one-off limited edition of 150 copies.

akelarre is the fourth studio album of synths versus me. its black (sadness) and white (happiness) design explain the concept and feelings behind it creation, majorly composed and written during the death by sickness of a very close friend of the duo to whom the album is dedicated, it swims between the positive and negative feelings felt by svm during this hard process suffered. is remarkable that in this occasion svm counted with the collaboration of the british band the underground youth for a new remixed version of -the rules of attraction- originally released by tuy back in 2009. this special edition arrives on 2×12&#8243,, ep format and produced in a one-off truly limited edition of 200 copies lacquered pressed on 180 gr. high quality black and white vinyl. all tracks have been specially mastered remastered for long cut vinyl by eric van wonterghem

synths versus me is back this time with the dancefloor at 5:00am as located and fixed target. 3 new tracks of classical ebm, new beat and minimal tribal techno + a remix by the french electro enfant terrible alek drive is what you are going to find on the demolishing seek target destroy 12&#8243,,,, that reached worldwide position #1 on bandcamp s #ebm tag in only 24 hours after the preorder release. all tracks remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

yellow colored vinyl - deluxe gatefold sleeve - limited to 200 copies
this new album is the longest and more ambitious work they had produced to date, including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles, from ebm to synth pop, passing by electro beats, pure coldwave, italo disco or classical synthwave. all tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions, excepting on the final process of digital mastering . all tracks has been mastered and remastered specially for vinyl by eric van wonterghem at prodam studio (berlin).

tormento part 1 2×12icnh is an extract (to guarantee the ep sounding) of the second album of the spanish band synths versus me. as stated by mixside.com -is this second album what proves the value of this new band- or as stated by wave press the song -suicider- is one of the best 20 coldwave songs of 2015 so not necessary add much more info. minimal structures and pure analog sounds, romanticism and agressivity at equal dose.

this is the vinyl debut of the spanish electronic darkwave duo synths versus me composed by nico caban&#771,,,,,as and vanessa asbert. an ep of 4 tracks analogically remastered specially for vinyl from their debut album auferstehung. minimal structures, mournful synths, nightmare soundscapes and distorted vocals. including el jardi&#769,,,,,n del ede&#769,,,,,n, rayas blancas, demons and the tempest of my heart. limited to 300 copies with 350 gram sleeve (metallic ink impression) – solid white vinyl

vinyl only

a collection of current diy post-punk sounds on black double vinyl.

a collection of current diy post-punk sounds on limited neon green double vinyl, download code and fanzine included.

3 floor movers by bricks and synths on binhs time passages.

2xlp release140g -synthwave- auf durchscheinendem lila vinyl.
die erste -amtliche- synthwave compilation auf vinyl. offizielles companion soundtrack-album zum kommenden film “the rise of the synths”. mit vielen der bekanntesten synthwave bands wie gunship, carpenter brut, com truise und mehr! 100% exklusive original-songs, plus neue bonus-tracks. original -synthcity- und -synthrider- artwork von illustrator und art director john bergin

a leopard cant change his spots and magnus international earned his spots in the sequence hue of oslos disco scene. disco is the single thread that runs through all electronic dance music. after an inconsistent hiatus from recording, the norwegian dj had donned the producer cap resolutely for his debut lp, echo to echo with us last year in 2016, the an additional much loved album bonus 12inch. that all, aside his many other projects for us in the last years. now 2017, magnus synths are on again, like a breath of fresh air and sunlight, these 4 tracks roll on to the world from oslos shores and as his usually best magnus is very strong on seamingly endless grooving chords and timing, sweet harmonycentric bliss and tight, on the point drum programming that comes with this pull factor wich makes you want to play or listen out loud over and over again. theres a chmmr remix as well so things look really good here!

after a break of 8 years hardfloor revive the versus series with installment #3, featuring contributions from expat and klangbild and of course a track of their own.

third chapter of the split ep series. the dutchman michel de hey and dj steaw fuses together bygone with vibrant synths and buoyant house rhythms to bring us four dancefloor ready musings

a hypnotic journey through deep house realms with heavenly synths and hypnotic vocals.

limited colour opaque white

the first release by the amsterdam based duo caim on their self-titled label. the duo’s distillation of the everyday voices captivated on this mindset focused four-track ep. each track stands as an analysis of the deep, groovy and detail driven biota. soothing atmospheres and pulsating synths offer us a first glimpse into caim’s state of mind.

twelve minutes of blissful melody, hypnotic drums and quaking bass, in florian meyerãs fresh mix-up of west african polyrhythms with the sensibilities of classic us minimalism. jordan gcz from juju & jordash edges his remix into the outlands of free jazz, with pulsating bass drum and spiritual synths, like terrence dixon beaming down from saturn.

a collection of current diy post-punk sounds.

b-stock! cover with seam split. vinyl unaffected & mint. a year after his debut outing on the label, max essa makes a welcome return to hell yeah with the han zon roc ep, which is another of his impossibly laidback offerings. essa is of course the long time uk talent who has become a part of the balearic mafia thanks to releases on labels like aficionado, music for dreams, and his own jansen jardin. this is the second coming together of artist and label and is another timeless excursion far out to sea. opener han zon roc (midori coup) is an epic 12inch minute adventure that slowly awakens your spirit with new age guitar plucks and heavenly ambience before organic drums slowly being to drift into earshot. they grow ever larger as synths start to spray about the mix, hand drums pitter patter and big chords bring the soul-shine. its like the soundtrack to an afternoon boat party all condensed into one brilliant cut. how you showed me everything then gets super chill with lazy drum tumbles, bendy guitar lines and scattered hits. withering cosmic chords colour the airwaves and its a track that will slow your heartbeat to nothing. last of all, rain birds alfalfa jam is a analogue drum work out with early 90s hip hop influences and diving basslines. it s light and airy, nimble and playful and of course filled with the sort of tropical rays that make all of essa works so brilliantly escapist.

mme recordings deliver 4 dancefloor smashers

first ever reissue of matadis album dance my love released in 1978. expect some cosmic afro-disco, heavy funk and soul tracks with crazy synths!

repress
trelik returns with a repackaged edition of one of the catalogues most treasured releases. overcome and lady science (nyc sunrise) need little introduction, and now come sporting the new tr11:11 matrix number. written and produced by thomas melchior and baby ford aka soul capsule. these tracks came from one of the many sessions recorded at the west london ifach studio in 1999. on the a side overcome is stripped back and energetic, driven by rolling and shuffling garage style beats, tight bubbling bass and atmospheric synth pads. the intermittent vocal samples and the release s signature organ set you up for the flip, lady science (nyc sunrise) . possibly one of house music s most emotive pieces, the track builds slowly with the introduction of each part building a story of soulful optimism based around a sparse palette of deep synths, uplifting keys and warm analogue bass. the understated beauty of the main vocal riff never seems to grow old or tired with the track lending itself perfectly to either main room, peak-time play or after-hours sessions alike. remastered by rashad at d & m

decks tipp

fat and powerful electro and modern-twisty breakbeat.

bolognas own house g, jacopo latini, half of data memory access, strikes again on mood wavess fourth release. classy italian depths obtained through melodic synths and warm basslines. 1 per customer

the return of recloose, a veteran producer who has created numerous masterpieces on labels like planet e, rush hour, peacefrog, and other global imprints since the late 1990s. he continues to explore his sound in this ambitious work, blending old and new influences, samples and synths, delivering two anthems for the dancers and heads alike.

for fans of: scorn, autechre, insect ark, download, front line assembly following up on their accomplished first collaboration “fever dream” and its accompanying remix album “parasomnia”, snowbeasts & solypsis head out on wax for the fantastic “firelands” lp. the dependable industrial beats and synths of snowbeasts programmer robert galbraith (also known to many as a superior mastering engineer), the haunting voice of elizabeth virosa, and the nefarious bass and electronics of the prolific solypsis come together once again to produce a ride through a fiery terrain of slowed tempo, half-remembered nightmares, and cavernous low end. with vocals ranging from ethereal to evil, spooky grooves charting a pathway to inferno, and distortions applied at the perfect moments, firelands is a memorable journey. heavy on synthesizer funk, and intricate percussions to drive the beat, the album erupts with the black lava of downtempo destruction. slow, driving horror and collaborative interplay make this a sophomore album worth taking home.

2023 repress - energized by the funky sounds of 1970 s west africa flammer dance band go all in on their debut lp. packed with hip-shaking grooves, uplifting vibes, vibrating synths, screaming saxophones and crispy drum breaks all recorded in a warm and stuffy shack in oslo. flammer is a charming and soulful homage to an era with a unique and obscure sound: a truly raw and authentic sounding afro-funk lp!

repress , unison wax 01 as a whole is an exercise in classy, reduced house for the summer generation. a-side -seize- crashes into force, with unapologetic bass that seems to be breaking at the seams. perfect for building or taking it down, its simple, four-four quality as dusty hats scatter and float around the top. then the keys hit, sizzling and singeing at the edges like they’ve been left on the grill too long, before the whole thing melts into the break. its hot summer garage house for late evening breakdowns. flip it over and the vinyl takes on a distinctive darker flavour. -groundhog- plays smooth, reduced house elements against a driving, deep bassline that rumbles and pushes you on. around that coils softly pulsating synths that swell in and away from you before the tooly, smooth finish reduces to a close. -special treatment- is smoother though. dusty shakers, jacking claps, druggy synths and a rolling, questioning bassline shows a deeper, darker shade of berlin house before it casually pumps its way to the close... and of course vinyl only

ago gazo set the scene for a hybrid genre in which the notions of trance and liberation are palpable. percussion, instruments and traditional chants from togo, analogical machines and modular synths share a common destiny in this project.

hollie kenniff’s second lp for western vinyl, we all have places that we miss, is a gallery of cloudlike synths, seraphic strings, and humming guitars, all coaxed into cohesion by hollie’s own wordless singing.

t follows features a stunning, electronic-driven score, heavy with pulsating synths and dread in equal measure. it was composed by the renowned musician disasterpeace. this electro, 80s influenced score is a character in itself in the movie, and will haunt the listener long after the film has stopped rolling.

dead dreams don t die vol 1 marks the inception of half grand records, a label focused on no-frills, raw talent electronic music. this artefact contains new output from several members of legendary borft records. nimam (spregleda) gives us a riotous and exuberant drum and bass banger that will have your teeth jingling. jon doppler s signals transform from searing blasts of psychedelia to soaring synths that will make you pine for days of yore. a stantz drops some body music that s equal parts acid and mosh pit. the closing track is by a group specific to the label, cracktros. cracktros is a collaborative group project that will continue to grow as more artists join the hg fold. with this number, the collective explores fantastic textures in this riveting deep house ditty. keep your eyes peeled on this label.

for their seventh issue, adams bite have tapped italian dj and producer, christopher ledger. his work has steadily risen to the top over the past five or six years, honing in on a reduced style favoured by intimate dancefloors throughout europe. for his most recent output, ledger draws upon more muscular, more urgent matter altogether. his encyclopedic knowledge of dance musics hidden corners reverberates strongly within these five tracks. find echoes of the fledgling roman rave scene in its heavy drumwork, whilst the trance-infused synths recall the hazy glory days of mid-nineties elba. all touched up and bound together by a thoroughly modern approach to sound design and floor awareness. ledger carries his italian heritage on his sleeve, and although many of the calling cards might appear obscured to the uninitiated, those familiar with his craft will find more to love with every rotation. pass this gate and discover the depth at your own risk.

rampue is a well-known live act wordwide and tragweite is his first album in 14 years, made with modular synths

new album after 7 years !

dark synths and lyrics meet heavy dance beats - new album from jennifer parkin’s project ayria.

outstanding, organic, vibrant drums & synths investigation - tip!

während jeder track auf seine eigene erfrischende art und weise einzigartig ist, enthält sein geheimrezept ganz klar alle essentiellen elemente für den dancefloor: bissige break-drums, hypnotische (r)evolutionäre synths und intergalaktische basslines.

razor-sharp drum n bass, cutting-edge jungle, glitchy synths and extraterrestrial machine sounds from kamikaze space programme & cocktail party effect

the ep features two brand-new rod tracks, entitled hgb and dtc. hgb is stripped down, energetic and hypnotic techno with a thrifty and efficient use of synths. its driving, elegant beat programming, together with its crafty, subtle effects, vividly illustrate the special handwriting of rod. dtc is even more minimalistic and reduced to the absolute indispensable, which makes it equally effective in its own way. with those productions rod is really on to something, and we are very happy to present you his first and surely not last clr release

cover not mint - vinyl unaffected. the ep features two brand-new rod tracks, entitled hgb and dtc. hgb is stripped down, energetic and hypnotic techno with a thrifty and efficient use of synths. its driving, elegant beat programming, together with its crafty, subtle effects, vividly illustrate the special handwriting of rod. dtc is even more minimalistic and reduced to the absolute indispensable, which makes it equally effective in its own way. with those productions rod is really on to something, and we are very happy to present you his first and surely not last clr release

middle eastern groove masters sababa 5 take on the unthinkable for batov records. -popcorn- and -the bird song- are reworked into psychedelic dancefloor smashers laden with synths, surf guitars and hammond licks.

6 fresh tracks from chill to joyful beats, with organic percs, acidic synths, and an overall mesmerising vibe.

dark 80-ish synths, guitar riffs, dubby basslines and aggressive percussions.

karaba with beautiful 90s synths, trippy breaks and rumbling tech house loops.

2022 repress - 1 per customer - scott grooves takes us into a deeply brewed detroit music session with his latest 3 track release entitled technique both prove myself deep(trk1) and adapt(trk3) make good use of 303 tinged synths over captivating beats to create a relentless detroit vibe while patience(trk2) uses melodic chords over bumpin beats! all 3 selections stay true to the rhythm, sound and groove which is vast becoming the reputation of scotts imprint. very limited 12inch release, sorry no blue vinyl this time, but at least its vinyl

wiles takes us on a journey through mystical synths, breakbeat and electro rhythms.