flick it is big and filthy. a ragga splattered grimey b line, pumping beats and et bleeps. flipside, on your knees incorporates angelic choral singing and baroque mandolin harpsichord action to present a celestial tear out view. a definite floor pleaser!

with releases on hartchef, frankie, moon harbour, morris/audio or frankie, tom ellis is top funk jammer! his >rum scum< release is a special triple-layer deep-fill extravaganza of an ep! tom supplies the main ingredients, kicking things off on the a-side with bleeps, beats and basslines exploding into chunky dancefloor fillers. on the b-side, its fab frech producer skat (well know for his releases on karat) adding his deep and tricky flavour to >rum scum<!

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

real soon is proud to present the debut release by berlin-based producer hauke freer. hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, effortless, raw-sounding edge. my beat is a dirty, gritty, house work-out featuring deep, filtered chords, lo-fi percussion and roughly chopped vocal pieces. old-fashioned in a good way - just the way we like it! we must face our fears is a smoother, minimal track with a delicate, beautifully measured mesh of percussive knocks, slides & bleeps driven by a pulsing sine wave bass. as the track builds, a classic detroit-flavoured chord wash brings it all together. bliss... biography hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

two originals by formidable force and and a remix of each one by bon johnson and one by kink. can you feel it is a house pounder with quite a few unexpected quirks and vocal drops sounding like a sample from gwen mccraes funky sensation. 80s style influences have been time warped into oblivionvia a disco ball. zip jumper is a 4 on the floor masher filled with bleeps and bloops and assorted funked effects. already getting plays from hipp e, asad rizvi, sound republic and johnny fiasco

excellent ropcking electro bomb with noise , bleeps and psychic vocals cuts by freeda... incl john dahlbäck rmx

>reaktor< is an electro monster dominated by a vigorous hook with added glitches, bleeps and pulsating melodies. the other side of the record has a compulsive vocal hook over a fat glitch funk backbeat that typifies the fullness of the autokratz sound. autokratz have come a long way in the 6 months since their conception, having already notched up an impressive list of shows including sets at fabric with digitalism

yes! format b are finally back with their second release on stil vor talent. after massive tracks on opposum and highgrade rec, their newest ep on stil vor talent is another huge minimal monster. kongo time is typical for the two berliners: a flickery percussive loop with some stretched out effect envelopes over a wobbly drum n bass style bassline place this track between freaky rave and minimal chic. its definitely going to make you trip out for sure! on the flip its the funky mondo time that builds up over some cuts and bleeps until it leads the listener into pure euphoria when the simple loop kicks in. a huge organic subbass and some chopped-up vocal sample add the funk to this delirious minimal hit and when it comes to minute 4:00 you really won t be able to hold your feet still. format b are at the top of their game and we are so happy to have them!

with their new album on its way, slyde offer up a hell of a taster on this release. highrise is an atmospheric and twisted outing for the duo, with a heavy dose of bleeps and squelches creating a certain festival charm. on the flipside get this good sees a moody bassline provide the backdrop for infectious synths and sassy vocals on. yet another finger lickin bullet

exciting news from the re-activated hairy claw label that has been lying dormant for a while. as you know, bears shouldnt be taken for granted when sleeping and this one has awaken to devastating effect. laj & quakerman have been dormant (remember what we said about sleeping bears?!) since 2002 and many fans of their tracks on fiasco and the idjut boys u-star will be very excited to hear of thismonster on hairy claw. two tracks entitled >vinyl frontier< and >lust in space< are sure to get plays from the widest spectrum of djs while keeping their old fanbase intact. live drum rhythms, bleeps, moody synths and latino marracas…i can see this freakin out alot of bunnies! its a space party for future bears on a mission to jack. raj gupta (for it is he) has released under several guises for labels as respected as nuphonic, session, noid, r&s, strutt, mr bongo…the list goes on… we will tell you more nearer release date but for now… grrrr!!!!! roooaaarrgghhh!!

dutch producer tommy largo responsible for the 5th release on the rising kolour label robbing & stealing is a very catchy deep house number with this irresistible bleeps on it support from farina, jt donaldson, raoul belmans, brett johnson, inland knights, the littlemen, mes, ken ecb, phil weeks, lawnchair generals, phil weeks, honey dijon, and pete moss

if you are looking for something… ahem… >dirtier< than sébastien légers mix or the original, you can catch the second disc here which includes the massive micky slim & funkagendas and aston shuffles remixes and is set for release on the 21st may 2007, again on rising music. micky slim & funkagendas take on >carry me away< is more electro-tech and has been caned in the clubs by the likes of fedde le grand, sasha, steve lawler and many more whereas aston shuffles remix is a little funkier but with warped stabbing bleeps and tons of funk

wow! karateklub throws the next bomb!blood & tears alias marco danneberg is formerly known for his hard-techno productions. this powerfull 5! track ep sounds like a fresh mixture somewhere between plastikman and chris liebing: a pumping bassdrum meets tweaky bleeps at 128 bpm! brian sanhaji from enable records transforms the >post metrom< to his kind of measures. an incredible remix, that fits terrific to the original tracks. last but not least, the sole karate girl mixed it up for the club. special bonus: >outro<!

pinknoize are a fresh production duo from west london with this release seeing them lay down some dancefloor friendly grooves which get locked into a soulful cycle of talking synths and playful percussion. like morgan geist topped up with a big dose of glitch juice and a bit of skandi- disco flavour thrown in, radical specs will suit funk lovers with its drunken grooves and space-laden atmospheres. high grade big-wig tom clark leaves all the big noises at home and turns up with an introspective almost sarcastically playful minimal work-out on his rmx while hot talent lee mortimer turns in an altogether more cranking and snarling electro tinged house mix, stretching the squelches and bleeps of the original over a dance floor friendly banger.

amazing four track ep by le chien perdu. he provide us with dry clicks, fututistic bleeps, lush basslines, sublime melodies and rolling rhythms !!

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

mit hilfe von pan-pots tassilo liefert bloody mary einen vor bleeps sprühenden minimaltrack ab, der ordentlich bass auf den rippen hat. die andere seite macht das narcotic syntax mitglied klar, und wie

brothers bud return with another chunk of boisterous bass in the form of yap yap, a casio fuelled concoction of heafty beats and cheeky bleeps! the a side is as solid as we have come to expect from the boys bud, with yap yaps robotic vocals building to a typically funk stained breakdown. on the flip escobar and vito steer things more towards electro house territory ensuring there is something for everyone on this peak time belter

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

dialog with hell is a slow grooving electro tech track with a lot of cool atmospheric bleeps already here on the flip is a dark tech track that makes no prisoners

hier fiepsen die bleeps wild und die sequenzen tänzeln elastisch auf den roughen drum-sounds. minimal-techno am rande des lustvollen nervenzusammenbruchs, ähnlich den tadeo tracks

we are happy to welcome on this 5th release one of the most important argentinian producers, franco cinelli, well known for his recent album on alphahouse, played by the most important minimal das around the the globe.he is finally back on the young spanish label esperanza with a couple of tracks, accompanied by a mikael stavostrand remix.on the a side we have a funky course track, >antenna<, characterized by his typical fat and vibrating bassline, thin and cleverly placed hi-hat patterns and unexpected bubbling delayed bleeps.this is the perfect to change the gear of the dj set from a warmup session to a serious rockin party, thanx its energetic restart after a mid breaking pause.>oscilator one< on a 2 goes more hypnotic though mantaining a funk rate, thanks to a huge variety of cycling loops featuring a dubby bassline and an appreciable rhythmic pattern.on b side we have >antenna 2< wich is remixed with knowledge by the swedish artist mikael stravostrand, bringing it much percussive on start and effective in every kind dancefloor, all that enriched by an exceptinal vocal performance by big bully that definte lyx make it a true bomb to detonate in the right moment of the night

elegante rhythmik, schicke bleeps und angedubbte akkorde enden in smart-kickendem popper-techno aus burger s neuem soundlabor

with only a few releases on plak and mobilee , the southman nhar landmarks his own vision of techno :liquid bleeps , pearls of acid ,a catchy beat and melancholic feeling . don t worry ,keep on dancing nhar takes care of your mind

montreal-based duo luci strikes with a great new single on titbit music, dwarfzilla starts the ep with a luscious kick loop followed by quirky and trippy synthscapes, next is fantex that continues their sophisticated sound architecture built on 4-4 rhythms with scuttling percussive bleeps and subliminal vocal samples. on the flipside load >*<, 8.1 slashes ipnotic bass lines mixed with sinister synth line and spacey feelings, followed up by a brilliant remix from our supervillain quiroga... support from mike shannon, karotte ...

limited one-sided with minimal clicks & bleeps... already played & charted by karotte & monika kruse

jake childs requires very little introduction to the more discerning house ear. with releases on leading labels including drop music, freerange and doubledown, not to mention his own uni.form imprints, he has taken the house world by storm over the past few years. here he serves up some retro chicago sounding yet stripped back jackers. seems really simple at first, a real trademark of jake s sound, but its bumpin bassline, bleeps and squelches grow around you becoming more intense with every listen. the flip delivers >good times< which incorporates his brand of choppy jackin beats, punchy snares, gritty synths and rolling bass that rips apart any dancefloor. the track flips mid-way and bubbles under as the bass lines compete for attention before recombining for another roof raising moment. the >beat machine< is an eerie voyage into the middle ground between house and pop. once again moody synths and a growling sub bass lead the way, with the haunting vocals of lil prince (who has previously featured on jake s icon and drop music eps) gliding over the mix! hot floor burning shit

incl. guy gerber & david k rmx, following the huge >beautiful noise< on rekids, spencer makes his tsuba debut with the gritty rain of bleeps that is >neon<. as with every tsuba release, on the flip there s an exciting remix on offer. this time guy gerber & david k combine to deliver a deep spacey interpretation with a jacking bass heavy groove. guy describes this as >my favourite ever remix<. with over 10.000 plays so far on myspace >neon< is a big release for tsuba, as these djs all agree: laurent garnier, funk d void, john digweed, tiefschwarz, james zabiela

morris audio celebrates the 50th release with a superb 2-tracker fully swiss made !! shaka (floppy funk), one of switzerlands finest producers when it comes to detroitsh sounds, presents >the coming< – a track catching a detroit/chiacgo/sheffield vibe of the early days tuned for 2007! bleeps, strings and basslines. the remix on the flipside comes from one of the hottest guys around, deetron.

the country of the rising sun brings us four pressure - loaded tracks from the artist keisuke kondo and the axis tokyo - berlin goes into a further phase. 2 sides 2 views. the first two tracks are the berlin side of keisuke. pkg und eboy are massive tunes with reduced basslines and shorted spooled sounds which moves into the depth of consciousness. eboy builds it self verse whistling with the certain humor up in order to induce one to the internal. with digdag we are movin to tokyo a tool for every ekg which breathes with the pushing pulling sounds and however with the certainty lofi presenting the living digital time. downtown tokyo becomes conscious with the track zoomin – the tarmac_the_humans_the jungle. driving whipping with the trigger like spoiled pitch which pushes one through the masses. bleeps and freaks simple technoid minimal reduced

african people is a shivering pearl of maxmimum electric minimalism guided by those bleeps & blurps we love so much about trentemoller! the track is basicly driven by a twisted noisy heavily modulated drum loop. jokke ilsoe strips the track down to it s bones & brings in modern electronic deepness combined with some bass action from below

hot on the heels of the first remix package comes these new versions of >darko<. the latest and last single to be taken from booka shaden s acclaimed >movements< album, these remixes will have maximum dance floor impact! first up are brothers ali and basti schwarz, aka tiefschwarz. always at the forefront of house music, their treatment is based on a stripped back, stuttering rhythm and resonating blips and bleeps. it s the perfect track for when the club is locked onto the dj s groove, and the chiming bells make it sound even more trance-like. booka shade themselves are the next remixers, and their >le grand noir< is their live version of >darko<. retaining the original track s epic, infectious hooks, the remix uses a pumping bass-heavy groove tailor made for peak time or festival usage

played by tiga, florian meindl, laurent garnier, huntemann ... here comes the second ep by spektre on dance electric !! pulling the string and bleeps, overdriven synths and one of those whup whup basslines that have been inescapable ever in huntemanns neighborhood !!

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

säurehaltiges blubbern durchzieht breitbarth s aktuelle definition vom tanzbefehl. aufgelockert durch ein paar gern genommene bleeps & clonks röhrt mr.heavy metal zünftig im frequenzspektrum

the members of my my met and became friends through common interests in music, but it wasnt until they ended up as neighbours in berlins mitte, that a lifestyle of committed partying, cake baking and long studio sessions lead to their debut release on playhouse >klatta< in early 2005. it was the result of previously downtempo producer lee jones (hefner) working and partying with local berlin djs nick höppner and carsten kleeman, who are residents respectively at panorama bar and watergate. following up their recent fantastic 12inch on circus company butterflies & zebras is beautifully tripped-out expansive ambient house, summer after-hours here we come! recorded live with nick and lee layering fx over the organic percussion as the mix develops. an acid infused bassline is slowly opened out as layers of lush strings and shimmering pads are teased into the arrangement. on moneybowl the boys show the more jacking side of my my. taught and lean with a groove that keeps on evolving, while weird and wonderful bleeps and clicks bounce around the mix. for the remix, john dahlbäck twists the pads from the original and adds his own synth stabs. then pulls out a bassline and arrangement that jumps straight onto the dancefloor

a1 no sleep:an amazing 13-minute latin pop electronic house piece ,a journey that is already making a name for itself in the world bests dancefloors. percusions,baselines ,bleeps mental sounds blending together with a dirty groove that keeps on changing and developing ,to peak in soulful and painful vocals accompained with a lead melancholic guitar and jorge singing -is just like to be on drugs without the fun-.....sounds familiar?...the song ends in beautiful detroit styled chords , a good reason to play it until the end..b1 close that door: an acid house jam with extravagant and abstract lyrics showing gonzales dark humor and irony.close that door has a killer acid baseline and the usual quirky dinky touch ,lots of sex and groove on this track,a sure peak-timer.think dan bell meets prince.b2 no sleep (edit):a smart instrumental version of no sleep for those vocal snobsters.just the groove here, no vocals,no guitar or synth lines, and exelent tool

raum- und beinfreundlicher zwei tracker mit bleeps and exotischen gesang, der wie salz unter die haut geht..

strong hypnotic minimal acidic techhouse monster ... getting already support from m.a.n.d.y., marc romboy, john acquaviva, david guetta, steve angello, sharam jey

jark prongo have been releasing a series of smoking productions over the past couple of years and here is yet another one. this 4track ep kicks off with >rattlesnake< that has a wicked irresistible groove with hypnotic keys and bleeps that builds and builds. while the other 3 tracks are pure dj friendly cuts for every occasion... played by laidback luke & laurent garnier

michal ho returns with a slick and bumping bomb for the tuningspork masses! after his debut as a solo artist on the >frisky< ep (ts18), michal decided to keep to that same infectious stripped down vibe that immediately won over the hearts of such dj/producers like ricardo villalobos, richie hawtin and steve bug. with this ep michal drops things down a notch, and magically becomes an undercover-lover, with this new role in mind he decides to squirm it up with bleeps, beeps, squiggles and lots of jiggles. the end result is a minimal, bleepy, bumping house record !!

lee van dowskis sound combine complex patterns and organic bleeps with funky minimal techno... and we all know kiki s hi-energy-tech-house style... sure floorweapon

cristiano vinci s passion for vintage sounds and old synthesizers of the 80 s lead to his project superjuno and also helped him to define his personal style – fat groovy italo techno! being part of the italian new school with friends eclat and prudo, superjuno has been releasing his disco and electro flavoured tunes and remixes on labels like dirt crew, mood music limited or tenax. his new >sounds from the island ep< is kind of >the banger< (the a-side track >patchouli<) meets >the relaxer< (the b-side track silvia). >patchouli< is the club rocker with a fat bassline, dirty drums and wicked old school bleeps! >silvia< is a beautiful, deep, string flavoured early morining track with a monster bassline! forza italia!

dreamy and epic at the same time, phoskitos is a >state-of-the-art< trancer, taking its cues both from the trademark factor city sound (the lethal combination of fat bass and spiralling synths best witnessed in undo & vicknoise 12s) and the new wave of uk producers (holden & the border community crew). >el tren asesino< is a tigh minimal groover, based around a couple of simple, mind piercing, synth bleeps, a tension builder track that has already been packing dancefloors while playtested by the factor city djs. >dismonster< nicely complements the package, with its dizzy, bubbling bassline and nostalgic melody, it developes nicely with unexpected turns, stops and twists

christopher just looks back over his shoulder at the time when a bass used to be called a murderbass, bleeps were meeting clonks and techno was feeding the illusion of the everlasting party. dry beats, being swinged and pushed up cascade-like over the holy disco bass again and again, heralding - by sawtooth and an apocalyptic peal of bells - the ultimate party happiness. dj glow known from his always cool trust imprint delivers a great futuristic robot electro remix from outer space. crazy funky

excellent pumping minimal techhouse 3 tracker a lot of bleeps and clicks going on here not to be missed

amazing synth hooks with bleeps and drops and serious deep bassline action flip for super crazy ill bomb which is another stormer from rennie a big slice of hip hop/electro influenced breaks to go mad for

80s all the way a side with old school drums lo fi electronic bleeps and a sparse vocal flip for the catchy video that once heard is seldom forgotten (sb)

starting with london based duo lo-rez, who have been releasing on labels like hi-phen, shva and david duriez s block records. they are putting some bleeps back in action with their rockin clubtune >embed<. watch out for their full 12inch on morris audio citysport later this year! llc is paris based laurent le coustumer, the man behind the famous blabla poetry project…. crossing over the argentina to pick up the hot juan fracik from buenos aires and his pumpin 808 styled track >baby on the water<! bit of a dash dude style, he s definitely a guy to watch! finishing off a well balanced ep with some deep detroit styled techno courtesy of top irish producer t-polar! gary spence has been releasing his debut album >department of stealth< on morris audio citysport and has been working with labels like karloff, epsilonlab and thinner