heiliger bim bam! die cockroach “fluffy ep” ist schwer gesucht! zum ersten mal jetzt digital und als stream erhältlich. ein trippy house hybrid, produziert by hendrik wilhelms and marcus friedel. die cockroach “fluffy ep” ist der erste re-release, des legendären compose labels, 1994 gegründet als compost records house division. mit künstlern, djs und produzenten wie dj linus, moon machine, jerome isma-ae, pufo, marcel krieg, ralf gum, future funk u.v.m. haltet ausschau nach weiteren tollen compose - reissues in den nächsten monaten!

2 tracks from swiss veteran styro2000 plus superb ion ludwig remix on vinyl only.

for the 4th release from our beloved ourselves they ve once again invited a group of friends to serve us up a healthy dose of tasty house and disco. this time, originaltracks from luvless, snacks, siggatunez und jan ketel are on the menu. &#8203,,,, for starters we have luvless from leipzig whose prepared a floor stomper with a side of heavy drums paired with a warm chords- and stringsounds and a groovy bassline...completely love. the berlin duo snacks appear for the first time on ourselves with their track sisters . a delicious disco snack that sounds like an effortless kitchen jam with an extremely funky aftertaste - you re tastebuds will be dancing. hand played bass sprinkled over percussion, guitar licks and building up synths....hopefully you like your snacks authentic...they muste be true musicians...they are!! the one love disco & funk and the other jazz...so does siggatunez. he cuts us up a vibraphonline and sends it on the chase with a chord so delectably deep that not even the side of fat drums can keep up with the bounce and speed it creates but finally gets it and breaks down the club. jan ketel has prepared a desert that at first, tastes like a mere groovy tool but it soon opens up into something bigger and more hectic. it s like you gotta check in at charles de gaulle while in anothher moment the unmistakable flavour of a lush warm rhodes appears...a timeless flavour, and one that you ll never forget.

uk bass heavy garage & house rooted ep by frits wentink aka steve mensink, the man behind the will & ink imprint. dj support is killer with red rack em: i remain a massive fan, ripperton (ace 5/5), axel bowan: 100% support from the north, deetron: another winner .. early recloose in the best possible way, laurent garnier: brilliant, tom trago: sick and rainer truby: yeah amongst others

in advance of the release of dapayk & padbergs third full-length sweet nothings - this time round on stil vor talent - the experienced duo are teasing us with the fluffy cloud ep, which showcases three of the album’s many diverse highlights, while keeping the vinyl lovers happy. the a-side bears the lps title track >sweet nothings<, on which dapayk & padberg’s sound takes a turn as they come knocking with a deep but forceful groover, whose distorted high-hats and trancey synth stabs create a vibe both euphoric and weirdly subdued. the lyrics, moreover, emphasise the duality at the core of many dapayk & padberg tracks as the latter ponders ‘you’re good for me - you’re bad for me’. showing another of the duo’s many facets, ‘backyard’ enchants thanks to mystical lyrics sung beautifully over a deep quasi-dubstep structure. marking the ep’s mid-point, the atmospheric song shines through intricately crafted fragility and is the perfect contrast to the previous and following track, while leaving a strong desire for more stuck in the listener’s mind. on the b-side, ‘fluffy clouds’ does quite the opposite to what its title suggests - rather than being a soft little piece, we are treated to big-room techno fodder à la berghain. a skeletal framework of heavy kicks, dark pads, white noise and dense metallics works relentlessly underneath a cold spoken word, proclaiming >not human, not animal - just a body in motion<. machine funk par excellence.

proggy house tracks!

tromps and beats! plattenbau-music presents the 2nd burner. listen to the deep music by dominic depont and the minimal-techno stuff by tonkberlin & roberto mozza

excellent floor rockin remixes by lars wickinger, sven wegner and end of tape

deep grooving minimal tech/techhouse tracks!!

new lp from frank martiniq. mal tanzbar, mal für den bauch. aber wer will sich da schon festlegen? pop will save the world, und das genügt diese platte zu lieben..

das vierte album ist ohne frage eine weitere perle in frank martiniqs vielschichtigem soundkosmos

with her debut “my shadow was a nun”, maj rachel creates anamalgam of soul, musique concrete, sound design experiments and classical. coloured vinyl release.

with her debut “my shadow was a nun”, maj rachel creates an amalgam of soul, musique concrete, sound design experiments and classical.

begeben sie sich auf eine klangliche reise mit dem n.a.o.m.b. (nugatti all ova me butty) 20th anniversary remastered triple album!

decks tipp

gimmik is back on n5md with a new album. limited pressing on milky clear with blue & purple splatter double vinyl.

25th anniversary reissue of the farflung debut album. limited edition of 500 copies on clear 180 gram vinyl.

including beautiful romain fx remix.

2016 repress! the fourth installment of tiefenrausch comes by italian lad hydergine. with his playful dubtechno tracks he presents a strongly convincing ep on the label. winter solstice, warped chords, epic dubbyness and a hint of strings makes this piece a true journey through winter landscapes. space scan, pumping beats, rich chords and a fluffy groove makes you experience the depth of this ep. and last but not least reminiscient: calm, decelerated, relxaxed dub that one bitterly makes aware that this journey might end at some point.

geat various artists ep ! tip!

ltd to 2000, four tet remix on the techno root , morgan geist with fluffy house

hi class deep house, decks tipp

vinyl only.

on their debut album as dovs, tin man and aaaa summon the ethereal spirit of acid

psychedelic music! black vinyl pressing

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

joe lewandowski, explores new territories to deliver a 3rd ep that blends afro, jazz with house music. his main idea was to offer music that blurs frontiers between samples, organic instruments and recorded sounds. the Ô3rd baseÕ ep comes with an additional reinterpretation of flabaire, runner and co-founder of the french label d.ko records

needwant welcome berlin duo kim brown back into the fold with the stellar pleasuredome continuum. comprised of two dynamic breakbeat cuts to sink into and some incredible remixes from earth boys (lets play house) and kemback (omena/futureboogie). helical scan comes straight from the berlin 5am scene with raw breakbeat production and huge hitting pads and rolling synths. whilst the uniquely titled ceramic unicorns is anything but fluffy and cuddly. the pulsating hi-hat, lofi percussion and cosmic chords take you to another level. kim brown is ji-hun kim & julian braun, local heroes on the berlin club scene and rising producers with previous releases on just another beat, retreat, rivulet, rimini, freerange, fauxpas musik, film and permanent vacation. over the past ten years the needwant mantra has been to push the very best in new talent, having provided the platform for the likes of kiwi, the mekanism, maxxi soundsystem, the revenge and many more.

nice price deal !!! hatterman returns to trouble maker with his second ep, bringing the goodies with two more summer-heaters, guaranteed to cause a stir over the warmer months. the a side love somebody (everyone) is an instant hands in the air classic, made purely for the dancefloor. big swirling vocals and funk-led basslines are the order of the day, whilst those swinging percussions keep you shaking into the early hours! we thought >you can do it< was that good it also deserves a full side at 45rpm! reminding us of an early derrick carter jam, wonky as you like disco/house hybrid at it’s finest- its as tough as it is fluffy, that bassline switch-up gets us every time! festival business at its best from hatterman here… lets cause some trouble x

we open 2018 with a soulful and fluffy masterpiece by the italian genius broke one. musically located somewhere in between max graef, 4hero and clifford gilberto -this thing called reality- is a perfect example for the successful marriage of jazz, soul and house. the narrative and highly elaborated 4-tracker, once again pressed on 555 individually colored vinyls, pushes the wonky-house-benchmark a little higher. in beautifully diversified arrangements broke interweaves deep and jazzy soundspheres with clubby, high energetic sections – a 12&#8243,,, multi-purpose tool for club use and home application. bigbait027 is the last edition of our random-color series. each of the 555 records is individually colored, colors tend from orange to yellow, shift between blue, red, green and white.

fausto messina is a veteran dj and producer from treviso, a small town on the plain between the gulf of venice and the alps. fausto has been releasing music for more than 10 years and pica pica is his debut e.p. on cadenza. in the track named pica pica a recurrent evocative voluminous chord is convoyed by a classy powerful kick drum and an organic symphony of fluffy percussions and metallic bonks, with a triumphant layer of dense whistles and shimmering cymbals. the extremely intense vibrant rhythms of idiophono contrast with the gentle reverberating harmonies of an ensemble of struck idiophones, angelically flowing in the background of the track. the smooth magnetic flux of planets ballet concludes the e.p. with high style. this jacky stride over a stack of steamy synthesisers and bubbly bleeps is a golden tune for a quivering late-night dance-floor.

the orb’s 1991 album back on 180 gram double vinyl

the all-new trés chic series will make your hair super fluffy. controlling fluffy hair isnt as easy as it seems. so please take care and dont spin that record more than twice a day. vinyl only, hand stamped and 180 gramm.

being pioneers with a new album created in no more than 6 months, the orb are bound to be exposed to fan expectations running high, while quizzical questions about little fluffy clouds and the good old times take over. it s especially jarring as the duo of accomplished soundsmiths alex paterson and thomas fehlmann has become known for its genre-bending curiosity and surprising sonic detours, exploring experimental soundscapes as well as club-friendly beats. the funny thing is, though, that whatever the context, you know a track from the orb when you hear it. case in point: cow / chill out, world!, their latest full-length offering - a masterful ambient album that branches out in many directions, but unmistakably sounds like the orb in either ear (and probably to your third ear, too).

third release of dancing like quagmire, italian white label (vinyl only) born to make you dance shouting “giggity giggity go”!!! mini-album with five tracks deeply rooted in 20th century russian culture in which neotnas is showing his poetic music style wandering between rough drum patterns, old dusty samples (hard to dig for sure) and hypnotics saxophone melodies. a-side starts with dreamy downtempo intro elin, followed by crispy broken rhythms of colourful tension and closes with breezy and fluffy don’t rush with dubjazz. b-side contains mighty deep house trip morning way, and outro come, where the main character is undoubtedly ivan pona’s magic sax which created an illusory atmosphere over neotnas’s soul beat.

since contributing to the cocktail damore 5 years compilation, andrew cole aka luvjam has been invited few times to rock the monthly party with his deeply blissful and futuristic sounds. this is his first 12inch for the berlin imprint. the title track takes over the a side. nip to space is an abstract hypnotic slice of techno. every frequency of the 4/4 groove is stretched to the max, and it’s built to enhance the dance floor with masterful soundscaping. on the flip forest of nip is a raw tune, made by unexpected elements disappearing and re-appearing vibrantly, climaxing in a maze of fluffy acid synths. with flip to the flop the alchemist of sound design explores breakbeat of the finest uk tradition that evolves unexpectedly in a cosmically distorted afterhours delight. luv jams psychedelic perspective of sound is at its best in this ep, coupled with his unique mastery of frequency manipulation.

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 2.0mm

custom leather construction: - dampens resonance from metal turntables - avoids static load - suitable for most turntables the mat improves performance by reducing vibration transfer to the playing surface, allowing your cartridge to deliver a more stable high-fidelity performance. the high-friction but smooth surface also allows for fluid record rotation with minimal slip. the mat is made from a single piece of high quality leather and the underside has been intentionally left with a rough and fluffy leather finish, whereas the top is a beautifully finished smooth surface. in use, the sound quality is enhanced giving a noticeably better-controlled sound overall and great imaging. due to the nature of the material, there may be instances of slight marking or deformation. as they are a feature of the material, items displaying marking, wrinkling, or deformation are not subject to exchange. diameter: 29.5 cm thickness: 1.8mm

cotton claw is a brand new project that brings together four french producers : lileanarrative, zo aka la chauve- souris, yoggyone and zerolex. real live band, each on his pad controller, cotton claw takes us into their world tinged of powerful club music, fluffy house music using massive analog synth, unstoppable arpeggios and sexy granular melodies. the four members of cotton claw, have met in order to play together each part in live, to create a new modern live band, to take and give pleasure to the dancefloor, and give their vision of club music.

wouter de moor debuts on ovum! with previous eps on heavyweight imprints such as get physical and poker flat, dutch up-and-comer wouter de moors latest release on ovum recordings maintains his strong upward trajectory towards the big leagues

the index expands into its fourth chapter with a rich collection of tracks from key label artists marcel fengler, thomas hessler, echoplex and vril. label co-ordinator marcel fengler drops scion on the a1, a non-typical, deeper house-influenced jam with a floating, mind-melting soft-focus. abstract, crafty techno meets classic sunday-afternoon vibes in this unique offering. after his wonderful 4-tracker on imf003 promising talent thomas hessler continues his run with the melodic and stark journey track, the escaper. what is initially shrouded in mystery and melancholy opens up into a funky, us vs. uk-styled workout, snapping snares and reduced percussion driving the meandering synth theme. echoplex, who graced imf002, also returns with a suitably trippy and percussive number, entitled the relapse. building into a bleepy, freaky, acidic killer, complete with some cleverly deployed rave vocal samples, filtering in and out of the fluffy aesthetic, the long-serving polish master is still on top form. going for impact and stand-out sound design, vril offers thronwagen, a mesmerising arrangement of synth layers, classic techno stabs and overlapping themes. already well-known for his powerful drums and bottom end control, this more musical piece goes a long way to showcase some of the german producers many other talents.

little fluffy rave clouds…

the italian stallion comes through with 4 killer cuts designed to destroy your ear holes. all jams made straight to tape, no fluffy ish. coming sooner than later!

from underground to overground - the story of wau! mr modo. collectors edition, 180 gram double vinyl plus download code for the full album.

brill fluffy deep house groover, released as vinyl only release.

after his big success with waehlscheibe 003, p. laoss returns on the swiss label with another dub house masterpiece. the german producer has once more switched on his reverb and delay gear and created a wonderful record full of fluffy chords, gentle pads and heavy basses. >rephrasing dub<, >i dont care< and >never though< all display the mans musical mastery in terms of harmony, variety and dramatic expression. in his remix of >i dont care<, federsen from san francisco has taken the crispy deep original and turned it into a broken beat stunner brimming with dubby crackles, noises and delays – all created with his analogue machines. as always all tracks have been mastered by above smoke at the hole of dub studio.

finally, were treated to the epic closer that is camberwell beauty. mid tempo boogie beats with crunchy claps and steady hats lay the bedrock for a loping cs5 bassline whilst lush keys shimmer and swirl like little fluffy clouds in a bright summers sky.

only for gourmets! after two releases on ostwind tim engelhardt strikes back with a fluffy three-course menu on amuse gueule