known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

10th anniversary reissue on blue coloured double vinyl.

father of libyan reggae or kingston meets tripoli in this incendiary collection of arabized roots, dub, dancehall and more.

orange vinyl - indie exclusive

early support from luca lozano, roza terenzi, ben fester & adi toohey.. phran returns to best effort with an incendiary array of dance floor heaters, transmogrifying his hypnotherapeutic impulses in some startlingly different ways.

divine situation are, greg belson is a veteran dj and one of the premiere collectors of soul music worldwide. he s known as the go to authoritarian for gospel soul music, is the compiler of the divine disco series on cultures of soul and presents his radio broadcast divine chord gospel show on la s dublab.com creative hub. and paulo fulci is a dj and producer out of bristol uk. his work as part of the situation edit crew has been released and supported as part of the underground for many years….he now spends his days slangin records, whilst honing his disco scalpel skills in the late twilight hours. following on from their incendiary slab of two sided gospel goodness born again & soul revival , the divine situation duo have crafted the next lot of bangin spiritualized dancefloor destroyers for your record box. here we have an ep catering for several sides to your night. the lead off cut is the flat out roof raiser the problem solver …..then it s boogified territory with brand new feelin , before they close out with the end of nighter, try love . once again, moton bringin the heavyweight platters that matter!

new zealand based ebm auteur body beat ritual makes his debut on bergerac with an incendiary ep of full throttle intense dark wave bangers. growing up in north west england immersed in hardcore punk and rave culture led to musical experiments and body beat ritual is his unique splicing of both aesthetics. using a combination of hardware, audio samples and midi sequencing, body beat ritual reclaims the moment when underground musicians in manchester, chicago and ghent put down their guitars and picked up drum machines and sequencers bringing the intensity, rawness and aggression of the band environment to the dancefloor. mortal sin is a certified smasher. absolute dancefloor decimation whenever its played out. no more description necessary. no mercy evokes the lost boys vibe with an equally high octane raw workout. trent reznor meets jeff mills at a daf gig on a flatliner. the ep closes with body politics which lowers the tempo to a chuggier zone, with an ode to female empowerment which keeps up that body beat pressure and intensity.

laura jones returns for another ep outing on her label. despite weighing in with an incendiary first release that found mandar s sam remixing infuse s karousel and a follow up from jones that included one of the sadly departed trevino s final remixes, the label took a backseat to the birth of her daugter in 2017. a year on however and the pace has picked up with an ep from renowned modular wizzard kamran sadeghi at the start of the year and this latest ep from the label boss. the two originals are a snapshot of her evolving style. pathway places skippy beats and sub heavy kicks under a soaring chord sequence, abstract vocal samples and ethereal pad riff. tough crowd takes a moodier approach with a menacing sub bass and drum arrangement, bubbling filters building to a hook that unfolds halfway through to create a moment of formidable intensity. lee renacre s recent revival of his 100 hz alias courtesy of well received outings on slow life and bosconi among others, has found the producer on career-best form and he turns in a sublime remix that makes deft use of delicate top lines and bubbling oscillators to create a powerfully heady atmosphere.

the essential will & ink label continues to keep up the pressure with a new ep from museum aka anton pieete and jeroen liebregts. the pair have released on vital labels like marcel dettmann records and indigo area and make some of the most robust and powerful techno around. their three new tracks here come with a remix from resident label artist yalessa hall. opener silo is an urgent groove with warped and rumbling synth lines and frazzled textures. it s sparse and industrial as it barrels along while the list is much more wild. the drums flail around, the hits are off grid and the energy is restless and rugged. lastly from them, 1500 has punchy drum programming and watery sound effects, sci-fi motifs and a sense of turbulence that will make a real impact in the club. the raw yalessa hall remix flips the list into a freaky house track with smeared synths and big hits making for something incendiary and unhinged.

special request returns via gerd janson & shans studio, as they completely re-build both brainstorm and make it real across four frenzy-inducing incendiary versions custom made for sending the rave over the edge

with the sublime sounds of um001 still resonating through the drum & bass world, the bristol based utopia collective build on their impressive debut with an equally stunning second single. another long-time supporter of the utopian cause, survival (exit records/audio tactics/dnaudio) steps up with the hypnotic and enchanting traveller whilst the sect give mako and mutes incendiary >connexion< their unique treatment. dj support: ltj bukem, doc scott, dj marky, fierce, makoto, bailey, loxy, total science, spectrasoul, dj lee, flight, instra:mental, survival, invaderz, squire, insiders and many more

repitch’s latest releases is a full-on acid assault, a distorted analog techno speedwagon driven by label co-founder d.carbone along with panzerkreuz affiliate and rave veteran albert van abbe. side a is composed of two tracks produced by van abbe and paul van ghent under the guise of his most unapologetic acid project penik etteck. recorded between 1998 and 2000, it is a duo of incendiary bangers made for no other purpose than pumping energy into the rave. on the flip side, van abbe’s youngest project datasmok sides with d.carbone for two more tracks ripe with acid basslines, heavily distorted drums, and noisy drones, speeding up the tempo on the first one and slowing it down on the second in order to explore the many dynamic possibilities of raving.

for over 40 years orchestre poly rythmo de cotonou has combined traditional beninese music with soul, funk, afrobeat, rhumba and cuban rhythms to create this infectious soundà hailing from benin, west africa, orchestre poly rythmo de cotonou has been churning out incendiary afro grooves since 1966. on bosq meets poly rythmo uptown, bosq tastefully reworks 4 of orchestre poly rythmo s legendary recordings. as a die-hard fan, bosq took a subtle approach to the project. according to him orchestre poly rythmo has been a strong influence on his work and he wanted to be respectful to the original tracks. bosq focused on making the tracks dj friendly by beefing up the low end, rearranging and stretching parts out, and adding in extra percussion and a drum machine. the result is a 4-track ep of bumpy afro disco, psychedelic funk, frenzied afrobeat, and sunny soulful grooves. based in medellin, colombia, bosq has released a collection of music on ubiquity records, soul clap records, fania records, razor-n-tape, and more. since 2015, sol power sound, out of washington, dc has released deep sounds inspired by rhythms and traditions from around the globe. the label s output includes afro-latin stompers, re-edits of lost disco grooves, heady percussive tech workouts, and other sonic treats. four stone-cold classic orchestre poly rythmo de cotonou tracks re-shaped by bosq for the dancefloor today..

following a big ep from richy ahmed, play it say it returns with a talented collaboration in the form of mark fanciulli and rob cockerton, with honey dijon on the remix. mark fanciulli has carved out his own sound that takes the best of house and techno, turning in his own infectious releases on the likes of joris voorn’s rejected, as well as the legendary planet e and intec. long time friend and collaborator rob cockerton joins fanciulli, who’s own credits lead to labels including suara and snatch!, and together the duo cook up a storm here. ‘slave to the rave’ is the fantastic opening cut and is a real party starter with an old school feel. acid stabs bring raw energy alongside chattery claps straight from chicago in the 80’s, whilst the whole production is bolstered by slick drum programming that won’t fail to work crowds into a frenzy. the excellent ’10 channels of bliss’ is equally massive, with robust kick drums down low and huge incendiary hi-hats up top. swaying claps and rolling bass all help lure you in and shape shifting synths bring all that important looseness and colour. next up, classic music company artist and new york tastemaker honey dijon steps up to remix ‘slave to the rave’. her version is dark and intense, with an unbridled sense of frantic raves bottled up in the train-track grooves and the cleverly filtered vocals, this is a powerful ep of high class, high impact dance music.

cult duo rework are next up on my favorite robot with a five track ep that shows off their brilliantly inventive house and tech style. the production outfit of daniel varga, michael kuebler deal in left of centre and freaky house with a mischievous afterparty slant. they have been active for more than a decade now and have credits on great labels like visionquest, items & things, meant and the institution that is playhouse. the brilliantly sleazy “talk it off” opens things up with popping drums, playful lyrics and a steely sound that is designed for wonky basement parties. “valencia” goes deeper with warm drums and synths surging along next to an elastic groove that is propped up by energetic and incendiary chord stabs. it’s a subtle but high impact track that will raise the energy levels on any floor. “think about you” has vocals coated in echo and delay and trippy synths that are lively and off kilter. it makes for a track that is brilliantly loose and undulating and cannot fail to get under your skin. final track “attractive” heads in a much more techno direction with surging drums and hypnotic slithering synths that burrow deep into your brain and seep into the night. it is trance inducing for sure, and shows another side to this accomplished outfit. this is a versatile ep stuffed with killer cuts for many different moments in the night, and each is as standout as the next.

bleeds second release of the year is a fourth solo outing for label head volte-face, following up last year s incendiary you bury me 12inch. in classic bleed fashion, the ep features three atmospheric peak-time techno tracks, an ambient piece and an artist-curated remix by rising japanese star wata igarashi, a name synonymous with some of the finest off-centre techno labels, including semantica, time to express and midgar.

one of the most exuberantly inventive and acclaimed bands around today, hot chip have built a devoted fanbase with their soulfully eclectic records and incendiary live shows. hotly anticipated by fans and media alike (and among spins >upcoming records that matter the most< and stereogums >most anticipated albums of 2010<, one life stand is the bands most boldly accomplished record yet, at once offbeat and anthemic, cerebral and danceable!

analogical force drops the third and last part in the voiceless series taking no prisoners. for this ep af mastermind pervert has teamed up with incendiary friends to deliver a must for the collectors of the label. heavy line up that includes the hamburgs well respected helena hauff, zurichs acid lover cco (50% of savage grounds), the legendary uk techno imprint b12, canadas suction records co-funder lowfish and utrecht based endfest. stunning 5-track record with loads of acid-drenched techno, super wide basslines, melancholic pads, slamming 808s...enough to fill brains as well as floors. this release is dedicated to rhys celeste. limited and handnumbered.

is&#8203, frank butters&#8203, a new artist risen out of nowhere via incendiary releases on his own too many squares label, or is he perhaps an established artist taking a new direction? the only concession to this question is that he’s someone &#8203,man power&#8203, has known a long time, and one of his favourite new artists. franks &#8203,cult of glamour&#8203, focuses his early 80s proto-house aesthetic, with two machine driven cuts at differing tempos for opposing late night moods. for remix duties, me me me asked all time hero &#8203,andrew weatherall&#8203, to deliver his own version, and deliver he does with a swamp rock lead bellied organic take of &#8203,make it right&#8203, (as well as a digital only instrumental version). to close off the package man power has enlisted not an animal records mainstay &#8203,ess

realness: if there was one word you’d use to sum up parisian house dealer phil weeks that would definitely be it. he’s never kowtowed to trends or hype. he’s never compromised. he’s never lost focus of his primary goal: to make undiluted, straight-up house music that physically moves you.nearly 20 years deep as a dj, artist and founder starting the new year with a serious statement of groove intent, the eight track package is the follow up to his successful 2012 collection ‘raw instrumental’. his fifth studio album in total, the title says it all: rawness and full focus on both the dancefloor and the best creative djs. no messing around, each track is tailored for total mix and party pleasure and covers every shade of the night. it’s peaky business from the off as phil lights the fire with ‘the rhythm’ an incendiary burner that sp flexing a classic blaze sample, all the elements build with the bulldozer drums and subs pushing relentlessly. ‘oh baby’, meanwhile, slips us into a something slinkier with its bumping deep drum shuffle and optional instrumental.

the mighty flames were a crack bunch of cameroonian musicians, drawn to nigeria by the heavy funk sounds booming across the border like musical moths. for a short time in the late sentries they ‘owned’ port harcourt, destroying dancefloors with an incendiary sound that burned so heavily that it was phosphorescent. metalik funk band is the band at their most deadly.

up first is get enough, seven minutes of seductive techno that has an almost machine-gun like disco synth firing across the groove. it is a rumbling peak time track with real force and energy that will bring any floor to life. the title track, toleranz, is a gritty and stripped back basement cut with dry hits and burrowing acid bass that takes you deep into the night. cobra then proves this pair have real breadth in the studio and is a barrel chested house cut with more big hits, rib rattling bass and incendiary techno hi hats that really get you on your toes. remixing are the tech duo of pleasurekraft, whose releases on octopus and mood records have won them plenty of dj and dancing fans. they layer in some dark melodies to sq80 and build it steadily before allowing the militant drums and crisp snares to explode and drive you and the whole club forwards.

laura jones unveiled her new label sensoramic in may with sam and karousel cutting the opening tape in appropriate style. for the second release laura delivers her first ep since 2014. after taking time out to experiment in the studio and refine her style, the why question marks an evolution in the uk producer s output delivering two incendiary underground club cuts ably remixed by trevino and u-more. two veterans working under aliases, trevino is of course better known as legendary drum n bass producer marcus intalex who has more recently found a home for his 4/4 output on klockworks, the nothing special and his own label, birdie. u-more is italian veteran and berliner, ivan iacobucci, fresh from releasing on apollonia and a slew of underground minimalist labels who delivers a late night acid laden afterhours workout to compliment trevino s big room counterpart.

kevin arnemann and daan kemps taped artifact label clocks up its fourth release with a three track offering from outlaw rec boss and key part of the italian serendipity club, namely matthew oh. matthew has previously released on his own label and others like side off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. the opening track psycho hub is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. shroud is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. finally, get in the fridge slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

a masterfully composed ep catering to both the gleeful romantic and the affectionate incendiary.

following the release of the ‘extraction’ and ‘hydraulic pressure’ 12”s earlier this year, adventice – the incendiary collaboration between dj deep and roman poncet, returns to tresor. while taking the groove up quite a few notches, and as per its two predecessors, ‘exsurgence’ unfolds in three different versions around a common theme.
the ‘main mix’ opens into hammering chords yet taking a delicate turn into an synth-heavy refrain. on the flip, the ‘reduced mix’ follows the same composition while playful and cinematic as the use of hihats add a skip to your step and pick up the pace. the ‘percussive mix’ and its rapid drum patterns, exude a fragrance of vocals triggering endless soundscapes.
with this new three track single, dj deep and roman poncet deliver a fierce package, another warning for what is still to come for the duo.

after last months busted moniker ep from quarion, retreat is thrilled to announce a new 12inch courtesy of house musics most energetic duo, the incomparable session victim! the aptly titled two man house band ep is the lads first record since their 2014 magnum opus see you when you get there and perfectly transcribes the energy that session victim pour into their incendiary live show. tailormade for a night out in the club or a joyous day at the festival, the two man house band ep once again prooves that session victim are unstoppable in their pursuit of the ultimate groove!

the mysterious talent antenna shows his tough, high impact house sound for his second release on the dutch pinkman label. first up, ‘childhood’ is a mid tempo bit of elastic, groove driven house with whirring machines, raw synth patterns and filtered, muffled vocals. hi hats add an incendiary element of pressure but really this one is all about the pinging, rubbery drums that flail like drunken limbs. ‘when i read my book’ is another purposeful offering riddled with melody and deep drums, slapping claps and lots of jittery cow bells, impish synth sounds and bass kills that brings a real sense of energy to proceedings. lastly, ‘in august’ is a tripped out cut with skipping kick drums, celestial and heavenly, glassy melodies and skittish percussion that all glide along in alluring and off kilter fashion. this is house music, but not as you know it!

following the release of jonas kopp s capturing debut album and the recent transllusion and drexciya re-issues, the berlin powerhouse starts the year with a bang. tresor records is proud to introduce the debut collaboration between all-time reference dj deep, and emerging artist roman poncet, with two powerful 12-s released back-to-back, exploring both modern and classic interpretations of techno. dj deep, uncovered by laurent garnier in the early ‘90s, has always rested on the cusp of modernity, whether in the realm of house or techno, relentlessly delivering visionary selections throughout. as label owner of deeply rooted, dj deep seeks out likeminded artists, including poncet, to propel his vision of contemporary sounds. roman poncet, surfaced in 2013 with a growing catalog on labels as deeply rooted, taapion or figure. the blend of the two producers is simply incendiary and their profound compatibility takes all its sense on these two eps.

following the release of jonas kopp s capturing debut album and the transllusion and drexciya re-issues, the berlin powerhouse starts the year with a bang. tresor records is proud to introduce the debut collaboration between two frenchmen, all-time reference dj deep, and emergent artist roman poncet, with two powerful 12-s released back to back, exploring both modern and classic interpretations of techno. dj deep, uncovered by laurent garnier, has always rested on the cusp of modernity, whether in the realm of house or techno, relentlessly delivering visionary selections since his emergence in the early 90s. as label owner of deeply rooted, dj deep seeks out likeminded artists, including poncet, to propel his vision of contemporary sounds. roman poncet, surfaced in 2013 on len faki’s figure imprint. more recently his catalog also expanded to include releases on deeply rooted as well as young french label taapion. the blend of the two producers is simply incendiary and their profound compatibility takes all its sense on these two explosive eps.

land of confusion is one of the most seminal chicago acid house records. originally released in 1987 on bam bam s westbrook imprint and produced by the legendary armando gallop it marked the start of a recording career that would make him a household name among house and techno aficionados. to say land of confusion is raw is an understatement, it consists of a handful of elements but its impact when played is incendiary. armandos tb-303 acid lines sound possessed and unruly while the primitive drum machine patterns stagger around the track giving it a feeling of out of control urgency, a truly lo-fi piece of crazy chicago acid that was popular with many djs in chicago(including ron hardy at the muzic box) and around the world and continues to be influential today. an essential record for any discerning house or techno fan.

people must jam have an undisputed three for three on the score board, and it comes as no surprise that this serious second innings in the floor jammers va series is heading straight for the outfield too ! it s a truly international affair, as chicago disco don rahaan takes the lead with an irresistible uptempo jazz-funk rewire while uk producer andy ash is next up to the plate, rearranging and amping up a teddy p classic on the b, tokyo s beaten space probe takes on millie jackson s incendiary we got to hit it off (as recently hacked up by tom trago) bsp leaves in the best bits here as the powerhouse groove gets a respectful renovation. finally out in the sticks wrap it all up eighties fashion, as a slamming bassline led drum machine jam powers us to fourth base. strictly limited to 300 copies.

london-based producer and rinse fm associate rupert taylor, aka xxxy, has announced his second release for the rinse label, featuring a pair of characteristically melody soaked, floor ready house tracks. it is the follow up to 2013s incendiary club hit *got me so*, and is the latest in a series of releases from taylor exploring ghostly house and garage for labels including infrasonics, ten thousand yen and orca.

techno legend marco bailey debuts on amazing records with an incendiary track and an uncompromising remix along with fellow belgian superstar redhead

new incendiary single from the upcoming new bottin album

good things come to those who wait: the second release on the crazylegs label finally arrives in the form of an incendiary solo debut from nottinghams toyc. thats toy see — a name youre likely to hear popping up quite a bit over the coming months fresh from guest appearances on boiler room and bbc radio 1, ruffer and keyframe represent a bold snapshot of toycs unique sound: two dangerous slabs of light-footed, elastic bassweight that you may well recognise from the sets of jackmaster and ben ufo backing up the originals, an old vs new-skool grime soundclash, if you will — 8 bar pioneer youngstar and thrilling belfast newcomer bloom run amok with versions of keyframe. and finally the inimitable danny native twists ruffer into one of the most menacing pieces of dance music youll hear all year

hot on the heels of dj deeps inaugural kern mix for tresor comes *kern vol.2*, selected and mixed by gigolos boss dj hell. the first 12 inch vinyl ~ the exclusives ~ comes packed with previously unreleased tracks, specially crafted for kern vol.2 and carefully selected and re-edited by dj hell. argentinean producer extraordinaire jonas kopp offers his own interpretation of the hell sounds with x, an incendiary and wreckless number of instant gritty appeal. on the flip, two reworks operated by hell specially for the occasion. the infamous flashback 86 by capracara receives a raw treatment, for full dancefloor effect. the 1993 classic by halogen (aka zach roberts), bliss gets extended and reconstructed with complete new drums.

following the release of his critically acclaimed album, crossed paths, shifted s next release on mote-evolver is the incendiary razors ep.

highly recommended!unity is the first single taken from third sides forthcoming album unified fields, that will be released on restoration records in september 2012. third side is the project of the analogue cops and panorama bar resident steffi, their collaborations, which have been released exclusively on restoration, have been of the most interesting jams of the last years. the original unity, a fat overshadowing deep techno track, written and produced only with machines and recorded on tape, comes with 3 massive analogue remixes. the rework made by blawan (sheworks/hessle audio) smashes the parts of the composition with overbearing oldschool british manners and the result is a broken shuffled industrial hammering. on side b, steffis remix is relentless, rushing and carefully build:her attention for the processing of every detail transforms the original tune into an hypnotic breathtaking excursion. the last treatment is performed by the nightjars, an unidentified project that has brought down a particular attention for its debut ep on vae victis records. with a bossy employ of the most advanced analogue equipment, the nightjars slash an incendiary attack of warehouse garage.

fresh new label project by venetian disco head bottin who needs no further introduction! after releases on eskimo, italians do it better, bear funk etc he has now decided to run his own business and press this new production on this psychedelic-looking piece of orange plastic. lust is definitely a hard throbbing and sweaty space disco house track with a hint of deranged prog madness. layers and layers of synths and bass lines build up in a long enthralling foreplay until heavy disco beats violently kick in, finally add spicy disco stabs and you have got yourself an incendiary tool sure to set things on fire. dont sleep on this one! crazy black plattered, orange glowing vinyl.

the collectable artifact imprint is taking a detour from incendiary and obscure disco re-issues into releasing even more obscure material. mysterious italian electro-wave band cristalli liquidi are featured here with a killer rare italo gem produced by tinto b. (also known for robots are un-american, re-released on italians do it better last year). inspired by a lcd soundsystem song tinto b. comes with this great record! we cant find the connection to the lcd soundsystem track that supposed to have been his source of inspiration, and actually we dont care... its some of the best recent italo disco we ve heard in a while! if you are big on italo vocals the a side is for you, if instead you dig deep electro disco but without the chanting, the dub version on the flip side will more than certainly send you into italo space. another hot artifact release from mr. bottin. tip! (limited supplies!)

dancefloor killer -take a trip-, led by hector moralez vocals, is the story of a mad after hour where dj w!ld got two years ago in ibiza. a funky house track with old school beat and a mesmerising fat bass. remixer-s monikers do not necessarily need some more explainations, just feel the quality and consider their legacy. long-playing a-side -radio slave-s gotta get up remix- is the reflection of matthew edwards- love of re-edits and remixes, with his particular taste for jackin- sound beloved of house aficionados and fractured funk, oddball beats and mechanical soul. incendiary tune. veteran on the remix world, with highly expected remixes that drive dance floors across the globe to ecstatic conditions by means of his intense beats and rhythms, dj sneak delivers a furious banging house remix on b-side, with melodic rhythms that will suit dancers- soul. duo having instant chemistry as friends and in the studio, fries & bridges a.k.a phil weeks & hector moralez set the bar high with their consistent quality of house music. their -ghetto mix & dub- are sick, tight and tasty, and will for sure ingnite dancefloors worldwide.

from the full length album, staight vacationing by andy vaz, soiree records is proud to present the unreleased mixes of feelin featuring vocalist eva soul. drivetrains reflection-a highpowered fusion bringing the feelin to a climatic, electrifying crescendo of deep scientific intelligence. andy vaz-original-it all begins here…the sumptuous voice of eva soul the colaboration of precision musicians and the absolute of machines, resulting in a feelin of authoritative electronic soul. norm tallys feelin-the late night creeper delivers another incendiary composition submerged in signature detroit intoxication

to celebrate his mos deep sub label reaching its tenth release, boss man aroy dee has teamed up in the studio with ma spaventi for the labels next release, namely a split 10 inch featuring two tracks: >wrecking< and >mr. floyd<. first up is amsterdams best kept production secret aka marco the doctor spaventi. his >wrecking< is a blisteringly raw house construction with ripping synth lines, delicate hi-hats and slow, crawling kick drums building up to an incendiary, chicago referencing peak where pinging cow bells shooting in all directions. its a bold track designed for maximum dance-floor damage. on the flip, aroy builds in layers. his >mr floyd< is all muted synth growls, clattering percussion and blissful pads. its a tortured deep house track that challenges you before really soothing you, but once the inner beauty is revealed, it really has you under an enchanting spell. another quality release from mos deep, this time on highly collectible 10 inch vinyl.

on the heels of the hugely successful m.a.d.a. + plankton single >antiz<, hidden once again looks to france for another huge techno release. this time they tap the next hidden recordings artist from france, the young master of bass, alejandro trebor, who shakes the pillars of heaven with this massive original. >quemadura del sol< is well-crafted big room techno to keep the dance-floor in a frenzy. long time followers of the label may also sense the overall arc of the label on hiddens 15th release, the laidback textural techno of >wolkenreise< to the festival sound system sized >quemadura del sol< with a focus on high quality originals coupled with a diverse range of remixes from the top names in the global techno scene. its a recipe for success that has seen hidden join the company of some of the genres most trendsetting labels in 2011. hiddens latest >quemadura del sol< deserves all of your attention as one of premier releases this fall. remixes this time are handled by a balanced mix of established heavyweights and emerging new artists shows that hidden has its fingers on the pulse beat of the dance floor. the ep is ably book ended by another incendiary remix from label owners, deepak sharma + dieter krause.

chicagos ricardo miranda makes his debut for the ace stilove4music label, maintaining a fine year in which he has already dropped some serious heat on rush hour sub-label hour house is your rush and his own noble square imprint. title track >102point7< is all jagged synths, throbbing arpeggios, slashing claps and a rolling acid groove, marking it out as one of his most incendiary productions to date. on the flip >rotary cells< is deeper still, a 909-led jacker with undulating layers of sub bass augmented by a wonderfully woozy vocal which extols the virtues of true chicago house. this is followed by >greenline<, a stripped back jam with scuttling hats and the kind of paranoid synth melody that wouldnt sound out of place in jeff mills something in the sky series. this is dark, raw, pulsating dance music - highly recommended.

nice price deal !!! begun in 2008 and following the release of their debut single last summer, not squares have carved themselves a name as an incendiary live act playing 2009 festival dates at latitude, leeds and reading in addition to numerous boutique irish festivals. not squares received plenty of national radio play with huw stephens championing them throughout 2009. with a bbc radio 1 introducing maida vale session under their belts and nearing the release of their debut album in september 2010 with dublin-based richter collective, there will be many opportunities to go buckwild with them in a room near you. >release the bees< is the next single out in autumn on pogo recordings in dublin, a driving 8 minute-acid-house-electro-dance-track to assault your ears.

detroits electronic provocateur jimmy edgar invites you to try a new position on the salacious remix ep for >hot, raw, sex< (out july 12th), the lead single from his robo-disco songbook, xxx (out july 27th). newly signed to !k7, edgar wastes no time getting the party started with a scorching trio of retakes on an already incendiary proposal. the latest in a line of syth-based seductions that began with princes >dance, music, sex, romance< and continued through frankie knuckles/jamie principles house sizzler >baby wants to ride<, edgars >hot, raw, sex< sounds like a lovesick paean from aphex twin to janet >miss jackson, if you re nasty<.
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