rock

manchesters finest paper recordings with a killer 2 track from mat playford & left minded

5th release on deadmau5s mau5trap imprint comes from canadian female dj sydney blu. featuring the original mix, a chunky funk fuelled house excursion destined for huge things during this miami conference. flipped by a nuts electro house workout with a twist from part mouse part machine deadmau5

rsd 2022

b-stock! cover with bent corner. vinyl unaffected & mint.

meat loaf live performance, recorded during the guilty pleasur tour 2011.

first album from author neil gaiman and fourplay string quartet.

white vinyl in full colour sleeve, download code included.

pressed on translucent / green splattered vinyl, download code included.

sydney based dj & producer ben fester with his 4 track debut ep on paper cuts records.

limited to 200 copies!

afro meets jazzy feel , check

limited one-off pressing of 300 copies on white 180 gram vinyl.

outstanding and very limited minimal dub release. buxton records four-track vinyl-only release from sydney-based adam stromstedt will be the swedish expats first appearance on the imprint. the diversity of adams musical output culminates in the >crab shack< ep, showcasing minimal dub with an eclectic array of influences such as oldschool house to acid and techno. not unlike a place where one would feast on crustaceans, this ep is quirky, yet warm and comforting – providing food for the soul in its truest sense. 180g and amazing artwork.

ptwiggs brings the surrealist violence for brand spanking sydney imprint deep seeded. taking an erratic hairpin turn after dsr001s off-piste techno, purge comes off like a tragicomic thriller, swerving between saccharine sensitivity and brutal ultra-violence in the blink of an eye. shit is rough in ptwiggs towers, dishing out relentless tyson jabs to the head on day of wrath with holly herndons inverted poltergeist drifting about between the blows, while lara dies seems to execute your favourite video game character a trillion times per second just for laffs. but it s not all blood and guts rendered in vivid hd. coil-axis twinning of demonic and angelic energies course through yyyy and drift below the surface of the more berserk pieces. not for the faint of heart but life s probs beaten the feeling out of you at this point anyway.

after kicking things off with sean thomas’ (cop envy) the weigh, sydney’s outer time inner space return with a collaborative ep from jon watts, the kind-hearted, go-to sound engineer of the sydney club and experimental music scene and otis label owner, hugh burridge (aka hubert clarke jr). as resident djs for otis’ sweet echoes parties and guests for some of sydney’s more open-minded club promoters, jon & hugh have developed their own style of warm up set, largely unrestrained by genre. another view is just an extension of this open approach to club music. there’s an obvious ode to bukem’s good looking records, a lopsided mpc jam that could have been written by a drunk ron trent, a club roller with uk broken beat at it’s heart and a spaced out, dream-scape dub from melbourne mate, rings around saturn (dan white) to round out the ep. the common thread, they’re keeping it deep.

post pluto’s third release “abercrombie st.” brings together sydney based producers adam stromstedt, t.hanks and subaske for a diverse ep suitable for the dark room. all three producers bring their own flavour to the release which traverses tripping techno, booty shaking house and dubby electro.

nice price deal !!!

switch and erol alkan come together on what is possibly phantasys heaviest release to date. saturated acid lines, scratches, vocal snippets and the biggest kick drum this side the planet 808 dominate a track originally conceived back in 2009. brilliant remixes come from night slugs co-founder bok bok, and new yorks willie burns whos recent release on l.i.e.s has been staple in erol alkans sets for musch of 2012. released on limited edition acid splash vinyl. artwork by greek artist dimitris rokos, label and postcard design by north internet

>candy red / hungry horse< is dro careys debut release for hum + buzz. this exciting newcomer from sydney has already made quite an impression, he was named as one of the top ten producers to watch in 2011 by fact magazine and has already collaborated with the former roll deep member trim. dro careys extraordinary music assimilates everything from classic techno and house to rnb, rap, juke and grime, to produce a peculiar skewed aesthetic. on side a, >candy red< places hypnotic other worldly vocals with interlocking melodies, stuttering percussion and subtle bass drops. on the other side, >hungry horse< begins by deploying a haunted female vocal, before morphing into snatches of different fragmented samples and frantic kicks and snares, for an intense narcotic affair.

mau5011 sees the return of canadas finest female dj and producer sydney blu to deadmau5s hot mau5trap label

sydney youngbloods 80s club classic gets a 2007 club treatment by tom pulse mixes by rico bass and thomas scheffler includes bonus track sunshine electronic

incl remixes by paul nazca, dalcan & gallen.. original track was played by sven väth

motion potion records presents its debut vinyl-only release, showcasing two rising artists out of sydney, australia.

from manchester to sydney tonal oceans presents the first ever vinyl issue of a selection of tracks from the legendary 1994 atonement cassette (originally released on clan analogue).

dnb 4-tracker

machen sie sich auf ein trio von dancefloor waffen gefasst, die nahtlos unwiderstehliche grooves und ansteckende percussions vereinen.

the 3rd release on the sydney/eora based imprint natural-high brings 2 varying techno cuts from neotex. the a-side is on a deep tip and the b-side is heavier gear for the later hours

deluxe 180g 4lp feat. 16 bonus tracks incl rmx, live & b sides ! 30 anniversary !

grey marblerd triple vinyl in gatefold sleeve with download code included. stay tuned - audio coming soon!

4 emotional house cuts made on gadigal land, eora nation (sydney), australia.

live at the allphones arena, sydney

rare soul gems

die neue veröffentlichung dark rituals mit 4 original tracks und remixen von trenton chase, filmmaker und sydney valette.

soulful dnb from alpha rhythm.

das label aus sydney konzentriert sich auf australische musik die sowohl für den club als auch für den heimgebrauch gemacht ist.

debut album by sydney based natalie slade

electro-acoustic manipulations and experimentations from sydney technologist ben carey.

“cliché’s principle” exhibits the two-sided aura of an artist long familiar with the cultivation of diy ethos: an effortless expulsion of playful immediacy and the unfolding of a musician well versed in unpretentious composition. lucy cliché’s five track ep for fleisch records is a jacking romp through 120-125bpm electro/new-beat, swooning through downcast ambience, lobotomised vocal samples and sweat-drenched hardware rhythms.
lucy’s musical oeuvre piles high, as a figure in the sydney underground for the past 15 years she has always explored sounds that playfully antagonize the status-quo, the dysfunctional no-wave approach of her band naked on the vague and the manipulated tape ambience of half high echo throughout cliché’s principle in the form of chorus buzzed synth chords, abstract drones and ethereal evocation. while there is the strong presence of a live veteran at work behind the machines, cliché’s principle holds five tracks produced purely with the intention of paving the dance-floor.

the second release on black wattle comes from sydneys liam ebbs. the ep, a childs guide to groove, is a more dancefloor oreintated offering from the label. breaks, a wonderful sense of groove, spacious pads and a great understanding of melody all feature on this 12inch. it is also liams first time being pressed on wax, he has featured previously on a tape from australian label ken oath records. anywhere that wants it! first release from liam ebbs second release on the label, black wattle

one of australia’s most dynamic up & coming acts acts, the goods have become vital members of sydney’s rising soul/electronic scene in just a few short years. with word spreading internationally and the band recently joining forces with brooklyn-based label bastard jazz recordings, the goods are gearing up to release their hotly anticipated make your move ep as they put the finishing touches on their debut album out later this year.

still steamin from his turner street sound collaboration, midnight tenderness serves up a dreamy first solo offering with a fire-cracker of a four-tracker for sydneys ken oath records. the opener refresco is a bleary eyed house number with gently propulsive 707 cowbells and shaker rhythms over smooth pads & an infectiously jazzy bassline. the four to the floor mould is quickly broken as the ep progresses - terme is a midtempo electro track that retains all of the dreaminess of refresco while punching in some swish drum programming. flipping the record over, bevanda is a sweaty miasma of sub-bass, fm flutes and birdlike synth leads that could soundtrack an imaginary club located in the middle of queenslands tropical rainforests. the eps closer, hydra, pushes the tempo way down and introduces some smooth guitar licks, courtesy of riffin rory as well as some lithe flute play. the end result is a sleazy new jack swing jam that works as well for warm-up as it does for cooling down. if youre tired of buying boring club 12inches, look no further! this one will be as comfortable coming through your home stereo as it will be in the club