rich and steppy electronics from stefan schwander (aka harmonious thelonious) seemingly looking at back at his own rephlexion in a mirror of inspiration. hes got it spot on. the whole ep was made exclusively using the beautiful synthesis of elektrons hallowed monomachine

nice lonlgsleeve, black colored and 100 percent cotton

nice lonlgsleeve, black colored and 100 percent cotton

nice lonlgsleeve, black colored and 100 percent cotton

nice lonlgsleeve, black colored and 100 percent cotton

nice lonlgsleeve, black colored and 100 percent cotton

nice lonlgsleeve, white colored and 100 percent cotton

nice lonlgsleeve, white colored and 100 percent cotton

nice lonlgsleeve, white colored and 100 percent cotton

nice lonlgsleeve, white colored and 100 percent cotton

nice lonlgsleeve, white colored and 100 percent cotton

heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by trevor jackson

heavy cardboard gatefold sleeves on 180g, half speed-mastered vinyl w/ liner notes, features artwork by trevor jackson

tropische bass-sounds aus der rave- und partyszene limas. die bassschwere compilation *peru boom* vereint die schlüsselfiguren unter den peruanischen djs und produzenten, die dafür gesorgt haben, dass perus hauptstadt lima zum absoluten hotspot der südamerikanischen rave- und partyszene wurde. tropische bass-koryphäen wie dengue dengue dengue, dj chakruna, animal chuki und deltatron stehen in der tradition von chicha und der peruanischen cumbia. diese einflüsse verändern sie digital und lassen sich dabei von dubstep, techno, trap, grime, house und electronica inspirieren. was für detroit der techno ist und für chicago der house, ist für lima der tropical bass - ein amorphes stilgebilde, an dem produzenten und djs aus der ganzen welt mitgewirkt haben. *peru boom* ist nach *peru bravo* und *peru maravilloso* die dritte peru-compilation, die das label tigers milk (in zusammenarbeit mit strut) veröffentlicht. für fans von diplo, switch, spoek mothambo, dengue dengue dengue, dubstep, techno, electro, cumbia, chicha, dubstep, mad decent. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

nice price deal !!! phat electro house madness

the fourth release on the binÄr-label is a split between border one and blanka. the ep starts with a peak time sound, continues with dreamy bleeps and ends with two deep and hypnotizing tunes. the tracks are mastered by nihad tule.

techno 2x12 inch incl tolouse low trax, al wootton, anatolian weapons

fresh water is the debut work by london based musician and visual artist, jake marshall. across eight tracks marshall twirls and bends his sound palette around motifs of emergency and crisis, “i was interested in distress sounds, sirens, flares etc”. the many sonic limitations in fresh water demonstrate marshall’s uniqueness. all kinds of plastic, caustic sounds, german ambulance sirens, bleeps rattling off unknown morse code, the highly synthetic strings emerging from the silence, it creates a somehow organic yet inhumane, but addictive turbulence.

90ties progressive feeling double lp

pressed on heavyweight vinyl

mit einer ep voller videospiel-synthese, makellosen synkopierten bleeps und federnden bass-details, die von rave-energie durchdrungen sind. es ist eine aalglatte und rasante progressive platte auf beiden seiten.

nostalgic stabs, breaks, raw techno and bleeps. these are 4 tracks ready for the dance floor

deep shopping nimmt dich mit auf eine reise mit 6 frischen tracks, die vollgepackt sind mit funky bleeps aus eigenem anbau, 100% organischen vocal chops, knackigen claps und fetten basslines. 100% frische beets.

four warehouse breaks, bleeps and bass bangers

2022 repress! liquid earths neuestes werk ist eine ode an den kaleidoskopischen sound einer Ära und ihren ungezähmten energiefluss und führt uns mit seiner geschickten mischung aus zerhackten vocals, pongartigen bleeps und treibendem aufbau zurück ins kontinuum der 90er jahre.

preferably on a proper sound system!

limited edition transparent vinyl repress

2021 repress

ultra limited edition

a fine collection of breaks, bleeps & bass from the yellow machines camp.

bangin techno compilation, mastered by dietrich schoenemann nyc

mamosato are back to squeeze the next lemon.

brand new from the tone dropout massive

limited repress! cafe d anvers records, the label created from the same minds behind the infamous belgian club cafe de anvers, are beyond proud to present their very first release, coming at you on vinyl! throughout the years, cafe d anvers club made it their mission to provide nothing but the finest quality house music in a unique setting, this decades old, brightly converted church was thé home base for partygoers of every background and flavor. it is with this mindset they proudly present their first release, brought to you by the belgian duo capoon. capoon is comprised out of techno and house producer & djs jackjazz and lemakuhlar, who have banded together to form this fresh duo. the album title track takes the lead out of the bunch, as the a1 >i got soul (original mix)< blasts off to treat its listeners to a veritable assault of drums, basslines, stabs, and a classic soulful (no pun intended) vocal cut that guides the breakdown to its relentless climax. the frankfurt based producer reboot gives us the honor of hearing his take on the b1 side with this >reboots million souls remix<. very reminiscent of the minimal glorydays, this exquisite union of minimalistic drums, bips, bleeps and faded stabs provides us with reboots unique take on the original. french native, matt sassari takes control of the b2 side with his remixed version, relying on the modern days techno sound, yet keeping it progressively darker in terms of structure and vibe to top off the colourful sound palette of the album. last but not least, and with the dj in mind, capoon dedicated the a2 side to an a2 acapella track, servicing those who want that little extra for their creative needs!

phat bassheavy breakish / techno / electro killa

thinktank return to stepback records with another colony of underground styles. hive mind mentality further expands on the diverse, unique in your face club tracks that thinktank have made a signature of their sound. first up on the a side is them. budding entomologists vinnie and the leph aka thinktank have unearthed what some might say as sci-fi classic techno of the atomic age. underpinned by a sheffield style bass crawl coupled with bleeps that will crush any dancefloor. this is the electronic sound of nature running amok. burrowing further on the b side stw serves you techno in it’s most creative form – synth led with a sick groove and huge drum rhythms. last but not least – waaaassps dg is a classic thinktank track with a sting in it’s tail. snapping, clapping, alive and kicking. you will be buzzing when the break-beat drops.

agro (brandon spivey & richie anderson) with a new (and old) ep! limited edition of 200 copies with download code included.

van abbe is back with no comment presenting 2 originals, a monologue from guy tavares (bunker records) + an evigt mörker remix. what did you feel the first time you were stargazing? standing alone in a dark backyard with your neck bent and the light from a thousand distant suns glittering in your bright eyes. did the overwhelming sensation of your own triviality descend upon your young soul like a dementor from azkaban? or did an unprecedented yearning breach every fibre of your being, compelling you to break free from the shackles binding you to the very ground? if you are in the latter category, this music is constructed especially for you. its a spaceship built from wooden barrels and rusty metal crates, pinned together with a multitude of crooked nails. but it works. it really does. you just have to make your mind broad enough to fit your clumsy terrestrial body in the spacecraft. the booming engines and the melodic bleeps from the control panel will do the rest. soon enough you’ll find yourself surrounded by the very stars you used to gaze upon as a child.

phunky percussive techno , bang

the latest from the galdoors stable: cafe nostalgia takes off, a pumping slab of bubbling bleeps and bass with creeping pads to chew on as you go. conclusions like curtains keeps up the pace on the b-side driving arpeggiator-tech with fm tweaks and washes taking it deeper. looped-up rounds off, with layers of restless, twittering snippets wrapping you up in a wigged out groove. one-to-watch from junes on his own imprint.

quartz rec kicks off the new year with >a man lost in time< by fragmentor. the italian, japan-based producer is a resident at mind off, tokyo, and recently started his own imprint follow the flow with a jonas kopp ep for which he delivered a stunning remix. here, he delivers two thumping acid tracks: >a man lost in time< comes first, bleeps and hisses unraveling on a booming kick, followed by >blowtorch< with its escalating frenzied acid lines on the b side. >synthetic rain< the ambient cut closing this ep illustrates even more that fragmentor is a master in creating slowly building atmospheres full of twists and eerie sounds and a producer to watch for. >a man lost in time< will be released on grey vinyl limited to 200 copies on january 21st 2019.

its tempting to think that the opening of schloss02, which features the sound of track racing behind a cavernous broken kick, has some connection with the fact that dj/producer karima f runs schloss out of a disused porsche repair shop with contemporary artist ida ekblad. but then you might start to wonder about other details, like whether her production is influenced by a teenage effort to fit in with the cool kids by playing the violin (it isnt). the three songs on the debut 12- of oslo mainstay karima f take off in their own direction, tripping through bleeps and metallic riffs on the way to something more ethereal.

after her hugely successful offering on ugongetit, frankfurt talent luz1e crosses over to the the lt main label with a hard-hitting, machine-driven ep of electro that segues from slow rhythmic deepness into warp-speed acid jams. expect a warm wash of purifying synths and building rhythms on the a-side before entering into twilight territory on the flip, with dustings of wavy 303 lines, oscillating bleeps and convulsive percussion.

music from syd dale’s amphonic music library, made from 1973 to 1985. compiled by alan gubby.

repress with green labels and green sticker on sleeve! luca lozano and dj fett burger return with part two of the three part hands of doom series. following on from the success of the recent sex tags ufo release, hands of doom 2 continues the tradition of early breakbeat and proto-rave inspired club tracks. three slices of rattling drums, low-end subs and bleeped out bleeps make for a cohesive and well informed ep and a welcome addition to the series. keep those peepers peeled for the third and final part, a full album from the duo on luca lozanos grafiti tapes series.

only ruins follows up its debut release with a diverse four-tracker from london based producer and sound designer unperson. onru002 is a versatile ep consisting of breaks, bleeps and drones. unperson exercises an assortment of unique sampling techniques to create spiralling atmospheres, pulsing percussive arrangements, otherworldly soundscapes and idiosyncratic tonal components.

2nd release of partyfines sub label. french producer yuksek gets deeper and experimental under his new secret side project. out from electronic live improvisations, the first ep of destino starts with a clusterish ambient track (orion). so dj friendly, 911s siren and bleeps redefines the archetypical disco flavor of a 101 floor filler track. ceremony and its balearic feeling will strongly warm up your electronic summer nights. finally loopo up delivers a dark electronic disco groove for cosmic dancers. previous releases or remixes for partyfine, colette, dfa, kill the dj, tigersushi, ed banger

luv shack records 26th release marks the return of vienna based artist and label regular lesale. the baguette magique ep packs three punchy original tracks plus a remix by deep disco don and vienna resident roman rauch. first off, there s the original version of baguette magique , an uplifting dance opus carried by a tantalising disco sample, a plethora of bleeps and synthetic patterns, evolving into a cosmic, almost-techno piece in the second half. roman rauch s remix takes out the tempo and the quirkiness of baguette magique , instead opting for a laid back 80s tropical groove, turning the original theme into an insanely deep and obscure chord sequence. on the flip, lesale takes things to disco territory with percussive drums, a cheeky filtered sample and a hyperactive synth bass sequence on house rules . jungle breeze wraps up the release, offering a hazy mix of deep pads, tribal drums and oddball flute samples.