exclusive track by marcel dettmann and levon vincent
includes 6 unreleased edits and remixes
full tour schedule to support release
cover art short by infamous berghain doorman sven marquardt

ben delay: mit seinem unverwechselbarem sound mischt der erfolgverwšhnte dj und produzent nun schon seit Ÿber fŸnfzehn jahren die internationale clubszene auf und setzt einen neuen ma§stab nach dem anderen. bei seinen zahlreichen bookings zeigt er, wie man die crowd zur ekstase bringt, an seinem sound kommt keiner vorbei. wir freuen uns daher umso mehr, dass der erfolgsverwšhnte dj ganz begeistert von der idee war, eine eigene compilation fŸr pink revolver zusammenzustellen und zu mixen. auf 2cds prŠsentiert ben delay ein dj-set mit genau den club-perlen, die er selbst ausgewŠhlt hat und mit denen er zielsicher wochenende fŸr wochenende die dancefloors im in und ausland zum brodeln bringt.

flava d hat sich in der bass-szene innerhalb kŸrzester zeit von einer anonymen beatmakerin zur respektierten headlinerin entwickelt. ausgehend von uk garage, deckt ihr sound das ganze bass-spektrum von niedlich-vokalem 2-step bis zu heftigen 4x4-bangers ab, inklusive einer portion grime. ihr fabric live 88 mixset ist vollgepackt mit exclusives von champion, terror danjah und natŸrlich falva d selbst.

everything i know and i will never know about you is a journey through electronica, deep-house and pop, driven by the endless and timeless sources of inspiration that are love and life. prior releases on powerhouses diynamic, get physical and third ear have pinpointed denites sound at the border of deep and tech-house but his long player debut is, sonically, a fresh new adventure. the spanish producer takes a developed and matured sound into deeper dimensions of self-reflection, exploring new sonori- ties while remaining loyal to his early influences with strong personal touches on drums and keys. everything i know and i will never know about you is a bold move for denite, who comes a step closer to achieving his artistic vision. tracks like when i go out and the art of letting go embody the albums innate dance-floor nature while songs like berlin see the spanish producer looking square towards new horizons and musical ambitions. club-friendly while staying geared towards the headphones, everything i know and i will never know about you reads like a bridge between two love stories with similar paths and mirroring endings. opening with the slow, pulsating sound of a heartbeat, it follows the universal cycle of the highs and lows of a relationship, closing on brighter promises and new potentialities

auf 2 cds finden sich hier dance-hits, die diesen sommer auf europŠischen dancefloors gespielt werden. megamix-chef dj deep hat fŸr dieses projekt sommerlich lockeren dance- und house-hits ausgewŠhlt. mit ihren fantastischen vocalparts und pop-elementen verbreiten diese songs summerfeeling! Ÿber 80 tracks auf dieser dance-compilation, volltreffer fŸr megamix-fans!

the art of omission is a craft new jersey native joey anderson masters like few others. after releasing his acclaimed debut album after forever in 2014 and the 1974 ep earlier this year, anderson returns to the dekmantel label serving up the signature sound we love him for. invisible switch is the perfect example of what anderson can do with very little, catapulting him to one of the finest and most original techno and house producers to date.

for the next instalment of our mix series, weve arranged a special mix from a duo which we have shared close ties with for the last five years, having them regularly at the club as well as a couple of our infamous open airs at rummelsburg in berlin. hailing from the usa, the stateside duo soul clap have been at the forefront of the dance music scene for over half a decade now and are well known for their blend of funk and soul to house, techno and everything in between. from peak time sets on the main floor to sun soaked closing sets on the water floor, the pair of bostonians, eli goldstein and charles levine, are a djs dj.

incl. delroy wilson, john holt, slim smith and more

med school presents creative potential drum & bass! flawless impressively blends elements of liquid d&b, jungle, half-step, hip-hop and more ragged rhythms

london-based producer laurence matthew blake has been causing a stir under his citizenn alias for some time, delivering intoxicating, tactile, otherwordly blends of tech-house, powder-house, garage and electronica for the likes of madtech, love fever, 20:20 vision and, most recently, crosstown rebels. here, he returns to the latter with human interface, his debut album. it s a typically fluid and quietly soulful affair, with dreamy pads, touchy-feely electronics and shuffling dancefloor rhythms the order of the day. while there are a few powder house dancefloor moments, as you d expect, blake also doffs a cap to 2-step garage, booming bass house, skewed synth-pop and, on the wonderful you are, string-drenched deep house loveliness

june miller probably the most diverse and unpredicatable duo in drum and bass, step up with their debut ep. >give up the ghost< takes you on a mysterious musical journey combining their trademark beautifully organic sounds crafted from 140 to 170 beats per minute.
hailing from utrecht, holland they have taken their sound far and wide reaching some of the most established clubs/festivals in the world such as london (fabric), croatia (outlook), australia, romania, macedonia to name a few. with forthcoming music on ram records, critical and 31 they are definitely going to smash 2012!
dj support from, presha, loxy, octane + dlr, doc scott, sabre, c4c and many more

more late 70s westcoast yachtpop you can almost dance to.

hier kommt wieder die volle wucht an trance/progressive-sounds der stunde! armin van buuren, frischgebackener grammy-nominierter (fŸr seine single this is what it feels like), definiert den aktuellen status des genres. mit 37 tracks und mixes, von denen ganze 26 exklusiv und unveršffentlicht sind.

* mumdance & logos present proto , tectonic s first major release of 2015, set for release on 16th february. * recorded by the duo over 2014, proto is a collection of 10 future-facing club tracks that, against the odds, also provides a deep and involving experience for the listener. * proto focusses on the very brief sparks of innovation when new scenes were just forming and genre rules and paradigm were still grey areas, the early bleep track days when imported american techno was starting to be appropriated by the uk, the 93-94 proto era when hardcore was morphing into jungle and later when the darker sound of tech-step reared its mechanical, dystopian head. * all of this is underpinned with Òwot u call itÓ grime sensibilities and mumdance & logos trademark sonic disortientation. mumdance & logos concentrate on taking the moods and colours created by these leaps forward in sound and twisting them into something new, keeping in line with the futuristic visions of the originators.

prins thomas jumped on the mixing decks and prepared a sonic trip for endless flight records. including , theo parrish, ricardo villalobos, donato dozzy, floating points, mike huckaby, bjoern torske, dj fett burger, marcellus pittman, bee mask, surgeon, silent servant and shed.

mexico: a hugely satisfying follow-up to past exploits and another step into the future of anthemic pop music.

fŸr das mixmag-magazin ist die -in search of sunrise--serie, die von tiesto initiiert wurde und von richard durand erfolgreich fortgefŸhrt wird, die -grš§te trance-serie aller zeiten-. die 12. ausgabe ist der arabischen metropole dubai gewidmet und beinhaltet ein erstklassiges doppelset des amsterdamer djs und produzenten richard durand mit meist exklusiven tunes und mixes. als gast firmiert diesmal trance-star lange aus england, der in seinem mix auf cd3 auf Ÿber 80 minuten brodelnde undergroundkultur und szeneweiten legenden zusammenbringt. eine isos top-ausgabe macht das dutzend voll!

-secret lounge- bietet ein doppel-set mit den entspanntesten chillout-groove-tracks fŸr die sinnlichen stunden zu zweit. in einer exklusiven zusammenstellung finden sich hier die besten tracks der szene fŸr freunde hochqualitativer elektronischer musik. 3

seit ihrem gleichnamigen debŸt aus dem jahr 2007, hat das trio um die charismatische saengerin yukimi nagano, mit seiner erfrischenden mixtur aus electro-pop und neo-soul, kritiker und fans gleicherma§en verzueckt. little dragon songs vereinen klassische popstrukturen mit ohrwurmmelodien und coolem late night-charme. chillige passagen wechseln sich mit groovigen uptempo-dance beats ab. so kam es in den letzten jahren zu kooperationen mit ebenso coolen kollegen wie gorillaz und sbtrkt. vorliegendes best-of-album vereint die 14 besten songs aus den drei peacefrog-alben: little dragon (2007), machine dreams (2009) und ritual union (2011)

die famosen bostoner house djs/produzenten soul clap huldigen mit ihrer neuen mix-cd dem legendaeren house-label nice n ripe, das zwischen 1997-2001 seine hochphase hatte und ma§geblich den uk garage-sound mitpraegte, der heute wieder in aller munde (und ohren) ist. 30 clubklassiker und -hits von 24 hour people, industry standard, ty holden, u.v.a., die von ibiza bis nyc auf allen house-dancefloors liefen.

soniclab is a creative electronic laboratory. the main goal is to present new projects and ideas of exploration in electronic music and visual art, in creative atmospheres, without limitations, feeding itself from experimentation and innovation.

die drum & bass-legende jonny l veroeffentlicht sein brandneues album in a jungle auf dem englischen label spearhead! seit 21 jahren produziert jonny l drum & bass-tracks. in a jungle beinhaltet fŸnfzehn erstklassige stŸcke - von rave bis liquid ist alles dabei!

earlier this year, danish electronic pioneers laid back released uptimistic music vol 1., their first studio album since 2004. the duos long-awaited comeback was followed by critical acclaim and a series of live performances. while playing festivals in ibiza, georgia, denmark and the faroe islands last summer, john guldberg and tim stahl took the time to put the finishing touches on their upcoming release: uptimistic music, a double album featuring vol.1 and a second record of unreleased material.

after being back in business for about 2 years and releasing plenty of digital singles & eps by various brilliant producers all around the world, beatalistics records is ready to take the next logical step. we are diving into summer 2013 with the perfect soundtrack for warm, long and intensive nights! this years cd compilation *hi intensity* contains 14 tracks for your body, your mind and your soul.

david august has waited quite a long time, cancelling all gigs for a year to fulfill himself in his musical yearnings in a very personal album. it is an intimate production, realising his fanatic dedication, of which love in all its facettes is the main motive. the listener will find his own emotional journey in it, starting with help me through, a journey leading to david augusts world and soul.

sometimes you need to lose your mind, to regain your musical soul.

le carousel is the new band project from acclaimed belfast dj/recording artist phil kieran. for Ôle carousel kieran assembled some of irelands finest musicians, writing most of the album while staying in donegal on the remote west coast.

40 neue, oftmals exklusive und hammerstarke tracks & remixes - von den top-protagonisten und den hei§esten newcomern des genres. ueberflieger wie alex clare und the prodigy (in remixes von noisia und distance) treffen auf die bewaehrtesten szenegroe§en wie magnetic man, benga, skream, mala, coki, nero, drumsound & bassline smith, rudimental (feat. alex clare), foreign beggars, icicle, joker

ital tek ist eine explosive mischung aus dubstep, garage, 2-step, sub-baessen und electronica

in stylistic regards their compositions are never predictable. a touch of organic jazz here, a subtle hip-hop allusion there, accompanied by a moving club rhythm structure and delhias captivating voice, which sings, then talks, and whispers in the next moment. this is being reflected in their life shows, acknowledged with much applause on festivals like ?sonne, mond und sterne?, the ?fusion festival? or ?ars electronica?. when they sample themselves during their concerts, modify their sound in real time and vividly interpret their songs, delhia dances audaciously in extravagant, selfdesigned costumes in haughty reserve and effuses eccentric pop magic. twisted-pop which gets straight under your skin, without ever grooving streamlined. you can dance to it, lose yourself in it or step into new worlds. there is only one thing difficult to deal with after you enjoyed ?the devil?s hand? and that?s to release yourself from its overwhelming emotional impact.

great 80s disco , funk , soul madness...

bong-ras new album monolith is a new step in pure hybrid electronics. seamlessly mixing all styles with ease. be it metal, drum and bass, hip hop and dubstep. a musical characteristic he has gained international praise for. monolith is divided up into two segments: alpha and omega. alpha are four hiphop-esque colossals featuring the american rapper sole, who has proven himself over the years with his crew and label anticon. omega is the dancefloor orientated part of the album where bong-ra continues with his trademark metalbreaks style which made him remix the likes of bolt thrower and even screamo legends therapy? since 1996 bong-ra has released 5 full length albums, and has released on labels such as djax. planet mu, ad noiseam, kid 606s tigerbeat 6, jason forrests cock rock disco to name a few. the biggest success came with the 2003 album bikini bandits, kill! kill! kill! managing a full rotation with the videoclip 666mph on mtv. bbcs radio 1 dj, john peel, was also a big fan, inviting bong-ra to do a famous john peel session in 2001, and was asked to be part of the peel tribute cd kats karavan containing peels 125 favourite session artists. this cd contained the likes of bob marley, boomtown rats, the jam, pj harvey and bong-ra amongst others. in the last decade bong-ra has played all the big festivals: glastonbury, lowlands, fusion, dour, eurosonic, etc and has toured europe, the us and japan. bong-ra is further known for being one of the pioneers of the breakcore genre. together with artists like venetian snares, shitmat and jason forrest they developed this unique and energetic crossbreed in the early 2000s. with monolith bong-ra continues to pave the way into heavy electronics, always re-inventing and evolving himself with every album. he recently won the dutch 3voor12 award (the largest dutch music platform) for best musician, for his bong-ra and the kilimanjaro darkjazz ensemble projects.

adam gibbons (lack of afro) has amassed an extensive and varied body of work. from his own recordings, featuring his multi instrumental skills, to producing, dj-ing and of course, remixing tracks by a huge range of different artists.

from the word go, >its all true< has a spring in its step as opening track >itchy fingers< features lofty bpms in a range never explored on record by the group before and then, just as suddenly, the band shift gears to the sparse, brooding >playtime<. from the confident stomp of >you ll improve me< and the sophisticated pop of >a truly happy ending< to the epic album closer of >banana ripple<, >its all true< is by far the junior boys most accomplished album to date.

brownswood cast their net over 14 fine and thoroughly up-to-date electronic funk productions of all shades from djg, synkro & indigo, jus wan, funk ethics, hxdb, stray, monky, ta-ku, dj dials, and more. highlights have to synkro & indigos mid-tempo garage excursion knowing you and strays highly crafty consolidaion of footwork and d&b modes on break your legs, which is actually slicker than the title infers. wed also have to big up jack dixons heart-racing house number by my side, and the beautifully tailored minimalism of jus wans miles away, while elsewhere youll find melodic, flighty d&b from frederic robinson, techy garage calculations from funk ethics, lurching dubstep from djg and seductively warm electronic house by anenon.

2011 release from the french singer / songwriter. skyline is yann tiersen s seventh studio album, and sees tiersen taking a confident step forward, cementing the sound of its darker sister, the critically acclaimed dust lane, which was released almost exactly 12 months previously. says tiersen, -strangely while skyline musically comes across as lighter and happier than dust lane the subject matter is somewhat darker - there is certainly a sense of moving on and what thoughts are left having dealt with loss-.

cream ibiza needs little introduction as one of ibiza s biggest nights for over 17 years, bringing the world s biggest djs to millions of clubbers. this year is no exception with heaps of talent lined up, not least laidback luke with his high adrenalin super you&me, super hero themed, fancy dress parties, sure to create a massive new buzz for ibiza. cream ibiza laidback luke super you&me perfectly captures the new sound of cream ibiza and if you canÕt visit the white isle this summer then this album is a must-have for your cd player...

ministry of sound praesentiert -the sound of uk garage 2011-. 40 tracks auf 2 cds von den angesagtesten uk-underground garage-, 2-step-, breakbeat-produzenten und funky mcs wie alex gaudino feat. kelly rowland, mj cole, artful dodger feat. craig david, tim berg, j.majik, example, dj fresh, dj luck & mc neat, vato gonzalez feat. foreign beggars u.v.m.!

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

whilst barlande may be difficlut to classify in genre it has been described as having its roots in flamenco and some ramifications of contemporary classical music. but any attempt to pigeon-hole this album should be ignored beyond deciding what shelf or floor to place it on in a record store. barlande is about creativity and discovery and its story is both fasciniating and inspiring a father, pedro soler, and his son, gaspar claus have created something entirely unique. the opening track insomnio mineral is a gentle begining with sparsely plucked cello before being joined by a gently sweeping flamenco guitar. what takes place from there on in is difficult to describe in words. the language between the cello and guitar become unlike anything i have heard before. the cello comes alive, a voice at times, leaping and striding in near freeform before coming back to join in mutual step and melodic interplay with guitar.

the album is a unique project for soul jazz records, featuring all newly recorded exclusive tracks of future dub and dub step from key artists in the scene, featuring an all star cast of dub step pioneers skream, burial, tayo, scuba, digital mystikz, kode 9 and more!

stylishly darker d&b steppers off the linden & blocks lorry. highlights have to be the hardstepper -lights over io- and the dramatic tech-step agility of -queen of my empire-.

the darkside of hardcore is back, even more heavy, even more experimental! this time the curse is casted by meccano twins and the subtitle confirm it: the wrath of god! dont expect cheap melodies or mainstream tracks, the sound is fat, extreme, harder than ever. many unreleased tracks from top producers like tommyknocker, tieum, meccano twins, promo, armageddon project, nosferatu, angel of darkness and many others. darkside: hardcore to his exteme level!

you can forgive a band who set out to create something even just a little bit different and get it horrendously wrong, but its tough to have sympathy for a band who shy away from the challenge altogether. such was the case with autokratz on their first album, animal, which, apart from a passable opening track, consisted of a series of bland electronic pastiches Ð dance music that conversely made the listener want to sit and wait it out. that didnt stop the hype building around the duo, though, thanks in no small part to the fact that the album was released through in-vogue french label kitsunŽ music. the confusing positivity surrounding the lp suggesting, perhaps, that style overcomes substance once a record company has received the hipster seal of approval.this time around, however, kitsune has stepped aside, with autokratz releasing the follow-up on their own label, bad life. but has the sense of responsibility that surely comes with this step made them re-evaluate their direction? has it inspired them to inject a much-needed shot of creativity into their work? not a hope. if anything, autokratz descend even further into mediocrity on self help for beginners. once again, their best tunes are loaded towards the front of the album, starting with the lead single, -opposite of love. its far from outstanding, helped in no small part by the terribly contrived lyrics, but does possess a catchy synth melody Ð enough to earn it a place on club playlists, at least. its a similar story with -becoming the wraith, which has peter hook on hand to deliver an overtly new order-esque bassline. beyond that, however, the quality dips dramatically. tracks like -the seventh seal and -r.i.s.e. are typical of the selection on offer, underwhelmingly vapid, derivative tunes which show up a disappointing, but not totally unexpected, scarcity of guile on the part of their creators.where autokratz do excel is as producers Ð a quality evident not only in their own work, but also in their remixes for other artists. unfortunately, this only serves to exacerbate their deficiencies on the other side of the control room desk. ultimately it may mean that, having failed to address the shortcomings of their debut, autokratz will be fated to be filed under -also rans in the annals of music history. thats assuming, of course, that someone out there will actually remember them at all.

heidis-run jackathon parties have been hitting cities internationally since late 2009, now with residencies in london, berlin, paris, miami, manchester and amsterdam Ð jackd house is truly taking a fair slice of the scene. the compilation isnt an add on, a supplement to the nights: its deep grounded sound and thoughtfully crafted line-up backs up the global club-motion that is emerging within heidis control.mix favourites step up as the deep and bassy foundings of deetrons the juggler, funk-told incoming bitch by soul clap and move-strong whiff it yawl from jamie jones. although the first mix this year to really engage in houses history, its freedom status Ð it escapes cliche, avoiding big cheez for serious deep, electronics: heidi keeps the listing real. the especially-recorded vocal drops of house-legend derrick carter also make the record what it is, his infamous chicago-born vox gives residence to what heidis trying to do: resurrect the old school.dancefloor destruction is on pause, the club is still a playground, still moving hard theres just more room to play now, as steve bugs last track titles: jacks back.

since his first two personal album releases on kilk records, serafim tsotsonis has been developing into a talented musician. with the release of his brand new album. beautiful people, the greek artist takes a step further, presenting even more facets of his diverse talent with a work of exceptional polyphonic delights.in the albums opening track red, green, blue, a unique postmodern lullaby, the serene atmosphere of a childs room, is pierced with the sounds of an urban environment. an imposing performance by zach soars together with a chorus comprised by mikael delta, kid moxie, kiki, antoneta kotsi, fay depasta and serafim himself. at the same time, dimitri vassilakis, one of the foremost recognized greek wind musicians, adds further brushstrokes of sensitivity with his saxophone. with relaxed beats, unequivocal references to 80s melancholic electronica and the vocals of kiki and kid moxie, my own sea invites the listener to dive into the waters of his own dream world. in a way, it constitutes a continuation of serafims past creations, as heard in his earlier works, a fact that is sure to satisfy the most loyal of the artists fans. the dubstep references in the intro of so good, are intertwined with the modern electronic sound of berlin and the saxophone of dimitri vassilakis comes in at the end, marking a shift that leads to an exploration of new sound structures, in which european metronomy meets neo-jazz. the most radio-friendly track of the album comes with far away, a mutated balearic rhythm interpreted unpredictably by the rock-tinged voice of norwegian sverre olav r¿dseth. catch the cloud is where the album really takes off. a deep tech anthem for clubbers around the world, one can imagine it featured on the soundtracks of films such as berlin calling, had it been released sooner

rinse 14 mixed by youngsta

boundary-pushing, thrilling, unique: psychedelic horseshit blaze with a vitality reminiscent of fatcat alumni animal collective and black dice in those bands early, wildly creative incipience. laced marks a forward stylistic shift for the band, delivering a coherent set of bustling, hookladen, melted outsider pop songs. keeping a step ahead of the lo-fi scene they christened -shitgaze-, theyve drawn on a broad range of influences instead of the xeroxed anorexia of many of their peers, have ruffled feathers by critically speaking out, and carved out caustic, humorous social commentary.