the 2000 album from placebo back on vinyl, housed in a gatefold sleeve.

firmin is a resident at our parties and this is his second ep for us. it s a new alias of his focusing on more progressive club tracks. carlo who did the remix for us runs neovinyl records and is a resident at ipse in berlin. dj support so far from: brett johnson, radio slave, kinrade, sage caswell, dave harvey (futureboogie), photonz, tony humphries, the wasp (dabj), dennis quin, ernie guerra, christophe, alkalino, freedomb, tiga, robbie akbal, nic fanciulli, steve lawler, gene farris, john digweed, horse meat disco, demi, audiojack, claptone, vincent neumann, joris voorn, absolute.

deleted - limited & hand-numbered compost box, with 10x12 inch vinyl, 2 mixtapes, logo pin, jute bag, sticker pack and liner notes.

the 1984 album from soft cell back on vinyl.

limited 2019 repress - today we are pleased to deliver a new jensen interceptor’s ep recorded together with his friend assembler code.
jensen interceptor has provided his versatile brand of techno to clubs and warehouses around the world. with his selection ranging from detroit electro & miami bass to rolling italo, thunderous 90’s breaks and driving ebm, jensen’s audiences are promised a sonic journey like no other. going further than simply an entertainer, his remixes and productions have been released on some of the most influential labels in electronic music like boys noize records, cultivated electronics, bromance and central processing unit. these releases have been supported and played out by djs such as dave clarke, helena hauff, dubfire, maceo plex, trevor jackson and radio slave. bringing a unique and powerful performance to every dance floor - jensen interceptor: engage clutch, shift into top gear.
the signature sound of assembler code has started gain momentum over the last few years. gritty, rhythmic, raw and pulsing, yet always executed with style. having offered up remixes on raar, mille feuilles, and controlled violence as well as original works on mmodemm, and boysnoize records, assembler seems to just be getting started.

ltd 2019 repress without 7 inch, one of the most eagerly anticipated electronic albums of 2012 is finally released! after a series of groundbreaking singles: pain in the ass, im week and ghetto kraviz (featured here) muscovite nina kraviz is set to release her eponymously titled debut artist album on radio slave’s superb rekids imprint.

a collection of hits from bob marley, that didn’t became mainstream - plus tributes on side b.

double vinyl with download code and booklet.

new flagrant harbour with a super trippy powder remix

freaky electro from jensen interceptor. top! one per customer!

after releasing three powerful edits of fly free in november 2017, jon dixon is back with a new sampa ep. inspired by the strong culture and rhythmic grooves of sao paulo brazil, dixon delivers 4 tracks sure to be a tool for any dj. with the title track paulista avenue already in the rotation of derrick may, radio slave, and gilles peterson.

radio slave welcomes uk techno talent roberto to rekids

incl radio slave remix! huge dj support

vinyl only

a collection of classic northern soul rarities from the 60s to early 70s.

supported by luke slater, radio slave, dan curtin, colin dale, laurent garnier, dubfire, maceo plex, joseph capriati, luigi madonna, ritchie hawtin, sam paganini, slam, ilario alicante

2022 repress - remixed with love volume 3 is the latest edition of what has become the industry-leading disco remix series. no one knows this era of music better than dave lee, who under his old joey negro alias once again turned his impeccable hand to some of the best-loved records ever committed to wax.

dutch duo deep dimension debut on rekids with a stomping vocal cut entitled ‘so 1992’ featuring a collaborative remix from label founder radio slave and rising star p.leone. jeffrey hek & jimmy van de geijn have been actively djing for over two decades. the pair paired up as deep dimension in 2015, combining their talents to form a signature techno sound comprised of deep basslines and powerful kicks. launched earlier this year, their vinyl label named gen x has instantly picked up overwhelming support from the likes of radio slave, tommy four seven, benny rodriguez, kobosil, and many more. they now continue their upward trajectory by arriving on matt edwards’ respected berlin based imprint, rekids. thudding kicks are joined by rising synths as pitched up vocals come into play in ‘so 1992’– the result is a rave inspired techno monster designed to throw crowds into frenzy. on the flip, radio slave pairs up with rekids regular p.leone for a cavernous reimagining complete with rolling percussion, off-beat hats and eerie atmospherics.

having recently been remixed by radio slave, ozel ab and fc kahuna on phantasy, james welsh returns to the label with zurich/a65. anoth-er expertly executed two-track primed for the club but infused with detail and sheer personality, it further cements his idiosyncratic and forward-thinking interpretation of techno, industrial and experimental electronic styles. opening the ep, zurich takes an infectious, urgent bassline and gradu-ally expands into a weightless landscape. slowly revealing it’s rhythmic intent, it seamlessly blends a distinct melancholy with intensity, which, like the best of welshs work so far, is both wistful and physical. appropriate to its namesake, a65 sets the scene by sampling the un-mistakable sound of speeding yorkshire traffic, opening up a breathless musical autobahn, driven by luminescent synths that pulse with euphoria and energy.

the northern soul’s classiest rarities series has showcased high quality soul dance records from the 60s to the early 70s, beloved of collectors and dancers who have had their fill of the “top 500”.

rich oddie (orphx) and dave foster (huren/teste) return under their punk/industrial/scum electronics moniker o/h. these 5 tracks are an amalgamtion of dense, yet somehow stripped down heavy industrial punk electronic madness. open filter feedback drenched ms-20 and punishing 909 beats crash head-on throughout with foster s jello biafra-esce vocals through a meat-grinder stylings fight with a ranting homeless man as he raids your uncles s 80s porn vhs collection. controlled chaos written recorded and put to tape as modern society falls apart in front of our eyes. absolutely what the world needs right now (according to us).

in 1989, an italo-house act sueño latino released a self titled track, which went on to become one of the most revered electronic music records of all time. louis botella is now set to release a sensational remake on emerald city this september. the track itself samples part of manuel göttsching’s influential e2-e4, an album known for its role in the development of house and techno. fast forward to 2018 and the record is again set to be revived thanks to louis botella, and with the blessing and support of göttsching and expanded music. on his interpretation of the track, louis has stayed true to the original, replaying each part and adding an extra dimension to the tracks through a sparkling piano topline, a new vocal hook and dreamy arpeggiations. louis’ passion for the art of djing was sparked from a young age. at sixteen he got his first gig at a club in luxemburg and released his first record in 1998. since then, he’s released on respected labels such as classic music company, ovum records and poker flat recordings.

matt edwards and multifaceted artist patrick mason team up as srvd with debut release entitled elevate dropping on rekids this august. whether as radio slave or his various other monikers, matt edwards is one of electronic musics most consistent and innovative artists. ever since his early reinterpretations of kylie minogue and new order, edwards has continually commanded respect as a producer and in-demand remixer, whilst as a label owner his rekids imprint is undoubtedly one of house and techno’s most influential platforms. meanwhile, patrick mason continues to conquer the fashion world, a devout club kid and gifted creative turning heads as an outstanding art director, illustrator and model, whose extensive artistic talents include a unique and compelling voice destined for dancefloors. srvds story begins when the pair met in panorama bar, which soon led to edwards and mason hanging out at the studio and later evolved into improvised performances in berlins club scene and beyond. elevate perfectly captures the raw spirit and vibe of their live show, with whispering vocals ushering in precision kicks and piercing stabs until masons mesmerising voice comes fully into play. an homage to the new york vogue scene and a huge hit at panorama bar - where the pair have set the house on fire with three unannounced shows so far this year nasty is a syncopated, bass-driven monster of a cut complete with infectious claps and metallic effects.

salsoul records present a crate digging anthology of the funkier side of their catalogue - an essential collection of dirty new york grooves from the salsoul stable . primarily a salsa label on it s inception, salsoul delved into numerous styles throughout it s existence but this killer selection focuses on the rawer sounds. featuring artists such as the labels legendary in-house orchestra, carol williams, destroyers, gary criss and joe bataan and many more this amazing compilation features those slower, more grooved out jams that have been lurking in the recesses of the vaults. take the mighty rattle snake by carol williams, a lesser known, four to the floor strutting piece of dancefloor bliss that delivers and then some, or the immense, spaced-out deep soulfulness of the destroyers tom moulton produced rarity slave of love , everything is here that the underground dance music lover could ask for and then some....... all graced with that salsoul qulaity and touch. essential. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

july sees radio slave’s rekids invite britain’s renowned swayzak to the roster with a cold war themed release entitled ‘odessa calling’ ep. a name associated with quality, swayzak’s ability to retain their signature sound whilst producing across various sub-genres has cemented them a solid reputation since their humble beginnings in the 90s. their impressive back catalogue includes six studio albums and appearances on labels like k7, m_nus, curle, ellum and swayzak’s own label 240 volts, which was relaunched in 2017. originally a duo comprised of david brown and james taylor, brown has been helming the project solo since 2012. he now joins respected berlin-based imprint rekids with two inspired productions. ‘odessa calling’ is a mysterious track with hypnotic synths, mesmerising pads and enigmatic vocals that combine together to create a celestial aesthetic. on the flipside, ‘numbers station’ continues with the otherworldly feel employing shimmering percussion that wanders alongside a brooding bassline for a well refined finish to the package.

following fine scalpel-focused outings from ltj and les inferno, many of many aliases stefano de gama returns to samosa with a trio of subtly tooled-up disco edits. a-side -son of slave- sees him join together bits of soulful disco-era classics -slide- and -son of slide- to form a tasty new whole. while heavily compressed and noticeably chunkier than either of the original tracks, de gama s version is loose enough to please those who think edits should merely be dj-friendly re-arrangements. turn to the flipside for the lolloping, low-slung afro-funk goodness of -1972- and the throbbing peak-time disco celebration of filter-sporting closer -star buk-. this too boasts booming drums and bass, but also enough musical looseness to avoid the usual disco-house pitfalls.

no introduction needed, kink gets the remix treatment from matthew herbert, josh wink, dusky & radio slave… two volumes cut for maximum impact. part 2 with matthew herbert & josh wink

for this seconde release, the brotherhood from marseille wanted to present their personal profiles, this ep is built like a various, but built with a common touch, the random bass! hypnotic, trippy and randomised, these tracks are done to push up the dancefloors. the last track is a downtempo vision of the eclectism of this southern crew, hip-hop beat and a bassline played by there friend mike b4, a real candy to close this ep!

the double r returns ! eighth release from the imprint involving the founders of stablo alongside matt radio slave edwards.

die vierte ausgabe der modeselektion war längst überfällig und fällt deshalb extra energisch aus, dafür sorgen viele große namen der internationalen clubszene und eine ganze reihe aufstrebender künstler: actress, rødhâd, peder mannerfelt, rroxymore, sarah farina und all die anderen setzen zwischen roughem und clever gebautem techno, kosmischen breakbeats und dub- und-bass-eskapaden die unterschiedlichsten akzente und erzeugen trotzdem einen starken, stringenten vibe. die als doppel-cd und vierteilige 12--serie erhältliche compilation enthält 17 tracks von künstlern, die zur aktuellen speerspitze in sachen anspruchsvoller dance music zählen – so sehen es zumindest modeselektor, aber wann hat uns ihr gespür je enttäuscht? wie jede modeselektion ist die vierte ausgabe kein schnödes mixtape: alle künstler wurden eigens um passende, unveröffentlichte musik gebeten, und das ergebnis kann sich sehen lassen. -wir sind stolz und fühlen uns geehrt, dass wir die compilation genau so zusammenstellen konnten-, schwärmen die selektoren. -volume 04 ist wahrscheinlich die funktionalste und eingängigste modeselektion, die wir bis dato gemacht haben.-

classy, ebm dominated & centered integration of techno & far-out, noisy electronics (in gatefold sleeve w/ download code)

simoncino returns to uttu with 4 synth led electronix cuts - super deep introspective techno & house from one of the best to do it!

spencer parker readies the third and final remix package of different shapes and sizes this april featuring remixes from radio slave, italojohnson and nic fanciulli. concluding the series featuring dj deep, fett burger, rising sun, tijana t, setaoc mass and akirahawks, ep03 includes three artists that have long been close to spencer parker. radio slave has released parker s music via rekids for over a decade, whilst nic fanciulli s saved has hosted multiple records, like parker s debut album. spencer s relationship with italojohnson also stretches years including the trio s first remix (a spencer parker release on tsuba) and appearances at work them records showcases. radio slave s remix of information deviation is an ominous techno cut complete with eerie atmospherics, fuzzy melodies and rattling hats whilst a robotic vocal operates on top. italojohnson then remodel size:yes to generate a moody house number featuring cosmic synths and twisted effects, leading into nic fanciulli s rumbling rendition of riff shapes .

15th release of the strong barba records! and its fbk who s back featuring a remix by none other than claude young - a detroit heavy-weight who s been particularly selective with his output. kevin s previous record for barba, a 2016 twelve titled -screaming her name-, also featured a remixes by terrence dixon and plural. between then and now kevin managed to put out a track for -the cast project- va and a solo ep for radio slave s rekids imprint.

vincent returns to omnidisc with his second installment. you wear a human mask but you have no human soul is a dark house inspired driver paired with a slave to your image which drvg s more experimental side. then he closes out the ep with his classic sound in something happening somewhere.

terrence parker presents real love ep. this classic release never came out officially! only some limited white label copies were done thru serious grooves in 1994. as a bonus, terrence also included here an new version of -real love-. don t sleep on this!

january 26th sees dj deep, setaoc mass and akirahawks take control for the first of three drops on parker s own work them records imprint. following months will see two further 12s surface with radio slave, fettburger, italojohnson, rising sun, nic fanciulli and tijana t versions. released on the berlin-based label earlier this year, different shapes and sizes comprised three eps which displayed a variety of parker s house and techno directions. subsequently, cuts from the ep have become summer staples for the likes of ryan elliott, the black madonna, honey soundsystem and midland. on ep01, parisian legend dj deep continues an amazing run of form this year with two subtle but powerful versions of shape fascination while homopatik and buttons resident akirahawks moulds riff shapes into an off-kilter disco creeper. work them records and figure artist setaoc mass closes the ep with a strident interpretation of shape fascination

nice price deal !!! dimitri veimar is the kind of musical discovery that, were i were a religious man, i would go to bed and pray for every night. modern day acid house that stays below the 120bpm mark but retains a certain punch whilst having an air of techno cool and swagger to it. - daniel avery talking to dummy

vinyl only, white vinyl - supported by radio slave , slam , terence fixmer...
blumoog music label presents the new release, played by one of the most important detroit productors, who marked the minimal techno history: terrence dixon. two tracks, which take a big deal of electronic innovation and inspired by his unique style, will make the night people dance until the sunrise. italian veteran m.r.e.u.x is back again with two innovative tracks as well, which are composed by rare and experimental sounds with analog machines and are ready to be heard. magnificent ep of an extraordinary dj couple. monster track of quality and experience the musical concept is organized for mentality sought people, an approach to this sound out of the ordinary charts, where search for sonority make this ep single and dedicated to the iperclubbing population!!! low wrapping and atmosfere psychadeliche make this ep an precious object for techno electronic lovers! nothing is taken for granted, this is the difference!

at night, things get a lot more unpredictable. a stranger can become a friend, you suddenly become intimate with a woman or a man whos name you will never find out, while darkness also allows you to conceal your true identity - even become someone else. inspiration for this album emanates from the fascination towards the intensity of what nightlife has to offer , euphoria and melancholy, spotlights or incognito, sexual contact or lonely voyeurism... francois x entertains the listener with playful ambiguity and unsettling, yet sensual atmospheres.

dead cross ist eine neue band, bestehend aus mike patton (faith no more, fantomas, mr. bungle), dave lombardo (ex-slayer, misfits, suicidal tendencies), justin pearson (the locust, retox, head wound city) und michael crain (retox). gemeinsam liefern sie mit dem gleichnamigen debüt eines der sehnlichst erwarteten metal-alben des jahres ab. dass dead cross nicht in genre-konventionen verharren, dafür bürgen die protagonisten. hier eine coverversion des new wave-klassikers von bauhaus namens -bela lugosi s dead-, dort der gesang, der gerne mal virtuos die tonlagen wechselt. dennoch bleibt das klangbild von dead cross immer auf den punkt. die musik ist hoch-energetisch, streckenweise sehr dunkel gefärbt, die inhalte verarbeiten indirekt die aktuellen verwerfungen in politik und medien. lp mit glow-in-the-dark schriftzug in transparent / rot / schwarz und downloadcode inklusive!

new york native caiazzo releases the devotion on his and p.leone s e-missions imprint featuring three dusky techno tracks and a remix from white material co-founder young male. much like p.leone, caiazzo s debut release (entitled the dredge ) landed on work them records, spencer parker s label that s featured names such as radio slave, rodhad, dj richard and ryan elliot. launching e-missions earlier this year, the pair continue their high quality output by following up two releases from p.leone with three uncompromising original cuts from caiazzo himself. rolling percussion drives 917 (sportmixxx) whilst intoxicating drones operate throughout, making way for lifeform with its layers of thick synthesised sounds that build on top of a relentless drum composition with subtle but effective transitions. godbody offers a stripped back approach to techno with an intricate percussive composition that allows a deep low-end and a hypnotic perc to take control. finally, white material label boss young male provides his take on godbody where bass hits combine with haunting atmospheres and warped rhythms, closing the release with style.

this autumn, wah wah 45s are very proud to present their latest signing, an outfit who ve garnered huge praise from jools holland, are darlings of the guardian s music reviews pages, and have set festivals alight up and down the country with their unique melange of sounds. for a good few years, honeyfeet has been a conduit for the ideas and expressions of an exotic mixture of manchester based musicians. jazz? yes, some of that! folk? stick that in there! hip-hop? i thought you d never ask! someone once called it folk-hop and barrelhouse-pop, and that s just vague enough to make sense. it helps that they are fronted by ríoghnach connolly, real world s newest signing and -a remarkable singer and flautist who can ease from irish traditional influences to soul- (the guardian). this extraordinary band s debut single for wah wah 45s, sinner, was originally affectionately known as boingy squelch, after the unconventional sounds trombonist biff roxby used in his early demos. ríoghnach conveys the story of a woman who never intends on staying at home -chained to the sink- - -i may be a sinner, but i m not a slave-. in that way, the song is a rejection of outdated, traditional roles. since their previous album, 2013 s it s a good job i love you, keyboardist john ellis jumped on board as full-time member, bringing his unique musical presence. this enabled the development of a more texturally adventurous style, as witnessed with the dual atonal solo between himself and guitarist ellis davies on sinner. similarly, for their next lp, orange whip, engineer, bassist and spiritual guide lorien edwards makes his honeyfeet recording debut, so completing the -kitchen- of this very special band. sinner is released on limited 7- vinyl (100 copies only!) on october 20th and comes complete with a woozy, low slung club-friendly mix from former innocent sorcerer, polish dj and producer envee. the album, orange whip, will be released on wah wah 45s in the summer of 2018.

schon die legendäre 1990er-maxi »i sit on acid« sparte nicht mit schweinereien, und auch die best of-compilations »private parts« und »greatest tits« gingen in diese ein- oder vielmehr zweideutige stoßrichtung.
Ähnlich auf die zwölf bumst das 4. reguläre lords of acid-album »farstucker« aus dem jahre 2000. mit »lover boy-lover girl« und »sex bomb« sind noch ein paar produktionstechnisch aufgebrezelte altlasten aus den neunzigern dabei, doch auch die zehn neuen stücke fahren mächtige breakbeats, brachiale gitarrenüberfälle und fleischfressende club-electronics auf. dazu nehmen engelen und sängerin jade 4u nebst weiterer gespielinnen den hörer in »slave to love« mit schmackes von hinten oder führen ihn bei »kiss eternal« mit krachledernen mitteln in die kusserotik ein – nicht nur auf dem dancefloor, versteht sich.
das doppel-vinyl erscheint inklusive downloadcode.

composed of members buckshot, 5ft, and dj evil dee, black moon simultaneously kicked off and defined the rap renaissance of new york with the release of enta da stage in 1993. whereas plenty of earlier groups had spit rage-flled rhymes to tear down the world’s unjust establishments, no one had evoked brooding pathos or introspective anger quite like black moon.

new york s p. leone is back with the second release on his newly launched e-missions imprint featuring work them records founder spencer parker on remix duties. born and raised in brooklyn, where he discovered the legendary storm rave parties run by frankie bones and adam x, p. leone cut his teeth djing in the lower east side of manhattan before making techno himself. before long the producer dropped his first two releases on work them records, joining a roster spanning radio slave, spencer parker, young male, anetha and physical therapy. e-missions was then launched in early 2017, acting as a platform for co-founders p. leone and caiazzo with more exciting artists soon to be announced. discipline signals is dark and robust from start to finish, with functions of discipline 1 inaugurating the package with resonating kicks, trippy elements and industrial synths. functions of discipline 2 follows a similar aesthetic but heads into a deeper direction with its cavernous atmospherics and glitch inspired effects, making way for laced with its sinister drones and tantalising melodies. spencer parker then remixes laced , concluding matters with rugged drums, energetic hi-hats and a rumbling low-end.

this is the second in a reissue series of dominick fernow’s early work as rainforest spiritual enslavement, casting spells from the green amulet crafts supernatural qualities (2011) tape onto vinyl for the first time and steadily closing the gap in your rse collection.
something like the soundtrack to one of ballard’s prophetic visions of sunken cities, this second rse incursion was initially released in an edition of 63 tapes in 2011 and found fernow dwelling in a dread-fuelled, paranoid headspace.
prssing on translucent green vinyl.

here it is... a project i unofficially had done since 06Æ. it started when dilla passed february of 06. to cope with the death of my unofficial musical mentor & favorite producer, i started making donuts, uncontrollably. i never planned to release any of the material out of respect for dilla & his craft. iÆve shared some of the music with others, in which they would constantly ask me to hear it, so i decided to put a lil sumthing together and make it official. just for yall. this is a collection of beats i made in 06. some donuts style, some just around that era of 14kt beats. now & laters was always a favorite candy of mine. i used to go to mindells pharmacy in ypsi back in the day and buy all of them. sadly i even stole change from my grandmaÆs (rip) purse for them. ironically, i fell back in love with now and laters around this era. enjoy. 14kt