warehouse find on this classic canadian label

warehouse find on this classic canadian label.

haunting in its ardor for subdued atmospheric murk and dissipating electronic dream-pop transmissions,

harsh and intense 4-tracker from lewis fautzi. repress incoming!

scotlands digi-dub explorers are back! 100 copies only

esaia is a close friend of the o.b.f crew and were super excited to release her debut ep origin 4000 showcasing her own dub / techno induced sound!

second instinct series release from house of reptile is a split ep by kursk and volsent, featuring a duellist remix.

written and produced by swedish producer staffan linzatti.

forever cursed with deep and tech-house labels by the press due to decisions taken 10 years ago before he had any idea how this industry worked, avatism returns mildly angrier than ever before with ate-up, an ep the producer actually started writing during an mdma-induced lucid dream after vakant label boss spiked his drinks in 2011. to give his poor soul some credibility, weve enlisted aqxdm (aquarian & deapmash, fresh from their storming debut on bedouin records) and the mysterious maenad veyl (veyl, pinkman, death & leisure) on remix duties.

roberto clementi delivers his cadmio ep on echocord sub-label echo echo this october, containing four original tracks from the italy-based artist. kenneth christiansens echo echo imprint, offers up its fifth release here, accurately reflecting his appetite for the more celestial, dubbed out side of techno. this release sees the return of roberto clementi to the echo platform after three releases on the parent imprint, echocord plus 10 years worth of released music to his name, notably a number of eps and an album on soma. the ep kicks off with a fresh dub induced charmer entitled conte which in italian translates to with you, and stands as an accurate tag for this warm and intimate opener. irradi follows, a more upbeat and industrious dance track – with euphoric synth lines sitting harmoniously in between the more uniform percussion before stimulating crashing symbols are introduced in the latter stages. title-track cadmio is up next, a more dropped-tempo, electro tinged number, with off-kilter drum patterns gracefully balancing amongst the alluringly sedative melody. the b2 and final track blue growth’ then provides a close to the ep with a lo fi 4/4 drum pattern together with hardened snares and crashes contrasted by delicate dub swells providing feelings of symmetry a theme that is consistent throughout the whole ep.

iceland’s volruptus returns to bjarkis bbbbbb with five esoteric cuts titled alien agenda. releasing on bbbbbb at the end of last year, volruptus has emerged swiftly on the european party scene, with the icelandic artist popping up on line-ups all over the continent. following releases by norways eod and fellow icelandic talent, lord pusswhip, alien agenda is bbbbbbs third record of the year continuing bjarkis progressive tastes for innovative electronic scandinavian artists. first up, svi,nasti,a 3000 deploys a synthetic, fast-pitched techno revolver fused with space- induced, twisted modulations. a scratch tool titled itchy and scratchy show follows before launching into su,rmatur a celestial 303 synth line layered over scattered electro drums, together providing a magical transcendental experience. alien agenda is suitably an eccentric, idm tinged number – with shades of acid and powerful bass shrills becoming the focus here. last up, misanthropgy (dark stoff) provides an energetic rolling percussive loop, intensifying naturally through cryptic, high-pitched melodies.

having established partisan with a bedrock of essential talent, anthea steps out with her debut ep. “smile” kicks off the ep with infectious techno, a healthy dose of acid, and funk induced drum programming. “everything is aok” plots a deeper, trippier course with intricate layers of synth and drum patterns to create a truly hypnotic mind and body workout. whilst “nrg for daze” presents the softer side of partisan, bringing gentle pads into the mix without losing the all-important acid undercurrent that makes for such powerful dance floor material. her “state of mind” ep is the perfect statement on where anthea is at on her artistic trajectory, as a producer, dj and label head.

after an almost instant sell out last time around, london label tone dropout return for vol. 5 of their series of 12-s. an acid washed ep drawing from the ranks of their ever growing family, each of the four tracks celebrates the timeless appeal of the silver boxed 303 after the rain by label regulars the he-men opens with the soothing patter of raindrops, a hypnotic acid line rising from the deluge to morph into a moody house ride drenched in its own outbursts of spectral sound. dawl is also back on home turf with asylum , following a repress of his sought after solo ep for pareidolia recordings. less about seeking refuge than losing your mind it motors along with steely intent, darkly funky bleeps, throbbing acid and industrial percussion embracing the twin legacies of sheffield and detroit. italian dj and producer robbenspierre launched tone dropout s digital offshoot with a full ep last year and makes his vinyl debut for the label with quarta vanitas . bubbling breakbeat house, a trancey euphoric lead and swirling ethereal vocals take you deep into the thick smoke and laser light of the 4am dance floor. in the wake of an appearance on tone dropout vol.4, corporeal face returns with another rave induced vision. trapped on one, the rushing warehouse breakbeats and bass of permo erupt into waves of acid, fractured vocals and serotonin-depleted synths adding a dark edge to the ecstasy.

dead man s chest aka alex eveson makes his debut appearance on myor massiv sublabel diamond life alongside head honcho coco bryce. dancehalls seem to be the common denominator on this 12”. and where mr eveson prefers to drop a tab of acid, coco opts for a helping of mandy to work his way through the night. both sides find the respective producers operating at the 160 bpm mark, wading through a hazy mist of sounds reminiscent of clandestine warehouse raves. but whereas dmc utilizes a fairly straightforward, 93 style hardcore drum loop in combination with acidic undertones and atmospherics which clearly reveal his love for the “golden era” of mo wax trip hop, señor bryce s jam is a far more hectic sounding affair, layering a chopped and re-edited apache on top of an already-frantic, percussion- laden break beat, adding even more to the rushy feeling induced by the nervous pads and rave stabs. quality, yet slightly off-kilter hardcore junglist exercises.

on their debut album, celephaïs takes the listener on a trip into the distant lands of the mind. the album contains six long tracks, each of which tell a different story. think of opium induced daydreaming, celephaïs is here to hold hands so you feel safe enough to delve deeper into dissociation. the presented advanced synthesizer works display earthly undertones of dirt, hypnotizing noises, drumming sounds of distant rituals as well as ringing crystals. comes with a special artwork as insert.
written and produced by ian martin and jeroen holthuis.

musician, journalist, radio host. in his works he is looking for a balance between the corporeal and the contemplative aspects of music. sound induced by him can be described as something between techno, deep techno and dub techno, under a deep impact of broadly although not always explicitly understood ambient.

fort romeaus second outing for running back is another exercise in dance floor synthesis. starting where its predecessor saku left us with the green shimmer of a fairlight, emulators you might have guessed it greets us with the grey realism of an e-mu ii. purchased first by none other than stevie wonder, immortalised in ferris buellers ode to absenteeism and the original loon sampler, there is nothing this machine cannot do for you the same goes for fort romeau. his disco-informed, trance-induced tracks that usually end on a high note, are elevated by ambient soundscapes that end with a bang and sugarcoat your warm-up slots, while bird-heavy bonus beats that stand up on their own or help you out in the mix. nice like a stick of liquo-rice.

fresh of the back of his recent environments ten release on xvi records, south london based producer and brownswood future bubblers alumni munro returns to his own imprint arken records, bringing a few friends along for the ride. following on from his debut arken records 12-, (a limited- to 100 run which gained him support from the likes of bradley zero, jimpster & more) munro enlists the help of long time friends um river & bard, and fellow future bubblers participant revenu, delivering four upfront, forward-thinking and uncompromising tracks. from the deep, acid driven, broken beats of bards -tatala- to the cavernous, unrelenting energy of munro s -fall- - each cut seems to feed from the energy of the other, twisting and turning into constantly unexpected directions. a dark modular synthesis induced atmosphere hangs heavy throughout the record creating an almost dystopian soundscape at times. it s overpowering grooves transmit through empty space, perfect for soundtracking moments of nocturnal transcendence.

for its 3rd release, the other planet presents worth way. embark with him on this journey to discovery. a universe full of poetry accompanied by rhythms with lo-fi accents.
this ep was created throughout adventures into the australian wilderness. whilst hiking and driving around mountains, forests and beaches, inspirations were drawn from emotions and connections that were felt in these settings. the tracks reflect the physical and psychological catharsis that can be induced in a landscape that has seen minimal human activity.

nice price deal !!! a new label from lille, france, gaazol arrives with their first release from japan s yoshitaca, resident of the esteemed imprint fasten musique. title track -induced arousal- is a deep and funky acid tinged house workout that should prove versatile either later or earlier in the night. the a side is completed by ittetsu s bass heavy remix with tight percussion and just the right touch of drama. finally, the entire b side is devoted to the rolling bassline of yoshitaca s -gypsy queen- which never lets up. this fine package is exclusively presented on 180gr. vinyl.

two floor-smashing highlights from the gnarliest corner of the spectral sound library get a welcome reissue on the first limited addendum 12” to the dope jams nyc volume 1: 2005-2012 compilation. first up is futuristic acid banger “poison dart” by 2 am/fm, the double-headed beast of ann arbor’s d’marc cantu and james t. cotton. beginning with an eerie synth coiling endlessly around a shuffling, anxious beat, the track unexpectedly blasts off with one of the nastiest acid basslines since “washing machine.” commanding, otherworldly, and freaky to the core. on the flip, cotton flies solo and tosses listeners headfirst into his chaotic and terrifying “bizarre carnival.” pounding kicks, blown-out bass and frenzied synths relentlessly collide with one another, creating an endless nightmare of a world on the verge of machine-induced annihilation.

the most powerful non-chemical flashbacks are induced by memories of adolescence—the time of your frst kiss, frst spliff, and those sounds that irrevocably alter the course of your life. calvin valentine’s “eugene” captures the intensity of those feelings. released on eyrst, it is a love story to the artist’s oregon hometown, replete with swooning strings, angelic melodies, extraterrestrial talkboxes, and evocative nostalgia. it’s rap, it’s r&b, it’s soul. it’s one of those indefnable albums that allows you to understand why genre is obsolete. it’s music—a timeless project from an artist who is acutely aware of how much time has elapsed. on eugene, valentine managed to do one of the most difficult things in music: write affecting love songs without coming off sappy, conveying the madness that sweeps you during the frst ?ush of teenage romance without losing a hip-hop edge. valentine’s eugene is a stark declaration of a singular talent. it’s the work of an artist fercely aware of what made him, who he is, what he loves, and where he’s going. this is an album about growing older and falling in love with different things but never forgetting those memories, never forgetting the place you’ll always call home.
the vinyl release includes a download code and a fold-out poster.

italian duos nice7 & dirty channels join forces for the first time to deliver the acid induced feelings ep on crosstown rebels. the release features two exceptional originals with torontos nathan barato bringing his signature heavy sounds into play for the remix. nicola daniele and cesare marocco aka nice7 are amongst the latest italian stars to emerge in dance music. since 2005, the year in which the two of them paired up, they have released on labels like noir music, get physical, remote area, suara, defected and gruuv. dirty channels are simone & leme, who started working together in 2008 after long single dj careers. releases soon followed for big labels such as josh wink s ovum, hot creations sub-label hot waves and culprit la as well as licenses on several defected compilations. nathan barato worked his way onto the world stage with releases on the likes of cajual, saved and hot creations. 2016 also saw him as resident for jamie jones paradise at dc10 in ibiza. here he delivers a punchy remix to dominate the dancefloor, centered around a hefty bassline, tight drum patterns and slick vocal cuts.

blaring and unnerving, yyyy s intention of mortal gets revisited with a remix package featuring lucy, varg, ascion and yyyy themselves, resulting in a barrage of arpeggiated behaviour and regimented soundscapes. a force pushing forward creativity with on-point refinement, lucy immediately veers in with his visceral power of sound. an avalanche of intricate and experimental arrangement soon meets a series of astute percussion and typical foreboding energy, retaining a certain texture-over-beat throughout. yyyy s depth of music imagination & influence is heard in this highly charged, awestricken ensemble for their rework of intention of mortal . unfolding a mixture of fear and complication, this track keeps you thinking as well as moving. an almost endless supply of plucked synth rhythm keeps the chaos taut and throughout. ascion s remix of stone relief of gods faces credits the release with clean kicks, industrial clanks and atmospheric keys. this no-nonsense approach to production is not to be underestimated, a dream-state sequence of induced electronic abstraction. the first and most immediate observation of b2 is vargs take on reach for forgiveness - a menacing, pin-sharp account of the visceral power of techno, dialling in to both tense and euphoric. the ambiguity of each track lends itself to its success, meticulous in detail and curated with passion. a release that divulges the mysterious sonic world and deviates from the expected.

hieroglyphic being and deviere team up for some proper nuts mathematics acid. they really go to town on the 303s in these, every sound seems to spiral on the brink of aciiiiiiid induced chaos. proper squelch nearing the rave-tastic highs of evol and alku, but held together with a strict chicago schooling.

andy hart returns after an almost two-year hiatus from the studio to release his first ep on the voyage imprint. following on from urulus greetings from namek, mistress in your mind is the sixth release and adds to a growing collection that already includes releases from harvey sutherland, m5k and ctepeo 57. mistress in your mind loosely stems from the intertwining influences of a love-induced delusion broken down over four tracks. hart draws sentiment from several aspects of his record collection, giving subtle nods to break beat, soul, acid and space-laden house.

frankfurt s finest joins bokhari with a nod to 90 s ltj bukem coming at you with the kinda track that would ve taken the doors off your xr2 : remixes come from a pepe braddock-eque dorylus, and a steroid-induced banger from the one and only capracara. mastered by matt colton. artwork by spencer fenton, with each sleeve featuring a uniquely ordered combination of hand applied coloured stickers.

blackwater starts it’s third cycle with it’s tenth release with an ep from london based duo, ossa di mare. a record that has come from the dark internal depths of a carnal energy between the two artists that make up duo, constructed around the idea of hallucinogenic experiences induced by dimethyltryptamine. each track relates to a understanding and connection throughout the experience.
pressed on 180g vinyl, black label with a custom pocket jacket courtesy of jose montemayor in a pvc plastic bag.

have you ever taken mushrooms ? well this record has a story, long time friend of the label joseph is as close to a living example of a don juan as you can get. this record includes songs inspired from a brief love affair. mushroom induced, mitte lockdown, cross border communication it s the slowest record we ve ever put out but hey - summer time approaches so roll a jay or take a capsule and fly away on this caravan we call life. slow trippy balearic grooves!

transhumanism ep is a combination of ethereal and angular sounds, but with many points of reference concatenated between them. starting from the side a, if methodical ear has as its base, a rhythm with an incipit house, but with edgy sounds always in progress, shadow manipulation of mind looks at an utopian techno, together a dense and obsessive hypnotic groove. instead, in the b-side, synapsi sonora-, presents a classical structure, but with kick and snare somewhat in the foreground, with low, evolving, sick and stifling pads in their concept of low-fi timbal. state of induced hibernation is an alien traces in his gait metal percussion and sharp synth, make a song to say the least harsh and unwilling to be defined and confined to specific genres, as in the complex is all this project for ambiwa records.

the title track has already made rounds on numerous dance floors and proved to be an irresistible organ house monster. panthera krause s tracks wiggle within the zone between epic floor moments and abstract beat structures like in the mighty -z-cuts- or in the flute-induced -howling for july-. finally, the space between us- is an emotional ride through the twilight of eternal loss and extravagant hope. the artwork was created by lisa geue.

a distant shadow of a woman with jet black stringy hair glistened through the nearby shrubbery. was it her, or was i again lost in my own dementia? how in the living world could this be? i sipped on my medicine and fell into a deep sleep. i awoke days later to see her sooty eyeballs rolling over my entire body. her black wings seemed to stretch over a mile wide. they ever so subtly fluttered from the slow wind that was creeping in from the north. i startled when i realized what was happening and sprung up from my chemically induced coma. i grabbed her by the neck as tight as i could, only to realize that i was holding a black birds tail feather in my hand.

your favorite foil faced machine heads, frak, on lux rec. big tip! nordic woods are a dangerously primitive place. fueled with madness and induced delirium frak land on planet lux. three slow, acid numbers with a barbaric, crude attitude. relentless drums. fierce, hypnotic synthesizers that get you lost in your own mind. suddenly sinister, disastrous images populate your consciousness. and then one last strange, twisted wave track. new places, new adventures

the next installment from beau wanzer on his self-titled imprint, more electro-wave induced tracks for the freaks. sure to get the floors shaking and everything else along with it...

muscle and mind is the return of oscar mulero to long plays, after grey fades to green and black propaganda. muscle and mind may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno.
muscle and mind will be released on vinyl and cd. the digital version will include extra tracks which will also be published in an ep. this will precede the album with edited tracks from the album and remixes by stanislav tolkachev and shxcxchcxsh. repress on black vinyl.

2017 repress on black double vinyl, housed in a black sleeve.
muscle and mind is the return of oscar mulero to long plays, after grey fades to green and black propaganda. muscle and mind may seem antagonistic terms in real life, but in terms of music they make sense together, especially when talking about techno. the double vinyl lp includes a download code.

good morning children, welcome to school ! what might be known from ipoly mate 003, got a very different context here in the title track. heavy club food, flavoured by alec troniqs love for the energy of the early 90s. the chain was originally induced by old man trouble and then impulsively got the blues by alec troniq. it has a special place in their hearts and continues alec s series of crossovercollaborations in 2014.

great debut by uk based james marrs on the consistenly unpredictable syncom data records. four raw, sample induced industrial house tracks. perfect dancefloor material. for a basement strobo party in a david lynch movie, that is. mental stuff.

luke williams has released an extensive catalogue of electronic music under his quinoline yellow and tatamax pseudonyms which are predominantly found on skam as well as his own imprint uchelfa. in the present and now seemingly back from his self- induced hiatus, we find luke composing again and instigating a spell of remix projects for various producers.
williams plot returns from his extended period in the wilderness to realign his priorities and interject some overdue music back into the public domain. he delivers his eighth release, palisade mount under his quinoline yellow moniker for touchin bass. expect twenty-five minutes of archetypal hill jogging beats and cawl-fuelled melodic sustenance. open wide!

excellent vibrant rhythm adventures from promising new canadian artist hreno. he serves us far-out north american techno trax and feelgood larry-levan-disco induced house bliss.

smith & mudd are back in fine style on claremont 56, following up their excellent lp with this great double header! >sauna love< is the lead track, an uptempo, string laden boogie house affair with great vibes, bass, strings and punchy percussion all rolling along into the sunshine. on side-b >the surveyor< is a great piece of otherworldly electronic music, coming on like some weird cough medicine induced dream. the bass pulses along with mystery dialogue, light key flourishes and an intent that is delivered about 5 minutes in when the kick drops and the whole thing shifts into a latenight, alt disco bomb.

cut mistake music was conceived somewhere between the day dream induced soundscapes of my bloody valentines loveless on the western seaboard of ireland and the haze filled manic energy of new york city dance floors. loosely associated with a collective of new york based musicians our aim is true and our message clear, we want to bring our landscapes to the ears of those who are willing to listen. this first release comes from the hearts & minds of the label founder cnnr (connor whiriskey) and good friends no regular play (nicholas debruyn & greg paulus).

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

torontonian electronic quartet, azari and iii drop their second single >manic<. this perfectly sculpted piece of minimal-house-pop, taken from their highly anticipated forth-coming debut album pounds funk-induced beats and has remixes from dj sneak, tiger & woods, finger prince and christian aids. come summer this track will be filling warehouses, basements and clubs the world over

following on from the furious 601 release we revisit the aquasky single and ask some mates of ours to go in on the remix tip and try and add some of their own bass induced mayhem and here, ladies and gentlemen, is the end result. not for the faint hearted or those of an uneasy disposition.

after >echo life< and >night impact< mirror peoples third release >reaction!/odyssey< is out now on social disco clubs hands of time label. this 12 inch reinforces rui maias ability in crossing over his trademark synth skills with his love for emotional and melodic dancefloor movements. both tracks fuse recognizable patterns and intriguing ones where the cold teutonic meets far-eastern harmonies in a cool piano induced crescendo. as for the two remixes, tiago miranda provides a buzzing hypnotic >zawa dub< of >reaction!< and jacques renault a rhythmical stomping >odyssey< version

fina is a new record label releasing on slabs of wonderful black vinyl. fina is created by simon morell and matt long with love from leeds. fina is part of the 2020vision music family. fina is not afraid to experiment with different styles and tempos. fina embraces everything from mid tempo grooves, disco induced dubs and deeper shades of house. fina features up and coming fresh producers. fina will be throwing unique one-off parties in a space near you. fina can be pronounced >finer< if you like. fina came from an italian word and has nothing to do with petrol stations. fina celebrates the spice of life.

marcus sur releases his first record on the deep imprint of mbf: mbf ltd.
recently home to riley reinhold productions, the label started years ago with cosmic sandwich productions, weird and disco induced, mutant disco and now is on its way to settle with deeper and soulful house. marcus sur seems to be just the right choice at the right time.

for >feels like t< david interprets that old school techno feeling and gives it a personalised fresh faced twist. so, if you are looking for some dedicated dance-induced action, play on!