douglas greed aka mario willms and fabian kuss are back as yeah but no with their 2nd longplayer. the vinyl release includes a download code.

after putting out kito jempere s well received sea monsters album last year, hell yeah now serve up another selection of remixes of it. accomplished musician jimi tenor, plus miskotom and max essa all contribute before a 7inch, also taken from the album, lands later in summer. first up is jimi tenor, the legndary finnish musician who has released on warp, collaborated with tony allen and has his own band as well as occasionally playing sax with kito jempere band at live gigs. he flips puzzled into five minutes of stripped back and moody electronics with plenty of his own flute playing in the track. busted drum sounds, spooky sci-fi synths and scattered hits make it woozy and late night and utterly absorbing. miskotom—a newly emerging pair made up of mik and his wife andra, both based in vilnius, lithuania with credits on pleasure unit and balearic —then reimagine ampa as a beatdown but of deep house with trudging drums staying low and shimmering synths drift out in all directions. crunchy hits bring a subtle sense of funk and reverb drenched vocals bring a heavenly feel to the soul drenched grooves and summery keys. then comes max essa, the japan based brit who is a regular on this label as well as the likes of is it balearic?. his first remix is a huge one that is sure to soundtrack many a boat party this summer. it s a gorgeous rework of ampa that puts achingly blissful vocals front and centre as low slung bass and slowly turning drums sink you into a pan-pipe laced reverie. secondly, essa offers a dub reprise that removes the vocals and places all the focus on his churning drums and new age grooves. this is another perfect package of masterfully electronic horizontal sounds.

die schönheit des Übergangs. im november 2017 erscheint das debütalbum von yeah but no. das zur band gewachsene projekt der in berlin lebenden und arbeitenden musiker douglas greed und fabian kuss spürt in regnerischer electronica der schwere von bruch und ende nach. es zelebriert die in jedem wandel liegenden energie und die schönheit des neubeginns. in cleveren kompositionen kartografiert das duo wie nebenbei die in synthesizer und drum machines verborgen liegende melancholie. greed und kuss lernen sich vor vier jahren kennen, als ersterer einen sänger für neue tracks sucht. das geschmackvolle erfolgslabel freude am tanzen veröffentlicht zu diesem zeitpunkt greeds musik. er tourt damit quer durch europa, spielt in mexiko und australien. mit mooryc hat greed außerdem ein album mit dem gemeinsamen projekt eating snow veröffentlicht. nach gut hundert gemeinsamen auftritten in klubs und auf festivals national und international und der veröffentlichung von gut einem dutzend gemeinsamer tracks - unter anderem auf bpitch control, noir und cocoon records - entscheiden die beiden, sich die künstlerische verantwortung zu teilen und in zukunft gemeinsam stücke zu schreiben. greed und kuss beziehen ihre energie dabei aus ihren grundsätzlich anderen herangehensweisen. greed beschreibt sich als autodidakt, lässt gern zufall oder fehler entscheiden. kuss hat gesang studiert, sich mit seinen bands und projekten von jazz über funk oder pop in allen erdenklichen musikrichtungen ausprobiert und lässt jede menge außensicht mit in das projekt einfließen. in diesem spannungsfeld verschmelzen sie elektronische musik mit klassischen songstrukturen zu einem klugen und mitreißenden hörgenuss und schreiben weiter an den greatest hits of niemals-ankommen. immer ein schweres ende, immer ein hoffnungsvoller anfang.

next up on hell yeah is -the most balearic record i have ever released- according to label boss & it comes from japan s disco don max essa which features a four part track, themes from the hood, the cad, & the lovely, on one side of vinyl, and two more on the flip. essa was born matthew bruce and the uk artist has now been releasing his blissed out beats on labels like feel music, electric minds, bear funk and is it balearic? recording for a decade. a prolific producer whose big hits like panorama suite/uptown vibration (is it balearic?) from 2010 have long been in the hell yeah boss s record bag, essa first approached the label with a bunch of tracks. a good correspondence alchemy ensued and together the artist and label decided to put out the most timeless 12inch possible. the exquisitely ambitious themes from the hood, the cad, & the lovely is almost 12 minutes of serene ambient synth work that is like a soundtrack to a hot summer s day. heavenly chords sound just like a breathy female vocal and as they come and go, one finger piano tinkles add real emotional beauty and gentle twinkles shimmer in the distance. half way through lazy drums propel things along at a loveably lethargic pace and immediately place you on the beach. on the flip, saguaro is just as organic and beautiful, but has tumbling drums, wooden hits and soft claps as well as essa s magical synth work all bathing your soul in warm rays. b2 buran chime is perfectly horizontal and expansive, with tinkling triangles, angelic chords and scattered hits and harpsichord sounds all radiating effusively. this is timeless music that will calm busy minds now and forever.

where -oh year- takes you more to the funky side, -dayrun- is a more techno influenced trip to the dephts of the night. with the hypnotic synths and wobbly bassline it invites you to loose yourself in the dance. on the other side, the detroitesque strings, that glimpse up during the break and the pushing hihats, it leaves you with a smile and your hands in the air. to complete this fabulous ep, markus throws in some percussion and extra deep basslines on -pingel pangel snop-. a track that is filled up with funk & soul, designed to be nothing but a house track with a twinkle in one s eye. a true groove monster.

vinyl only - limited - special artwork by andrea amaducci! supported by francesco farfa, stephan bodzin (september scary is not scary at all!!! nice and smooth bassline. love it.), alli borem, steve lawler, claudio coccoluto, claude vonstroke, butch, george morel, spiller, 6th borough project, makossa, boddhi satva, michael reinboth,audiojack...

100% not played by richie hawtin !!! 2 years after bamboo great stuff a&r rainer weichhold is back with his next proper own release. this time in cooperation with friend namito from berlin and two great remixes from juan sanchez from amsterdam and kaiserdisco from hamburg. played by sébastien léger, gregor tresher, saeed younan, thomas schumacher, fake blood, marc romboy, oxia, gorge, paolo mojo, axwell, brodinksi, popof, mike monday, dj madskillz, tim green, mastiksoul, groove armada, david tort, tiger stripes, h*o*s*h, wally lopez, joseph capriati, andré galluzzi, martin eyerer, zombie disco squad, ramon tapia, jim rivers, edu imbernon, mason, oliver klein, chloé, malente, john acquaviva...

huge support: joe t. vanelli, annie nightingale (bbc radio 1), uk cool cuts charts, ivan smagghe, satoshi tomie, dmc buzz charts, john acquaviva,… hell yeah is building a huge following with its straight up approach of releasing dancefloor destroyers with plenty of attitude! maskio is the alter ego for santos and it toys with all things acid. this project has already produced great tracks like >acid theory<, >analog pressure<, >detroit land< and recent crowd pleaser >human jungle<. >monday< has already seen the light of day on mantra vibes last year but got a bit lost in the world of distribution going bad. however it still reached out through the internet and now due to popular demand its getting a full release

limited edition faye blue coloured vinyl.

classic black vinyl edition.

reissue , boot camp clik is an american hip-hop supergroup from brooklyn, new york city, which is composed of buckshot, smif-n-wessun, heltah skeltah, and o.g.c. , green & black splatter vinyl, limited to 300 copies.

reissue

repress in plain cover. 2 outstanding tracks on this vinyl. adams remix from run run run is a must have!! ,)

2 outstanding tracks on this vinyl. adams remix from run run run is a must have!! ,)

2019 repress !!
after the more experimental vibes of latecomers last release on mcde,they are back to bringing you straight up dancefloor material on mcde1209.jayson brothers drop back has been a hidden gem in danilos sets for quite some time already,and we are happy to finally release it alongside the storming north & pulaski.and on the bside, creative swing alliance are back on mcde with their trademark house grooves, bringing us some deep goodness prefectly suited for those basement sessions we love so much.last but not least, pablo valentino also delivers a solo joint, another stable of motor city drum ensembles recordbag since he first played like it was 99 on tim sweeneys beats in space

tommy rawson releases are sporadic but always high quality. as a former member of the souled duo who ran the excellent fresh minute label hes been around the more tropical end of uk house and broken beat for many years and this, his first full release for bergerac ushers forth a new level in his sound. this whole record is a masterclass in post bruk, forward thinking, shining, bright uk dance music. unmatched in emotion and vibes. deep blue is quite simply the sound of the summer. sun drenched, euphoric and soaring. broken but not broken, 4/4 but not quite housey. jazzy, soulful yeah. it was the highlight of red rack ems olive grove closing set at love international last year when it provided the most halcyon of moments. live trumpet from vicky flint and a whole bag of vibes from tommy rawson. this is a classic. trust. past tense is a super tropical african tinged house stomper which shows tommys love of sunshine vibes once more with acres of space, insistent chants, dubby pianos and a tinge of jungle roller bass. the final track into the future takes us into almost blade runner-esque orchestral emotion but with a kind of balearic feel tucked in there too. beautiful, lilting, emotional memories. you can feel so much love in this track. such a special record. buy it. love it. treasure it.

rephlex producer eod drops a mind-bending fifteen track debut album on bjarki’s bbbbbb this june. born in trondheim, norway, stian gjevik is a rarity amongst electronic music producers. possibly the most interesting musician representing the braindance and idm sounds of today, eod’s productions have landed on labels like we&#769,,,,me&#768,,,, records, sleepers, cpu, 030303 and aphex twin’s highly respected rephlex. dropping on bbbbbb last year, his ‘swurlk ep’ sold out within a month and received support from aphex twin, bicep, bjarki, nina kraviz and many more. “it s the album i ve wanted to do since i started making music - feels like a dream come true. inspired by what got me into electronic music in the first place, jungle and early ‘00s warp/rephlex -drill & bass--type stuff, but shifted through my own eod-style lens. oh yeah and loads of lovecraft references because i love those.” - eod a must-listen for fans of sublime synth-driven cuts, otherworldly beatless affairs and frenetic, machine- driven jams, eod’s ‘named’ is a refreshing and highly anticipated debut long player from a true master of his craft.

vor 20 jahren erschien mit decksandrumsandrockandroll das debüt und gleichzeitig einzige studioalbum des britischen duos propellerheads. alex gifford & will white gründeten die band 1995 und veröffentlichten 1996 auf wall of sound zunächst ihre dive ep, gefolgt von weiteren eps und singles. am 22.06.2018 erscheint die 20th anniversary edition von -decksandrumsandrockandroll- auf wall of sound auf der die albumklassiker wie die bigbeat-coverversion von crash (mit einem wunderbaren elvis-double), das rastlose spybreak! (bekannt aus der lobby-szene des ersten matrix-films), den remix für john barrys on her majestys secret service, und last but not least history repeating mit der unverwechselbaren shirley bassey selbstverständlich vertreten sind.

named after the tenor saxophone, actually, jimi tenor is not just jimi tenor - he s as well jimi keys, jimi flute, jimi vox and jimi composer. yeah, he is, as a multi-instrumentalist and music master in general, all of this! but wait: active since the mid-80 s he s also jimi legend. and if you overlook his whole oeuvre then finally you will find out that on top of all of this he s jimi genius.

hell yeahs next project is to revisit a collection of jazz covers of dance classics. back to new roots (serotonin fuelled jazz covers) was first released in 2011 by 3io, a band lead by double bassist manuel moretti and including richard maggioni on piano and matteo giordani on drums. they were veterans on the italian jazz circuit and put out a couple albums, but they are no more

phonica is proud to present the song for mr. lewis , a new record from austin ato! austin ato may be an unfamiliar name to most right now but you will have undoubtedly heard his music before. the man behind the mask colin bailey - has a decade of music production experience under his belt using aliases such as drums of death, frankie dreams and the slumberjack. following on from his recent 12inch on futureboogie, phonica white unveils the fantastic song for mr.lewis ep. when it comes to producing electronic music, colin proves to be a dab hand at a variety of styles. his work as austin ato updates the classic house sound utilising live instruments drums, percussion and keys alongside electronic elements. at the core of song for mr lewis is a moving speech from civil rights activist representative john lewis on gun control in the united states, a message that sadly remains just as important to this day. on the flip, the dub versions strips everything back to the drums, a raw counterpoint to the deeper original, perfect as a dj tool but a powerful bare-bones track in itself. finally, the blissful morning closes the ep in style, with colin laying keys over the top of a dubbed out drum machine and bass loop that could just keep going and going. oh yeah! artwork as always is supplied by the talented pedro carvalho de almeida.

forriner is lee forster and oli worriner.
i made music together with lee for years (alongside mick rolfe) as last waltz. he also worked as lizards with james hadfield (james released solo for me me me 02), oli worriner, is a talented young northerner who’s already making a great name for his solo output, both under his own name and his traela alias, as well his label “tunnyl recordings”.
i’m really flattered that they’ve let me release their first full solo release, and i love how they’ve brought out each others deeper and more emotive sides in these 2 tracks. shit robot is a hero of mine. i basically wore out the grooves on a bunch of his dfa stuff from just over 10 years ago, and i’ve avidly bought everything he’s released since. i met him this summer for the first time when we shared the bill at a festival, and was so happy to find that he’s also lovely guy in real life. they say you should never meet your heroes, but i don’t subscribe to that as this meeting led to not one, but two fantastic remixes for me me me 08. the originals are a bright mix of melodically analogue left leaning house, while the remixes zero-in on a punchier dancefloor vibe, with an epic version goodnight, as well a more heads down disco dub.
so yeah, links within links, and keeping it northeastern again i guess.

yeah, blah blah. lorem ipsum rainbow banana bullshit tacos. aren’t those release descriptions really senseless and stupid? as if anyone cared about a text explaining music. it’s like posting selfies or continuously crying about the good old days. but you know what, while writing this - i’m sitting here on a wooden chair at my favorite pizza spot. the sun is shining and i’m eating these damn delicious pizza margherita slices. i might get some tiramisu afterwards. i don’t know. dessert first some might say. but i’m more a dessert after kind of guy. anyway, tiramisu is always a good choice.
ps: i guess now you still don’t know anything about the record, but reading a lame description wouldn’t help either.

jad & the sends off the ladyboy (fka jad & the ladyboy) and has a going away party to celebrate. the party starts off with some sad cries (it’s always sad saying goodbye), then the yeah band starts playing to take peoples minds off their sadness, after their afrocentric set the guy who always has the discogs window open and 7 inch adapters in his pockets jumps up and plays a disco dancefloor tool designed to tease but please. now that everyone s warmed up and ready for it, the next dj drops some underground real shit which even gets a nod from the high brow dj squad in the corner. the twelve people there lose their shit. great night had by all.

nyc loft trax exploded onto the scene a year ago with a white label containing unreleased dat tape archives from the 1990 s. people lost their minds and it proceeded to sellout of shops in what seemed like minutes! with anything that is from an unknown lost world you have your doubters, but those that know could hear and feel the validity of these authenthic tapes. you seriously could not capture the vibe that obviously was witnessed on that record. the label continued to dig into various sources to release all types of unreleased and amazingly good records. so with the integrity we see this label exercise get excited as this is another selection of lost yet found 1990 s dat tape trax! this is the real deal, let s not kid ourselves now. lots of hot heat on this one containing deep, dubs and disco! side note: the city in particular has a nu groove records story attached to it. basically it is the instrumental of an unreleased remix. that s all we have been told on that one. interesting! grab this now! expect this to go fast!

our planet… is next!? yes, this is in fact the case, at least according to one stockholmdwelling, 30-something (wishes-he-was-a) failed pop star, real name arvid wretman. just how he fell from his position as poster boy of kärrtorp’s ever-vibrant noise scene to the pill-popping, cher-covering discotheque pleaser standing before us today, we could not tell you. what we do know is that studio barnhus stands ready to ride that cash train all the way ’til the bitter end! so yeah, wanna pop some pills? or do you wanna chill? varför alltid dansa och spela det ena? …and do you, or not, believe in life after love? these and many other questions are posed, but never answered, on this ypin ep, the starting point of what we hope will be a particularly lucrative bizniz venture between those two powerhouses of scandi-tronica, your planet is next and studio barnhus. ps. your planet is next’s live show will bring added marketing value and guaranteed customer satisfaction to your dance party.

repress 2016 , rudolfs new nervmusic release is a bass-bin destroyer that has enough strange psychedelic details hidden in the grooves to keep things lively. recorded in london >join the army with me ep< delivers a special selection of long playing minimal jacking dance floor hymns with style that makes us happy in techno today. this is bass-heavy nasty shit, at times almost bordering on a tribal vibe, while retaining a fucked up surrealist dance music vibe. experimental grooves and patterns will portal our consciousness in to the world of psychedelic and spontaneous vibes. not surprising that daze maxim should be involved in a project this dirty-funky yet sonically wild... daze turns in a remix of the adventurous b-side >join the army with me< that irons out some of the stumbles, brings his bouncy basslines, and injects some jack into the box.
a1. chapter 5 - experimental spasm of bass and percussion simply make you to want more of this mentally penetrating weapon. yeah, play it again!
b1. join the army with me - elaborate swinging patterns with live shuffling feel and glitched out sounds. secret voices somewhere out in the darkness slowly but surely urge us to rise on to hammering action dance floor.
b2. join the army with me (daze maxim remix) - this rhythmically dynamitic and melodic remix from daze maxim will definitely convince you to join army of intelligently wiggling house groves. timeless.

as far as defying conventions goes, frits is on a whole new level of realness. with his new label bobby donny, hes putting out leftfield electronic music with a big f.y. attitude and hes not too shy to tell you why the current state of the house scene is so utterly boring to him.

dj ralf is the italian icon who runs the much loved laterra recordings label and management, and is now back with ‘er suonone’, a new track from margot that is all set to be a late summer smash. anyone who has heard the legendary dj ralf (a cult figure who has been the subject of a documentary, has played all over the world, runs his own legendary bella ciao party and holds a cult residency in cocorico) play recently will most likely have heard this track in his set, and it has been an unknown but much loved secret weapon for a while now. as such this one sided vinyl pressing will please many people who have been hunting it down. margot, of course, is an italian pair of accomplished producers who have released on, les disques de la mort, hell yeah and border community and run their own margot records label. ‘er suonone’ is a pumping, deep, slow burning bit of cosmic house that builds and builds and teasers listens without ever releasing the pressure. monstrous kick drums drive it down below, pixelated stabs add suspense in the distance and icy hi hats slither in the foreground. it’s the sort of track to drop right at the peak time and it will surely go right off, with people fist pumping along to the groove.
early support by dj ralf, prins thomas, ivan smagghe, erol alkan, ed (chemical brothers), jody wisternoff, sasha, innervisions, jared, luca c, nick warren, fatboy slim, edwin (the foals), reude hagelstein, catz n dogz, laurent garnier, dubfire, martin ikin…

low-down and dirty jazz goes right back to the early 1900s in storyville, after the bands had played their hot tunes in the evening for dancing couples, the musicians would head off to the after-hours joints and play a less energetic but more bluesy kind of music, enabling them and their late-night audiences to get through to the early hours of the morning without suffering total exhaustion. and nobody in new orleans laid into the blues so low down and dirty as buddy bolden, whose funky butt became a staple in the repertoire of the citys early jazz bands.
jacksonville, florida, 1960. charles hungry williams mentors young clayton fillyau after he had just joined the james brown band: *i dont care where you put it on those drums, remember where 1 is and you ll never lose the time. listen to hungry on huey smiths *talk to me baby* and then listen to how clayton turns it into a relentless breakbeat on james browns *i ve got money*. earl kings *trick bag*, prefiguring the meters, is as good an example of early new orleans funk as can be found.

black rox is back with 2 more sneaky soft rocks specials that have somehow been liberated from locked cd wallets and released into the wild for general consumption. the a side sabu dance combines horns, flutes & percussion on this killer slice of midtempo funk from africa via berlin. this has been thoroughly road tested by soft rocks at their kinfolk night & never fails to get a great response from the dancefloor. side b. don t worry it s not the tantric one s ode to voyeurism but a rare as hens teeth slice of uk. reggae at is s finest. adjustments have been made sensitively and sounds have been chosen to carefully match those from the appropriate era. a perfect track for blissful summer evenings (yeah whatever!).

its a great pleasure to announce the first release from mexican duo 4004 & sebastien vorhaus. they might not run as fast as speedy gonzales, but their music is super hot, deep and raw! yeah you know we like that at quintessentials…… 4004 & sebastien vorhaus work together as well as solo and their work has already been signed by the almighty faces records (pablo valentino and mcde). plus they also set up their own label, vicario musique, so these are definitely names to watch. viva mexico!

an leidenschaft und ideen mangelte es ihm ohnehin noch nie, denn schon immer war douglas greed ein getriebener, der es nicht lang auf nur einem fleck der musikalischen landkarte aushielt. mit seiner speziellen sozialisation zwischen hiphop jams, drum n bass-partys, den dunklen weggabelungen des pop a la joy division, depeche mode oder radiohead hat er als produzent und live-act in den vergangenen jahren immer auch ein stueck weit außerhalb des klassischen techno- und house rahmens gedacht. die ergebnisse dieser stets auch die stunden abseits des floors mit einbeziehenden denkprozesse zeigten sich bislang etwa auf seinem debütalbum krl (freude am tanzen)sowie singles für labels wie infine, acker oder gigolo

back for more so soon? yeah! baby is back! wilson records has fabio unleashing house legend gene hunt and not so newbie chiwax and lobster theremin veteran, stevie murphy for the fourth edition of the not a trilogy anymore split grooves series. its the perfect mix to brew an appetite for some dance floor destruction. we have mr. gene hunt taking on the a side with his twisted tracks get down and s and s. over to the b side, our cherished friend, steve murphys groove is anything but relaxed! crank up the volume and dont expect to stay glued to your seat. this one is special. no surprise when its laid out on a 180 gram vinyl. for the lovers!

but that the cocoon compilation l is all about love, is beyond debate: the love for electronic dance music, for its complexity and its diversity, the love for this global musical language and last not least the enthusiasm for the well-known and the still non-famous protagonists of this tonal romance that faithfully accompanies us through night and day for more than 30 years now.

already the third part of the seven daze a week compilation series and again some delicious house music here - plus new faces at morris audio! jmx (2020 vision, tsuba) is making his debut with the fat gotta be tune. watch out for more jmx on morris soon. another new face on morris is duff disco with his deep and epic track come home. and the third new addition is german fella nick beringer, a true house head with releases on the cool wax classics (skylax) label. last but not least is sek, joining us again with some techy house for this compilation as he already did on morris audio 81.

heavyweight producer mri met we:two and this ep reveals the first piece from their # 001 series. a side track sams detonator lives up to its name a 100 percent. be careful, because this track will make the dancefloors detonate. with each subsequent play, you notice more and more melodies, beats, instruments.. fresh and modern techno at its richest. killer percussions come midway and build up the sound explosion. you are left with a sense of sweet anxiety and an adrenaline rush. matador on the flip is a killer, peak-time track and its bassline will be sure to induce some serious convulsions on dance-floor as well as the a1 did. last but not least theres track 3 – jack & lumber whos driven by an unstoppable beat. all in all a release on resopal to play and play and play, ah, yeah ... and play

our second vinyl release 2012 introduces a new series, the bias jams, on ilian tape. we start off with a compilation of 4 tracks from japan, serbia, argentina and italy. after some internal investigations we found out that imugem orihasam is not only a japanese shaolin, but also a yoga guru. his bias cut sounds like an instruction for a deep meditation in a forest. we chose a forest, because forests need to be saved. too many black puffs of vapour are killing them at the moment. our late riser regen probably didnt had that a mind, but we declare him to be an environmental activist from now on. now how should we include paper tape in this story … had a look online and found the term perforated paper tape. pretty interesting stuff, it was one of the first methods for data storage. ok are you guys joking? orbital? there is no way to write a good story with those track names. >an atomic orbital is a mathematical function that describes the wave-like behavior of either one electron or a pair of electrons in an atom<. yeah right! well in fact its enough to know that the bias jams series will feature some heavy bomboclaat bias cuts from various artists! cheers

wolverhampton based duo letherette return for their second release on ho_tep records, once again delivering a dusty and soul filled package spanning hip hop to boogie - house to rnb. their first ep built a strong buzz, with comparisons and influences being draw upon, ranging from pete rock and madlib through to thomas bangalter. recent remixes and features with bibio, solar bears, brownswood bubblers, dazed and confuzed magazine and bts radio have further cemented their space in the current musical climate, working almost as a beat tape this new ep once again showcases the impressive funk, swing and overall style that the guys have to offer, as ever they are keeping their fingers dirty, digging deep into crates, pulling up nothing but the finest samples.

boys noize and housemeister, 2 good old friends from berlin with a lot of love for analog found together again to rave in the studio. after their first collaboration in 2006 under the name of eastwest, they are now brining us 3 new jams you don¥t want to miss. shizzo is the track youd probably expect from these 2 f..ckers:loud, noizy and stupid! its up and down parts shake the club like you were sitting in a rollercoaster - beware this is not for everyone. nbaxx is a new breakbeat track. breakbeat?yeah! with a hint of inspiration by lfo freak, this one comes quite minimal but hard, just the way these buddies like it. saturday the secret a side on this maxi is a disco-tech track, with moving arpeggios and big melodic break where spheric disco pads cool you down before you and the kids jump up to this piece of 2011 disco music.

great northern lite button, yeahh (red, size 24mm)

great northern lite button, yeahh (black, size 24mm)

the swedish house mafia with laidback luke, play pauls new project ryskee, a brandnew moguai together with sebastian ingrosso and last but not least patric la funk! what a huge package! this ep has the title essentials quite rightly!

strange move.. not really a suitable project for fr i hear you think.. well.. not much pack in this one so yeah that s true.. but, for this one we have twice the dose of drama and lives struggle to compensate that for ya. this will be part of a limited series called when insanity slips in with special hand made sleeves. so don t sleep and make sure you get your dose.

the original pressing of >get off< with serato control vinyl on the bside sold out before we even got them all back from the pressing plant. unfortunately we weren t able to press any more with serato, but we ve been getting requests all along and now that we ve got this jamming new remix from jack beats, we felt the time was right. if you don t know jack beats, they are plus one (of scratch perverts) and beni g. these guys are heavy on the uk scene and have recently done remix work for lady sov, white williams, ac slater, does it offend you yeah?, caspa, black ghosts and much more. they turn in an epic remix that switches from rough mid tempo drums and baltimore hey grunts, to one of the craziest electro wobble things we ve ever heard. seriously. crowds have been eating this thing up and with support from djs like craze, a-trak, kissy sellout, drop the lime and boyz noize this is bound to be a big tune for summer. of course you also get the original line up with the diplo produced >get off<, the awesome bonus beats, and the rob3 remix.

call this ep our attempt at spring cleaning. after releasing and touring with his plastic starfish project, tal m. klein is now working on new projects such as the sly players with slim from goodgroove and the disco builders with deepcuts and hilly of the hotness. but we found a bunch of unreleased remixes both by and for tal in our vaults and worked to put together an amazing package of fresh tmk beats to funk up your world.

the king unique/junior revival continues on curfew with one of the biggest tracks of 2001, remixed and refreshed for its 08 comeback. aah yeah… >obscene, dirty, filthy, immoral<, a chant that echoed across clubland throughout that year of tribal beats, dark >waaaarp< noises and danny tenaglias dj booth torch-antics. but fuck the nostalgia and get these two superb remixes in your lbag

support by gregor tresher, karotte, james holden, oliver huntemann.... another stunning extrawelt ep. >disttheme< is the name of this long awaited 3-tracker. the last two years have been busy for the two hamburg based extrawelt guys. single releases on cocoon and traum and remix work on labels such as underwater, confused, different and global underground on the one hand and heavy touring all around the globe on the other hand - that have been busy times indeed. besides this extraordinary schedule, we got the chance to pick these three energetic tracks and now we got them pressed on vinyl finally. this is a high quality mixture of techno, neotrance and house, choosing the best ingredients of all three styles in order to create top notch club music. a fantastic follow-up on kompass musik.