here we have the second physical release from uk based label supa records features two fresh tracks in a new school jungle music style.

neinzer presents his electronic ep >shifting values<

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

experimental spanish composer and multi-instrumentalist pepo gala&#769,,,n makes his vinyl debut with an exquisite record of carefully orchestrated ambient pieces.

when promoting the release of figure-ground’s ‘ep 5’, released december 2016 it was finally announced that the previously anonymous modular duo were in fact dronelock’s alexander church and boris brenecki from ontal. so now the cat’s out of the bag it seems fitting that figure-ground should have this outing on the dronelock / ontal co-run label, shadow story. add to that a collaboration with one of the uk’s finest electronic artists and figure-ground fan, paul mac and you know you’re set for some beautifully worked productions from this trio of talent. teasing and playing with the hardware throughout the ep, they’ve stayed within the realms of techno to create mind-melting and dance floor devastation across 6 tracks. from ‘virtues values & venom’ itself that opens with gusto, before erratic beat experimentation on ‘eightfold path’, the frenetic ‘digital dialectic’, which also gets a second more staccato outing on version 2, ‘noble habitus’ with its machine-funk to the subterranean ‘nativism’, it’s obviously been an enjoyable ride and that translates to the listener.

incl cd, when promoting the release of figure-ground’s ‘ep 5’, released december 2016 it was finally announced that the previously anonymous modular duo were in fact dronelock’s alexander church and boris brenecki from ontal. so now the cat’s out of the bag it seems fitting that figure-ground should have this outing on the dronelock / ontal co-run label, shadow story. add to that a collaboration with one of the uk’s finest electronic artists and figure-ground fan, paul mac and you know you’re set for some beautifully worked productions from this trio of talent. teasing and playing with the hardware throughout the ep, they’ve stayed within the realms of techno to create mind-melting and dance floor devastation across 6 tracks. from ‘virtues values & venom’ itself that opens with gusto, before erratic beat experimentation on ‘eightfold path’, the frenetic ‘digital dialectic’, which also gets a second more staccato outing on version 2, ‘noble habitus’ with its machine-funk to the subterranean ‘nativism’, it’s obviously been an enjoyable ride and that translates to the listener.

release & versand am 29.08.2016 this will be the final release of white. after almost 10 years of releasing music on white we decided to move on and to end this era. we like to thank all our artists, fans and people behind the scenes who were involved and hope this release will make for an appropriate goodbye. see you somewhere in some galaxy sometime…
yours oskar and adam.

for several years now, the void* (pronounced: the void pointers) have been developing their own sound idiom at the cutting edge of ambient, live electronics, drones and post-rock. the trio, consisting of roald dillewijn, eric magnee and tijs ham, chooses to build their own instruments to accomplish this. both the coding of software and hardware tinkering are used to knead their sonic universe. values is released by three(!) collaborating record labels from the netherlands: lomechanik, esc.rec. and shipwrec. this album fits seamlessly into the catalogues of all three labels. both musically and aesthetically, because the packaging of this 12” vinyl is stunningly beautiful, as usual.

4 selected tracks have made it onto the black gold, even were loving each tune like a mother loves her umh.. eight children. mathias kaden presents a 2010 edit of his first ever solo release ‚circle pit (va004!), followed by dewaltas deep but yet bouncing stinger bell string experience. on the flip, this ep opens up with nico purmans ‚xpress yourself which lands somewhere between rick james and francois k, followed by alex smokes freaky ‚i-73 night which, to quote vakant pal tolga fidan, is a reminder of how dance music should have been if it hadnt gone generic…its punk.

toller vankant rec beutel für deine platten oder jede tolle party

toller vakant rec stoffbeutel ideal für unterwegs

music for the film “dreaded light” by bmx bandits.

complete anthology from margo guryan, recorded between 1956-1975. limited think-of-rain coloured triple vinyl in collectors box with 32-page booklet included.

complete anthology from margo guryan, recorded between 1956-1975. classic black triple vinyl in collectors box with 32-page booklet included.

techno stuff

debut ep

siarem, dieser erfahrene künstler, ist ein klanghandwerker. das geheimnis der außergewöhnlichen qualität seines makellosen und kalibrierten sounds könnte sein ausschließlicher gebrauch von analogem equipment sein.

limited backstock available now!

“metropolis” takes one to a trip through metropolitan berlin at night, a melting pot, where cultural exchange is a constant reality. at his backyard studio in berlin-neukölln digitalluc captures the fusion of jazz and hip-hop creating a unique sound that values both musical movements. thereby he invites plenty of fellow collaborators and old acquaintances to bring his concept of organic hip-hop grooves to life. contributions come from flofilz, made in m, hubert daviz, spanish saxophonist escandaloso xpósito and mexican bass player monno briceno, just to name a few

limited white vinyl reissue of the second album from thumb, originally released in 1997.

bestiaal’s jazz can be quite potent. originality and willfulness have always been core values for jazz musicians, but here they are natural components of a strikingly stubborn character. their new album comes on a 12 and a 10 inch vinyl.

nils frahm live at funkhaus berlin. the double vinyl release includes a download code.

b-stock! cover with seam split. vinyl unaffected & mint. them records welcomes back hiroaki iizuka for the its fifth outing. having supplied the the run as the labels first record, here iizuka doubles its play time and track listing length in his stunning voodoo ep. the extra time offered allows iizuka to flex more of his versatile style. them as a label sets out to eschew a techno norm largely made up of a traditional 4 x 4 sound. having come from a london background, the curating of the label gives a nod to the rave sounds of the capital - especially d&b, garage, breakbeat hardcore and grime. that is to say of course along with its characteristic aesthetic of horror and the gothic.
in iizuka them found a common ground: based in hokkaido, japan, iizuka does not share the same london influences, yet shares their base values and thrust. common themes of his sound involve broken and syncopated beats, and a rave energy. this is what lead him to being the first and prime them stable artist. voodoo ep showcases this breadth of iizuka’s style, from tracks that could easily fit into any grime set, such as primitive acid, to the more melodic tones of floating point, in which hiroaki guides them into previously untrodden ground for the imprint.

metalheadz presents the debut longplayer from mako.

folklore series is the music label created by the folklore team, based in toulouse, france. active since 2009, we gradually diverged from traditional clubs in order to reconnect with a certain freedom and to assert our values by investing alternately abandoned places and warehouses for our parties. freedom that we also defend in our music while proposing a range of sounds derived just as well from the origins of disco’s, secret raves, or sound system culture.

the mix is a general-purpose model for scratch and back-cueing - provides great performance and durability. it has a good quality spherical stylus, a solid cantilever, and serves general purposes well. - it offers both reasonable output, high sound quality and a good tracking ability for virtually any style of music. - with transparent sound across the spectrum and excellent handling ability, the mix represents one of the longest running values in dj cartridges.

circle of live is a brand new, live act only event series concept and record label curated by sebastian mullaert to honour the values of spontaneity and improvisation. for the inaugural release on the new circle of live imprint, sebastian mullaert presents a joint ep with long time collaborator eitan reiter. the duo previously met on the 2014 album reflections of nothingness, (mule musiq) borne out of a week long jam spent together at sebastians tranquil rostanga studio. following the albums release, they arranged two live shows at ozora festival in hungary.

here it is! appearing first time on vinyl. the film tells the story of six mental cases, trying to get rid of societys norms and values by kidnapping, a well-known tv host. delivering the soundtrack, the conservatives (i-f & intergalatic gary) are setting down the perfect mood for this cult classic.

for its third release, chuwanaga goes back in the past with the reissue of -(where is the) sunshine- by kalima, a rare 7- originally released in 1981 and produced in baltimore by afro-american pianist and producer derrick amin. part i on the a side and part ii on the b side form a real journey, a beauty in its own style fusing jazz, soul and spirituality as well as political values.

repress - black vinyl - more vinyl remixes from psychemagik with the long awaited official > dancehall days< remix sanctioned by jack hues from wang chung himself. jack liked psychemagiks re-edit of dance hall days so much he contacted the duo and offered them the parts for an official remix. the result is a monster dancefloor friendly beast that is true to the original edit but with some extra magik!... psychemagik stand out from the crowd with high production values and innate musicality. i usually find remixes tedious, but this takes you on some off-world journey – very cool. jack hues (wang chung)

legit reissue of ted taylor s long sought after -ghetto disco 12inch excavated from the deepest realms of the tk disco vaults! funky, rough round the edges in the best way, tough ghetto disco grooves here from 1977, delivered by the mighty ted taylor who was originally a blues singer from oklahoma. pairing taylor s soul-steeped voice with the sunshine-state production values of the legendary wardell quezergue ( mr big stuff , groove me & more!), this ones a dance-floor sure-shot. never has a track been more aptly named. this is a proper underground jam, one that, until now, was the preserve of the heads, diggers and disco freaks. the eagle eared out there among you might recognise it from a certain underground hip-hop cut, answers on a postcard please! pure disco heat from miami, yet again. a bonafidetk disco classic! remastered, represented and brought back into focus for 2018s dj bags and dance-floors! as usual, these tk represses are always done in the proper manner. 100% legit from the archive, remastered and released in conjunction with henry stone music/tk disco - miami fl.

5 anti-utopian trax from automatic tasty focusing on themes of mass surveillance, false flags, state secrets and propaganda.

double vinyl release, including download code and 12x12 inch foto book.
for the past two years, nils frahm has been building a brand new studio in berlin to make his 7th studio album titled all melody, which will be released on january 26th, 2018 via erased tapes, before nils embarks on his first world tour since 2015.
since the day nils first encountered the impressive studio of a family friend, he had envisioned to create one of his own at such a large scale. fast forward to the present day and nils is now the proud host of saal 3, part of the historical 1950s east german funkhaus building beside the river spree. it is here where he has spent most of his time deconstructing and reconstructing the entire space from the cabling and electricity to the woodwork, before moving on to the finer elements, building a pipe organ and creating a mixing desk all from scratch with the help of his friends. this is somewhere music can be nurtured and not neglected, and where he can somewhat fulfil his pursuit of presenting music to the world as close to his imagination as possible.

late psalms (vol 1) is the very first va vinyl from the parisian house label de la groove. 5 artist from the roster + 3 guest are building up this 8 tracks ep. its length is reflecting the deep will of the label to open towards diverse sonic approaches, tied together by house influences and a desire to produce warming tracks, some core values of the label.

special vinyl edition limited to 300 copies, gold-embossed sleeve, laser engraving on side b
winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days. the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain. with walzerzyklus, atomtm returns to raster to complete his series that has once begun with liedgut and continued with winterreise. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz. throughout the release, lisokot’s delicate vocals are put into different relations to atomtms rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter leitmotifs provide the main theme that is taken up repeatedly in the course of the release.

serotonin records is the original new york city electro-revival imprint still pumping out funk for you today. synapse is the project of serotonin records founders john selway and jason “bpmf” szostek. besides releases on their own label, their tracks and remixes have made their way to interdimensional transmissions, electrocord, i220, studio !k7 and instinct/radical ambient. dedicated to their unique future funk sound of electro, their tracks define what serotonin is all about. synapse “scientism ep” is an overview of the last 20 years of regress in modern culture. the erosion of democratic values, abuse of science, distortion and manipulation of facts and deliberate seeds of discord sown by the powerful to create schism in the fabric of society, enabling the few to exercise control over the many. all that and funk… good old american electronic new york city funk.

frank went from a stranger to a friend in a heartbeat. the common passion for music and overall values let us to this first project together. grab your board and surf on the soundwaves of analogue gear with which frank created his soulful music. the analogue touch didn t stop with the music though, we tried to retain it through the whole project from the music over the mastering up to the medium itself. vinyl.
a2, b1 and b2 are mixed by m. schneider while a1 is mixed by r. bischoff. mastered by calyx in berlin. the beautiful cover comes from the hands of siiri ta&#776,,,nnler.

marquis hawkes marks his fifth release for aus with another classy 2 tracker titled, æthe phoenixÆ (part 1 and part 2). the phoenix follows up summer hit æthe basement is burningÆ which saw midland, the black madonna and gerd janson all supporting at festivals worldwide. the phoenix is two takes on one concept. part one takes the disco and house amalgam which marquis has developed in recent times to itÆs logical conclusion, perfectly walking the tightrope between joyous abandon and classy depth, and giving djs the perfect weapon for all floors, from sweaty basements right the way through to much bigger dancefloors. part two then flips the program with the same raw materials and sets up the perfect shot, directed at a big room house/techno crossover, building on the foundations laid by the detroit techno originators by infusing contemporary production values and a more modern twist. the phoenix is something of a landmark ep for marquis hawkes, once again redefining his sound. we canÆt wait to hear what he does next.

somne debuts on just this. the italian producer, whose real name is federico maccherone, presents his first release of 2017 – a solo ep marrying the same ethereal, wide-angle synthesis and intricate drum programming that appears on standout work for boddika’s nonplus imprint and the afterlife label. more than ever, maccherone shows his range – rolling, meditative recordings sit comfortably alongside some more overtly dance floor material, with both approaches bound by the same high-end production values listeners and dj’s alike have come to expect from the somne project. in various ways, the ep offers a certain degree of insight into maccherone’s dual identity as a producer of both clinical, dance-floor fare as well as a cerebral, leftfield work – and in turn, how the artist draws together these two strands of creative endeavour to craft unique and profoundly emotive electronic music. nods to classic idm and ambient sit at the periphery of the recordings, although the main focus is on the propulsive, contemporary techno derivatives – from warping, half-time opener divided love, with its crisp, white noise washes and clinical use of distortion – through to endgame’s exacting, peak-time drive. and whilst the form shifts across the ep from half-time, polyrhythmic work to more direct 4x4 compositions – everything remains bound by the same exquisite, otherworldly atmosphere that touches on the grandiose whilst maintaining a gloriously introspective bent.

2017 reissue -- tony allen is the co-creator of afrobeat, and one of the most distinctive and in-demand drummers on the planet. no one swings like this nigerian rhythm man ? with that amazing, loose-limbed, poly-rhythmic technique that has powered some of the funkiest and most challenging dance music ever created. and lagos no shaking is his most powerful and personal album to date: a return to core values, a testament to the fact that afrobeat is best served straight ? hot, hard and percussion-heavy.
>lagos no shaking< is a spectacular homecoming for tony allen, an acerbic, unflinching love letter to the city that gave him life in rhythm.

nice price deal !!! yore proudly adds detroits drivetrain to the stable. drivetrains the nom de plume for derrick thompson, a dj and producer who heads up soiree records international, a label with a strong soulful house focus, who has been around since detroits early days. with over 50 releases on his back, from beatdown sessions to numerous remixes & collaborations, you can tell that >drivetrain< has a soft spot in his heart for the rich production values of 70s philly soul associated with producers such as gamble & huff and thom bell. that kinship comes through loud and clear in the eps second cut, >the rain<, when thompson sweetens the tunes brisk rhythms with triangle, electric piano, alto sax, flute, acoustic bass and a gravelly >make love (in the rain)< command that sounds like its oozing from the lips of a tasty dj. >the rain< is trumped by the a-sides >angel (serenity mix)<, which opens with a sinuous house thrust and then heats up with a tight, jacking groove that thompson soulfully embellishes with synthesizer flourishes and a smooth vocal refrain of the songs title. the vibe is lush and soulful in the extreme, with the vocals alternating between a soft murmur and robust declamation while the percolating, dub-inflected house pulse pushes determinedly forward underneath. the ep ends with the title track, >tragedy park<, which is closer in spirit to a stomping techno raver thats had a smidgen of acid thrown in for extra flavour. definitely a floor shaking bomb

folamour represents the present and future sounds of the disco/house hybrid, staying true to the glitterbox sonic philosophy. his tracks share the same production values as the timeless records from classic disco imprints in the late 70s, melodies are super-tightly harmonised, instrumentation is lively and the rhythms are designed purely for dance. ‘the power and the blessing of unity’ is almost a mini album, exploring all the facets of folamour’s sophisticated house and disco tendencies. the title track sparkles with brass stabs and a textbook swinging disco beat, ‘island of recent father’ breaks things down into synthy house goodness, ‘let’s grab some smokes’ channels a more contemporary low-fi sound and bringing it home with ‘home beyond the clouds’, folamour closes with uplifting house hooks and percussion. it’s a real trip.

180g audiophiles vinyl inkl. 4-seitigem einleger mit lyrics + credits zum ersten mal ?berhaupt auf vinyl! -come clean- ist das hüchst erfolgreiche major label deb?t von puddle of mudd.
es erschien urspr?nglich 2001 und zeichnete sich ma?geblich daf?r verantwortlich, puddle of muss in den kommerziellen mainstream zu ?berf?hren. das album erreichte platz 9 in den billboard charts, hat sich bisher ?ber 5 millionen mal verkauft und wurde drei mal mit platin ausgezeichnet. -blurry-, die zweite single des album erreichte als erfolgreichste single der band platz 5 der billboard hot 100, platz 8 der britischen single charts und gewann ebenfalls im gleichen jahr den ascap ,song of the year- award. 2001 ging die band als opener mit godsmack und den deftones auf tour und war teil der family values tour mit linkin park, den stone temple pilots und staind.

these tracks are inspired by a series of events that happened in a difficult place by the end of the 90 s. everything was possible with the help and efforts (without profits) of many people who believed in this new sound that would change everything and hypnotized us till the rest of our life s. this record goes to all the people involved in that movement, who still stand strong and believe in the true original values of this musical genre called techno.