vega records puts together a vinyl package with one of the hottest records in the catalog. now a classic in the uk into my life is getting a whole new treatment and will be released as a double pack vinyl. a brand new version unreleased, the original studio recording of the song before it was remixed in the house format is already being played by gilles peterson on worldwidefm.net then there are the main version, instrumental, and two original dubs, which are all remastered by vegas mastering engineer walter coelho.

after numerous live performances around europe and the release of his a music for sound systems full length in 2017, infrasonics label boss spatial rejoins never ready with two productions originally aired during his 2016 mutek live set and lovingly mutated into nvr003. low frequency perturbations fusing spatials sound system culture references and trademark distortion, netz rooms broken techno in the key of grime defines our labels intent to release forward bass explorations. hut 6 follows with a ten minute warp drive across the known universe in search of a unifying field theory of techno. the b-side sees j. tijns first foray on never ready with a bruk & bass out genetic resequencing of netz room, while munstac returns with a sub heavy 4/4 interpretation of the title track. never ready records third release in our establishing tetralogy continues with cover artwork from nerog, 180g coloured vinyl and a limited pressing of 300 units.

cia records is an imprint who has remained at the centre of drum & basses history, with esteemed producers total science creating it during the genre’s formative years in 1997. the forthcoming ep on cia, field’s ‘intention dub’, highlights the eclectic mix of artists who have joined the roster since its first release. featuring a variety of collaborative producers, the six-track ep exemplifies the talented intricacies of fields and his masterful song compositions. the names that run alongside fields stand out within their own right, with underground stalwarts mako, and mcleod, roller top dog break, frequent partner villem (who go under their pseudonym mute) and forren, who also makes an appearance. as a collective, they represent many of the artists who helped cia build their impressive back catalogue.

with the sublime sounds of um001 still resonating through the drum & bass world, the bristol based utopia collective build on their impressive debut with an equally stunning second single. another long-time supporter of the utopian cause, survival (exit records/audio tactics/dnaudio) steps up with the hypnotic and enchanting traveller whilst the sect give mako and mutes incendiary >connexion< their unique treatment. dj support: ltj bukem, doc scott, dj marky, fierce, makoto, bailey, loxy, total science, spectrasoul, dj lee, flight, instra:mental, survival, invaderz, squire, insiders and many more

a certain ratio aus manchester repräsentieren beispielhaft die Ästhetik und kultur der postpunk-explosion der späten siebziger. mute schickt sich nun an, den katalog der band in einer mindestens länger währenden veröffentlichungsoffensive erneut verfügbar zu machen. die reihe beinhaltet das debüt “the graveyard and the ballroom”, das im original im dezember 1979 auf factory records veröffentlicht wurde. es erscheint als limitierte vinyl-edition mit einem farbigen pvc-sleeve inklusive cd und, analog zur erstveröffentlichung, kassettenbeilage. gleichzeitig erscheinen die alben “to each...” (1981) und “force” (1986) auf farbigem vinyl.
rotes doppel-vinyl (45rpm) im klappcover, downloadcode inklusive.

die ursympathische, trinkfeste und gern auch mal alberne doppel-lp des tam tam tanzlokals (aka kammerspiele bar) in münchen. eine platte, die gut zuhören kann und dich versteht. eine platte, die für jeden spaß zu haben ist. die mit dir bis zum nächsten morgen in den dreckigsten clubs der stadt tanzt. und die mit dir genauso gern raus an den see fährt und kirschen isst. zwei platten mit tracks und songs von den djs und bands, die das tam tam tanzlokal in seinem ersten jahr zu einem unverwechselbar offenen, verrückten, partyhungrigen, allesistmöglichen, duweißtniewaspassierten ort gemacht haben.

nicolas bougaïeff presents his new ep on seminal british imprint novamute. as a producer he harbours a diverse musical background, having studied in a conservatoire setting whilst foraying into anti-authoritarian rave culture. he is also a respected lecturer, regularly teaching masterclasses in composition and speaking at global events such as mutek and ableton loop – the results of which come to life in the inquisitive spirit of his productions. cognitive resonance explores elements of acid, gabber and techno through a compositional lens, drawing on the artist’s love for avant-garde forms and long-standing relationship with the electronic music community. the title track lays out long, expansive phrases and warped crescendos to create a disorienting structure, whilst distant harmonies, distorted kick drums and shattering effects merge into a hypnotic form on ‘truthful hyperbole’. lastly, ‘fake news’ mangles our sense of rhythmic familiarity, disrupting the 4/4 beat with a complex metre and sinister melody. listen to the title track here. nicolas will follow this release with an album on his own denkfrabik label, ‘principles of newspeak’ is due out on the 24th of november. this is novamute’s first release since motor (bryan black and oly grasset) over ten years ago. the label, a subsidiary of mute (depeche mode, goldfrapp, new order, liars, erasure, moby), began in 1992 as a response to the growing demand for techno releases in the uk. originally presenting white labels and imports, novamute went on to release records by plastikman, speedy j, juan atkins, luke slater and joey beltram to name a few, as well as forging invaluable links with labels such as tresor and probe, which allowed them to license rare tracks for a wider audience. forthcoming releases on novamute will include eps from terence fixmer and charlotte de witte.

detroit house guests ist ein kollaboratives projekt, das adult. bereits in den frühen 2000ern erdacht hatten. analog der idee eines künstlerstipendiums, luden adult. unter der prämisse des gemeinsamen lebens und arbeitens verschiedene musiker für einen zeitraum von je drei wochen zu sich ins studio ein. das resultat ist ein album, das sie nicht zu unrecht ein anthropologisches klangexperiment nennen. das werk bietet kollaborationen mit einer ganzen reihe verschiedener künstler*innen, darunter douglas j mccarthy von nitzer ebb, michael gira von swans, shannon funchess von light asylum, robert aiki aubrey lowe alias lichens, der österreichischen thereministin dorit chrysler und der multidisziplinären künstlerin lun*na menoh. bis heute haben adult. auf verschiedenen labels wie ghostly international, thrill jockey und clone records, sowie ihrem eigenen label ersatz audio veröffentlicht. dazu gesellen sich remixe für künstler wie tuxedomoon, john foxx und den pet shop boys.
das doppel-vinyl erscheint inklusive downloadcode.

early electronics by a.k.klosowski made available again through felix kubin s galgarin records label! long before digital sampling was affordable for everyone, a.k.klosowski invented his kassetteninstrument, a custom-made music apparatus consisting of eight sony-walkmen combined with a mute/demute mechanism. the outputs of the instrument could be controlled both by hand and by an automatic trigger module. in addition, a drum computer and some effect machines were fed into the circuit. this technique allowed for very intuitive and simultaneous control over the analogue tape sources.

minim records gathers a quartet of bumpin sleek sounds from around the globe for the anticipated 002 va. “stardub” finds romanian producer mano andrei layering ethereal, muted pads over some raw percussives, tight driving kick and body moving bassline, while montreal gearhead pheek’s “glad i say” mates tech house bounce and sine-wave wubs to a creaky, industrial sonic palette. uk trackslinger tijn pictures the “cosmos” bursting with angular breakbeats and 4/4 subs, as the talented ukranian producer/dj and tvir label boss komponente tweaks percussive tones, punches the kick, and adds a coating of sonic grit on the brain-bending “amigdala”.

limited edition of 100 numbered copies on double 12 inch vinyl.

nice price deal !!! for the first time chicago artists traxx & josh werner come together as jm strap and they are responsible for the a side of this record. we proudly present >the owl in daylight<, an amazing track that brings back the chicago jakbeat sound with an incredible bassline that seems alive, weaving all around the song to take it to the next level with a simple but intriguing dark pad and brilliant solid drums. on the flip we have >play error< by juanpablo. this madrid based artist is responsible for the frigio label and his track composed on the phrygian scale. the result is a dark and rythmic tune with a sweet melody and background voices. like the other tunes on this record >mute city< by lektoluxe remains at the underground level with galactic melodic synths and a fat deep bass that switches to acid tones at points.

mute records presents the 4th longplayer from erasure, originally released in 1989, as limited edition reissue on 180 gram vinyl.

mute records presents the 1994 longplayer from erasure as limited edition reissue on 180 gram vinyl.

benedikt frey heads this latest offering from the batti batti label, teaming up with jonas.san for -girl from venus-, which pair the former s signature raw drums with the latter s outtakes of muted trumpet. complementing this, batti batti s own owen jay & melchior sultana lay down a typically deep atmospheric houser with a few twists and hidden melodies in the shape of title track tribal roots and the 12inch is further embellished by productions from debutant lars behrenroth and mexican duo romeo c & alhan g who have previously been featured on a digital batti batti release.

the latest instalment from danse club kicks off a much darker and harder side of the label previously unheard of on the now established imprint - with dark sleeves and muted colours there is a clear difference in sound and direction with the 17th release by emerson todd.danse club have called upon sascha dive, nathan barato and themselves (brodanse) for remix duties in order to take emerson todds original piece in three very dance floor led yet contrasting directions. from each of the remixers you get exactly what you would expect from the said names and the result is a package of stand out danse club tools that will find their way into a number of record bags permanently

jacky makes his debut appearance on the growing label keep it zen records and kicks off 2015 by taking you on a journey with his sensational nineteen ep, featuring 3 peak time dance floor hitters, all with that unique jacky signature sound he is becoming well known for.

presented on high-quality 180gram heavyweight black and white vinyl. features bonus lp insert compiled by tom ellard with ephemera from the time. limited edition. medical records presents two of the most striking and iconic reissues in its catalog. severed heads are one of the most diverse and expert soundpalette engineers and are also repeatedly overlooked and far underrated. hailing from sydney, australia, they formed in 1979. the lp exemplifies the transition point between experimental structure and loops into the catchy pop hooks that would later define such releases as rotund for success. difficult to classify, it is a masterpiece of electronic music

building on the momentum of 2013s two excellent split eps from andy ash/circular rhythms and deep space orchestra/bantam lions, scenery records now serves up a full ep from liverpools much loved house and techno inventor, john heckle.

hypnotic minimal madness

for the first release on their marbled series, exprezoo comes up with roberto badinis >hate me< and remixes by snuff crew, massimo di lena, decoside and mute oscillator. all delivered on a beautiful transparent and smokey marbled vinyl.

maya jane coles with her dj kicks debut... 8 tracks on two 12 inches with full of mayas popular style

r&s follow the massive singles from pariah, james blake, model 500 and space dimension controller with the debut release on the label by untold.
>stereo freeze< is aimed directly at the dancefloor, updating the electro sound for 2010.
>mass dreams of the future< mixes muted rave stabs and more electro basslines over house beats and sub bass, and perfectly accompanies the lairier a-side.

great stuff, kling klong, mutekki, blufin, my best friend…oliver klein had them all. now he teams up with kolombo (turbo, blufin, giant wheel) to bring a real smasher down to the floors. techhouse at its best ... completed by 3 nice remixes. stand up and dance!

repress of this classic deephouse outing. very beautiful melodic stuff in that classic jersey vein with a dope remix from joe clausell on the flip.

amazing new ep on soul jazz records of glitchy deep italo disco and dark electronic grooves from international dj and producer matias aguayo, who has been releasing music for the last ten years on labels such as kompakt, closer and mute and working with and remixing artists such as tiefschwarz, michael mayer and macondo

debut release von dreher & sm.art (rotary cocktail, mute, ostwind) !! zwei gänsehaut-charaktäre und ein sehr charmanter wie auch quirliger mollono.bass remix

3 different peaktime tracks incl. remixes by mos and alex kenji remix. supported and and played by hernan cattaneo (renaissance), d-nox (sprout), guy j (electribe/mutekki), stephan hinz (kling klong/global scum)

supported by: chez damier, jimpster, chris duckenfield, leandro gámez… from the hands of nacho marco, who recently had a big succes with his >sweetest ep< on freerange, various forthcoming releases on pacha recordings and with a bunch of releases during the last years on labels like odori, shinichi, mutes future groove, d.press industries, exun or hypnotic, comes this new label focused on house music in its most deep, electronic, tech and groovy side. based in valencia, spain, loudeast records will be bringing the most elegant, quality, moody tracks to your favourite dancefloors. for this first release own nacho wrote >sundays in love<, counting with the special remix collaboration of partners mike shannon (cynosure records, montreal) and garcynoise (justified cause recorthings, barcelona). on the a-side you will find nachos original mix letting the melody and bass persist amongst the rest of elements. a2 is the turn for our canadian man mike shannon, who with his >tuesdays in love< mix drives you to an uncertain techy point between montreal and detroit cooked with hot spicy percussions.

jazzy flavoured deep latin grooves 2 new mixes on the louie vega remix take a must have

the hertzian space turns its focus towards the darker side of warsaw for a release by peter sliwinski aka echoplex - founder of soleil records and with more than 50 releases and compilation appearances on labels like synewave, kanzleramt, tresor, torema, black nation and nova mute. peter delivers four machine driven tracks built on a solid foundation of funk, darkness and knowledge straight from of the future. supported by heavy hitting djs laurent garnier, steve rachmad, damon wild, ben sims, funk d’void, the advent and pacou

slipping away is a brand new version of the track from his latest album hotel, which continues in moby s tradition of eclectic records and runs the gamut from quiet instrumentals, to anthems, to downtempo sultry jams, to uplifting electro-disco. prime mover remixes by tiga & axwell

scottish alt/post/progressive-rock outfit midas fall release their fifth studio album, “cold waves divide us” on monotreme records. limited edition of 500 copies on clear with orange & black splatter 180 gram vinyl.

2087 is inspired by the science fiction film -cyborg: 2087- (1966) by the writer arthur c. pierce, directed by franklin adreon. plot modification and soundtrack by jeff mills. it is the year 2087. the world had become a place where thoughts were not only monitored and restricted, but also, muted or reconstructed to favor the current rulers of earth and its inhabitants. the once exceptional human was merely reduced to a byproduct in the multi-dimensional industry of planetary hypostatisification. a boundless depository of cosmic energy controlled by an unknown force that had become too powerful to even reveal itself. a small and resourceful group of young scientists, engineers and devoted supporters create and send back through time a cyborg. a low technological invention consisting of human fibers and machine. out of desperation and precise planning, he is sent back to the year 1966 to prevent earths leading mathematician from thinking about the numeric breakthrough that would eventually lead to the mass thought control and human manipulation of the future. the cyborg (garth) soon discovers he is not alone in his mission, giving grave suspicion to possible traitors or spy within the young group of his creators. garth succeeds in finding and assassinating his target, but as the result, he alters the future and becomes the only remaining symbol of a time that never existed. a man out of time.

rising star viikatory brings her electro-fuelled energy to dj mell gs label juicy gang records.

musik mit samples von lateinamerikanischen schallplatten mit 78 u / min. eine faszinierende mischung aus alt und neu, die die seele der musik und der menschen auf dem kontinent mitnimmt, um einen zeitlosen raum frei fließender klänge und strukturen zu schaffen. limited edition, veröffentlicht von kazemat records exklusiv auf vinyl. enthält ein fotobuch und ein cover des künstlers pieter bijwaard. vinkepeezer (ivo bol) baut seine tracks auf, indem er aus vorhandenen materialien neue kompositionen erstellt, die von der geschichte der bandmusik und des samplings inspiriert sind. für sein letztes album all kinds verwendete er samples aus der bemerkenswerten sammlung lateinamerikanischer schallplatten mit 78 u / min, die klm-kapitän lucas de ruyter van steveninck während seiner reisen von den 1950er bis in die 1980er jahre gesammelt hatte. für vinkepeezer sind alle geräusche etwas besonderes: das summen des kühlschranks oder das geräusch der schallplatte kurz vor beginn des songs. er spielt seine musik mit körper und geist, um diese geräusche mit lichtsensoren, berührungen, gesten oder gehirnwellen zu manipulieren. improvisation, live mixing und glückliche unfälle sind wichtige bestandteile seiner frei fließenden, organisch strukturierten musik.

incl. ashley beedle north street remix

lsd is an ongoing musical collaboration between longtime electronic music innovators luke slater, steve bicknell and david sumner focusing on psychedelic aspects of techno while emphasizing the cross-pollination of each members style and rhythmic sensibility. personal ties between the three can be traced back across continents and developments in dance music, with steve first inviting luke to play his legendary lost party series in london in the early 90s, resulting in mutual remixes for pioneering techno imprints cosmic records and nova mute. almost a decade later in the year 2000, dave, a native new yorker, befriended steve after inviting him to play limelight in manhattan. over the years, dave and luke would also have numerous encounters, first forming a musical bond in 2009, with dave later co-producing lukes early l.b. dub corp material (roller, 2013).

neil landstrumm - bad life choice club ep are bad life choices a bad thing or actually quite good really? neil landstrumm invites you to join his club of fools with this effort on moustache records. its money badly invested if you do but endless selfish pleasure awaits the brave. don t blame me if it all goes wrong. i warned you. idiot. this six track lp from the early 1980s contains pleasure seeking electro-pop and beastly disco lust, heard from the other side of mute records black leatherette covered door this record is made by neil landstrumm (rip) on fuck all with shit speakers. ably assisted by tommy stuart and his wall of modular synth and a pork pie on at least two occasions. made for the french but they didn t have enough money to pay for it. fuck the tories and brexit. scotland wanted to stay in the european union. we hope you all know that.

copenhagen’s echocord colour returns this august with stephen brown’s ‘power factor’ ep, featuring three originals from the uk techno stalwart. scottish producer stephen brown is a name synonymous with techno across the globe having been releasing material since the mid nineties on imprints such as derrick may’s transmat, subject detroit, skudge records, ben sims’ theory and holland’s djax up beats amongst many more. here we see brown join the roster of echocord’s sub-label colour, slotting him in alongside the likes of mike dehnert, nick ho&#776,,,ppner, luke hess and deadbeat in the back- catalogue. up first on the release is ‘sandtext’, a stripped-back dubbed out opening cut fuelled by a robust kick and minute percussive hits running alongside a sturdy sub bass drive and spiralling dub stabs before ‘wet’ takes things even deeper via muted kicks, shuffling shakers and delayed synth chords. ‘back stroke’ then rounds out the release with an amalgamation of airy reverberated stab hits, rumbling low end pulsations and a thunderous kick drum to once again create an understated, hypnotic composition.

the europe-centered techno scene might be thinking: where is techno in a city as vast, dynamic and electric as new york? it s alive and well, and keeps growing through aptly-named new york trax. founded in 2016 and based in brooklyn, new york trax is an outlet for new york music, by new york artists, in new york city. the artist behind the fourth new york trax release needs no introduction. steve stoll is one of the pioneers and founding fathers of new york techno. producing pure, minimalist analogue-minded techno (even though his career began as a drummer with the industrial label wax trax), steve stoll has recorded for his own label proper nyc, trax records, djax, nova mute and many more, including his recent appearances on nina kraviz s imprint trip. this record on new york trax is the essence of steve stoll s style: minimal, driving, with a subtle groove that sinks in the rich texture of sound. it connects the dots between the past, present, and the future of the new york sound.

ecuador s rising son, nicola cruz, returns to multi culti with cantos de vision, a truly visionary ep backed by remixes from jaja, argentinian uji, and multi culti s own thomas von party. one of the core artists in multi culti s diverse catalog of globally-inspired dance music, nicola cruz is deservedly becoming the poster-boy for a new wave of producers that fuse indigenous sounds with internationally professional production, creating something entirely new, sonically. it s a genre that multi culti ambassadors dreems & thomas von party refer to as folklorica, a psychedelic replanting of folkloric roots, and nowhere is it more skilfully executed than on nicola s tracks. following up on his debut lp for latin america s indie powerhouse, zzk records, the return to multi culti sees cruz sharpen his focus toward igniting the downtempo dance-floors that have slowly been gaining ground in clubs and festivals recently. this new club sound is at the fore on lead track tzantza, already an integral part of nicola s live shows and dj sets at festivals like sonar and mutek.

incl dave aju
the first vinyl of our new division « ppr shade edition » starts with a deep sensual and groovy release produced by the boss of anoma records, ohm hourani, and the montreal singer do mi (dominique fils-aimé) that we could already listen in collaboration with artists such as radiq, san proper... on a few electronic music projects. they are working together under the moniker of al/ve. you can listen their live performance at mutek festival 2016 on

gary martin releases his second sequential ep on motech records, the *this is it* ep. the ep features two more exclusive tracks, *this is it* a driving composition accented with piano and synth patterns and subtle funky movement, and *galaxy style* a percussive, building composition expertly laced with muted samples and synth progressions.
included on this ep are two remixes from techno veterans mark broom and rolando. broom takes on *this is it* chopping the original into a hyper dance floor drubbing burner. rolando re-treats *galaxy style* into a composition that unfolds as it progresses, bathed in signature rolando production elements.

pole is world wide known as influential producer of electronic music with a huge reputation and fan base pole has heavily influenced the electronic music scene with his album trilogy 1.2,3 (kiff sm / pias, 1999 - 2000) followed by highly acclaimed albums on mute records (pole, 2003) and scape (steingarten ,2007), and the 12inch series waldgeschichten on his own artist label (2011-2012). Ž, pole has been constantly playing live and preformed at an enormous number of festivals and in clubs all over the world.very successful presentation of wald with a special a/v show at intonal festival (malmö), mutek festival (montreal), as well in seattle and boston april to june 2015 lp vinyl will come with an etching on the d-side and free dl code for cd version plus album mix.

berlin based mutewax records strikes again with its eagerly awaited second release, various artists 02. label founder mutecells cursed casts a long dark shadow over the dance floor with an electrifying and slightly acidic melody. hector oaks reductions gets straight to the point with an aggressive and powerful followup to his last release on key vinyl. msdmnr takes a more placid approach with vortex vapour, building energy with clear and crisp progressions. urbano employs soft melodies to counterbalance a chilling journey into an unknown world.

after a nine-year hiatus, sheree rashit and steve bicknell relaunch cosmic records with the transcendence ep within their lost recordings division. founded in 1993, the label ran in conjunction with the pairs infamous lost events, which introduced acts such as jeff mills, robert hood and basic channel to the uk dancefloor. past cosmic releases include productions and remixes from us artists such as juan atkins, tyree cooper, djs funk and rush alongside prominent uk names working under pseudonyms devised for cosmic. having previously released via perfecto and mute, cosmic has provided a home for steve bicknells releases since its inception. his next phase continues the lost recordings series that began in 1996 with the 8th segment, transcendence. comprising 4 untitled tracks in steve bicknells inimitable style - a depiction of the lost dancefloor - transcendence, lr 8 is hypnotic with depth and soul, transcending boundaries. initially vinyl only.

special remarks: ep with commissioned artwork by london based visual artist ciaran oshea, full color jacket. additional mixing on a1 and a2 by james aparicio (these new puritans, liars, spiritualized, factory floor, mute records).

to celebrate the rerelease of the three classic to rococo rot records on city slang between 1997 and 2001, we have asked two friends and fans to rework their favourite tracks of these albums.
four tets kieran hebden chose the brooding minimal collage >he loves me< from the bands 1997 archetypal release >veiculo< and, like a prism in singular beam of light, his remix reveals the songs true glistening content.
mute label founder and longtime to rococo rot afficionado daniel miller teamed up with london based producer gareth jones to give >cars<, from the bands impeccable second album >the amateur view< a compassionate modification into a ... well, lets call it a krautrock disco truck.
the 12 inch will be limited and only available for a short time.