kalbata has turned his hand to many styles over the years, not least the excellent soundsystem explorations of congo beat the drum, but on this second release for his label brush & broom, he s decided to fling himself into the fiery pit of acid while paying tribute to 90s motocross bikes. honda is dripping with 303, punctuated by a twitchy set of drums, while yamaha takes a diversion into moodier territory, letting hazy chords set the tone for an energised but defiantly heads down acid workout. suzuki is a bit spicier, capturing the essence of up-for-it early trax records but edging it into more hypnotic, looped up territory. toyota finishes the ep off with an atonal bleep out with an electro undercarriage

a year on from luigi tozzi and label head dino sabatinis collaborative manticora ep, outis return with a striking, singular solo work from tozzi. ecate ep sees the roman producer bringing three distinct slices of techno, each with its own set of subtleties and the crystal, adept sound design that defines tozzi’s work. spanning the a-side is ecate. this title track is rolling and hypnotic, with muscular, percussive bass. throughout the track, angelic chords come and go, washing the listener in euphoria. alongside, we hear a disorienting melody, grounded by the lightly swung four to the floor kick that gives this track an infectious groove. the flip opens with leto, which immediately defines itself as a club track with an unbroken but evolving set of percussion and a weighty kick. its around this kick that other elements build. we hear long, ringing, resonant string sounds, and a bell like melody morph and unfold as other percussive components come and go. the track falls away into atmospheric eeriness, which perfectly sets the stage for the eps finale. esperedes swung, panning drums give it a disorienting feeling of otherworldliness from the get go. this is before youre greeted by an alien, slightly dubbed out melody and a hanting backing drone that feels like a reference (perhaps in opposition) to the angelic chords of the eps first track. its on this closing track that tozzis delicate, expert sound design best shines through, and really has to be heard to be understood.

matt flanagan has been making music as defekt, ess and tinfoil for the past few years, so who better to put out the debut release on first cut? we decided early on that there was no point in repeating his admittedly fine back catalogue, so matt went off one evening and did a 30-minute live jam on his machines. there was no real plan, but between us, we picked the three best bits, which you now own. then we had to come up with a name. initially, we toyed with the idea of calling it ‘fekt’ but then decided that only a local audience would appreciate the joke and that it wouldn’t travel well. octal step then emerged as the clear favourite. we sealed the deal to release ‘toner head’ over a cup of takeaway coffee on a bench in the stephen’s green cente in dublin. and why is gunter walraff on the other side of this sheet? well, he seems like a cool guy. plus he’s german and has a moustache - what’s there not to like about that?

after putting 1990s record label emote to bed and a 17 year break from making music mark churcher has now knocked out 2 rasping acid house discs within a year on his new chicago bee record label. the first very well received ep whos this guy? is followed up with the same a eno-acid moniker. this 4 track ep is deeper, darker and even more drugged out. the tracks are slower and longer allowing the listener to be sonically submerged in the reverb swelled acid lines.

new yorks marcos cabral steps up for his first full release on dimensions recordings, with the nature walk ep. following on from his epic prochainement masterpiece on dimensions 002, the ep provides a glimpse into the mind of a well-established and hugely respected artist. nature walk is a broad ep that demonstrates just why marcos records have been finding their way into a multitude of djs bags for the last fifteen years. from his work with jacques renault as runaway, and his coveted hamilton dance records output to his more recent deeper and darker leanings for leading labels such as clone, l.i.e.s. and mule musiq, marcos has quietly and studiously worked at developing an impressive catalogue which most folks who have brushed with house and techno will have heard, whether they know it or not. the ep provides a snapshot of some of the tastes and styles that marcos has experimented with over the years, the rolling, energetic and optimistic sounding, not quite house, not quite techno of wishful gives way to the brooding, dub techno of title track, nature walk. cape cod sees marcos in classic, house mode with a cut that could easily have dropped on nycs nu groove records, whereas rice a roni is a no nonsense nugget of twisted, grinding, acid. the ep rounds off with lets see how the light goes through it, a spacey hypnotic workout for the late hours and a fitting end to a stand out ep from the self proclaimed, hardest working man!

repress , originally pressed in 2013 this 12” sat undiscovered for a good year , until vol 2 came out and people found it, then started charging silly money on discogs. this really raw piece of vinyl features just the owners of tone dropout records - sweeney and dawl. trk 1 from dawl is a pounding pulsating rhythmic banger with bleeps gliding through the track with the help of sharp snares and claps, real atmospheric track. then next comes strange world with all its space aged laser bleeps and busy bass line running through like a freight train, as always sounds moving and changing throughout the track both these are bleep tastic, paying much homage to our heroes from the warp days. boom check it then on side b sween comes in with a totally different track, another atmospheric track with military style snares and a moving acid line going in and out over the moody baseline and rising synths. an all round complete e.p kicking off our tone dropout sound, breaks ,bleeps, acid and boomy busy baselines and synths.

having recently relocated to the remote redwood forests of northern california in order to set up a satellite mixing studio for his old stomping ground, glasgows green door studio, sordid sound system returns to invisible inc with 4 cuts of psychedelic dungeon disco. the ep opens with his most blissed out track to date die ewige nacht, an eight and a half minute inverted sun ritual based around shimmering cascades of dubbed up electronic percussion and an overdriven tintinnabulated fm arp. hi-nrg meets 80s b-boy electro on crescent city with a careering off-road excursion into tripped out mutant carnival cavalcade territory. dia de muertos offbeat eerie percussion and driving low frequencies are met with spectral buzzing melodic refrains from the furthermost reaches of a decaying oaxacan cemetery. the acid drenched ambient lullaby you & me brings proceedings to a fittingly fucked up close. sordid sound syste’s last release on invisible inc, 2017s fear eats the soul, received plays and praise from the likes of manfredas, trevor jackson, sascha funke, optimos jd twitch and thomas von party.

bawrut has had an amazing couple of years. since kicking our label off back in 2015 with the modern acid classic ciquita (12inches of which will now set you back silly money on discogs), the madrid-based producer has gone from strength to strength. last year saw him tear down sets at sonar and farr festivals, drop a feted new ep on hard fist records, and have his music soundtrack numerous adverts for fabric events. other djs have been quick to show their appreciation, and bawrut’s unique appeal can be seen in how far and wide across the spectrum his music has featured. optimo, avalon emerson, patrick topping, jackmaster, artwork, andrew weatherall and many more have all supported heavily. were proud to kickstart bawrut’s 2018 with 4x4, a brand new ep of typically leftfield bangers. these four tracks come on like a whirlwind journey through a bawrut dj set, with something for every time of the night. ghettoscar fuses african chants with burbling acid, building the kind of goodtime dancefloor warmth bawrut is famed for. more cowbell does exactly what you’d expect, giving djs a glorious, cowbell-powered disco bomb that fuses the spirit of incredible bongo band with classic nyc house. i hear voices is a crazy ride, with an expertly cut up vocal sample repurposed into a weird, descending riff that’s quite unlike anything else out there. throw in bawrut’s trademark kitbag of carnival whistles, rattling latin percussion and a creeping acid line that works itself up into a soul-salving joy and youve got a modern classic on your hands. finally, lead track three sounds is probably bawruts biggest moment to date, a peak time jacking techno monster built from the most minimal of elements - drums, claps, a one note bass squelch and a tom drum gone wild. bawrut takes this tom sound and treats it like a 303, pushing far off the rails, working it up and up, twisting it through pitch and frequency like a man possessed, raising its pressure til it tears off the roof. theres no one else making techno quite like it - and you can expect dancefloors to be going crazy to the mania of three sounds throughout 2018 so there you have it - four more missives from the wizard of madrid. play em loud.

following on from the odd pair of sox that was oddsox vol. 1, we have been busy curating our next journey and we have recruited some fine talent to guide us on this ride. we go across the globe, straddle the stratosphere before going on an interstellar adventure. leading the way is switzerlands m44k. gaining a proper reputation online for his sublime edits and lo-fi cuts (last years e-beamz with dj seinfield for example), we have caught m44k on a serious deep exploration with infectious bassline and dreamy pads. we couldnt think of a better way to lift off oddsox vol. 2 than marsone. parisian, larry houl, follows up with algerian flag on the moon. another elbow moving bassline that youll be humming nonstop, and some sumptuous, glorious pads. working closely with flabaire in secret value orchestra and a release on london imprint feelings ldn, larry is absolutely one to look out for! flipping over to the b, let your mind and soul wander with mesta. with a delightful release on blind jacks journey and his own label dropping serious heat from harrison bdp, aleksandir delivers a divine blend of dream house and rough, rugged, rumbling bass. bringing us back down to earth is a man from portland, who is on some serious form. coming to our attention with his release on 100% silk, akasha systems deep and dark astral jam ends the cosmic trip with a bang. support and love from: dabj, dom capello, eclair fifi, peach, trp, red rackem, mark archer, marco bernardi, grant, fabrice lig, derek carr, piff records and more.

remastered reissue of u2’s classic album from 2000. pressing on 180 gram vinyl, comes with download code included.

confidence man, das pop-quartett aus brisbane, australien schickt sich weiter an, in diesem jahr der heißeste export aus down under zu werden. nicht umsonst bennent triple j die band schon als the best up-and-coming live band in australia. seit fast einem jahr bringt die australische band fantastische videos raus, lässt sich remixen oder remixt selbst. einen namen haben sie sich aber vorallem mit ihren live-shows gemacht! nun ist es endlich soweit, die elf songs des debütalbum confident music for confident people erscheinen auf heavenly recordings.

cmd q continues with his 3rd ep for kann. delivering an all out, dance floor focused three tracker. ranging from one serious dub techno banger over a jittery house version to a distinctively subtle techno cut. it is great to watch and listen to him amplify.

reaching its 15th release, amphia sees the return of cezar lazar’s double ep, intuitively called “archetypes”. known for his innovative approach both behind the decks and productions, cezar’s creative alter-ego enacts a variable puzzle with hard-edged sonic pieces laid out over five tracks, each with their own distinct acoustic palette. side a holds “equtime”. this side-long track envelops a stripped-down melody with perforated rhythmical pads, fleshed out with disconnected threads of vocals. side b is dedicated entirely to “badgervox”. displaying a weighty bass section alongside the shuffled percussion work, its intricate melody is integrated smoothly creating a unique soundscape. “thicken court” holds the first half of side c. sharp in its composition, it holds an assorted percussion ensemble and a collection of fizzy waveforms. they complement a thunder-like bass protagonist that holds the center stage. we continue with “boe dark”, where textures and sharp tones grow in layers upon layers creating tension. the apex is reached when modular timbres are hindered by sparse piano patterns, completing this electro-acoustic scenery. on the flipside, “wedmar” holds the key to our puzzle with its accurate four-to-the-floor feat. with a series of programmed overlapping organ vibes, the sound feels both piercing and intense, creating a sort of sensory impairment. “archetypes” displays cezar lazar s gentle subtleties and fluency in different dialects of idm.
(text by: bianca iulia)

next cocoon floor bomb! cocoon recordings is back with a bang after the winter break, cranking up the pressure once again. what s more, we re seriously pleased that we ve managed to land johannes volk for the new season. johannes has been making us smile with his productions for more than 12 years and considering his 2006 debut appeared on jeff mills axis label, it s easy to guess which direction his cocoon release is going. there are no dreamy minimal sounds or deep house trips this time round, instead you ll find headstrong techno pumping out of the speakers. tears & walls drives forward relentlessly with its meaty kick and metallic open hi-hats setting the pace. energetic and demanding throughout, johannes volk certainly takes no prisoners! -a little story about time and space- follows in its footsteps although the mood here is notably more detroit, taking us back to productions on cult labels like red planet, metroplex or the axis records sound. volk layers the track with more prominent harmonies and hypnotic arpeggios, giving it a subtle yet highly effective trance touch. the warm analog strings in the middle section underline this emotional impact and make a little story about time and space a guaranteed sunrise song for the upcoming spring and summer season, heartwarming and dance floor friendly in equal measures!

petar dundov (music man, cocoon) and marc romboy (innervisions, systematic) have teamed up in order to release their first common ep. and when you take a listen to both tracks you realize that this was due! two pieces of tracks which underline the passion of both, music tha moves. garden of cyrus is a pure hybrid of boths sound signature. a sequence drives the track and doesnt leave your brain anymore. caper tran is a trip into space, you dont want to stopp this journey, the planets are all over sudden so close. watch out for further volumes by end of the year.

up next on wolfskuil records and as the title suggests we find some of shlomos finest cuts on the dutch imprint reworked by oscar mulero, johannes heil and tripeo. spanish techno master oscar mulero takes over the a-side, keeps the heat of the original and adds extra tension to offer a stand out rendition of obsession, while in vanished breath he goes deep and delivers fine electronica and a sophisticated, experimental remix where broken beats and haunting synths seamlessly blend to create ghostly atmospheres. on the flip side johannes heil transforms the beatless, synth-heavy beauty m.u.m. into an euphoric, driving techno track, right before tripeo proves ones again his strong command on the dancefloor with a solid, twisted version of avadon part 1

dj seinfeld presents an immersive ep exploring the balance between fragility and force. ‘sakura ep’ is the third and most dynamic offering from deep sea frequency. four tracks draw from a multitude of influences, breaks, electro, dub and trance elements band together with a familiar lo-fidelity approach where distortion acts as an instrument of its own. ‘sakura’ is a subaquatic dose of old school electro with swollen bass and fuzzy harmonics. title track ‘segrada’ brandishes swirling melodies with layers of detail, followed by ‘belvedere’ which uses looped breaks and a sub-driven bassline to build animated funk. ‘battery’ closes things out with a nod to detroit, and a full on drum workout which plays with delicate melodic inflections over a cavernous low end.

we are not where we live, but the valley we built enjoyment through suffering. beauty in chaos. african ghost valley apply these principles to create their heavy doomsday electronics pulled in from the black bunker a d.i.y space under a multi-story car-park. separated from any scene on the surface, the record was put together by european / canadian duo childle grangier and gabriel ghebrezghi a partnership formed in the heat of heavily improvised recording sessions, where the pair would thrash out their versions of power electronics, industrial waste drops and rhythmic dub rumble to the cities homeless. keeping these raw fnal cuts away from any studio trickery, the microphone would be left on to archive feld recordings and wayward audio drops, capturing the hum and lifeblood of the bunker and the wheezing lungs of the dense concrete that surrounded them. titling this work colony, the album is a open-ended and multi-edged tool for agv to explore, allowing the listener to interpret the work as they see ft, bringing to mind images of corroded space settlements and the darkest recess of human history. you decide.

this is the 2nd various artists compilation from the esoteric black lodge collective out of los angeles, showcasing a variety of sounds one is likely to hear at their monthly gatherings. this comp contains a mixture of acidic jacking warehouse bangers from veteran producers tx connect and jasen loveland alongside a more acid chicago house inspired jakbeat track from black lodge co-founder kosmik and an ebm/electro dance cut from the belligerents.

record comes in translucent red vinyl, full colour sleeve and printed innersleeve. limited edition a series of songs written and destroyed . . . self-cannibalized productions spit back out in abnormal silhouettes . . . the originals shredded apart into discreet motifs— miniature rhythmic patterns, collections of melodic runs . . . selected moments of recordings from maxwell sterling (double bass) and peter evans (trumpet) introduced as ‘probiotics’ . . . freeform ideas set to feed off of the original productions like bacterial organisms . . . creating new ‘growths’ . . . mutating and congealing into foreign forms.

2x12 inch vinyl with download voucher in slipcase with 5mm spine, black innersleeves and sticker.
everything begins with changes, whether you re moving geographically or emotionally. aera’s album „the sound path” tells the story of this sentiment.
born in the high north of germany and now a berlin resident, ralf schmidt aka aera first appeared on the electronic music map when he established his own aleph music label back in 2010. with only a handful of releases, aera was able to lay out his very own musically topography on the cutting edges between house, psychedelia and breakbeats. this colourful mix culminated on his debut album „offseason traveller” in 2013, resonating the past forty years of electronic music, which brought him the attention of a wider audience as well as fellow djs and producers. so it was a logical consequence that his talent also attracted other labels and lead to widely praised releases on innervisions, maeve or john talabot’s hivern discs. with these, aera’s sound bloomed further into bubbly acid and trancey territorries and his fine reputation as a singular producer, travelling dj and remixer flourished. with „the sound path” aera continues his musical travels and permanent vacation is gladly hitchhiking on that ride. his second album is the most coherent and definitely most personal work to date. here, he has perfected his sound even further - adding nuances from the meadows of new age, kraut cliffs and high-flying kites of ambient. complete with the cinematic and nature-esque qualities of ralf’s music, it will draw you in deeply through a great variety of landscapes before your inner eye. however, you’ll never lose track, because this path is beautifully illuminated.

with many writers a theme develops in their works that, over time, reveals color and definition previously unseen, not just a new perspective, but a new understanding. “lofeye” is a concept album and personal testament that philadelphia rapper lojii (fka uhlife) has been piecing together over the last three years, giving only hints with 2015’s no ebola, 2016’s dutti, and 2017’s acclaimed collaborative album due rent with producer swarvy on portland-based imprint fresh selects. in lojii’s own words, “lofeye is about working with limited resources and making the highest quality life out of what the f**k you got. it’s when you’re ‘lo-fi’ by circumstance (not just for aesthetic) but your aim is always higher. in essence, this is an lp about being rooted in the dirt you come from but reaching for the sky above you.”

deep heads are very proud to present escapism refuge s album hold , the deluxe vinyl edition. it contains the full 13 tracks originally released at the end of 2017 with an added 5 tracks previously unreleased. 2 of the tracks are exclusive to the vinyl purchase that will only be available on download card that is foud inside each vinyl. there are 2 remixes in total to the deluxe edition, the first coming from none other than r&s / apollo records very own synkro. he put s a beautiful twist on the track fly away featuring chari brix and takes the record to new dimensions. the other remix of mistakes comes from nottingham s finest, congi. it s a 140bpm roller that packs a serious punch. the subs are blazing and beats are full & beefy. bravo congi, bravo! 1 of the previously unreleased tracsk is dream fly by the man himself. a little more experimental than his usual stuff, but is pretty incredible all the same. then the last 2 are secret for now, you ll have to grab yourself a copy and find out from the download card ,)

over the past few years orchestral instrumental music from outside the classical establishment has become huge, and neil leiter and margaret hermant of the belgian echo collective have witnessed the evolution and extraordinary rise of this movement right up close. they ve worked with some of the most important players, including stars of the lid, dustin o’halloran and adam wiltze’s a winged victory for the sullen and o’halloran’s solo projects, as well as jóhann jóhannsson. and though the echo collective members themselves very much do come from within the classical music establishment, they don t care which side of the fence they are seen to be on.

pinkman records presents five years of tears: a string of releases dedicated to celebrate the 5th birth year of the label. the first volume features contributions by 3 of the labels usual suspects, as well as newcomer randstad. ernestas sadaus powerful, raw and menacing cut starts sets the scene for alessandro parisi to delve deep into his synthesizer toolkit. what comes out is a highly emotional production, infused with sirens and melodies that may cause tearful mourning on the dancefloors. on the b side identified patient provides yet another one of his notoriously slow and filthy underground creepers, while randstad delivers another burst of energy that celebrates raw percussion, gloomy pads and haunting vocal samples.

adam beyer s drumcode closed out another hugely successful year in 2017, with a non-stop release schedule showcasing some of the best techno on offer from both the labels roster of artists to some fresh new names popping up on the scene. now in its 21st year, the label announced its drumcode festival later this summer, that will only contribute to solidify their position as the world s no.1 techno label. making his debut on drumcode in 2017 with his track fake featured on the a-sides vol 6 compilation, one of brazil s much loved exports wehbba brings us his first full ep this february with eclipse . a no nonsense 4 track offering, and all thoroughly road tested by adam, they have gained much support from longtime drumcode fans. eclipse, delivers a low end rumble along with a modulating synth line. reigning high throughout the track, is the undeniably catchy and unique synth. leaving this track one to be recognised on dancefloors all over the world. ‘protocol doesn t turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it s eerie undertones. probably the most acid influenced track of the ep, glasswerk has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into framework to close out the ep. its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

while quite a few people are obviously still dwelling in the achievements of munich’s disco era during the 1980s, it seems that another major part of the cities partying scene travels to the same clubs every weekend. here they are getting fed with the plasticized tech house trax that everybody wants, drinking vodka red bull until they almost pass out and walk - if they are still able to - home happily, oversaturated by non-inventive, but good selling music. so far the cliché. fortunately, reality looks a bit different, at least for the lovers of uk bass. in order to make people aware of the city’s flourishing developments in this scene, the grandmasters of ruffhouse and jahmoni records have teamed up for a limited 10”.

for quite a while now we are supporting bas van vuurde a.k.a. colophon to the fullest. the harlem based producer is a regular in our store and after some proper vinyl digging we told him that he could always send over some demos. couple of weeks later we got an email and we enjoyed it so much that we had to release it. we asked vc-118a / mohlao, who also put out music on labels such as radio matrix, lunar disco and tabernacle records, for a remix. colophon has it s own label called lowercase life, beautiful hand printed sleeves with stunning music and remixes by florian kupfer and orson wells, produces nighttime tracks for the floor with a deep but spacious melancholic feel. the heritage ep is a hommage to analog machine soul techno, as he calls it himself. deeptrax is presenting future sounds in fresh modern cuts with a stunning electro-ish remix by vc-118a.

rico casazza is an electronic producer, dj & teacher, based in london. having produced music for over 11 years, he has established a solid musical identity with releases on labels such as soma, archipel, plastic city & wiggle. following his killer “they move fast” ep on beef last summer, we now welcome him back for his first 12” with us. the productions are unique but you can tell they are from the same magical casazza signature ... raw acidity, enslaving basslines and subtle percussion. the ep kicks off at a measured pace with “yurican”, whose self-assured acid line sits wonderfully alongside the track’s reflective atmospheres. “argue” then evolves this acidic energy, still praying to the sky but pumping its fist higher than before ... laying the patchwork for the final original on the 12”, the euphoric dance floor obliterator, “macabre”. to finish, bringing your heart rate down with caution, dirscen has provided a drugged out remix of “end 2016”.

gizelle smith’s second full length lp “ruthless day” is the sound of a dynamic artist expanding her horizons from the classic aesthetic of her debut to explore a new brand of progressive modern funk. it’s an exciting record that still retains all of the energy and intrigue of her earlier works but builds out her musical palette to incorporate more psychedelic and jazzy progressions, bold arrangements and adventurous instrumentation. expansive and exhilarating, the record ranges from delicate honey dripped soul through psychedelic funk freakouts, complete with strutting beats and emotive lyrics. gizelle’s energy and personality are undeniable and both shine through in every track on the record.

elaquent kicks off 2018 with his latest ep, celebrate life! celebrate life! is born out of reflection and graciousness, as expressed by elaquent, “life sucks sometimes. with all the depressing things that happen throughout the world, to people you know, to yourself even, it’s important to take a moment and appreciate the beautiful things the world has to offer, to prevent from going crazy. stay positive, celebrate life”. celebrate life! features collaborations with notable producers k, le maestro and dibiase.

meditative and off-kilter, dubkasm’s new 12” is, unsurprisingly, completely unlike any other tune out there, and pays tribute to a too-frequently overlooked part of reggae tradition: dub poetry. originating in a collaboration between dubkasm and their long-time friend, norway-dwelling heavyweight bass guitarist, bajan steppa, enter the gates is a discomix built on a tuff bassline, skittering drums and retro synths, and features reflective, courageous lyrics about the enduring power of black liberation movements and consciousness, from gloucester vocalist rider shafique. the b-side contains an upfront instrumental cut, followed, in true dubkasm style, by a collaboration with a musical titan. mad professor’s incredible dub flips the original into a propulsive soundsystem killer, retaining the tune’s heart and spirit, but driving and percussive where the original is deep and soulful. mastered on to 1/2” tape at stardelta studios, and pressed on 180g vinyl.

the streets’ second album, “a grand don’t come for free”, was instantly hailed as another masterpiece to equal his initial clarion call, “original pirate material. whereas “original pirate material was a record that garnered acclaim from the electronic/dance fraternity and the forward-thinking wings of the rock/mainstream press, “a grand don’t come for free” swept the board in prompting critical praise.

just as groovence 001 had come down for landing after a successful mission in the far reaches of spaced out house, the french label will be launching 002 just in time to keep the success going with another incredible ep. the label began with a various artist release which contained slamming house from big names like luvless, tour maubourg and more that was a joy ride through the reaches of house. the 002 release features artists who have been hitting home runs consistently with their production style. embezzlement society, mangabey & cody currie all bring forth a unique sound to this va release as sounds of hip-hop scratches, house high hats, smooth vocal samples and rhythmic 4x4 kicks clamp you down and get you ready for another tour out into the far reaches of space. groovence secures another powerful release that somehow combines a variety of unique sounds from different artists, yet still retains a wholesome overall vibe. in stores soon ! ! ! !

toby tobias has a lengthy history of disturbing the peace. this is his second offering for the esp institute. on side a, second stimulus stirs shimmering staccato chords, roaming pipes and detuned robotic sighs into quite the disorienting stew—the loose arrangement remaining fragmented over 9 minutes of touch-and-go 808 programming, picking up a pseudo bassline assembled from sub toms, introducing a gritty break loop and eventually blissing out into oblivion. with side bs synchro surfer, toby plays with the notion of suspense by gently teasing a muted kick and percussion rhythm under washes of white noise, bleeps and sirens that are tape-dubbed and which, over time, begin a dialogue with each other, as if the machines have declared mutiny on the garage. toby continues to stretch his limits with his output for the esp institute, possibly headed toward a full-fledged devolution of conventional dance music. these two songs may have you arrested for public nuisance.

its not often you stumble upon a 9 piece soul band, who were so close to signing a deal with mca’s new subsidiary source records. but group politics and other factors got in the way, and the band shelved what music they had recorded. no reels surfaced but fortunately a member had kept some of those 1978 recordings. between the two seemed to fuse great soul compositions without the durge of the disco era circa 1978. with well thought out lyrics, backed by keys, trumpets and a driving bassline we really are pleased to add the group to the super disco edit roster.

lore’s debut on kokeshi comes in the form of a 3-track ep featured on 180g heavyweight vinyl, with hand stamped kokeshi logo. lore’s influences range from early dubstep, grime and garage, including artists like el-b, burial, sp:mc, blawan, skream, wiley and mount kimbie. the ‘down the well’ ep features tracks in the 120–135 bpm range, with dark chunky beats, heavy bass and haunting vocal samples. be sure to check out his production tutorials on youtube.

following the intense sonic exploration of his work with christopher jarman as dot product, adam winchester steps out on his own with a bold new body of work, his first under his own name, that further expands on his ideas about non-conformist sound generation.

special triple pack for all you komplement lovers out there - contains 3 classic releases:
- kpl001: ludwig buez - circus ep (gino’s & snake remix)
- kpl002: ludwig buez - losing tears (oscar remix)
- kpl003: ludwig buez - day after / mesa verde

edwards graceful take on modern house and techno is a perfect fit for trelik, and the german producer sounds comfortable as he unfurls swooning threads of otherworldly music for the tripped out dancefloor. the ogermania mx of mikko is a hazy, string soaked affair pitched somewhere warm and dreamlike, but there s plenty of energy churning away in the lower register. lottery is a more twitchy affair for darker times, all moody bass bounce and looming drones around a shuffling set of percussion. groaning ghosts is the techiest of the bunch, and theres a whole lot of freaked out sound design swirling around in the mix as well. this is simply stunning, highly advanced dance music from a modern day maestro.

damian lazarus magical live project the ancient moons returns today with their new single five moons. the band led by lazarus, is comprised of ben chetwood on drums, rob gentry on keyboards, and new vocalist j appiah. on five moons they are also joined by the australian punk sensation chela for a dubbed out, soulful excursion into the darker recesses of the dancefloor. the ancient moons first debuted in 2014 with lovers eyes, and followed that with the acclaimed album message from the other side, dubbed a a journey into technos dreamiest recesses by the fader and a psychedelic masterpiece by vice. since then the ancient moons have travelled the world with their highly immersive live show, supported roisin murphy on tour and played at glastonbury festival and melt! amongst others. last year the band resurfaced, after locking themselves away to record in the italian countryside, with i found you, which nabbed a bbc essential new tune and stunning remixes from black coffee and patrice baumel. today five moons offers another glimpse into this summers forthcoming album.

molten moods releases another finely curated various artists record with tracks by skee mask, kessel vale, jonas yamer and konrad wehrmeister. kessel vales opening track -voguing geisha- is an unconventional breakbeat masterpiece following his sense of harmony and rhythm already shown through previous releases on tanstaafl records and rhythm nation. as the track unfolds it reveals musical storytelling by integrating a technoid polyrhythmic loop structure into melodic synth figures, slowly deconstructing in the end. skee mask collaborated with molten moods labelhead and carl gari member jonas yamer on -fanta ocean-, it being the first release ever outside of his ilian tape homebase. the outcome is a moody idm piece with cinematic qualities, complex but soothing. the b-side begins with -xenomorph- by konrad wehrmeister, who is known by his releases on public possession and svs records. this trancy yet distorted and detailed electro banger surely takes on the role of the records dancefloor highlight. the closing track -insgeheim- is delivered by molten moods head honcho jonas yamer. here groovy kicks, distorted chords and a psychedelic pad are woven into one compelling 10 am techno track. the common thread of molten moods 4 is four young munich artists going on a joint trip into idiosyncratic electronic music. the resulting tracks intertwine as one modern and diverse techno record. out on 12&#8243,, vinyl and wav by the end of march 2018. in the tradition of molten moods cost-conscious design strategies by paul bernhard, the record comes with a xeroxed low budget sticker set. mastered by manmade.

following a trio of instantly sold out 45s on polytechnic youth, between 2015 and 2017, the home current finally channels a full length album through this bounteous and blossoming uk imprint for select experimental and diy electronic music.
“another way of falling apart” aims to build a wider audience for singular music adorer, martin jensen, a cosmopolitan copenhagen-born artist whose music follows an emotional route that meanders back ultimately to analogue and electronica inspirations of myriad treasurable kinds. this incursion into lp territory follows a decade or more of jensen s passionate engagement with music as the creative force behind singles on static caravan, and as the co-founder of the label second language (until 2014), for which he was the wings behind the celebrated “music and migration” series in support of “birdlife international”. he has also remixed colleen, dollboy, and ellis island sound.

since 2002 dj phast has an established track record in the hip hop scene, as a former itf champion and performing at various venues, together with das efx, mop, smif n wessun, krs one, etc., he has time and time again proven his musical and technical know-how. after years of banging out dope powerful productions and working with a wide array of european artists, the time has finally arrived for him to release his debut album. this record will guide you through the realm of strong southern blues and express its depths of today‘s modern stated black music. so you can expect a grand taste of the blues scene, but without losing the classic charismatic hip hop sample sound elements. be prepared for the rugged & thorough arrival of the creature from the black lagoon!!

with the new releases flaneurecordings brings out their fourth and final plate of the oliver marquardts (aka dj jauche) album -nachtboutique - dirty nights and boogie lights-. part 4 closes the series and the album with 3 classic deep house tracks.

following hammer s stand out release on loft records last year, canna gets the remix treatment by four killer producers. first up, lauer adds his trademark flavour to the already outstanding title track canna , bending the mind with an acidic top line and classic korg m1 bells.the a2 sees supreems take the techno edge off man ray replacing the drums with a more electro tinged style of rhythm, whilst echoing the synths into the back of the mix to let the drums take the foreground. flip it over and you get two reworkings of manaka . firstly, domenic cappello switches the breaksy flow of the original for a more club ready kick to compliment those stabs, in turn elevating the breakdown to greater effect. in contrast, lord of the isles dives deeper into the breaks feel of hammer s original, adding glitchy samples and oddball synth lines to take this one an even more interplanetary tip.

13th hour records presents its debut ep: a four track v/a celebrating both the pulse of the late-night dancefloor and the starry-eyed ride home. two tracks from subjoi forge the a-side, the vibrant yet moody “make me” taking the a1 slot and spacy, hi-hat bonanza “doin’ fine” at a2. and influenced by the bass-heavy vibrato of 70s funk, ricky razu kicks off the b-side with the infinitely groovable “reaching out,” followed by the sultry cut “moonlight jam” to close out the album.

va&#776,,,stkransen records’ first release - bike thieves’ “laura ep” - is out on 12” on april 6th, 2018. based in stockholm, va&#776,,,stkransen records is an offshoot of ga&#778,,,rden, an underground open-air party held in an industrial zone of the city since 2014. featuring djs like cinthie, baba stiltz, maya lourenc&#807,,,o and mount liberation unlimited, ga&#778,,,rden is attended by a devoted following of dance music heads looking to sweat to classic disco and house.
“laura ep” introduces ga&#778,,,rden residents bike thieves - two long-time stockholm comrades with a penchant for gritty house. the a-side features the duo’s banger “laura”, along with a funky disco remix by mount liberation unlimited’s tender t. on the flipside, hk presents a deep tech-house interpretation of “laura”, the record closing with bike thieves’ after hours cut “jailhouse”.

hell yeah recordings are pleased to announce they have been tempted into the reissue market. as such, the label starts a new off shoot, perdio (roughly meaning lost in portuguese) which will focus on putting out re-issues and new remixes of classic or forgotten gems. the first one is a newly remastered instrumental version and new francisco dub of giorgia morandi s children of the sky, a cover of the italo-classic -figli delle stelle- by alan sorrenti which just happened to be released 40 years ago.