2lp heavyweight (180gr) vinyl reissue of uk�s critically acclaimed trip-hop icons portishead�s self-titled studio album from 1997.

whether you�re floating free to antipodean ambience or toasting the sunset with a baltic beauty, you can always count on growing bin to take you someplace new for a while. swapping bucolic poland for the buzz of the big apple, the hamburg imprint reaches a magnificent seven in the company of synth-pop dreamer shy layers (jd walsh to his mum) and his sublime self titled debut

following 2014 s well received album for third ear under his :brownstudy alias, life well lived , jason hogans steps away from the mic to focus on an lp of flawless instrumentals. returning to production under his own name for the first time since carl craig s planet e label released his album peter and the rooster in 1998, the age of scrap belies its title to instead deliver a forward thinking record rooted in classic detroit, fused with futurist sonics and dope beats. hogans seamlessly combines strains of house, jazz and hip hop, as well as the futurist bass pioneered by the likes of la s brainfeeder collective, throughout seven perfectly formed musical excursions. tip.

following his debut solo release altar ego ep on la mission in early 2016, j choirboy returns with more bombastic breakbeats and raucous rave chords for your earholes. another sharp shot of nostalgia to the heart to have you waking up spluttering in the glory days of 92. simpler times when the internet was still in black-and-white and you and seven of your mates would pile into gazs vauxhall corsa and drive to a field somewhere off the m25 for a propa wicked rave which you found out about from a party hotline on a crumpled flyer with some tenuous reference to science in the title.

the return of manie sans de&#769,,,lire with seven new tracks on a double vinyl edition (12inch& 7inch) of 300 copies recorded in studio between june 2015 and july 2016. manie sans de&#769,,,lire is the project of june and trenton chase focusing on electronics, played and recorded live

according to numerology the number five is the most energetic and dynamic of all the single numbers. allow this to be one of your defining expectations when you start listening to * 5 *, the debut album from parisian maestro djebali. the number not only marks the number of years that have passed since his label was conceived, but also represents the months it took to complete his very first long -player. this is an important milestone in any artist�s career, the first time they have the opportunity to create something timeless � a culmination of all of their experiences so far, and a statement about where they are, and where they�re going.

up first is get enough, seven minutes of seductive techno that has an almost machine-gun like disco synth firing across the groove. it is a rumbling peak time track with real force and energy that will bring any floor to life. the title track, toleranz, is a gritty and stripped back basement cut with dry hits and burrowing acid bass that takes you deep into the night. cobra then proves this pair have real breadth in the studio and is a barrel chested house cut with more big hits, rib rattling bass and incendiary techno hi hats that really get you on your toes. remixing are the tech duo of pleasurekraft, whose releases on octopus and mood records have won them plenty of dj and dancing fans. they layer in some dark melodies to sq80 and build it steadily before allowing the militant drums and crisp snares to explode and drive you and the whole club forwards.

long awaited repress of this amazing masterpiece as very limited white vinyl edition. what happens when scales and patterns of contradicting emotional imprints combine? when light and darkness, bitter and sweet, frost and blaze collide? those are the questions that johannes heil chooses to address on his upcoming album, opening up a vast grey-scaled area for the listener to traverse with techno as a blindfold. �black light� sees the german techno mainstay return to the album format for an intimate ten track odyssey of close-curtained introspection. heil chooses the words of fellow futurist nikola tesla to set the stage of the black light story >black is the true face of light, only we do not see this<. track names are dropped in favor of a chronology of scenes, better adapted to the seemingly polar opposition of the forces that the figure and cocoon regular conjures throughout the album. everything that we perceive is processed and set into relation with past memories, digested emotions and iron-branded impressions. battling the current, johannes heil chooses to challenge certitudes by forcing us out of our comfort zones into the absence of light. if the pictures painted on >black light< are dark, they are also far from monochromatic. the machine-driven sonic prism acts both as the heavy cloud and the burst of light that shoots through to guide us. its the aggressor and the victim, the clenched teeth and the jubilant, the paranoia and the sanity of the mind. its pure heads-down driving techno with volumes of grandiose. provoking our senses, extending his art onto our personal canvases, the exile boss gives the listener the freedom to interpret the emotional context of each piece, to write the scripts of the individual scenes. the impression that >black light< leaves upon first listen testifies that 20 years down the road, johannes heil shows no sign of slowing down.

local nyc boy eli escobar makes better than good on his debut release for rnt with a 4-tracker of secret heat from his personal arsenal! the ep bursts out of the gate with bullfight of love, blazes through the percussion heavy everybody, hits full stride with the reworked paradise garage staple the music, then lets us down nice and easy with seven eleven. pay your fare and take a ride on the nyc underground!

32 mayday-klassiker auf limitiertem 4-fach vinyl im klappcover.

joy, ease, lightness is a 4 track ep aimed squarely at the dancefloor, but with a meditative awareness that reaches far beyond the club. fans of seven davis jr, steve spacek et al, watch out - there�s a new man in town: and he goes by the name of dan kye. yet another stellar release from the rhythm section international crew - undoubtedly the label to watch in 2016.

highly limited 10- dubplates. following on from medium�s hugely successful 6th chapter in our project mohawk series, we waste no time gearing up for number 7, and make no mistake, it�s one of the biggest. for the next instalment, we handed the creative reigns to kaset. already treasured as one of our brightest talents, he showcased his early abilities in the edm.com premiered �contour� from our musical currency volume 3 compilation, but that alone was the briefest insight into what would follow. more a mini album than an ep, kaset presents seven tracks of what we feel is his finest music to date. each track stands up to objective scrutiny in its own right, but together they form a body of work that few can deny is seriously on point. this is an ep for the heads, the only punches it pulls are bass laden ones to the solar plexus. those out looking for the freshest of deep beats, it�s time to load up, you�ve just found them!

die zweite reise in die station road nach wigan bringt uns 16 weitere northern soul-perlen aus den playlisten der beiden djs russ winstanley und richard searling, als der legendäre wigan casino-club in den 1970�ern seine hochphase erlebte.

second release on craig richards tuppence seven-inch single label, comes courtesy of e.r.p. aka convextion (gerard hanson). hot on the heels of his brilliant 2845 album comes this mesmeric * new road* seven-inch, a must for all convextion fans. please note these are limited 7 inch only releases. watch out for other forthcoming releases on tuppence from deadbeat and from howie b.

... without words - just music / ltd repress

released three years after stoned raiders movlp1727, latino hip hop group cypress hill returned in 2004 with their seventh studio album �till death do us part�. on this album they flirt with reggae, particularly on �what�s your number� sampling the clash�s �the guns of brixton� plus �ganja bus� featuring vocals from damian marley. �latin thugs� is a characteristic cypress hill latin-mariachi rap and b-real rocks with a clever cover of the beastie boys �paul revere� retitled �busted in the hood�. awarded with 4 stars out of 5 by rolling stone magazine, �till death do us reached #21 on the billboard 200 albums chart and #23 an the top r&b/hip-hop albums chart.
pressing on 180 gram audiophile vinyl.

after the release of the album -the rustling of the leaves- in november of 2015, and appearing on tommy four seven s 47 label, snts announces his new label sacred court, which will move towards a more experimental and distorted sound, covering styles such as noise, industrial, techno post-punk, ebm, etc.

the seminal dutch industrial out arrive on 12- again after that serious contort yourself set. big tip! the label say -started in 1984 as an industrial/electronic one-man project, lately expanding as a 7 persons multimedia collective, the band mainteined always during their career a pure industrial approach, through the use of analog synthesizers, microphones, effects and distorted acoustic sounds. for this single we have selected 4 killer tracks for you: liberation and stalin from their 1985 cassette fanaticism & hysteria, this last one also presented in a seven sisters of putin remix form, plus on the b-side the killer slow industrial-techno message from the cassette matrix machinations (1996). if you want to approach the true 80s industrial mentality then you are in the right place. tip!

britain�s biggest ever selling album back on 180 gram heavyweight double vinyl. half-speed remastered at abbey road studios

for his maiden voyage through space, shan (victor shan, if it matters to you, and it should) offers good to me, a pair of revelatory dancefloor productions inspired by many a long night and early morning spent at the legendary frankfurt institution robert johnson. a finely-tuned specimen of durable, architectural sampling, the 12� title track runs a rigorous course of breakbeat rhythms and classic chords while a diva�s pleas are made and answered within seven minutes of perfect primetime rave. on the flip, shan churns through metallic stabs and primed drum sequences for the devious �version 1.� shan spent close to four years perfecting �version 1� through various dancefloor demos, no more evident than in the stunning arc of this sought after jam.

makam returns to dekmantel records with his first full-length album for the amsterdam based label. blankens ongoing search for fresh sounds, textures and rhythms has lead him to than sadet, a gorgeous piece of work that takes his sound into new directions. that sadet displays a refinement of makams sound. the music is highly tactile, with an emphasis on the surroundings of the environment in which it was created. blanken: than sadet is a secluded beach on an island in thailand. a mysterious atmosphere haunts it. its windy and the weather is always a bit worse compared to the rest of the isle. there are many cliffs and you cant swim because the waves are too high. four years ago i visited than sadet for the first time and ive been coming back ever since. at one point i decided to bring my studio equipment. for a week, i dedicated my days to making music. those sketches formed the basis of the album.

seven rare and unreleased collectable 7 inch vinyl singles from tamla-motown in a limited numbered box, including download code.

seven years, who cares? no one really but it seemed like a good excuse to do something a bit different. we spoke to some the artists that have helped shape wolf over the years and asked whether they would like to contribute to a double 7 inch release. excited by the unusual project session victim, frits wentink, greymatter & mr. fries have delivered four original tracks with the format in mind. hip hop, beat down, low slung & upfront house all contained across two records. this release will be vinyl only.

having spent the last seven years delivering impressive singles on a variety of labels - most notably aus music, secretsundaze and hype_ltd - ewan smith has decided the time is right to unleash his debut album under the youandewan alias.

despite the renewed interest in music from kenyas past, finding these tracks and their rights holders hasnt become any easier. only a handful of music archives around the world harbour collections of kenyan music, and just a few private collectors in kenya and abroad have been sharing catalogue info online or privately. one of the problems with east african music of this era is that much of it was originally released only on 45 rpm, seven-inch vinyl singles, many of which were only ever produced in tiny runs of a few hundred. 45s with their thin, paper sleeves do not age as well as lps and are often far more susceptible to the elements

pressing on 180 gram heavyweight vinyl, comes with download code included.

next on version is a remix set by the legend that is benny ill of horsepower productions. on the a-side you will find a stunning techno steppers rendition of orson�s -rise 6-. check the b-side for orson & hops -dread drumz- getting benny�s unique jungle treatment. both sides are tried and tested in the dance and have been rinsed on radio by respected djs such as kode9 and n-type. version 006 - the benny ill remixes - is a true soundsystem weapon and will be a killer in any serious selector�s war box.
mastered by beau thomas at ten eight seven, london. artwork & photography by orson sieverding.
supported by kode 9, paleman, n-type, pearson sound

most excellent unlimiteds series of 45s celebrating the 45th year of danny krivits career continues with a blast of two heavyweight cuts that, to borrow the parlance of the era from which they came, are bonafide sure shots. wood, brass & steels *funkanova* a jazz-funk masterpiece and loft classic that was liberally sampled in the house world (black science orchestra, terrence parker, the bucketheads), is pared down to its most joyous elements. from the intro, a typical krivit maestros detail of an opening bass slide prefacing hands-in-the-air cascades of iconic horns and keys, to the echo of the last notes, its a perfect edit immaculately tailored for dj usage. the flip delves deeper into new york city dance history with a rough and rugged beat- down of a proto-disco, b-boy classic: boobie knight & the universal ladys * sex*. displaying his usual knack of going straight for the jugular, krivit takes the songs siren-call-to-the-dance floor horn riff as his starting point, peeling off another layer to the floor-shaking bass and drums before bringing it all back to the top with a perfectly placed drum roll that will have flash disciples fiending for doubles. solidifying this blazing double-sider is the fact that neither of these essential cuts has ever appeared in seven-inch form. another most excellent unlimited sure shot!

composite profuse, aka valerio lombardozzi aka heinrich dressel, breaks radio silence after seven years in the shadows. cold winds curl and otherworldly atmospheres abound for unalaska ice files. arctic tundra and ice are the inspiration, frozen vistas dappled with warming light, subtle shifts and sinister shades. teslasonic take on the title track, injecting electrical pulses and an underhanded edge. shipwrec stalwart, rob witsch aka the exaltics, gives his own icicle encrusted interpretation, one of stark percussion and expansive horizons. a welcome return to composite profuse. first run on coloured vinyl!

grooves aus den tiefen des meeres - von den beiden dub-genossen. die vinyl-lp mit 8 tracks ist auf 500 stück limitiert und erscheint inklusive album-cd mit 13 tracks.

deluxe lp w 180g, reverse board sleeve, mp3 download - jonathan fitoussi is a french composer and audio engineer working at the institut national de lãaudiovisuel ¹ ina - recorded with ems synthi aks, sequential circuits pro-one, and yc45d electric organ. - mastered by rahshad becker @ dubplates & mastering - seven aquatints (1973) artwork licensed from robert mangold

poker flat recordings deliver another killer collaboration, this time between berlins youandme and the analog roland orchestra. the result is reflection an ep containing more than its fair share of pure dance-floor moments. the analog roland orchestra is michal matlak, the berliner whose intimate knowledge of dance musics most iconic machines has made him a much-in-demand producer and remixer. teaming up with party starters youandme as well as vocalist black soda, the title track of this release explores deep vibrations, merging 303 basslines, crisp 909 programming and a highly effective vocal. the dub tool reworks the vocals into a more spacey arrangement, adding atmosphere for djs who like to keep their sets stripped back and trippy. the hyenah remix flips the script and develops a deep afro-house inspired cut the man from the caymen islands developing an irresistible groove stretched out over seven and a half minutes. the acid mix gives an opportunity for the guys to get busy working the 303 to its full (un) natural potential, while the morning light mix locks into a cosmic vibe shimmering synths over a smooth, rolling deep house vibe

australian label nightime drama, run by peter fincher (aka vibrio) and shaun franklin (aka trebek) now serves up its second standout release of 2016. this four track affair comes hot on the heels of the last by yoshihiro arikawa, and is a second release on the label by aussie live act, dj and producer trinity, with steven tang and italian based andee on the remix. trinity has also released on ooc, coincidence and android muziq and regularly performs all round europe. his sound deep and cosmic, heady and hypnotic, as the fresh tracks here prove. cascade drive is seven minutes of direct and elastic house with spacey pads and driving drums carrying you through the cosmos. from the earthmothern label and one half of rk s, andee strips it back to a slick rubber kick drum then layers in a forceful acid line and icy hi hats to really get you under its spell. the longform groove is physical and cerebral in equal measure. the next original is expansion, and again finds trinity serving up a hi tech and soul infused deep techno sound that is lithe and liquid, smeared with great pads and truly timeless. emphasis boss steven tang is the perfect man to remix given his style, and his version flips the cut into a more heavyweight and banging techno effort, but one that is just as littered with sci fi sounds, spaceship trails and intergalactic energies.

-hepta- is the greek word for the number seven. significant, full of knowledge and symbolism, these metaphoric fields are associated since the beginning of ownlife. it is also the title of the new release on the platform. this time, as it happens regularl

2016 repress! after seven releases tiefenrausch present their first album and send biodub back into the depth. on >familiar warmth< he explores the borders of the genre. warm and subtle developing dub techno tracks build the foundation of this versatile album. the features of reggae vocalist ray darwin and noetics gituarist chriz the wiz as well as the filigree use of percussion and field recordings make this production feel naturally alive. for the visual perfection alex ketzer covers both vinyls in a sublime imagery from jules vernes >20.000 leagues under the sea<. mastered by salz music.

everyones looking for inner peace of some kind�even warmongers. as most intelligent people know, music is one of the most effective ways to achieve that blessed, blissed state. the debut album by seattle producer monadh (jake muir) offers yet more crucial aid in the war on stress. muara is an ambient album in the purest, chillest meaning of the term. its seven tracks are awash in aquatic signifiers and textures each one is a rejuvenating dip in healing, icy waters.

new granulart release, pressed on limited coloured vinyl. gltd005 is a split ep from label boss kessell and emerging artist eric fetcher with recent releases on aine and children of tomorrow.
early feedbacks from oscar mulero, luke slater, dvs1, pfirter, jonas kopp, peter van hoesen, paul mac, angel molina, eric cloutier, shlomo, blawan, truncate, jeroen search, kwartz, birth of frequency, ben sims, samuli kemppi, vince watson, answer code request, dimi angelis, marcel dettmann, tommy four seven, alexander kowalski, slam, raiz, developer, james ruskin, francois x, zadig, kirk degiorgio ...

played by agcp/dr cuts(plus seven), sergio rizzolo, malka tuti
emotional especial and cocktail d amore music enter cahoot-mode once again with a second round of sfire remixes that take proceedings down a deeper, more stripped-back path courtesy of the inimitable timothy j fairplay and willie burns. two artists who need little introduction offer up two remixes each that take the unique original to new dance floor extremes. timothy steps up first with his take on -sfire 2- via differing vocal and instrumental versions. his trademark, echo laden rolling percussion and john carpenter-style key lines take the original synth-pop homage to the dark room. adding arps, a lifting, hedonistic breakdown and the scatter-stepper drums and claps found on the instrumental version and this is pure cotf territory and the better for it. mr willie burns meanwhile has long followed his own path for his take on -sfire 3-, offering one of his deepest remixes to date. thudding kick, brooding pads and dark strings force the vocals to go down, way down for examination. the distorted vocals of remix 1 are countered by remix 2 letting the track shine via a seemingly endless 4/4 beat. psychedelic, trance inducing, pulsating, this is an ever growing mind expanse.

"illektrolab has been missing in action for seven years. an electro machine, this satamile alumni went rogue; ducking under the radar in 2007. now found he s ready to return to the front line. four weapons make up illahertz. clipped beats break and reform, basslines bubble and bulge as computer funk is lanced by pared steel. drums race in eerie future wastelands, fizzing static and samples circling before acid rains down. future and past influences sharpened into dangerous electro blades by a prodigal son."

for the past seven years kornél kovács has been busy rocking dancefloors and boomboxes worldwide as one third of stockholms studio barnhus alongside axel boman and petter nordkvist. the label and dj trio is spearheading a new era of fearless swedish off-centre dance music, straddling the line between the cute and the menacing. anticipation for kovacs debut album has been rocketing following stand out releases like 2014s wistful szikra, last years mad party anthem pantalón on glasgows numbers imprint and the late night groove of space jam on smallville records.

beer serves up a second edition of edits, this time finely sliced & chopped by jacques renault. jacques doesn t go in for trickery, his quality as maker of edits shows clearly in these four cuts from henry rodrick, hnny, black fan and dj duke. this is certified dancefloor dynamite. limited stamped 12- ! .

1 lp gatefold, 180g vinyl, beautiful art by anders rokkum. second album from these hidden hands (tommy four seven & alain paul a.k.a shards)

played by : neuman (maddisco edits), agcp/dr cuts(plus seven), dj sofa, alan dente
plevna (an alias of horatiu serbanescu, long-time contriver at future nuggets and co-founder of steaua de mare) presents its first full ep. after incubating for almost 2 years while extracting and forging gems in the south-east space-time anomalies, the untraceable sound of plevna has reached the optimum balance between eighties delicate nostalgia and contemporary local oriental melody. bouncing on the delightfully twisted 9/8 groove, this is a unique contact with a multiverse under meticulous construction, an excursion abundant in haunting tunes and unfamiliar melancholy.

necessary mayhem mastermind curtis lynch, in his musical guise as da grynch, lets loose seven slavering dubwise weapon dogs upon an unsuspecting public with this first instalment of the dub chronicles. nm has established itself as one of the best uk labels currently extant, much to curtis credit. this dub set should go a long way to enhancing that hard earned reputation amongst all lovers of dub, appealing to both old and new school adherents. lynch maintains the highest standards possible for his releases, this is reflected in the eye-catching sleeve - a homage to tony mcdermots classic greensleeves scientist sleeves - by ellen g of my lord graphics.

the �miles ahead� original motion piucture soundtrack features essential miles davis tracks, original compositions and dialogue from the movie. the double 12 inch vinyl is housed in a gatefold sleeve.

act natural limited. vinyl only. very limited 200 copies. no repress. no digital promo

seven davis jr. has firmly established himself as one of the foremost purveyors of future sounds having released his unique music on forward thinking labels such as kutmah�s �izwid�, funkineven�s apron records and ninja tune.
for �future society� seven has curated a collection of his favourite new, unsung and like-minded forward thinking artists to highlight the talent he has encountered on his travels, (the album features artists from new zealand, u.s.a., ireland, u.k. & switzerland).
consisting of mostly exclusive unreleased tracks, this collection contains electronic, soul and house tracks with a pioneering spirit. welcome to the future society.