On the A-side, Ruffhouse's no. 1 mobster and Lacoste track suit model Top Shotta shows us his "Power Reserve". Kicking off with a straight and technoid bass drum, surrounded by delayed echos and industrial patterns, the track unfolds his way into the ear and body of the listener. Later on, the beat transforms into a half-stepped, Post-Electro hybrid, well accompanied and bedded in by the carefully selected percussions. Without a doubt a more dark approach to the recently released first Ruffhouse EP of his buddy Pastiche, that fits well with the manifest destiny of this young and delightfully fresh label.

Jahmoni's boss and sound magician BELP delivers the flip, rather an AA-Side. "Queen of Darkness" needs no further explanation. Just like in his previous works, his avant-garde take on UK Bass results in a sinister, mean kicking monster. Layered drum sounds, nastily rattling percussions and effects define the sonic signature of BELP, whose love for drone and glitch sounds is constantly shining through in every second of this track. "Queen of Darkness" is a little prequel to "Hippopotamus", which is going to be released later this year and that will furthermore define BELP's very own interpretation of Afro-Futurism and Tribal Spiritualism.

With labels like Jahmoni and Ruffhouse, people will no longer have to be afraid of Munich's musical future - it has already arrived.