the definitive vinyl reissue of nancy sinatra’s third album. classic black vinyl edition.

every few years in the genre of hip hop there comes an album that gracefully, yet unapologetically steers clear of the redundantly trodden path that so many artist become accustomed to walking. such bravery is often rewarded by the art gods, this time is no exception as uk born , new jersey emcee cymarshall law & hungarian producer mr. joeker team up for the 3rd time and bring you the masterful, hip hop in the soul 3, the first in the series featuring krs-1 , this time a colorful bunch of guests are invited. cymarshall law weaves in and out of different song topics that have rarely been touched if at all effortlessly as his lyrical prowess has yet again moved forward in innovative and original way. the mcs refusal to “ walk in a straight line” is refreshing in a way that lets you know some artists still value originality and crafting a skill of their own. mr. joeker steps forward to prove he is a true gem in the form of a super producer. the production here raises the bar boom bap reigns supreme, though mr. joeker shows great range by taking us into new musical dimensions of his own creation, the result is hip hop in it’s purest , rawest form with a new school twist, an album that by all means will wake many people up to take notice, as this duo is finally putting the soul back into hip hop.
pressing on translucent green vinyl.

after some time of successful clubnights sd is moving to the next level and takes the first step of journey to bring to surface music and share its sound. the sd label is now a reality. for the first release unc is taking the lead as original mix. it is a 2-track ep, consisting of the original by unc and a remix by sleeparchive. 43v3r. if we were to choose a color it would be black with bits and pieces of gold. yet, uplifting, the kind of thing you need to stimulate body and mind, wake up the senses, the desire to cherish the moment and surrender to the sound. sleeparchive s interpretation comes to enhance the beat leaving his personal stigma in a delicate manner

2x 140 gram 12 inch vinyl, finished with gloss uv all over, solid white and solid red colored vinyl

lmtd nice price , last copies left, supported by spektre, namito, patrick lindsay, andreas henneberg, dubfire, mihalis safras, john acquaviva, joseph capriati, wehbba, ziel 100,jaxson,max cooper, alex capelli, electric rescue, citizen kain, frank kusserow, edgar de ramon, marco bailey, stephan bodzin, microtrauma

2003 french classic on legendary fiat lux imprint!!

tolle 4 track franzosen electrohouse ep !!

in greyscales continued focus on evolving and expanding the experience of the label, we have some exciting news to share with you. we are launching a new series on greyscale - the spectrum series! this premier outlet will be dedicated to the most special and colorful projects, stepping away from our usual black and white visuals. for the first project, we dug in the vaults and chose to put out a legendary lithuanian dub track - >kasdienybes sventykla< by grad_u & eazystyle mc. it was recorded back in 2009 which means we are celebrating its 15 year anniversary! back in 2011 we recorded an english version and released it as a double cd that came with a string of memorable remixes. now, and for the first time on vinyl and in the true roots of dub, released on a special 10 inch record. but thats not all! each new spectrum release will include a full cover print with specially created artwork.

new pressing on coke bottle clear colored vinyl.

repress

worldwide collaborative project against racism.

coloured 12 inch lp

tramps feeling nice series has positioned itself as a universally accepted essential cultural and historical document of some of the greatest unknown local vernacular american black music of the sixties and seventies. the feeling nice series has been dedicated to filling in the blanks between the more well known cuts of so-called deep funk canon and drawing out the relationships and stories behind and between the tunes and the artists, and ultimately creating a dialogue that serves to enlighten and enliven a true anti-racist discussion of american popular music specifically and of global human music in general. with feeling nice vol. 4, tramp continues this important conversation, and having spent over 700 days unearthing a rousing selection across the board, offers it to you, now, as a double lp with full-color label scans, never before seen promo shots, and detailed biographical information - in some cases in the words of the artists themselves! also includes a single-sided bonus 7 inch plus download code for the full release, all housed in a gatefold sleeve.

1lp, colored vinyl in a gatefold sleeve
the album is a collection of wonderful, emotional and very personal songs. written and performed by peter wangel, the lyrics are inspired by multi award winning, temporary norwegian writer karl ove knausgard and deal with very personal subjects from his own life. “the previous releases were about the “lonely” feelings, the feelings that only existed in me, the feelings i wanted to set free for a long time. the new album is about my life as it is right now, about all the thoughts, expectations, worries and the happiness that comes with a new life as a family. this is a very personal album, but i also hope to express something very ordinary and something that most people can relate to.- also musically the album is a big step forward for wangel, the melodies are still subtle, but offer more nuances and colors.

a1 the mating dance theme a rush of unavoidable infatuation. the first step of pair-bonding. b1 soft & gentle like her lips rough like daddy playing the piano, sipping on japanese whisky. b2 truth or dare in vivid 70s colors. b3 wood-paneled rooms, cuban cigar smoke, drab tweed suits and jasmine serving that fine remy martin cognac.

autoreply offshoot stuga musik welcomes back apoena, who hails from porto alegre, capital of the rio grande do sul state in southern brazil. his first 12 inch for stuga musik - falando serio - was championed by the likes of baby ford, willie graff and jus-ed among others, the latter proceeding to release the self-titled apoena album on his own underground quality imprint earlier this year. as an accomplished musician of many instruments and nationally renowned reggae artist its no surprise he knows a thing or two about making a killer record. here he steps up with >mover<, a warm, hypnotic floor-workout that references the early pioneers and is equally suited to peak time or early morning play. on the flip >cooler< displays layer upon layer of colorful emotion whilst showcasing the artists love for vintage keys and analogue synthesis. enjoy!

inside this amazing v/a compilation there are 18 unreleased tracks produced especially & exclusively for this project. plus original material from artists like magitman, astronivo, irad brant, 123xyz, ofer di, eitan carmi, roi tochner, guy mantzur, stephan bazbaz, fresh, ronen dahan & twice nice, the 8th note, mr. black, colorless, mark f, garry lachman and of course matans & eddys own productions.

ltd colored national album day 2023 pressing

(gold (vinyl 1), green (vinyl 2) 2x12 coloured vinyl

triple gatefold with matt plastification finish, hot foil stamping & spot lack. vinyl white+black, yellow+black, red+black ink-spot „corona vinyl“ color effect, limited to 500 copies. printed 180g inner sleeves. contains admission voucher for watergate club for two people at a night of their choice. - contains download code.

part of the tony award winning broadway show, hedwig & the angry inch, matt duncan brings a unique blue eyed soul mixed with 70 s am radio. a cult favorite, this lp has been streamed over 5 million times on spotify alone. this second press is done on random color vinyl.

roman lindau, sascha rydell and monomood release four effervescent cuts on their newly formed colorcode records imprint entitled some reds

now the new ep takes the whole adventure even a step further and features two vocal songs featuring julie runa from copenhagen based band roxy jules: µeighty fourã is a killer krautrock / post punk tune with intermittent screaming synths, while µplaying in the nightã is a more darkwave-meets-surf rock via a laboratory of electronics and noisy guitar layers - thrilling stuff.

twr72 is back with a full new story starring lucid as the lead. lucid dropped out of space on a world called planet earth. it’s luminous and vivid appearance were instantly clear. at first lucid was a bit reserved but during it’s first steps it opened up and showed some colorful emotions and hints of it’s personality. with detailed patterns of communication lucid tried to find a way through this new world. erudite, which was already for a more prolonged time on planet earth, picked up the incomprehensible code from lucid and reproduced it into a solid and clever message. erudite was keen enough to think of a way to communicate back with lucid as it noticed lucid needed help. but it needed someone else to bring the message to lucid. so erudite asked help from colloquial who could easily transcript the message back to lucid. colloquial used different types of frequencies to connect to lucid, but it wasn’t that easy. lucid already travelled further and was hard to reach. therefor colloquial tried to use heavier elements to make a more solid composition. unfortunately not only positive things arrived from space. aporia was a rather negative influence which disturbed the link between colloquial and lucid. aporia tried to force the communication by continuously changing the elements of the message. but it wasn’t all that bad, because at the end aporia brought the two important elements of the message together.

jardín is gabriel garzón-montano’s debut album, out january 2017 on stones throw records. gabriel garzón-montano’s formidable skills have come to fruition on his stones throw debut. “this album came out of wanting to make music that reminds people how beautiful life is and how delicate their heart is,” he said. “i ve always wanted to make music that is healing, comforting, and funky. i named the album jardín hoping for it to create a space for healing when people put it on.
“a garden is full of life, growth and beauty,” gabriel said of choosing that unifying image as the title for his new album. “it makes me think of green and white and all the colors as they appear in different flowers.” that vivid spectrum bursts forth on jardín itself and the album contains references to fruit of all sorts, sour mango, juicy tangerines and sweet peaches.
from the heartache and aching vocals that float over the dusty drums of “crawl” to the stutter-step thump of “bombo fabrika” to the high falsetto he nails on “octave,” garzón-montano proves himself to already be one of 2017’s biggest breakout talents.
the vinyl release includes a download code.

virginia steps up with her first full-length on ostgut ton, playfully answering all questions and rhetorics about love, lust and life with her singing on eleven new songs. titled fierce for the night and co-produced by renowned artists dexter, martyn and steffi, the album offers a very personal insight to her inner self while drawing from club culture s long and rich history.

staying true to their friends & family ethos, the next colors ep - out on july - comes from a co-founder of the london party imprint, stephane ghenacia. the musical journey is composed by three tracks. vital sales points: - third release on new imprint that has evolved from the extremely successful london parties - stephane ghenacia features in debut release on kerri chandlers new label kaoz theory - colors col003

ncl. remixes by gino & snake! supported by: stephan bodzin, oliver huntemann, pascal feos, lemos, butch, kolombo, steve bug, hennon, the glitz... etc. apropos apricot - some unknown ladys apricot colored dress simply flapped away when andreas first new bass line left the speakers. it was the tunes premier and, needless to say, quickly became its name. we hereby thank ms apricot - who had a fruity booty, too! also, a close friend named rikardo was part of the team that magical night… and oh well, he sure liked her, she liked him back - and soon the follow up was born! thumbs up for prorikardo!

canadas last step unleashes his debut album called simply last step. these tracks are all created using original analogue equipment like the roland 303, 606, 707 and jupiter etc. they do not know much about last step as he only communicates with me anonymously and via vocoder. all his royalties (if he ever makes a profit) are destined for the st. bernadettas synth hospital.

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

filterwolf is an acclaimed producer, dj and live act from munich, whose infectious production talents, electric live shows and groundbreaking debut album on london based process recordings released in 2010 have all led to the creation of his stunning new masterpiece: night patterns . his work was remixed by some of the finest artists around the globe such as portable, tigerskin, niederflur and hrdvsion. the consistency of the quality of his musical output was compared by journalists with no less a figure than carl craig. his productions have constantly earned praise and gained many fans for their driving beats, elegant, warm and cheerful synths and blossoming, journey-like arrangements. filterwolf received strong support from zombie nation, john acquaviva, spektre, ivan smagghe, groove armada, slam, dirt crew and coldcut. he was featured on tsugi compilation volume 18 along with gui boratt o, tiga and juan mclean and on huw stephens best new music evening show on bbc radio 1. across his new album, he explores the exciting, timeless space between house, techno, electro and beyond. throughout, he constantly maintains a melodic and emotive core, creating a mesmerizing body of work structured and presented in a highly creative way. the album was mastered by eelke kleijn, prolific producer (manual music, global underground) and mastering engineer from rotterdam, who among others has mastered the works of dubfire and applescal. deep, swinging, handclapping grooves and furious saxophone lines of the opening track color of spring , with their subtle, uplifting, intelligent beauty, signal that this is a master artist at work. as the mood moves towards the deep, pounding intensity of deep data , it s easy to become lost in the swirling music as filterwolf plays with emotion buttons, exploring the depths and whole spectrum of the dance and electronica, rese arching possibilities, forging ahead into the future.

get ready for a musical journey so deep you may not be able to dig yourself out. nor may you want to. blazingly hot on the smoking heels of the 19 predecessors of the highest ranks of house dj/producers whove blessed this series before him, like joe claussell, ron trent, grammy award winners louie vega & david morales, teddy douglas & dj spen (aka basement boys & muthafunkaz), danny krivit, tony humphries, and a ton of others who superbly compiled and mixed these compilations in the past, hip house producer/dj & sole channel/vega records recording artist mr. v joins this exclusive club and doesnt disappoint. using 18 of the latest and greatest tunes culled from the catalog such as the k&n dub of johnnydangerous >mr vs revenge<, alex kenjis remix of david harness >shake< the original rough mix of ananda projects >aura protection< ivan iacobuccis unreleased original mix of his recent >ritual< release, the deep & magnetic unreleased moodymanc extended mix of tomoki tamuras >the rough< and tomo inoues phenomenal unreleased swingin dub of siren-ic house singer stephanie cookes >sweetest thing<, to name very few, make this 20th anniversary edition of the series one for the musical books. all aboard!

soul food taqueria continued tommy guerrero’s blissful guitar soul but represented a step forward with its polished production and greater complexity of instrumentation. denied the promotion it deserved upon release, it flew under the radar. it is now the most wanted record of guerrero’s wondrous back catalogue. this fresh limited edition has been remastered, cut on to heavyweight double vinyl)

ltd coloured edition

3x12inch trifold colored vinyl

2 x lp : 1 x purple , 1 x pink vinyl

7 inch limited edition green colored vinyl

colored vinyl + poster

one half of the kwc 92 (who has previously delivered two top notch lps for l.i.e.s.), swedish producer max stenerudh aka maxxx bass steps forward with a 9 track solo effort titled gone fishing. right off the bat we hear stenerudh immersing himself in a world of chilled out and narrative fm electronic explorations that call to mind places past. the untitled tracks leave it to the listerner to create a story on their own, as voice pads, hand drums and dare we say pan flutes push and pull their way through the album creating dreamlike textures and otherwordly escapes. ideal music to fall into a late afternoon summer siesta to. lp comes come with full color 22cmx28cm color poster and download card

limited box edition, incl
2lp + 7 inch
a2 poster
12 inch lp mit instrumental tracks
10 inch vinyl mit 3 excl. tracks
cd
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

2x 12 inch album + 7inch + download voucher !!
like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia – there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock – but though it may sound familiar, it never does what your brain thinks it s going to do.

after only two years since their first release on cyclone, amoss have become one of the most exciting and forward thinking names in drum & bass. a love of music stretching back into both their pasts, the duo have amazed audiences across the globe with the style, panache and variation which has characterised their work. taking a lead from names such as renegade hardware and moving shadow, james and andrew have successfully moulded their influences into a futuristic, genre-defining sound.
now they are ready to step up a notch, delivering a new release for the mighty horizons label. bumbaclart and dilate will go a long way to cementing their reputation for big, bad and heavy d&b, which has seen them being supported by spectrasoul, london elektricity, storm, loxy and more. amoss are known for their involving, evolving blend of beats and bass and their in-depth knowledge of the technical side of production, and the two tracks on show here are markers of their intention, in two markedly different ways.

public releases hits the lab for some aural alchemy and to turn out its first release of 2017. a four-tracker from moscow’s phil gerus, scenes—or, in the producer’s native russian, &#1089,&#1094,&#1077,&#1085,&#1099,—manages to have a makeup that’s both peculiar and magnetic. the title’s a fitting one, every track feels like a vignette in a collection of short stories. separately, they’re self-contained, but a rich narrative arch is added when they’re sewn together. if there is a theme here, it’s of viewing the future through the dusty lens of the past, and each of the songs explores this in its own fashion. the kick-off, “ohashi sky garden,” starts as a hyped-up italo space epic, pumped full of swirling synth licks and sharp, tight drums, but it mutates into something completely its own when vocal samples (90s r&b?) and warm keys (prog rock rhodes?) enter. after the original’s brisk five minutes, the legendary richard sen—graffiti guy, breaks guy, house guy, disco guy, half-of-padded-cell guy—steps in to give it a trance-y tinge while doubling its runtime and adding a dancefloor-destroying hi-nrg coloration. the b begins with “naha swim,” a crunchy funk foot-stomper that might as well be an unreleased idjut boys or ray mang ditty dug up from the noid catacombs. fiery and furious, yet utterly cheeky. serving as a sort of coda to “naha” is “kiss of a kind,” a gerus take on 80s adult contemporary, replete with sleazy sax and sensual pads. a gentle nightcap to a zigzagging, antic 12-inch

one of the most influential spanish techno-pop bands from the 80s is finally taking back to life one of their most successful albums. originally released in 1985, -cromosomas salvajes- marked a big step forward on the career of el aviador dro y sus obreros especializados. while keeping their message in support of the working class, nuclear energy and futuristic vision, this work had a top production, more dynamic compositions and included some of the fans favorites: -himno a

if anything, stojche’s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. there’s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

watch your step and follow up closely: jascha hagen is ahead to take us back on the railroad tracks to a different time. from beam to beam and foot by foot this soundtrack of long gone adventures paints vivid memories in modern colors. jascha knows his craft and how to combine past and present like few others. the result is a lovely luettje two-track ep with a distinct atmosphere driven by lush beats.
since every treasure needs its chest they ship on a limited 7 inch with a special laser-carved sleeve. the sirens would be pleased.