a track without frills but with a fata morgana like rave signal. oh, there is a dub for snobs (not you also), too. peak time, high time, any time. nice sleeve on top.

after mathematics, bio rhythm and la beauté du négatif, american artist deviere is back on parisian label unlearn. lobster theremin artist and unlearn affiliate royer is on remix duty. water drums (a1), a deep and spacey cut reminds a joey-anderson-esque imagery for a moody and introspective club experience. strong yet subtle in the low end, this one is for the big sound systems. royer’s demi-monde remix comes up as a more housy interpretation, mixing dubby inspirations with lo-fi aesthetics. reminiscent of kyle hall’s early works on moods and grooves, rising (b1) is an upfront dancefloor track suited for peak time euphoria. speak into existence (b2) is probably the most accessible track of the ep, oscillating between acid-yet-warm feelings and solemn preacher-preachin’ vibes.

the third release on ascorbites own corseque records is not for the faint-hearted. advance the flight and inadequate demeanor are clearly twins, delivered from the darkest corners of ascorbite’s mind. the bold, pounding quality of the ep brings adam x or grovskopa to mind but ascorbite has a dystopian touch that’s entirely his own. advance the flight is like a battle track for an intergalactic armada being attacked by an infinite horde of swarming space ants. inadequate demeanor, on the other hand, is a grim steampunk fantasy of a black, shining locomotive plainly out of control, raging on red hot rails towards the end of the line. however, while both tracks are rough and unforgiving, ascorbite manages to invigorate them by the use of subtle melancholic atmospheres – like rainy skies over a concrete desert. a balance between brutalism and vitality. a trademark of ascorbite and corseque records.

second release comes from berlin based b.e.f., soaking you into a deep journey of the now. a repetetive meditation - forward pushing and hypnotising. b.e.f. has been a steady part of parallel berlin since a few years, so it s a logical next step to release his debut solo ep on our label. he has been releasing under different monikers, which have been subjected to quite a lot of variations. he meanwhile found a coherent foundation of a rough, hypnotic and gritty sound. coming along with the process of discovering the most genuine way of expression, he focused on analogue gear. “waveforms are not only a mathematical law, waveforms are everywhere, in all sections of everyday life, in light and in sound. parallel is one of the many parallel universes out there, living and believing in variety, whilst pointing onto respect for various life forms. we do what we love”.

polyop was formed in 2015 by producers jack driscoll, harry orso and visual artist and programmer alex kempton. since then they have been researching and developing a visual-audio experience that fuses nature and tribal culture with the machine. ceremony is the first exploration of that aesthetic, with their own take on acid house, they take the subject on a hypnotic journey through an alternate sonic-visual reality. kemp mutates ceremony into something between disco and techno, the kick and bassline thick and pulsing, whilst the percussion syncopates infectiously. the track progresses into a crescendo, which is amplified by the cavernous feel of the mix. this is certain to hypnotise 3am dancefloor-pagans into a state of worship.

optimo music are delighted to present the second full-length from the golden filter, still / alone. after relocating to london and playing shows around europe for a year and a half, self-imposed pariahs penelope trappes and stephen hindman delved into creating a two-sided existential opus by renting out old studio spaces around the uk and using mostly analog 80 s instruments, machines and effects. an album about being in love with pure solitude, when still // alone is separated into two distinct sides, record one, still, is a hypnotic meditation for the nightclub. wavy patterns of sound and light bounce off of penelope’s literary vocal bursts, layered over the ominous deep synths and arpeggiators, held together only by a strict 4/4 beat. the rhythm, ironically forcing the body to move, however internally focused and mindful, still. record two, alone, takes the club offline and into the fringes of raw, odd pop.

one of italy’s brightest new talents, clap! clap! (aka cristiano crisci) returns with his second album for black acre, following on from his colorful breakthrough debut lp ‘tayi bebba’. bringing together disparate inspirations and styles onto the dance-floor of his mind, ‘a thousand skies’ sees clap! clap! create a high energy and inventive kaleidoscopic fusion of sound – drawing on the traditional global rhythms of the old world, hip hop, footwork, uk bass and house.

forging an idiosyncratic musical language, told through exotic rhythms and adventurous wordless vocal explorations, deal is fays boldest work yet, moving further away from the pop signifiers of previous exploits. with an articulate minimalism, deal flexes and shapes these elements to their maximum potential through vast spacial movements that evolve down unexpected paths. compositional directions diverge through variations on a theme. the album s complex choral arrangements and daring structural ideas demonstrate a deft understanding of music foundation while departing into abstract possibilities outside of these standards. a conversational interplay between drum and voice is at the center, highlighting the human element. a loose, primal urgency guides these compelling and playful electronic compositions that favor intuitive sense perceptions over self-expression. the voice acts as a beacon throughout the record, leading the rhythms and arrangements towards their next move. deal is music for movement, an active listening experience that feels narrative or visual, building tension and anticipation of where the piece will lead, and what will happen next. the album uses sparseness to it s strength, with each note and drum hit sounding more potent and unexpected. here you ll find soul, exhilaration, guts, humor, freedom, play, humans animalistic nature. with a willingness to embrace the potential for new music, deal is a brave and different record that will reward listeners.

rooted series is back with another various artists release. side a comes with rainer from half baked and bodyparts records and a collaboration between label boss bolumar and pablo marco from cadenza and fathers & sons. side b comes with dakpa from mulen and usual in the label and the talent jam on from newfact music as always vinyl only!

dub is the keyword, techno is the way. the very first autarchy release represents a rapidly and constantly changing momentum. there is a black and white atmosphere that surrounds the whole vinyl four-tracker. the skilled italian duo alpi make their mark on the a side, together with the wrong assessment darker reinterpretation, shaped around solid textural processing and raw rhytmatics. it s mainly a techno release, yet xdb delivers his own breakbeatish and more reflective vision of the b side, produced by label artists complementary opposites. the label is at the moment under the radar, working through a connection operating into events, music production and label management in between italy and germany.

locklead is one of utrechts best kept secrets with his signature mpc beats and a deep stompin flavor. he s been catching serious attention lately with his releases on slapfunk, hot haus, unknown to the unknown and soulfood. the a side madniz combines this years utrecht sound with locklead s signature raw warmth. dancing sub-bass and radiating percussion! roa tek is a bomb, ready to explode under your command. combining shuffling grooves, alien noises and an earthquake sub. handle with care.

editions mego is proud to present the latest opus from legendary british composer, actor, sound designer and all round fine human simon fisher turner. giraffe is a new major work which blurs the lines between sound design and song, machine severity and narrative sentimentality. subtitled living in sounds and music giraffe take the listener through a vast journey where an abstract clacking of unknown origin rubs up against a melancholic electronic sequence. life sounds were captured with a portable hard disc recorder and i-phone and appear alongside contemporar sound design. emma smith provides the narrative on slight smile whilst electronic machines grind amongst background industrial klang in mud larks .save as revolves around a beautiful simple piano motif which soon folds into an unnerving field recording and drone combination.

oakland-based dj/producer (100% silk / as you like it) teams up with fellow bay area fixtures cm-4 & jason kendig (honey soundsystem) for an ep of banging melodic tracks straddling the line between house & techno + a touch of acid.

btaim resumes its line of raw techno templates with a pair of stripped-back but funked-up floor killers. promising berlin-upstart tecture draws inspiration both from his hometown as well as detroit, delivering two highly effective yet emotive club weapons. their bold basement vibe may seem grim on the surface, but they glimmer with hope underneath. it is this very interplay between murk and melancholy that embodies the record with dynamic textures and a narrative. in similar fashion trevino pairs imposing low end rumble and bright arps, reworking the title track into his own dnb-reminiscent signature style. with the addition of btaim006 to their catalogue, both artist and label have placed themselves on this year‘s watch lists for sure.

the elusive dj groov slides from under a long lost 93 slipmatt to present a very special weekend long jaunt into heavy acid & breaks territory.
from the swaying euphoria of “back to”, to the 10 pills breakneck acid blaster “human?”, the synth-drone paranoid alien abduction jaunt of “jam from space haus”, and lastly the skitzy, noise-peppered tinker-toy acid of “skizzacid 78”.
full lazy acid sofa vibes over the long easter weekend. way too much haze and way too many alien movies. comes on an extra hot 12” complete with sticker.

selected advent deal. charlois present where is the champion, timothy j. fairplay s first full length solo album. twelve shifting, shuffling and shimmering tracks make up this debut. cruising the highways and byways between proto-techno, horror disco and forlorn wave, fairplay conjures up his creations from metal and smoke. saturated snares, clipped claps and warbling chords are dusted with distortion. and this idea of distortion, manipulation and the blurred line is omnipresent. innocent and sinister, cruel and playful, accepted boundaries are brazenly ignored as engines growl and synthlines soar.

the moment the track between pounds its first kick, you can t help but be immediately sucked in by doc sleeps ear for sophisticated, minimal, beautifully engineered sounds. between is a track that stays on its groove while soft gorgeous pads pass over you like waves, it s the perfect time for patrons of a dingy basement dance floor to connect in the dark. lastly, ampere is a track that lays out a solid techno soundscape that is mixed up at the listeners surprise with heavily reverb’d snare hits and brooding sweeps. on the b side, two remixers bring doc sleep s ep into a different dimension. bottom forty label head nark extracts the gorgeous pads and pulls them to the forefront of between, starting with a long ethereal intro sure to stop and sway any dance floor before continuing into a grimy minimal 303 bass line as the subtle rubs to doc sleep s original sounds lend it an exasperated grinding element. the second remix from bottom forty artist cid & fancy takes ampere into a place of rhythmic organized chaos with synth stabs that shoot off like metal sparks.

eleven tracks courtesy the rockers production team, recorded & mixed by sylvan morris and arranged & produced by the mastermind augustus pablo aka horace swaby (born: june 21, 1954 in st. andrew, jamaica / died: may 18, 1999 in kingston, jamaica). the 1984 compilation album -king david’s melody- was longtime not available and it contains music created between 1975 and 1982 for the rockers and message labels, most were released as singles only previously. here’s the re-issue for the 21st century state-of-the-art remastered with the original catalogue number grel170 featuring melodica masterpieces and deep dubs, all built on augustus pablo’s signature rock solid drum and bass foundations.

originally released on r2 records in 2007 and recorded in brussels. written by alton miller with jazz vocalist lady linn. 3 mixes of the title track including the original mix, remixes from zoetic and bodhi satva, as well as the track between the middle. on inner muse.

originally released on r2 records in 2007 and recorded in brussels. written by alton miller with jazz vocalist lady linn. 3 mixes of the title track including the original mix, remixes from zoetic and bodhi satva, as well as the track between the middle. on inner muse.

this 200 copy, vinyl only release is the first on 10years, a brand new and celebratory project between two long time friends, per hammar & maya lourenço aka parallax deep. channeling their trippier and more hypnotic works, the label will start with a split, limited run 12inch that marks ten years of friendship and then promises to develop into a great outlet for floor facing house and techno. per hammar goes first with the irresistible the expedition for mrs. gustavsson, a deep and fluid house cut with lots of little imperfections, crackles and bubbles adding character to a slick and stripped back groove. atmospheric and warm, soul infused and heady, it cannot fail to get connoisseurs on their toes. ‘parallax deep’ then offers a similarly rubbery and deep roller in periscope. this one is more electronic and minimal and finds the artist orchestrating myriad synthetic sounds into a bubbling track that is subtly curious and full of late night freakiness. support by traumer, nima gorji, bella sarris, brett jacobs, io mulen, truncate, raresh etc

after a year ride between return to disorder, contort yourself and new york haunted, the hamburg based duo fallbeil debuts on death of the machines. tune in the incredible electro/acid razor the healer, also available in the b side with a distorted and industrial influenced version by innsyter aka fernando seixlack, already smashing it for l.a. club resource. the 707-electro-driven extra b side track voice of thunder is completing the pack. just killer. tip!

nice price deal !!! honest peak time techno bangers. suburban avenue welcomes two other great artists in its team. sav007 is a splitted ep between the german-based djs and producers, johannes volk and savas pascalidis. volk delivers two works: a1, >dont be afraid, theres no hope< is a an elegant and minimalistic techno tune, that seems to reveal his dystopian vision of the future, a2, >wrong prophecy< is a proper detroit banger track. pascalidis gives his contribution to this release with other two amazing cuts: b1, >night force< is a perfect track, ready for the big floor: noisy, boomy with a straight groove. b2, >strobe< is a classy and effective techno tool, lost in space.

marc romboy presents his upcoming album voyage de la planete his first solo full-length production in over eight years. released on his newly launched hyperharmonic label, voyage de la plantète signifies an exciting new chapter for marc as he experiments with his sound - pushing the boundaries between classical and electronic music to create both an emotional and atmospheric experience. the first impression of this new sound can be heard on this 10inch, the album opener monde futuristewhich blends together beautiful strings and soft flittering synths. while „monde futuriste“ merges the beauty of the violine played by miki kekenj and electronic arrangments, „voyage de la planète“ mixes the two mediums together with fluttering synths and a somber string quartet. inspired by a concert with the dortmund philharmonic orchestra where he performed claude debussy works in a contemporary way, this 10inch and the album signify the start of a new chapter for marc romboy. combining the strange, fascinating sounds of electronic music with the sublime beauty of classical music to create an extraordinary sonic experience for the listener.

with 4 releases under their belt and more to follow, it clearly shows the alliance between hunter/game and the icelandic band kura, can do no wrong. their band, landside, is now primed to get an accompanying remix ep following up from signs of change and desert lake. drawing their inspiration from a cumulation of music that inspires them, they call up a diverse selection of artists to the task, which present an astonishingly coherent vision. from the stormy modulated chords of robert hood and trickling pads crafted by etapp kyle, to the dystopian narratives expressed by bambounou and edanticonf, the re-visionings provide additional star-power to what is already a fine, shimmering series.

speed boat is eden burns, one half of dunedin house duo sandboards, who brightened up 2016 with heavyweight releases on feel my bicep and cold tonic. splitting off for the first release under his solo moniker, speed boat applies the base coat to new label the nail shop with a gliding four track ep for the imprint’s debut release, that makes the foot-tapping accompaniment to an afternoon waiting for your nails to dry.
the vibe is in the name, as ‘speed tools’ packs a mighty punch, featuring skittering percussion, steady-movin’ bass and infectiously sensual pads that effortless take the forefront. just don’t be surprised if it swoops you straight from the salon onto the dancefloor.

daydream 01 is the debut release of the daydream imprint – a brand new label based in france and focused on forceful groovy house exclusively on wax. the imprint seeks to offer an intelligent and efficient vision of house music in order to provide perfect dj cuts. this first ep delivers 4 original tracks produced by talents from france and germany. mjog launches the various with “be forgotten”, a beautiful journey balanced between deep synths and solid drums. then, with “eleven”, porter presents a raw and dynamic cut where harsh sounds and hypnotic pads play together on a sustain rhythm. on the flip, “future” from walker is all about dubby sounds, loud kick and deep bass, a very immersive homemade tune. finally, mjog closes this first chapter with “peace is at hand”, a classy and strong house cut designed for dance.

vinyl only .. space is most definitely the place as far as the latest vinyl adventure from us here at future reactions is concerned. with galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the analog core ep, the only thing missing is an astronaut suit. manning the controls of this otherworldly craft is josé rico, a key figure in themadrid underground scene through his associations with the downbeat and freebeat labels, who blasts off with the raw emotional electronica of orion. that man rico also features alongside the much-vaunted leonid (dolly/sistrum/statik entertainment) under their joint studio guise of cygnuss. having made their debut on freebeat earlier this year with the well-received long player night drive, the duo are on a mission here to warm-up the dance-floor with their house-not-house rocket journey to outertape. hailing from buenos aires but with a sensibility rooted in chicago and detroit, diego perrisson caught the attention of the more discerning ears as co-owner of the short-lived but not-forgotten label monochromatic. turning heads once again with his new venture, fundamental sounds, perrisson captains a smooth touchdown with the cultured deepness of restless ride.

the journey continues! metropolita 002 propose a solid sound, an adventure between techno and house sonority made by riccardo... be united!

transitional state join the pacific command roster with a bumper five-track ep of lucid, woozy techno that segues between blown-out 909 romps and deep, percussive 808 workouts. one for the m25 field ravers back in ’93.

somewhere between a dadaistic mixtape, a surreal audio collage sourced from his record collection, and sporadic interjections from his own storehouse of outlandish and intriguing productions, this 79-minute journey reveals madteo’s freewheeling rigor in the studio.
confessions of a permanent alien opium beater is another crucial piece of a discography from one of music’s most fascinating enigmas, a celestial lysergic jukebox that conjures new pleasures and deeper mysteries with each listen.

mit siamese anthology i veröffentlicht das junge schweizer label siamese seine erste various artists ep. adriatique eröffnen diese 4 track ep mit something in between, ein deeper und sphärischer track und zugleich perfekte einleitung in diese platte. gefolgt von lehar & olderics il sole, einem track der die mit something in between eingeschlagene richtung fortführt. der junge schweizer produzent shiffer gibt mit drunk on hope seinen einstand auf dem label und toto chiavetta, der auf ein sehr erfolgreiches jahr zurückblicken kann, schliesst diese ep mit money mind. deluxe 12inch inklusive 4 kunstdrucke (12x12inch)

after a period of uncertain drifting between pressing delays and schedule mishaps, lobster is finally back and rolling and bringing more snappy electro through the theremin caverns with this long-awaited and indelible ep from unfinished portraits.
a collector of hardware and purveyor of the warm analogue sound, unfinished portraits’ path is a sincere endeavour that eschews any throw-away comparisons and truly brings the raw end of the hardware techno sound to it s natural home, nestled comfortably in beautiful frequencies in the inner ear.

jackie is a biographical film from chilean director pablo larraín. starring natalie portman (black swan) in the title role, the movie follows jacqueline kennedy from the days when she was first lady of the white house to the aftermath of the assassination of john f. kennedy. critically lauded since its debut at the venice film festival where it won the best screenplay award, jackie also received the platform prize at the toronto international film festival and is a heavy favorite going into awards season.
the score to jackie was composed by experimental british musician mica levi, best known for her ethereal score to 2013’s sleeper hit under the skin. mournful and eerie with a touch of the surreal, levi has delivered an unmistakable musical tapestry every bit as iconic as jackie o herself.
jackie is getting the vinyl treatment. the mastered-for-vinyl score is pressed on 180 gram black vinyl and housed in a heavy stock euro sleeve featuring black-and-white artwork of jackie. a download card containing a digital version of the album is also included.

3 years ago, superpitcher made this mesmerizing remix of joakim s cover of neil young s on the beach. the buzz was instant, with djs from dixon to tim sweeney, dj tennis to mike simonetti asking us for the files of this extended deep techno cut. 3 years later we re finally releasing it as a joint crowdspacer / hippie dance release with an additional 20min long (!!) incredible ambient mix.

collaboration between henry wu (rhythm section international, 22a, eglo) and londener jamal banton on the new sound of speed 12 - exclusive outside japan

dublin based label underneath the orange tree brings you two highly sought after afro-disco classics released on their orange tree edits white label. the a side has rhythms blurring the lines between afrobeat and house with a swelling brass section and vocals reminiscent of fela kuti. on the flip is a beefed up over dub edit of a well known afro/synth funk song from 1970s. guaranteed to work on the dancefloor. don t sleep dj support: dimitri from paris mad matts jimpster cotton wolf music harri soul clap axel boman j.roc addison groove pariah benji b catz & dogz eric duncan roy davis jnr. breach joakim mj cole huxley chaos in the cbd

this opus was recorded in a room transformed into a studio, where countless hours of work happened on an old computer, with trips back and forth to the grocery to buy liters of soda. in between soundtrack, jazz-funk and house, the beginnings of this ep find their roots in the encounter between lucien and dj gregory (point g), spiritual guide, who pushed into an introspective work, where the feelings were ultimately revealed sincerely. this ep is also the meeting of 4 musicians whove known each other for a long time and, together, form lucien & the kimono orchestra.

banlieue records starts the year 2017 with the release of blasphema eternal, the imprints sixth record, which will in fact be the only va release of the year as the label will focus on artist eps. it features five very different cuts that somehow fit perfectly together under banlieues common thread: a timeless feel, tracks that are full of detail but often understated, a breath of fresh air ready to lift up bodies and minds on the dance floor and anywhere else. first comes a club-ready dubbed out track by duo nummer, then a rather ambient tune reminiscent of idms finest moments by michigans own dmarc cantu. on the flipside, a machine funk track of an electro persuasion by label boss benoit b, followed by uptempo dance floor abstraction by mir and some lo-fi jackbeat deepness courtesy of wulffius featuring lyrics in french by jack tezam. limited to 300 vinyl copies.