funk bomb from mister mushi.

zoo look serve up four deep and dreamy jams for shall not fade’s sub-label lost palms.

after the successfull start with the nomor01 by max brannslokker and a someone else remix comes here the second output on this fresh label with cool minimal techno peaktime tracks and a marcus vector remix

usurp is an anonymous collective of european artists joining into a unique platform in order to spread their similar musical vision, including idm and industrial sonorous experiments, without the need of labeling it, in favour of letting the music do the talking, almost as a protest against the common club culture paradigms.

recorded as a live jam it s similar to the klf’s chill out fused with yokota’s unmistakable sound palette and castle’s gift for storytelling. initially cd only.

the burrito beats lp from czarface s esoteric showcases the grit, grime and flavor that rolls into his particular brand of hip-hop production. similar to the ingredients of a burrito, there s much more than a single-serving of funk crammed into this meal, it is stuffed with everything on the menu. deliciously dope drums, baked basslines, grilled grooves and savory soundbytes are chopped and served to your liking with burrito beats. expect new recipes fresh off the skillet and some old classics as well, several culled from esoteric s 2005-2009 production spree that brought us serve or suffer, egoclapper, esoteric vs. japan, and saving seamus ryan.

lithuanian maestro, pletnev

after their 2019 debut “replica”, cassia are back with their sophomore longplayer “why you lacking energy?”. limited pressing on pink coloured vinyl.

similar to his last foray on motorcity wine recordings beltran has assembled an all-star cast of characters including john arnold, jeremy ellis, james simonson, and kiko navarro to deliver a slice of bright jazzy deep house heaven. kiko navarro’s “motor city jazz remix” starts the release with driving live drums and percussion for discerning dance floors. on the flip john’s original mix keeps the energy moving, before going to the brilliant sol set collective rework which blends live energy with driving production for those special dance floor moments. pressed loud to high quality 12&#8243,, vinyl in detroit.

small great tunes vol.1 is varied and offers a traveling dj multiple vibes to choose from. the energy on this new record takes off within the few first bars. the opening track >sport casino< by kid simius introduces a lighthearted mood and 80s synthesizers. peter lcs >sogni dinfanzia< is very likely to become the next lofi-house classic on disco dancefloors around the world. dreamy and melancholic but groovy nevertheless. the b1 track >kamal<, a collab between david silver & luca olivotto is a tasty house mood. the tune features a powerful and groovy bassline and sparkling synth leads all accompanied by rhythmic piano chords. b2 is similar to a2 in the way that its also a lofi-house track with nostalgic moods and careful sound design. with each side of the record featuring both a sunnier and a moodier track, the ep is a perfect fit for summer sets in a heated club or leisurely listening sessions on late afternoons enticing the listener to let go and bringing back memories that have yet to be created.

debut record from morgan huggins on lovejoy records. dreamy and epic house & breaks in a manner much similar to four tet & bicep.

limited repress! red vinyl alert! drawing spaced out grooves. early support from vid, priku, herodot. vibes teleported from odessa, via bucharest and through berlin, tell their stories on the gfd record number 6. the a side, signed by guy from downstairs, unveils the crispy sounds of the cherry jays track in two similar versions, showcasing different flavours for your chosen time of day. same same but different! the flip side is fueled with warm minimal crunchiness delivered by the collab between none other than roche madame captain - c.s.r. (aka cesar merveille - you might know his music on cadenza, drumma, visionquest) and - body parts owner, olga korol. >bolshe< also comes with another twist through gfds trippy remix on b2.

nycs legendary sam records dropped the mysteriously named k.i.d.s dont stop- in 1981. it has it all trancey arpeggios, vocoders & vocals trading off with each other, brass & some heavyweight disco drums that helped propel it forth into the hallowed category of club classic. the record perfectly suited the open minds and open ears of discerning disc jocks in locales such as new york and chicago where this sublime piece of electronic disco sleaze would get plenty burn on the city s infamous wbmx thus having a huge impact, along with a whole host of other similar records, on the burgeoning house scene that was germinating in the fertile mid western soil. b-side cut do it again is a pleasant enough early 80 s disco jam, but compared to the futuristic burner that is dont stop on the other side theres one clear winner. a must have for all cosmic, disco, funk aficionados. now made available again, legitimately licensed, remastered and reissued in conjunction with sam records new york city.

seriously tipped 4 tracker from shantam. a lush mix of idm and chopped up house similar to vibert and 90s warp.

wicked 80 s funk, disco etc edits from glasgow, nicely sliced and chopped in a manner similar to soundhack / soundstream and jamal moss. check the insane edit of vanity 6s make up!

limited repress! drawing spaced out grooves. early support from vid, priku, herodot. vibes teleported from odessa, via bucharest and through berlin, tell their stories on the gfd record number 6. the a side, signed by guy from downstairs, unveils the crispy sounds of the cherry jays track in two similar versions, showcasing different flavours for your chosen time of day. same same but different! the flip side is fueled with warm minimal crunchiness delivered by the collab between none other than roche madame captain - c.s.r. (aka cesar merveille - you might know his music on cadenza, drumma, visionquest) and - body parts owner, olga korol. >bolshe< also comes with another twist through gfds trippy remix on b2.

the debut album from dan kye aka vocalist jordan rakei (ninja tune) great deep house, that blends in soul, jazz and funk in a similar way to the recent moodymann output.

after several unknown and mysterious releases, it is now time to reveal whos behind those innovations. adrian dragut, going by the name of dragutesku, is trying to express a different vision of himself. from the dark side of his ego to the peaceful depth of his soul. the idea for the album name, -dualism-, is to show that there is nothing -right- or -wrong- and similar to the concept of yin and yang, who cannot exist one without the other, thus becoming a duality. this release will come out with 8 tracks as a double vinyl, with limited copies.

ltd repress! dominik eulberg’s third ep on his label apus apus features the track -abendpfauenauge- (eng. eyed hawkmoth) on the a side and -oleanderschwärmer- (engl. oleander hawkmoth) on the flip side. -abendpfauenauge- brings together a romantic outlook as well as a rave quality through sequential tight knit melodies which enables the dj to play the tune in the club. -oleanderschwärmer- on the contrary is a dreamy and airy 15 minute epic that is a true fascinating listening experience. a. abendpfauenauge the eyed hawkmoth owes its name to the distinctive eye drawing on its hind wings. the bark-colored forewings provide perfect camouflage when resting on tree trunks during the day. in case of a disturbance, it pulls the forewings up jerkily. the moth now gives off the appearance of a face that suddenly stares at the troublemaker. forward and backward swinging movements of the body intensify this threatening effect. b. oleanderschwärmer with its incredible colors, the oleander hawkmoth is a symbol of tropical beauty. it rarely flies into our fields as a migratory butterfly. with a wingspan of up to 13 centimeters, it is a true -jumbo-. it s flying style is similar to that of hummingbirds. it reaches speeds of up to 50 km/h. it’s proboscis, the tubular mouthpart used for feeding on the nectar of flowers, becomes as long as its body.

limited tape from the people behind wannamarchi.club touching on similar themes as the legendary muslimgauze, this is a sometimes unsettling but very rewarding listen.

limited 2020 repress ! from another mind, originally known as a series of eclectic dance events in southern germany, now released its third record by shdw & obscure shape. die weiße rose shares a similar hypnotic & atmospheric vibe with its predecessors, which have already gained great support worldwide. having released three eps, from another mind has proven itself to be a label worth keeping an eye on. the record pays homage to munich - vinyl only.

limited 2020 repress ! from another mind, originally known as a series of eclectic dance events in southern germany, now released its second record by shdw & obscure shape. “wenn die masken fallen” shares a similar hypnotic & atmospheric vibe with its predecessor, the debut ep „nachtblende“, which has already gained great support worldwide. having released two eps, from another mind has proven itself to be a label worth keeping an eye on - vinyl only!

one half of iconic british duo basement jaxx felix buxton and vocalist gia make their defected debut with the soul-stirring so hooked on your lovin, alongside two groove-loaded remixes by mousse t. the first ever release under their selace pseudonym, the record comes laden with lingering organ chords and stunningly raw vocals, echoing the stripped back quality of switchs i still love you and with a similar deep-reaching feel to massive attacks early 90s classic unfinished sympathy. production maestro mousse t. works his magic with his funk-drenched disco shizzle mix loaded with a pumping bassline and guitar riffs alongside a deeper dubby shizzle version laced with a spoken word hook. less is more with selace, this is a minimalist yet undeniably stunning record that lets its captivating song do all the work. / 1 per customer

pop

very ltd edition 12 inch ep

reissue of these ultra rare soul tracks ! second press, following on a ltd 2012 pressing. tip!! scorpio and his people remains a mystery with the only possible clue that the band hailed from los angeles or long beach california. originally released in 1972 on a private label, this double a side is a heavy slab of psychedelic and gritty funk complete with female vocals in a similar style and vein as dee edwards or little ann

this album is a unique mixture of modern classical sound and avant-garde jazz which is kind of similar with strata east or nimbus.

side a is a reissue of the highly sought after disdain ep from 1988 by white house white. side b contains three previously unreleased tracks in a similar spirit to whws sound with a dark and sleazy atmosphere

after getting a hot cast of remixers (vril, sterac, lewis fautzi...) to reinterpret his debut full-length as kaczmarek last year, paul richard (aka paul ritch) gives his second lp k.a.c.z.m.a.r.e.k similar treatment as the talented likes of dutch production duo museum, japanese experimentalist iori, parisian techno stalwart antigone and on-the-rise italian 4/4 epics trader adiel take the reins and add their personal key to the frenchmans deeper-than-deep hypnotic delicacies, all primed for extended drifting on the dance floor and beyond. time to heed the call of the depths.

the courierbag deluxe holds approximately 40 records or 35 when a laptop is inside. the courierbag deluxe is build with firmness in mind and can be combined with any udg trolleys. fits: pioneer ddj-wego 3/ 4, ableton push/ 2, ni maschine jam, reloop jockey 3 remix, mixage ie, akai apc40 mk2, hercules djconsule 4-mx or similar size controllers

the courierbag deluxe holds approximately 40 records or 35 when a laptop is inside. the courierbag deluxe is build with firmness in mind and can be combined with any udg trolleys. fits: pioneer ddj-wego 3/ 4, ableton push/ 2, ni maschine jam, reloop jockey 3 remix, mixage ie, akai apc40 mk2, hercules djconsule 4-mx or similar size controllers

auf dem zweiten album von pedro vian eröffnet der heute in amsterdam lebende künstler uns ein neues musikalisches kapitel seines lebens, das sich durch tiefe emotionen und gefühle zieht und momente von euphorie, wut, gelassenheit, hoffnung und liebe durchläuft.

amazing minimalism grooves! kayf is very pleased to publish its first ever vinyl release. this very special 3 track ep is produced by the labels founder artur nikolaev. the a-side track, sex under the sun, takes us on a sensual sojourn building from basic, elementary acid stabs and fractured beats that gradually fire up into a punchy, funked-up dance floor stomper. break showcases nikolaevs infectious production style, with complex broken beat patterns licking and stabbing through an uplifting, tropical baseline. completing the b-side coupling, sex under the moon is forged from similar production style as with the first two tracks, but is more intimate and increases both in intensity and tension, prolonging a climactic build-up which really hits the spot.

lootbeg is no stranger to releasing quality music. with notable releases on crow castle cuts and o*rs he also finds time to act as label head for -a friend in need-. the travel to planet trance is being played monthly at sensu s club night at sub club in glasgow, such is the allure of the melodic pensiveness of the lead track. cydonia mensae offers a similar feel for those looking for something a little more stripped back. on the bside eupen lends a groovier house option before things get a little harder and darker with relate.

repress 2018 .. with the benefit of almost zero british press attention, clubroots selftitled debut cd gained quite a cult following last year, with plenty of enthused chat on message boards like dubstep forum, while both mary anne hobbs and rob booth commissioned clubroot mixes for their respective (and much respected) radio shows. his sound is often compared favourably with burials more atmospheric sequences, and with a similar air of annonymity characterising his public (non) profile, he seems already to be attracting an audience who betray a certain obsessiveness in their listening habits

the new york downtown producer/composer returns with his first new album in 3 years!
eighteen: the year of release, 2018. eighteen: the age at which i first used a synthesizer. in creating eighteen i worked independently in the studio, initially building up tracks with synthesizers and found sounds recorded in my daily comings and goings. after working with the tracks over a period of months, i shared them with a few musicians, who added their own instrumental layers. though working independently, we all shared a similar working process: working in our personal recording spaces, as opposed to larger recording studios.

poker flat recordings drop a new four track ep from greek techno / house producer thanasis voulgaris. under his kindimmer moniker, voulgaris has been putting out quality dancefloor music since 2010, including a handful of releases already for steve bugs iconic poker flat label. ‘merge, the title track sets the tone with a killer, propulsive rhythm, adding chopped up organ stabs and shuffling funky percussion. ‘swift changes has a similar deft touch, all slinky chords that bring about thoughts of the classic detroit sound, while adding his own signature take. ‘its coming is a little harder, with a booming kick and tricky hats, before opening up into another deep bomb that will keep the more discerning floors in raptures. ‘ride with me flexes its funk - the groove jacks a little harder and the vibe is definitely ready to make the basements sweat.

beautiful 1 lp edition 140g vinyl, heavy 350gsm sleeve, sticker wrwtfww records is extremely excited to present the official reissue of cult album lingua franca-1 (originally released in 1983) by groundbreaking kyoto band ep-4, available on vinyl housed in heavy 350gsm sleeve

frigio consistently plumb the depths of electronics to find new material, and this time the madrid imprint has unearthed, in the murky currents, a real gem. tecwaa is the solo project of york based producer paul fawcett, a musician who discovered his sound in the british warehouse parties of the early nineties and went on to nurture it with movie scores, detroit techno and homegrown electronica. his debut brings together three pieces of original machine music alongside a very special remix. the menacing -the eighth circuit- broods into being. looming synthwork is further darkened by distant vocals, house percussion keeping time in this sinister opener. -mantra & machine- has similar attributes. adopting clean rhythms, the track refuses to sit comfortably in any genre pigeonhole as tecwaa weaves a work of cerebral depth. charles manier introduces the flip with his take on -fervour-, tadd mullinix returning to frigio for the first time since his superb remix as jtc of juanpablo s -dream- in 2010. a funk laden work of hip hop breaks and industrial distortion where manier explores blackened moods and horrorshow grooves. the original of -fervour- closes, showing another side of fawcett s style, bpms drop as foundations are laid bare in this stark conclusion.

yama music return with their second instalment on their own self-titled label, with yet more trippy minimal house music. as with the first record, yama music 002 brings 3 original cuts which are stripped back groove aimed at the dancefloor. the uk based label kick things off with “outstore”, eerie pads sit on top of tight stripped back drums which have a glitchy atmospheric synth adding to the cosmic feel of this record. the b side are two tracks that follow a similar pattern but retain their individuality. the first of these is “who what space”, this track is propelled along with a bone shaking yet infectious bassline, crisp percussion and an otherworldly synth. “who what toms” wraps up the ep with delicate shuffling percussion, a tight kick drum and a sexy bassline ready to make the dancefloor hum. a well placed vocal and a synth that sounds like it’s taken from the starship enterprise rounds off a great return for yama music.

peter croce takes the baton back from blair french for rocksteady disco’s 9th release entitled agape. its vision is similar to standing still is an illusion, with peter’s unique take on this afro­brazilian deep house three­tracker.

approaching complexity is tangent’s sophomore album release for n5md, a label that has seen accomplished releases from the likes of near the parenthesis, bvdub, and loess among others. throughout its nine offerings, the record features a gorgeous contemplative piano that hangs in the air amidst static clicks and dense atmospheres. its delicate touch feels both melancholic and stirring, as exemplified on tracks “equilibrium i (ii & ii)” and “awaken.” the latter cut is a fascinating work comprised of nearly inaudible whisper-song vocals and swelling ambience, its waves a thick froth of a toppled surf underneath tickled ivory. like the rise and fall of a heavy chest, this sound leads to the track’s conclusion, an elongated departure of breath.
a similar ending can be heard on the track “redundancy” which is complemented by the official video premiering at igloo magazine. jittering frames of concrete grass animations are edited to the rhythmic snippy percussion. this is juxtaposed by images of ice cascading off a rocket launch in slow motion and vapor in reverse. see below.
at almost an hour in length tangent’s new album is their most complete sonically, never straying from its core essence. a quality release that in its nature is both bound to existence and is otherworldly in its simplistic beauty.
the orange vinyl release features 6 tracks and includes a doanload code for the full 9-track album.

well, this is different… fourth kind the self titled mini album on omniverse records. it’s hard to pinpoint a genre with records like this, produced by marc mac of 4hero and similar to some of the 4hero output, it defies genre and fits somewhere in-between many. the production is heavily reliant on synthesisers and vintage drum machines in places but is full of real life and organic movements, this is partly down to the signature drums played by luke parkhouse. the only other guest spot is filled by nu jazz funker pascal strauss aka luman child who plays bass guitar on “take me to your sky” which along with “afterglows” are the closest we get to dance tracks, in most parts a 70s fusion feel is present. the short interlude type tracks are just as important and i would go as far as to say vital to telling the story. moogs, arps and solina strings weave patterns throughout, all in all, across the 10 tracks the album is a journey of mood and emotions. 180g pressing.

hailing from wellington, aotearoa, the land of the long white cloud, scent is a newcomer to the scene but long time gc of modern hypnosis. his first sighting featured a track ‘devils dread’ on indigo movement’s 5-year digital compilation december 2017. heaving at 140 beats per minute, ‘trax’ creates a certain energy similar to early jungle riddims. chopped percussion, giant synth stabs, weighty driving kicks with underlining sub bass and the odd flute build the track to a halt before commencing it’s minimal technoesq break down. ‘just a dream’ a rooted scentimental dub which takes you deep into a place amongst your rem sleep with sparse whaling strings and swinging percs. scent debut solo release. one to watch.

robotron is the machine formerly known as xinner. this is its first offering for the esp institute. side as dream resonator is an idiosyncratic network dexterous machine drum/percussion programming, an ebb and flow of floating arpeggios, syncopated counter-melodies and a hail of stabbing stringscontinually diffusing into ethereal vapor all stacked into an (aptly-named) orchestral anthem. side bs ice takes a similar approach with arrangement, each instrument carving out its place in the tracks mechanics for a glorious convergence of patterns, but, where side a proves optimistic, here we sense a more menacing undercurrent, an austerity powerfully articulated through towering kicks and claps so compressed they fill up every dark corner of negative space. indeed, robotron has an innate command for building and calibrating robust systems, but beneath this calculated veil we find the remnant human behavior of xinner. these two songs will whisper loudly but scream quietly.

!!! 2018 repress !!! of nu guinea’s outstanding ‘world’ ep – the neapolitan duo is set to release new material on tartelet later in the year as part of the labels 10 th anniversary. the beautifully dislocated bougainvilles live lays out some warm analogue textures across a live percussion base, while the vocal edit of title track nu world ploughs a similar furrow to obscure 80’s afro-disco, with rich musical synth work over a pacey afro groove and undeniable jazz-funk flair. the flute mix passes over the vocal refrain from mix one and just gets down and wigs-out on those solos - an absolute killer! exotica dance club sounds like herbie visited the salsoul studios with his banks of analogue gear and jammed out into the small hours, as we head home on the beatless outro, all synth washes and lavish ear candy.

inits music has the rare quality of transforming bleakness into a soothing experience. in the duos new ep, wildcard, this mechanism is more intense than ever. and that might be because of the particular circumstances that surrounded its inception. two years ago, nadia dalo and benedikt frey decided to move from darmstadt to berlin. adjusting to a rough area of a big city when coming from a quiet town necessarily brings a change of perspective. for nadia and benedikt, that meant experiencing the city life as outsiders while trying to figure out what they wanted from it.wildcard is the sonic result of this process, and proof that changes always bring growth. recorded in their new home studio during winter, the six tracks on the ep are as haunting as their previous lp for hivern, but with a rawer approach and enhanced power. take cover and solver, an approximation to the kind of moody psych-techno they display in their live-shows and two of the most dance floor oriented tracks init have recorded to date. but its the title track which best expresses the mindset of this work. with its skeletal rattle and undulating synths, wildcard feels as desolate as a berlin street in a winter night, but possesses the kind of focus that turns uncertainty into hope. in a similar way, cuts such as copycat or half baked perfectly capture the sort of estrangement -daunting yet hopeful- that comes when moving into a new place, with its slow tempos mirroring the cautious pace of a foreigner and the intoxicated atmospheres calmly distilling the essence of a new environment. nadia and benedikt describe this new habitat as small kids on big bikes, eating dry instant noodles, playing with whats to find on the streets, static aircraft traffic closely over our heads and constant running engines. listening to the music that arose from it, its obvious that, once again, they&# 39,ve been able to overturn apparently hostile elements into a place were youd want to stay forever

bondage music label-founders pornbugs return to the imprint this september with their ‘pacho’ ep, backed with remixes from pablo bolivar and phillipp gonzales. leipzig/berlin based duo pornbugs make a welcome return to their own label here with two new original cuts, ‘pacho’ opens the package with stripped-back drums, a bulbous bass line and choppy piano chords running alongside a bubbling arpeggio lead and tension building stab sequences. pablo bolivar’s rawmake of pacho follows, edging things into deeper territory with dropped tempo dusty drums, airy pads and an amalgamation of wandering, resonant synth lines. the second half of the release, pencilled for release as vinyl only features another original from pornbugs, entitled ’larica’ and featuring a similar aesthetic to the lead with fluttering dubby chords, a refined drum groove and unfolding atmospherics carrying the groove before label regular phillipp gonzales turns in his remix to complete the package, taking things in a more raw direction with heavily swung crunchy drums, pulsating filtered stabs and billowing vocal murmurs.

with an arsenal of releases on labels like ndatl, ppu, black catalogue, 2mr, and harsh riddims, atlanta artist stefan ringer presents the first release on his own imprint fwm entertainment. this contribution contains a fluid spectrum of sounds . “southside-, is a soulful, sexy summer house cut. “great beat” follows up in a similar vein, jazz inspired, introspective, and upbeat. while “wanna be bad” is a freaky skating rink inspired track. “got me 123&#8243,, is a hypnotic 2 step groove, and rounding it out is “fr shawty” a slowed vocal stepper.