iii rivers bringen zee ruckus eins more time! mark forshaw providing the subterranean transmissions on this latest space nugget. with shulgin gone, secret tales of him dosing up the clientele at bohemian grove have surfaced, with this record surely soundtracking the ensuing all night discotheque?! the north-west uk based artist provides 3 tracks of smoky, hardware-based techno infused with narcosis throughout.

eran ben zeev - i am herepowerful, mesmerizing this track gets you right were in counts - in the stomach. pulsating, it slowly seeps through and takes control and floods the whole body with a laid-back kind of urgency.

the lipservice bandwagon rolls into town with yet another musical extravaganza. we have put together a rather tasty single package of one of the standout tracks from chicken lips amazingly nostalgic >experience of malfunction< lp, including remixes by the main stem, zeefungk and the rhythm odyssey.

limited 5 track ep pressed on white vinyl.
karlmarx are brothers isaac aesili (aka karl) and mark mcneill (aka marx) from new zeeland. the >mists< ep is the first taster from their forthcoming fulllenght >the karlmarx project<. it is music from the drk side of the mon, fusing electronica, techno, synthpop, industrial, future soul and instrumental hip hop into something new and exciting.
karlmarx have enjoyed early support by benji b (bbc 1xtra) and lefto (brownswood). the song >mists< will also be featured on the forthcoming brownswood comp >lefto & simbad present worldwide family vol.1<

some would say the chicken lips label is long overdue, but lipservice is worth the wait as it promises the very best from augmented cl clan of dean meredith, andy meecham, stevie kotey and johnny spencer - a collective who have remixed just about everyone, spawned a thousand copycats and destroyed a few floors in the process. the inaugural lipservice release sees the chaps unleash zeefungk, one of their most popular and rare guises. the a-side is occupied by >robot eyes< - a splendid slice of electro-disco-funk which is vintage chicken lips. acid bass and loose drums combine with keys which progress wonderfully to create a really special piece of dancefloor tomfoolery. next up is >feast of freeks< (stevie koteys tape edit), a new edit of a track featured on the bands now-classic >extended play< album but never released as a 12inch. the bearfunk main man and all round gent delivers a tweaky, driving uptempo disco monster which climaxes in some trademark kotey madness. >robot lips< closes the packages and displays more of the guys unreal keyboard work as the groove stays steady but the hands go hyper. riddled with vintage synth work, >robot lips< is heads down business and no mistake.

zeep dreams finally sees the light with a massive 12inch release featuring heavyweight and veterans on the scene da lata (patrick forge & chris franck) and afronaught (bugz in the attic) punching a string of right handers and basslines to boot. underdogs and remix competition winners, john johnson and dj lk respond to the challenge with some deft footwork and some surprise dancefloor sonics keeping a truly competitive edge to proceedings.

amazing hi-tech electro funk tracks !!

phreakin 4 track ep with elctronc tracks with acid & techhouse moments

the new distant gaze, a six-track ep, features the three originals as well as three remixes by renowned artists such as damon jee, zakmina and the up-and-coming berlin talent zee mon.

art!

a comprehensive collection of frequently sampled groove classics on double vinyl.

nice price, 2cd mixed

2lp incl gatefold sleeve

lp with pantone + cmyk printed outer and inner sleeve, shrink wrap and silver hype sticker!

limited reissue on pink coloured 7 inch vinyl.

reissue on audiophile black 180 gram double vinyl, housed in a gatefold sleeve.

pressed on limited clear vinyl

limited signed edition of the new album from onoe caponoe on translucent double vinyl.

the new album from onoe caponoe on transparent green double vinyl.

mixed 3xcd box set. ravin presents a collection of lounge classics from 20 years of buddha-bar.

limited edition of 3000 numbered copies on white 180 gram double vinyl, housed in a trifold sleeve.

the 3rd album from onoe caponoe on limited double vinyl.

hand marked limited edition of 300 copies on multi-colour marbled vinyl. every vinyl comes in its own unique colour, touching on a spectrum of either red, yellow, blue or green. handmade and silk-screened cover.

calibre�s new album �4am� on doc scott�s 31 label. 8 tracks spread over 4x12� vinyl with download code included.

ltd 4lp + downloadcode

nice price deal !!! beginning its activities in the early nineties, the shadowy gescom collective has released material on clear, leaf, chocolate industries, skam, warp, worm interface, and source labels.
gescom exists as a platform for a number of aligned artists to work in various different combinations, whilst remaining otherwise-anonymous. personnel in gescom has varied from release to release and even track. gescom continues to operate and shift its identities.

this years essential laid back club anthems and remixes! incl. the chainsmokers, xylo, calvin harris, felix jaehn, bonobo, moderat, dillion and many more

the cyovac machine is held together by a team of like minded artists that work to move production forward. cryovac functions to preserve the soundcraft of thees artists into the vinyl format. cryovac vinyl is pressed by a.garcia at archer record press in detroit. the cryovac operates to push music that represents the soul of its maker. sierra sam and pascal hetzel bring the smooth techno feel of berlin and an analog savvy to fist side of cryovac #14. they combine for two minimal machine soul bangers that zone your mind and move your body. spam burrito is the creation of a.garcia and kieth kemp. this combination rocks out choice wavs that have been tweeked to perfection under the rising and falling of effects. dave powers choses the low key emotional path of ever an evolving synth moving an intelligent knock. the 14th edition of cryovac is a must hear.

limited to 300 copies / only on black 180g vinyl / hand stickered & numbered

milton jackson returns and its worth the wait. two club ready raw house tracks and the melodic charm of territory.

played and supported by josh wink, dvs1, dj sneak, norman nodge, brendon moeller, alan fitzpatrick, arnaud le texier, luciano and more.danish kid from 91 living in the outskirts of aarhus. first release ever on bio recordings.been listening to house music the last 5 years, which he is strongly influenced by.not so much bullshit about this young kid - he loves making house music.keep an eye out for him in the future!the three remixes signed by optic (zeecc, riot riot, etc.) fingers in the noise (eintakt, dewtone) and fabio scalabroni complete this pearl of deep and dub.

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen Ð its driving, percussive dance music. a comedy in six acts: from l.a. to d�sseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach d�sseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of d�sseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

andreas reihse is well known since 1994 in his role as musician with kreidler. sometimes he releases club music, for example using his alias april or with detlef weinrich (kreidler, tolouse lowtrax) as binford on labels like italic, onitor or smoothrooms. he also composed soundtracks for artist movies and installations (rosemarie trockel, maximilian zentz zlomowitz, thea djordjadze, andreas gursky, frances scholz/mark von schlegell, among others). romantic comedy is music for dark clubs, for places without much light and oxygen � its driving, percussive dance music. a comedy in six acts: from l.a. to düsseldorf and back. music and lyrics? - pop goes my heart! - of course its a romantic comedy, a bittersweet romance full of memories and a bit of sorrow. >der lange weg nach düsseldorf< the title reminds of mittagspauses der lange weg nach derendorf, derendorf, the district of düsseldorf where andreas reihse and stefan betke / pole in the late 80ies shared a rehearsal room. langeweg also was the adress of the studio of klaus dinger in zeeland. the titles of the other pieces refer to dubious characters that show that the trip on the west coast makes stops in manchester, milano, brussels and london without forgetting charlottenburg and williamsburg. places that hold up against oblivion and reinvent themselves. your club needs you. the cover was designed by artist thea djordjadze

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

just over a year after it launched, jay shepeards retrofit presents its fifth release, with the label boss teaming up once again with matthew burton for a quartet of classy deepness you would expect from the imprint.

the finest selection of cool tempo tunes!

excellent deep funky disco, spaced out disco with dubby flavours

itÆs been a couple of years since victim last released a full 12, but just like the buses you wait that long and then two come along at once. for victim, the >off piste< 12 follows hot on the heels of their split 12 with jerome hill & dont recordings. in the case of ben pest, they are coming thick and fast at the moment, with a recent release on lukes angers bonus round label, and an upcoming 12 on the seriously deranged panic bridge label. so, all in all a busy few months. as for the tracks, they all share in common a seriously weighty bottom end, and a tendency for crunchy acidic midsàbut that is kinda where the similarities end, as ben takes the opportunity to explore various avenues off the main street of techno. from the stomping acid workout of >zeedonk< to the more electro-influenced beats of >pain n gain< this is a record that covers a fair few bases (basses?), although all with the aim of thrilling a crowd that enjoys their techno on the gnarly side.

fort knox fives critically acclaimed album radio free dc has been voted one of this years most exciting, most eclectic funk albums by usa today. wanting to move things in new directions, the fort knox five have enlisted several of their favorite djs and producers to add their take to radio free dc. the second single in fort knox fives radio free dc remixed series will devastate any dancefloor. malentes champion sound mix of the wonder strikes again is a no holds barred, electro ragga breaks monster. featuring rapid fire vocals by the unstoppable sleepy wonder, this tune means serious bizness. taking things to a deeper level, sub swara transforms killa soundboy into an apocalyptic dubstep destroyer. thunderous bass and dark indian rhythms furiously propel sleepy wonder and zeebos ragga vocals into a murderous future rocker. we ve also included an instrumental mix as an added bonus.

debut release of this new french label: badback records! great start of this label with this top kickin hardcore/industrial hardcore/speedcore sampler produced by tripped and subversa... play it loud!!

standard cd inklusive 12-seitigen booklet. artwork by winston hacking. layout by adam stover

ranges records newest full length is here and its from none other than the amazingly talented gradient! >protocols< encompasses 10 immense and seasoned tracks that are sure to satisfy your appetite for deep subliminal techno and dub sounds. gradient, a household name in the genre, has highly regarded releases on a multitude of labels including greyscale, zeecc, entropy, space of variants and u-cover. written and produced by chris kelly mastering: subosc studio writeup: tim humphrey

the well-respected hydergine run ranges label adds a talented phenom to its roster. san francisco dub techno artist federsen, has been making waves in the scene for over a decade now. with releases on greyscale, silent season, zeecc, and even back on thinner in 2009 among others, federsen continues to find himself on labels that can properly advocate his sound. highly influenced by the dub style recording craftsmanship and in an ultra-competitive genre, we at ranges feel that this is one to be heard that evolves the genre even further.>magnetosphere< focuses are wide-ranging on this release. from traditional inspired rhythms like in >relic< and the dub chord roots of >anyplace<, to the spatialness of >euradyce< & >vco<. the seriousness picks up a notch for the techier heads in the wicked sounds of >siricco<. we feel one of the key appeals to federsens sound on this full length is the ability for sounds to evolve organically while others dip, swell and flourish giving the tracks a great live allure. the combination of those strategies make the experience come alive for listeners. the deepness is on full display in epic tracks like the immersive >magnetic< & >l infinito<. there is certainly enough for the deep house fans in this output as well. >forms< & >cerulean< give off house elements while still firmly places itself in the dub techno sphere. we are sure you will love this release and we are very proud to bring it to you! federsen is in top form here on this long player. check it out! written and produced by chris kelly mastering: subosc studio writeup: tim humphrey