freaky house tracks on aiwo records, don t miss miss it. one per customer

totally fresh house tunes... lucas croon know also from his prev releases on themes for great cities, aiwo ...

not lost recordings from lucas croon.

nice price deal !!! croon inc. presents his debut release stadtrauschen on resopal. both tracks from the ep are concisely crafted peaktime tracks. full of croon inc s trademark: hypnotic - reduced - deep - modern techno. this definitely is excessive and maximal berlin sound 2010. croon s sheer precision and power will leave dancefloors breathless. with a duration of more than 17 minutes, it is not the longest release ever released by resopal so far, but it is after paul ritch the one with the strongest narrative techno concept beyond the usual tales of the dancefloor. croon inc has worked with labels such as force inc as well as remixing minus and sender duo misc and portugese duo re:axis. this release has been getting amazing feedback from djs including loco dice, laurent garnier, luciano and dj t.

2002 classic!!

schwarze 2lp mit content-sticker inkl. 9 exklusiven/unveröffentlichten tracks

its inspiring stuff! lucas croon doses up the psychedelic measures with a flipped version of the man that never smiled topping off the ep just nice. tip!

incl lucas croon dub

4fach 12 inch full of strong remixes!!!

repress - hot on the heels of aus recent releases from breach, huxley and bwana they ready their next offering from irish duo and long term label affiliates bicep. aptly timed for the festival months, their just ep follows up a series of self-released titles which include collaborations with ebony and midland and is an impassioned bundle of broken beats, shimmering synth lines and rapturous piano chords. the title track kicks things off and suffuses a broken kick and snare combo with a poignant sequence and heart-rending synth strings. a vocal refrain drops in and out throughout a lucent breakdown before () lays a soft, filtered croon over a swelling piano motif. tension is astutely balanced, never quite boiling over and keeping the listener pinned before () drives a tough, gravelly kick under gentle flecks of acid and rich sweeping pads.

selected by michael reinboth, 1 per customer

incl. wolf muller, neustadt, neuzeitliche bodenbelage

incl. gallo tropical hinterhof remix

incl remixes by fantastic twins, benedikt frey, black merlin and lucas croon

just a killer!

strong 4 track remix ep on hell yeah

microdosing is a series of compilation 12”s selected by julienne dessagne aka fantastic twins, and designed in collaboration with french visual artist geff pellet.

goldie – “these guys are at the top of their game”
break – “one of the best labels in dnb, very happy to be involved”
ulterior motive - “big tunes”
spectrasoul - “the quality is always super high”

kool customer ist ein neues collabo-projekt von l.a. s beatsmith b.bravo und the bay s croon daddy rojai, das auf bastard jazz erscheint. die stimmung des albums orientiert sich an west coast boogie funk a la dam-funk, abgefüllt in styroporbecher mit 80er jahren synth steez, dann begleitet zum stripclub (um 3 uhr morgens), der von kopf bis fuß in einem weißen smoking mit goldketten bekleidet ist. das debüt von kool customer vereint zwei talentierte musiker, die das tun, was sie am besten können: sich entspannen und gleichzeitig bewegen, in perfektem einklang. achten sie auch auf das super-spezifische deluxe-paket, das sich gerade dann als nützlich erweisen könnte, wenn sie es am meisten brauchen. ooh la la la.

acclaimed purveyors of magical (classic) world and soulful grooves, diephuis & jephte guillaume, release their colourful summer afro jam, baba m fa njika - featuring the electrifying voice of cameroon’s songbird, barbara gwanmesia. as you’d come to expect from this duo, baba m fa njika’ is a musical feast of earthy afro beats, hypnotic synths, infectious sax and rhythmic vocal chants, which, pirouetting around barbara’s magnetic croon, throbs with the love, hope and gratitude that the lyrics exude. there could be no better expression of positive power than that unleashed on this gem release from the prestigious shelter records.

acid pauli and nico stojans ouïe label acts as home for left-of-centre music from disparate sources - somehow connected by a thread of hedonism with a melancholic edge. welcoming kerela dust to the imprint, this four tracker showcases the different dance floor shades the label always reaches. kerala dust are a london based trio that owe as much to tom waits as they do to four tet or dj koze, but somehow tread a fascinating line between genres and moods. mixing jazz, indie and the sharper end of the club sound, francescas frames is the perfect introduction to their vibe. ‘maria is augmented with a thick, mid tempo kick and sparse, effective percussion. the clever vocals provide the topping - showcasing the bands pop writing prowess. the track will appear as a single release on 6th aprila accompanied by a music video. acid pauli and nico stojans remix picks up the pace a little, while dubbing out the elements into deep, late night dance exploration. ‘nyla brings a new vibe, deep, pulsing synths and a bubbling baseline accompany the crisp, compressed rhythm track before eds iconic croon arrives to take the track to a new level.

gary caruths sad city project has progressively attracted ever more praise, not least since his shapes in formation album landed last year. straddling purest ambient and abstract rhythmical electronica with a unique approach that is all his own, caruth is returning to emotional rescue with a 10inch that revisits three of the tracks from shapes in formation and magnifies them as the longer form versions they originally were. music removed was a particularly strong track on the album, and this new extended version lets the pneumatic percussion and soulful vocal croon bleed together in the most captivating of ways. patterns sounds even more elegant in its pagan ambient finery with a longer run time, and vexillations flits between poised static and cascading chimes with the deft touch that has come to define the sad city sound.

taminos phenomenal voice, ranging from a deep croon to a towering falsetto, goes right to the bone. he combines the tradition of the greatest singer songwritters with his own arabic roots.

almost exactly three years after nr&, a project uniting &me’s and rampa’s production with the voice of new york disco-house-siren nomi, dropped their debut ep, we finally can announce a new chapter in this ongoing transatlantic menage. this very “spoken for” ep is comprised of two new tracks, that again fuse songwriting with floor-demands and showcase the same crackling and pulse quickening passion that instantly has become nr&’s trademark. so here’s the evidence – a long distance relationship is not necessarily doomed to get boring after a while. “taste like” on a might be conceived as the club-affair of those two new joints. a tune indulging in self-control, extending the pre- eruptive moment of excitement to track length. there is nomi’s unmistakeable sexed up oration, flanked by an affirmative thunderstorm of claps, then a bass heavy bridge, overflowing into a noise brushed finale. altogether a tasty flavour carrier for an effective floor heating. “spoken for” is not only the title track, but also the hymn coming out of the flipside ambush. there is no kick necessary to underpin what nomi’s charismatic croon is laying down. therefore a wise choice to let the arrangement of interspersed field recordings, percussive details and piano- and synth-decoration exercise in unobtrusiveness. safe to say, this tune will refine many future peaktimes anyway.

why does my mind circle around you? why do planets wonder what it would be like to be you? this time vakula explores the universe of the man who was searching for a world where there were women and children obeying the moon but faced the reality with its wisdom, and fever, and sickness. and faced it too soon. the music and voices are all around us. choose, the croon, the ancient ones. the time has come again . the album is vakula s thoughts in time and out of season dedicated to morrison, the poet, the musician, the soft mad child, the great man. enter again the sweet forest, enter the hot dream, come with us. everything is broken up and dances*

das düsseldorfer duo bar, bestehend aus stabil elite musiker lucas croon und christina irrgang, debütiert mit einer musikalischen klasse zwischen new-wave, balearic, shoegaze, dream-pop und noir-songwriting. dieser 2-tracker beinhaltet einen unglaublich deepen signature-remix von unserem mann shahrokh dini, welcher bereits seit einiger zeit für furore in den clubs sorgt. michael marshelli überzeugt mit einem kosmisch-fetten (nu-)disco remix, der den gediegenen vocals des originals die richtige würze verleiht.

with his last ep offering on keinemusik, &me displayed himself once again as supplier of anthems that easily reconcile style with general floor purpose. you would think, such an universal and inexhaustible tune as this very “after dark” can only be a lucky hit. but no, he’s knocking out the classic material just like that. another example? catalog number km028, his brandnew “trilogy” ep. the titletrack on a initially places a synth arpeggio behind a kick that in dryness is hardly to excel. the beat of -trilogy- is then seasoned with rimshot patterns until the saturated bassdrum comes in and paves the way to the dancefloor. &me even refines his knack for stoic grooves on this jam and once again shows his sure feeling for suitable vocal features. sabotas croon comes devoid of big gestures and still knows the ropes to appeal to the collective mentality of a clubcrowd. on the flipside, “woods” is living up to its name from the very beginning. woody percussions are thumping within an almost subtropical scenario that’s frequently pervaded by mighty synth clouds. and once again, there’s an arpeggio sneaking in that at some point is taking the lead in this strictly instrumental affair. add a break building that will educe a floor’s complete euphoric potential without going for the rather mindless escalation and there you have it: a b-side that’s actually more of an a-competitor.

the sound of young dÜsseldorf. in the last three years, lucas croon, nikolai szymanski and martin sonnensberger have created a cosmos of driving bass lines, danceable rhythms, floating pads and shimmering electric guitars. using repetitive lyrics with double meanings, analogue synths and icy cold clackering computers, stabil elite revive krautrock and the avant-garde moments of the german new wave.
comes with code for free mp3 download of this release.

hallucination limited delivers a limited edition vinyl only release from none other than fellow new yorker… zev of wolf + lamb. gathered here are zevs strongest outings for the club since the brilliant >forget the world feat. beckford<. we dare say this is his best work to date with >queen of hearts< being one of the freshest takes we have heard on good ole house music this year. pushing all the right buttons, but also some most would never think to. queen of hearts feat. panu moon the initial groove instantly does what all great house does, but what follows are the contemplative vocals of a showman on the road via panu moons soft country drawl… playfully tweaked by zev adding an edge without taking away from panus croon. an unexpected techno vibe begins to ebb and flow over the groove yet it all magically stays together through the voice of a man searching for the queen of his heart. its house music with both an edge and sense of humor not unlike paperclip people, but in a vein more akin to >every now and then< by ralph falcon

from the album holy intellect .

mathias schaffhausers >musik ohne bass< gets reworked by decomposed subsonic aka hartmut wessling and croon inc. aka frank elting & stephan lieb. 2003 force inc. release.

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

taken from kate waxs self written and produced debut album on mental groove records,reflections of the dark heat (due to be re released this summer) features a rich blend of styles up and down tempo minimal techno, electro punk grime, ambient industrial blues and more, all driven by her unique, warm and seductive vocal delivery. from old school rapping to whispered lament

cool - gelassen - Ÿberraschend: volume 15 dieser superlativen serie wurde wieder von compostÕs mentor michael reinboth zusammengestellt. das pralle paket birgt 21 tracks, davon 8 exklusive unveršffentlichte delikatessen