reissue , 140g schwarzes vinyl mit bedruckter innenhülle und downloadkarte

pablo bozzi veröffentlicht auf seinem neuen label second sight eine zweite compilation mit verschiedenen künstlern. second sight s absicht ist es, die talente innovativer produzenten zu fördern, die sich auf der suche nach ihrer eigenen idyllischen Ästhetik über genres hinwegsetzen.

timeless tracks starts the second sight label on pink vinyl ... great

incl jimpster, andres remix. shrinkwrapped vinyl

essential dub techno masterpiece!

get on down is proud to present and honor the legacy of big pun with a limited edition vinyl reissue pressed on double a-side/b-side colored vinyl and stamped numbered obi limited to 2000 copies.

coloured vinyl, obi-strip, gatefold.. ltd to 2000

standard weight, black vinyl

limited reissue on antifreeze blue coloured vinyl.

one of the most evasive titles of the prescription/balance catalog, chez damier & stacey pullens >forever monna< evinces the futurism of the most forward leaning deep house music, purging itself of any relics of disco sentimentality in the sacred quest of that prophecy of infinite, intangible beauty hidden within the patchwork of electronic production. originally released in apparently minuscule numbers on serious grooves in 1993, this remarkable instrumental track was re-released two years later on ballance, a fine example of these two detroit pioneers tireless effort to claim a piece of that brave new world from the unyielding clutches of techno. slinky synth loops. eerie chord frames and a brilliantly simple low-end punctuation coalesce in the uncertain, unidentifiable prospect of soul music stripped of any links to the past or present, an inexplicably funky rendition of a deep house slow mounting contagion, infecting fatally the recollections of parliament / funkadelic bass-licks and warm organ progressions with a bleak, somehow comforting landscape of fresh alien-esque soul

gold coloured vinyl in gatefold cover

remixes by dj koze, keinemusik, boyz noize, pantha du prince, carl craig, maceo plex and many more on transparent coloured 4xlp (2x red, 2x opaque) 180gr vinyl in spined sleeve.

repress - black vinyl

lp, glow in the dark vinyl, incl. poster and download

incl dave lee and dam swindle remix

long awaited solomun album, his 2nd after dance baby, released in 2009 on diynamic music. comes on white double vinyl, housed in a gatefold sleeve with fold-out poster included.

repress of the 1998 big pun classic!

jazzy hip-hop instrumentals with a lo-fi vibe from columbian producer soul am.

2nd release of no fuss

relentless, grungy dark acid with an industrial feel at a reasonable pace by i-f as jungian archetype!

stug music was born in april 2007 organize events in the netherlands. club venues like paard van troje the hague, doornroosje nijmegen & studio 80 amsterdam were homebase of 55 events where (inter)national artists were invited. focus on programming (inter)national heroes of the past, the present & the future it was always a big wish to start a music label. january 2018 was the digital premiere of stug music, label & events runned by bart van rijn. two original tracks from the founder remixed by specialists in their genre perel & rhadow. with the second release in prospect a special vinyl >remix edition< will be pressed also remixes from kris wadsworth & carlos nilmmns. from dance floor orientated house & techno to indie electronic music.

special vinyl edition limited to 300 copies, gold-embossed sleeve, laser engraving on side b
winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days. the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain. with walzerzyklus, atomtm returns to raster to complete his series that has once begun with liedgut and continued with winterreise. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz. throughout the release, lisokot’s delicate vocals are put into different relations to atomtms rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter leitmotifs provide the main theme that is taken up repeatedly in the course of the release.

action, tension and drama rhythms from 1970 - 1980.

hertz collision takes over the third release on kwartz’s label order&devotion. the italian duo, whom have released on labels such as frozen border, deliver a moderated charming trip leaded by melodies. on the b side the label honcho and polegroup affiliated, kwartz, assumes the remix duties. adding some electric sounds and increasing the intensity delivered by the original. undoubtedly this two tracker shapes even more the already reputable sound signature of the imprint, with a prospect to the future.

“gateway to hyperspace ep” consists purely of original works from label head deepbass. taking a more euphonic approach the release delves into a more blissful sound with graceful seductive melodies but still with his distinctive rolling energetic touch.

girlfriends and other machines is another distinctive work by mostly undiscovered berlin based artist rhytch displaying his unique dirty and soulful sound. the 6 track ep varies from edgy deep house to weirdo krautrock reminding one of the genreroots, while sounding like a legit fresh reinterpretation. the artists voice being revealed on most of the tracks is giving the listener a glimpse of who he is and adds some character traits to infamous rhytch. the ep gets completed by an outstanding marbod remix, which is going to make people snap with its flickering distorted 909 hats woven into one of his typical psychedelic housepads creating an irresistible groove and atmosphere. the ep being released on berlin underground imprint lofile records is a nice prospect of what is to expect of further releases and obviously a wise choice for label and artist which share the same hobbies - drinking and smoking.

this record, and the full 2xlp that will follow it, are dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at europes doorstep. during this time, more than a million migrants and refugees fled their homes in the middle east, northern africa, sub-saharan africa and other conflict ravaged areas in search of a better life. for many, hopes of a future for themselves and their families lay in continental europe. while the reasons for such displacement, on a scale unseen in almost a century, are many, so are the reasons for europe being seen as the ideal destination. the relative peace and calm of the continent and the prospect of building prosperous lives in western europe was enough to mobilize multitudes to embark on the treacherous journey to europe. one of the most well-trodden paths on this journey was the balkan route, a trail leading through turkey, greece, and the former yugoslavia. this route was not without its dangers, and the dreams of many were dashed by impassible security fences and discordant eu politics, as one by one they were turned away at borders, or worse, forcibly returned to their countries of origin.

europa is the first single that represents the seed of discontent, from which the 2xlp grew. it was recorded during long jam sessions in belgrade as the media spotlight started to dim. the city became the purgatorial destination for a large number of migrants, whose journeys had been cut short and this record reflects the atmosphere of disillusionment and uncertainty about the future, which descended on the serbian capital.

parisian dj and producer kiddy smile embodies the lifeblood of house music past and present. his music flashes with nostalgia for those mid-80s new york basements where house music first came alive. ‘teardrops in the box’ pulses with the intoxicating energy of a ball in kiddy’s native paris, with its deep-rooted traditions but its intensely forward-focussing culture. following up on his fearsome debut ‘let a b!tch know’ on defected, kiddy smile has deployed the well-established remixing capabilities of mystic bill, a house champion from the underground schools of detroit and chicago. his ‘jersey dub’ eases back on the tempo for a syncopated strut to the garden state, while the ‘vocal mix’ is a bulkier prospect, emphasising kiddy’s growling vocal with some serious attitude bass. finally, his vinyl-exclusive ‘acid mix’ is specifically designed for getting twisted on dark, underground floors. cowbell and raw synths give ‘teardrops in the box’ unadulterated dancefloor credentials but this is more than a club record, the layers to this track run deep.

darauf kann man sich verlassen: wo joey negro draufsteht, ist tanzmusik drin. seit der 13-jährige david russell lee 1977 in einer tv sendung den song boogie nights von heatwave hörte, ist er vom disco-virus infiziert. und den ist er bis heute nicht mehr losgeworden. obwohl produced with love erst sein zweites eigenständiges album nach universe of love von 1993 ist, hat joey negro in den vergangenen dekaden mächtige spuren im dance-bereich hinterlassen. nicht nur produzierte er zahlreiche chartbreaker, dancefloor-kracher und remixe unter diversen pseudonymen (jakatta, raven maize, doug willis, prospect park u.v.a.m.), vor allem war er für grace jones, diana ross, deep dish, lionel richie, mariah carey, tears for fears, ultra nate, masters at work, roy ayers, blaze und roger sanchez aktiv. hinzu kommen kollaborationswerke, bandprojekte und eine reihe herausragender kompilationen wie die house masters-serie, remixed with love, disco not disco oder kings of house. kurz: ob mainstream oder underground, joey negro ist ein mann der superlative, bei dem einfach jeder beat, jedes hook und jeder loop perfekt sitzt.

new york’s sheik n beik continue to assert themselves as a trusted outlet of chilly, understated techno following up releases from xamiga, keita sano and hermans with a va from family members ivvy, mr dello, og ag and ray rose. first up is mr dello with ‘pilgrims’ - a bold march that propels few finely crafted elements with deft usage of warped analogue fx. intensity snowballs throughout as metallic synths thicken before og ag aka andrew grant follows up with ‘410 prospect’ - an intergalactic transmission rich with bending synth lines. one half of dirk largo, ray rose then casts his eyes down in following up with tight, shuffling drums and buoyant synth tones all suffused with a healthy dose of dub before ivvy - a fresh alias from madison levine. originating from seattle’s burgeoning hardware scene, he offers up ‘shape speed’ - a languid, capacious groove that drives thick drums through dense and dubby textures that round off a solid addition to a catalogue continuing to go from strength to strength.

next up on aficionado, is something a little bit different…bendith are a collaborative welsh four piece, comprising of carwyn ellis from colorama (who recorded hapus for ‘nado back in 2012) and elan, marged and gwilym rhys from plu. following the folk-pop vein of bendith’s album released in october 2016, the ep includes 3 brand new tracks and two tracks - ‘dinas’ and ‘mis mehifin’ from the self-titled album.two of the new songs include welsh language adaptations of old classics, ‘can am gariad’ is a version of the lesley duncan tune, ‘love song’, specially requested by aficionado recordings’ moonboots, who obsessively collects versions of this song. ‘hwiangerdd takeda’ is a version of the traditional japanese song, ‘takeda lullaby’ and is inspired by the 1969 rendition by akai tori, the vocal folk group from japan. bookending the ep is ‘dan glo’, a lovely and mystical music-box demo instrumental. all tracks retain the stunning vocal harmonies and instrumental arrangements which have marked out bendith as a unique and very special musical prospect.

joakim on samurai: this is a very personal record. i tried to channel the emotions and spontaneity i had when i first started making music. its not about nostalgia, its about the freshness and directness call it naivety you lose when you start becoming a professional musician. i moved to new york almost 5 years ago. these past few years have been a weird combination of excitement and quite challenging events. ive learnt what it means to be exiled, in every sense. this album is about that, being far away from home and from yourself and finding your way back. the album is built like an unknown city, you walk through it, making random turns, getting lost, some corners may bring back memories, you’re getting away from something and at the same time youre on a quest. hence the importance of listening to it in its entirety (yes, im a utopian). it will be the only physical release, very limited. no cd edition. producer, d.j., label manager, tireless gem searcher, musician, music lover, its hard to reduce joakim to a single function xavier veilhan, french artist et sculptor tall lanky weird dude who makes great music

uk wave funk veteran dmx krew returns to abstract forms with his latest double album project. escape-mcp features 13 tracks of synth drenched electro and elastic techno grooves drawing inspiration from a 1983 computer game where the player is trapped inside a computer by a rogue processor. fortunately dmx krew isn t trapped inside a computer and is still with us making killer grooves. don t sleep!

ltd 10 inch , brill deep and dubby journey , for those who knows

sound carrier volume 8it’s back to the cosmos with the latest instalment in chris carrier’s always-on-point series, sound carrier. the label is a home for the prolific paris artist’s techno stylings, and no.8 in the series focuses on a galactical fight theme – taking us from terra firma up into the skies and beyond. the first track, ‘alien blaster pistol’, couldn’t be more self-explanatory. mysterious keys parade over an ominous bassline while the beats keep things moving neatly. gentle chimes and bleeps are added, initiating a dialogue between the various high frequencies located in the top end. next up is ‘mahem (magneto hydrodynamic explosive munition)’, which steps into familiar sound carrier territory, that is… slightly unhinged. rolling along at a steady pace, the tune is rough, yet light with shimmering effects and charming wobbly chunks of bass. on side b chris gets gnarly on us with ‘earth invasion’. it’s the beginning of the end, so of course the music has to match that frightening prospect. gruff beats and stomping bass collide with cymbals, crunchy snares and mutant acid licks to create a beast. finally, ‘haumea brigade’ takes us into the twilight zone again, whirring fx float above hard-hitting beats and a mean b-line. eerie pads help to maintain a chilling tone throughout. deadly, the soundtrack to the end of days here on earth... prepare to evacuate!

powell unveils his brand new single ‘insomniac / should’ve been a drummer’.. his second release on xl recordings. following on from the acerbic ‘sylvester stallone / smut’ double a-side released earlier this year, the new single continues to blur the lines between contemporary club music, punk and forward-thinking computer acid. describing the music is a challenging prospect… but dancing to it isn’t. both as an artist in his own right and through the music released on his own label diagonal, oscar powell has established himself among this decade s most singular, exciting artists. the music is tough, but always playful.

the first release of full pupp slipts, a new kind in our lovely fpinternasjonal smaland has finally arrived. weve set up this little offshoot basically to let tracks by separate artists carpool together instead of waiting for each artist to finish off a full ep. the finished tracks will(at least in theory)end up quicker in your record bag and youll get a cool combo of tracks for each release. for the first release youll get full pupp regular blackbelt andersen serving up the much requested dolphin sandwich and on the flip debutante and full pupp prospect christian enghs gives you kyllingsmak.

ive been over and over track running orders, while taking into account the limitations of vinyl. it needs to be a loud cut as anything increasing the chances of this music being played in clubs is a priority. the major development is, i d really like the a side at 45rpm, as before. as well as the extra volume, granular psychosis is an exciting prospect to be able to play at both speeds as its so fast. with this track list below, we re exceeding the time slightly for what i ve been advised is the best 45rpm quality. however, as zattrday has such a limited frequency range, that can be cut to take a very small part of the vinyl. i will talk to, about all this, and ultimately go with his advice of the best way to do this on the day. but i can say it will almost definitely happen like one of the two options below

nice price deal !!! having evolved from engaing underground prospect into a fully established international dj and producer in recent years, the time has now come for huxley, to release his debut album, entitled blurred

the prospect of a music is love release has become an increasingly notable proposition for electronic music fans with their assured consistency of groove-heavy beats having already resulted in four high-grade releases. the label has effectively cemented their reputation as a trailblazing imprint for fresh sounding house and from the introduction of new jack city through to the much hyped maxwell, their latest rendition further emphasises their status as reliable purveyors of effortlessly deep, contemporary house.

ricardo takes the time out to pay tribute to dear friend, dj/producer boo williams. after releases on rush hour, vega records, trippin, reincarnation, neroli, & jellybean soul, rick drops 1 in boos classic style. limited white vinyl, only 300 copies pressed.

the wealth of artists involved for bedrock 14 is truly amazing. this 2012 label compilation captures the essence of why electronic dance music is such an exciting prospect right now by showcasing amazing underground talent, both established and new.
i m really happy with the 21 tracks i have selected for this latest bedrock compilation. with a mixture of bedrock favourites and fresh new producers this album shows that bedrock is always committed to finding the best electronic music out there. - john digweed

the wealth of artists involved for bedrock 14 is truly amazing. this 2012 label compilation captures the essence of why electronic dance music is such an exciting prospect right now by showcasing amazing underground talent, both established and new.
i m really happy with the 21 tracks i have selected for this latest bedrock compilation. with a mixture of bedrock favourites and fresh new producers this album shows that bedrock is always committed to finding the best electronic music out there. - john digweed

the wealth of artists involved for bedrock 14 is truly amazing. this 2012 label compilation captures the essence of why electronic dance music is such an exciting prospect right now by showcasing amazing underground talent, both established and new.
i m really happy with the 21 tracks i have selected for this latest bedrock compilation. with a mixture of bedrock favourites and fresh new producers this album shows that bedrock is always committed to finding the best electronic music out there. - john digweed

lv return to hyperdub with a taste of whats to come on their forthcoming south london-meets-south africa album sebenza, due at the end of august. what lv make here is the exciting prospect of music influenced by south african house and kwaito, informed by regular trips out there and sessions with up and coming south african artists such as okmalumkoolkat, ruffest and spoek mathambo, but letting the influences of uk soundsystem music and hip hop bleed naturally into the mix too, creating a genuine hybrid.

* missed flight* sees two of drumcodes most prominent artists, cari lekebusch and joseph capriati, team up to deliver a 2 track vinyl ep of essential modern techno.
while lekebusch is a veteran, joseph capriati is part of the upsurge of new talent who have been grabbing increasingly intense attention over the past few years. the pairing of a prodigious new talent (somewhat new – capriati has developed quite a catalogue for an artist in his early twenties) with someone of lekebuschs standing is always an enticing prospect so >missed flight< looks set to turn heads from its billing alone. >missed flight< the track comes on like the perfect theme to the arrival of autumn. the tones are moody and the groove is linear, penetrating and eerily appointed. a kubrick-esque breakdown of pulses and space is the only thing that breaks the momentum and adds a deliciously creepy characteristic to proceedings. track two, >napoli 4am<, balances out its darker tinged predecessor with a shuffling 909 funk and playful groove combination that pairs up with subtly delayed hits deep fm synth work brilliantly.