if you were waiting for a soulful vocal record with the full power of a peak time club groover its here now! a powerfull vocal gem featuring maiya with her incredible gospel flavoured voice. produced by antony fennel who knows how to get together the voice and the music. and create the perfect record for purple music. including various choices of mixes!

>meletis journey< has been tested on almost every continent of the planet and the feedbacks are simply fantastic. its a floor filler club anthem. dario d attis is on fire with his latest releases on purple music and this is not a hit this is the hit a 100% burner for the twentyeleven summer.

>positivenoise< is collaboration between system 7 and british house music legend a guy called gerald who now lives in berlin, and is one of two tracks on the new system 7 >up< album that they worked on together. the original club mixs exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by berlins leaner sounds - already gaining plaudits and plays for its modern club sound. the carl craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in carls own legendary style. a.mochis remix is a darker interpretation, with a long dropdown featuring shimmering s7 trademark sounds and a breakbeat build-up.

das münchner produzenten-duo columbus veröffentlicht am 10. juni seine zweite single hubble . columbus knüpft mit hubble an die tradition des münchner disco-sounds an. der einsatz analoger synthesizer und aufnahmetechniken verleiht dem song authentizität und eine zeitlose Ästhetik. referenzen zur kürzlich verstorbenen ikone kurt hauenstein alias supermax sind nur schwer überhörbar. für die nötige clubtauglichkeit sorgen remixe namhafter produzenten wie ajello, in flagranti und pyjamas. für das artwork und video zum song ist das münchner designstudio the crystal beach verantwortlich.

dj t.s pleasure principle immersed itself, wholly and rapturously, into electronic musics legacy of soul, and helped to usher in a new period of groove-heavy deepness. like an antidote to clinical club sounds, album standout tracks like sense inject some well needed groove into the dancefloor. the maxi version of sense partners faraway melodies with james teejs breathy vocals that get up close and personal. a deep electro funk bass riff establishes its intent, and snaky percussion leads to a more structured house beat. piping flute sounds and drum echoes add an element of swing, while analogue handclaps and the tracks distinctive bass line recall its retro pedigree. newcomers tale of us continue their journey into dark minimalism, with a remix that isolates the percussion and vocals, shrouding both in reverb for maximum atmospheric effect. a sense of unease pervades through the saturated bassline and slow delayed handclaps, creating frosty mists and dark corners within the synth-tech house arrangement. hot natured duo lee foss and jamie jones next bring their sunny midas touch to the proceedings. teasing out the intro with high hats and layered vocals, a sense of anticipation is high. it blooms into sleek, skittering beats and otherworldly sounds, with a bass line thats been cut & paste back into place, before it delves deeper into a menacing deep bass synth rumble. the club version begins with a kick, deep echoes and meek percussive sounds that loop upwards through the scale. the distinctive bass line and handclaps begin, then teejs unadulterated vocals are pushed to the fore. brittle metallic synth flares appear from below the bass-heavy beat and recede again, ending in an electro-disco retro groove

returning for a fourth ep on the label, berlins nick höppner continues his exploration into an ever-developing and rich production vocabulary. the rough goes with the smooth in perfect harmony on -a peck and pawn-. höppners unique sound design leads to a dense wash of sound sparkling with airy details and his characteristic sub bass subtleties, as the whole track gels together in a pushing modern house triumph. the spaced out and traveling -she parked herself- is a real fusion of the many influences behind the producers inspiration. bubbling percussion and pretty melodic structures fuse with a melting analog bassline in this high-tech and positive jam. with its heavy bass and late-night atmospheres -swivel flick- slows the pace in a warm, dubbed and droning thinkpiece that is just as cinematic as it is direct for the club. jostling just beneath the surface youll find a wealth of details that really shows off nicks talent and dedication to a non-standard groove

austin bascom aka. abacus returns in 2010 on re:think with three deep club cuts. with a few new projects on the horizon he fully releases african hi-fi vol 1 to the world. first with >r u there yet?< with its deep bassline and rolling percussion you will be responding yes! then with the beautiful aggression of trouble, djs are sure to have many danceoors in just that >trouble<!

sexy slomo disco / greg wilson edit

the latest release from the fizzy duck camp comes with the inclusion of a fantastic new artist from france, florian muller. we also have a fantastic track by carlos nillmns - >cielo< made by carlos in homage to the cielo club in new york and the sound that anthony parasole is playing there. fantastic piece of music by mr nillmnns. the third track on the 12 inch is carlos nillmmns & ian elgey back again on la derive de nuit, a summery vibe house track with a sweet bassline and deep sound to it.
supported by orlando voorn, keith worthy, paul mac, youandme, frenchy, james johnston (4lux), erell ranson ...

at long last, night slugs drop a ep from the labels co-founder bok bok. representing his full gamut of influences as well as his labels hypercolour, bottom-heavy, club-ready aesthetic, the southside ep is an extend manifesto of a release for the south london dj / producer.
the three tracks on the 12 inch share a core sound palette, one that merges raw and convulsive acid house with functionalist 8-bar grime: the warm sound of vintage drum machines and analog bass combined with the razor-sharp, dystopian digital dread of noxious sawtooths and gliding squares.

onwards and upwards for the section8 clan as they get ready to deliver possibly their biggest release to date with a mighty, thunderous dubstep assault from one of bristols brightest up & coming production duos, dodge & fuski. having built up quite a reputation already with some killer releases on labels such as never say die and rat, this one looks set to earn them even more attention, get ready for the sound system bangers! ethereal pads open up aerophobia before an epic, grandiose synth enters the mix to set the scene for whats to come and youd better be ready because its quite simply, sick! watch the dance go crazy as we kick into an absolutley heinous bass riff that grabs by the throat and doesnt let go with a smashing break holding it all together. it only goes on to get even better with a totally funked up 4/4 switch up too! more bassline manipulation ensues and the dubstep break returns to complete whats sure to be a massive club anthem. a lot of fun. onto the flip and the tranced-out intro vibe continues with another awe-inpsiring arrangement of twinkling synths and fx on fuckem all. though the ravers are gonna love it and thats really what this is all about. bangin!

strictly limited picture vinyl featuring mixes from chris decay, lazard, rocco vs. bass-t, djs from mars.

in less than two years, sardinias alessio mereu has made quantum leaps in his dj/production career: after releasing an impressive string of eps for respected labels like contexterrior, tuning spork and cmyk, many top-name djs took notice, including dubfire and duke dumont (who picked some of mereus tracks for their respective cocoon and fabric mix cd compilations). in early 2010, he set up amam, which has quickly become one of the most popular techno/house imprints in italy, and as savvy dance music enthusiasts are catching on, throughout europe as a whole. earlier this year, his increasing international presence led to his debut berlin dj appearance at arena club to headline an amam label night…

from the murky manchester backstreets, the el diablos social club main man neil diablo (aka the midnight chopper alongside cohort mr masters) stalks his balearic-rock prey with a sharp eye for a groove and a keen sense of razor sharp riffing! on this outing they turn their attention away from the over-subscribed disco edit scene, instead focusing on something a bit more bearded, a bit more rock.
the first chop is the deepest ...

fresh from the release of his stunning third album, >inner space break free< on the magic + dreams label, the unique and acclaimed live performer, bass clef delivers an anthemic summer 12 inch for the punch drunk label. an integral piece of bristols musical jigsaw, bass clefs live shows and dj sets have wowed the city for years. his punch drunk 12 inch debut is long over due. rollercoasters of the hearts euphoria fuelled piano refrain combines with dub echoed beats and rolling, ground shaking bass before delving deep into acid bliss, juxtaposing the darker, melancholic yet tough and club ready so cruel on the other side. if you get a chance to catch bass clef live, you wont regret it!

open the curtain for the next trick from the highgrade disharmonic orchestra: for the last year the team have been busy refuting the notion that the dj is a one-man-band in the booth… tom clark, todd bodine, philip bader, dale and daniel dreier are an act that combines all their many and varied qualities into one pot, stirring vigorously and serving up a hearty dish that goes straight to the hips! they have proven many times with their live performance that the musical ingredients are just right – and have also put the evidence on the record with an original ep. now comes the follow up. the first track way too far, is a live recording which evokes an atmosphere of urban beats and pulsating flashes just behind the eyes and a dancing crowd who appear to sink deep into the dance floor. then theres a complete chance of scene for the second track the other night, that appears to hijack the veranda of a villa in the american south. crisp rhythms are backed by muffled thumping beats, a trumpet laments, a sexy sleep-talking emerges in gentle piano sounds. this is southern passion under the disco ball, cleverly approximated by the highgrade disharmonic orchestra

hotflush presents its fifth release from rising producer sigha. this ep continues his progression into subterranean techno hauntings. since his debut on the imprint in early 2009, sigha has accumulated support from djs across the electronic sphere such as francois k, brendon moeller, marcel dettmann, ben klock, peter van hoesen, james ruskin, and many others. with this release he takes a more direct approach that maintains the cavernous atmosphere and spatial tension of his previous work on hotflush and his own label our circula sound, resulting in a collection of club tracks that evolve and sizzle with burning tenacity, ultimately bursting into the beatless closer that echoes about in an otherworldly space.

>only our hearts to lose< is a nice, shining character between the club and the balcon. tollen ablum der beiden zum immer wiedr hören und neu entdecken für club und wohnzimmer ... tolles album

its just over a year ago that the producer duo dance disorder were celebrating their illustrious bpc debut with the epic italo-dance-inspired hit >zusammen<. now the show must go on - with >metallic italic< georgina fernandez, aka baby g, and robin crafoord are exceeding the path of consistency from the lead out groove of their last record to the point that even crosstown rebels label boss damian lazarus discovered >metallic italic< for his upcoming mix cd >get lost 4<!

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

big new project from joey negro & gramophonedzie featuring shea soul on vocals. mixes from david jones.

the newest tigersushi 12 inch is also the newest addition to the labels infamous roster, yes wizard. like many of the labels new artists yes wizard has an ambiguous almost mythical place, not just on the roster, but also the world at large. during a recent r&r mission in the south east coast town of ubatuba, brazil, joakim found himself privy to a local urban legend, of a jungle man, a music composer going by the name of yes wizard.

big with: chris carrier chris lattner, chris wood, nick curly, jimster, luke solomon, varoslav, mr. statik, tini, technasia, steve lawler, robert dietz, retrac, osunlade, dan drastic,.. our second imprint on >deep series< features an up-andcoming artist from moscow. as a studied pianist kammerton knows the fine art of funk and soul, which serves him well in writing mesmerizing deep house and dub techno. his dj-sets have been compared to the likes of moodyman or theo parrish, giving you high quality unapologetically. on the a1 you will find >take off<, a funky house tune founded on subsonic bass-rolls underneath gently tweaked sequences. this groove to make you move will get any floor going with its characteristic live arrangement. >infuse< on the flip is somewhat slower at 110bpm and surprises with broken beats, chords and vibras - the real funk. the b2 >fosters hats< has shown its full potential in the club, with a steady build-up of drums and chores. this peace of black gold belongs into every house-dj bag!

so addictive: the title says it all. this housey tune builds up with layers of digital swirls powered by a kickass beat. chopped up disco-feel vocal snippets create the dancefloor vibe of ?club lasers meet glitter ball?. we?re hooked but be warned - you?ll never get enough. starstruck: a cocktail of electro chord harmonies with a delicious shot of catchy oohs give this groove something to slam too. it?s disco audio waves roll up on the funky shores of vocal snippets with just enough white-crested synths to give this housey number dance-driven pleasures.

the newest installment in night slugs vinyl-only nswl series is dedicated to >liberation front<, a track taken from egyptrixx debut lp >bible eyes<, released on ns earlier this year. without a doubt the albums biggest dancefloor cut, >liberation front is built to work best in huge rooms, stirring thousands of people at a time into a frenzy. on the a side, the original track is taken on by dj mike q, a stalwart of the vogue / ballroom club scene of his native new jersey. mike delivers an incredibly raw and stripped down remix of >liberation front<, re-working egyptrixxs unique sound design into a matrix of hard kicks, runway percussion and the of course the ballroom genres masters at work-sampling dramatic ha snare. an uncompromising rhythm track, this is club music at its most direct. as a bonus, the a side also features an edit of mike qs remix by bok bok, re-arranging the track and adding a tuff acid bassline to bring that soundsytem weight ns is known for. meanwhile keeping djs happy, the b side is dedicated to the original mix of >liberation front< in its full seven-minute glory.

we are very happy to present you two great remixes from our last ep. both pol_on and good guy mikesh & filburt are two of our favourite producer teams right now. they laid their hands on >new york< and >groove< taken from our last ep. to complete this new single we made two new tracks, one is called >glance< a deep groover with jazzy and soulful hooks .enjoy these deep cutz

nice price deal !!!

this time mr raoul k not only wants you to dance - he wants you to go crazy on the dancefloor. in his well known way he crafts a relentless groover that sends everyone on the floor into the higher state of concsciousness called trance. he layers track upon track and builds a solid grooving base…. for the balafon. a handmade percussion instrument not unlike a marimba that gives guinean music its characteristic flavor. the vocal loop on top draws you deep into the vortex of nested percussion, african melodies und thick baselines. thistrack will never let you go - like moebius band. its main theme will stay in your head for a very long time. it will shake your hips after you left the dancefloor. and it will escort you on your way home after youve left the club. maybe it even serves as a lullaby after a long night out. already tested by Âme with stunning results.

as pete isaac from jelly jazz said, makala does tasty club rocking tunes that fuse old school rumba, salsa, reggae, swing and mambo with breakbeats and chugging 4 to tha floor beats. remix action here from our friends and heroes dusty and dubben. both delivering amazing takes on the originals. watch out for makalas new album, coming soon!

funky town it the aswer from cmc & silenta for all the people out there who only knew their mashup releases. the first single featured by mc penny out of benin (west africa) goes straight to the legs and was made for the dancfloor. with this unique lightnes and funky riffs its somthing for the summer festivals and club nights all over the world.
the killer remixes from nick thayer, slynk & zamali will get you straight to the dance floore. nick did an amazing ghettofunk anthem out of it, with a rolling bass line and catching up the the funky gitare licks. slynk whiped the track up with a brass hook to bring back the late 60s funk feeling combined with his unique disco style. the last remix on this 12 inch is a great afro beat remix by zamali, to bring back the heat in the rhythm of the night.

cesar merveille first joined the cadenza team in 2009 with the outstanding ep. descarga, produced alongside fellow artist pablo cahn and garnering high critique from industry and public alike. a well known and much loved figure within candenzas vagabundos ensemble and equally the international club circuit, it is with great pleasure that cadenza welcome cesar for his debut solo release on the label. maayancholy is a beautiful and heart wrenching record, showcasing the delicate and fiercely musical palette of the french producer. introducing with shimmering open cymbals. light and airy they rustle simultaneously and offer diversity via their multiple manipulation. unsettled and sporadic, they splash throughout the remainder of the piece in an ethereal manner, casting light over delicate steinway piano keys and stabbing muted chord sequences. argentinean artist guti composed the aforementioned piano, his jazz and pianist training clearly used to full degree on maayancholy with simplistic singular key arrangements and piercing chord sequences. as the ascending chords rise, they dance magically alongside the pitter patter of percussive drums in a stripped back and raw demeanour. maayancholy effortlessly lays bare the emotive side of merveille through this ambient and surprising track. luciano picks up the remix duty for with a 16 minute interpretation. as condensed cymbals and piano chords are electronically warped, urgency prevails and groove sets in, securing lucianos twisted version as the perfect companion for the simplistic original. pace quickened and intensity sharpened, luciano demonstrates the clear dance floor attributes within . maayancholy in an electronic reinterpretation fit for the floor

originally born in the south of england into a musically gifted family, mark reeve received the major order to be a dj and to play electronic dance music when he moved to the rhein-main area in 1998. mark is now known today as a non stop dj and producer , as an artist he has now had his most important releases on cult label defected with with düsseldorf-based tapesh, solo on traumschallplatten (sep 2011), for monique musique or neurotraxx - marks tracks are always a mixture between dancefloor moovers including groovy rhythms and big baselines. in his cocoon debut, reeve presents himself in all his stylistic bandwidth: >daybreak< combines a highly-functional tribal bass pumping station with such mighty dub chords that make the sun shine even in in the most remote corner of the club, while >morning on mars< gives priority to the hypnotic effect of percussion. mark reeve is definitely a name to remember in 2011!

following ryan davis debut >routes of life< on traum in january 2011, his high acclaimed follow up shows ryan is a real tastemaker but also a real club rocking musician. few artists in the electronic modern dance scene of today make music that seems serious and intense... and still accomplishes to have club people go wild on it. it is a bit of a lost treasure of the golden techno days, ryan always reflects in his music when he creates moments of beauty with an collective fee to them. ryan davis in one of them and his new ep shows that side even more than his debut. a-side track supernova brings images together of psychedelic west coast soundtracks of the 70ies, pop art, shoe gazers and maybe salvatore dalis surrealism.

in 2010, when we started to revitalise the tresor label, we reached out to some of the greatest artists, not just in tresors history, but in techno. late 2010 we sat down in a paris cafe, just off the pompidou centre, with jeff mills, on a rainy, otherwise unremarkable and miserable day. but on this day we were given two very strong pieces of advice. >hire a fanastic a&r and sign sleeparchive<. so here we are, an artist that has been on the underground radar of the hacker, miss kittin and richie hawtin makes his debut on tresor records with >ronan point<. >the tracks developed from parts and loops i had created for my live set and always wanted to make tracks from. after a little break i took with the sleeparchive project the record for tresor was a great opportunity to make these tracks.< sleeparchives live sets have graced the dance floors and sound systems of berghain, arena club and bloc weekend, so it is fair to say that the 4 tracks that make up ?ronan point are not just tried and tested, but actually born on the dance floor. >> press: dj magazine techno single of the month.

kreuzberg is the project of drummer and composer andreas peters and dj jens strüver (borngräber & strüver, j.r. plankton). in their childhood they played in the same football club somewhere in west germany and met again 20 years later in kreuzberg / berlin. they realized that in their lives music always has been playing an important role and as their interests in musical styles where highly compatible they created the project kreuzberg. the tracks are based on drumset, vibraphone (bowed), other acoustic material comes from turntables, the bass is the only synthetic element of the record. the music is influenced by dub, club music, minimal music and conny-plank-krautrock