south london boy jitterbug drops his 2nd ep on uzuri after his well received debut >raw winter< early 2009. he pretty much continues where he left off. raw, deep cuts, strictly for the heads with even more attention to the detail. taking in disco, via chicago, detroit and london! a self assured 2nd ep and strictly unmissable!

special gloss finish! new single of the self titled hit album. the b-side contains a previously unreleased demo version of saturday night part 2!

cheryl coles >parachute< finally lands in the clubs with these massive remixes.

dubline audios next release is graced by the talents of canadas mark instinct. 15 karat is a dangerous ep, the tracks are armed to the teeth and ready to create havok amongst dancefloors world wide. each track is an dimensional example of dubsteps exploration into the technology of future bass music. worth its weight in gold, and as intended each of the four tracks are deployed as weapons of the djs arsonal amongst their crates. 4 tracks that are sure fire hits. the predetermined target aimed to the dance with the sight set to annilate the crowd. thick basslines, dope beats, and smashing drums set the pace in this artistic approach of a surreal instinctual bass killer. prepare to nod the head as gangster beats dominate the ether airwaves of all those that set ears to mark instincts - 15 karat ep - dubline audio 05. you have been warned. this message will self destruct.

fans of burial mix and grayhound best listen up, cause the boys from succulent have come to mash up the hi-fi wit tha wicked dub, man. all three of their pieces use that unbelievably deep sub-bass that made their track on grayhound bug everyone out. pair that to masterful use of effects and proper ly placed samples of rasta mcs and you got that deep down, below the root line, damn its dark, kinda undaground dub shit that worship seem impossible to not do right. then the masters at the dub-house sound, solomonic sound, rework >freshly< into a sub-aquatic fun house of dubbedout bass wicked percussion all wrapped in spacey sounds. big, fat & totally necessary for any self respecting dub/house dj.

traversable wormhole has been one of the hottest mystery artist projects/ series in the techno scene for the last several months. finally coming out of the wormhole to reveal him self in 2010. we find it to be none other then legendary nyc techno pioneer adam x. adam’s >traversable wormhole< is now stepping up to vol 7, keeping the series fresher then ever with more new sound innovations in sci fi techno and dubstep.

traversable wormhole has been one of the hottest mystery artist projects/ series in the techno scene for the last several months. finally coming out of the wormhole to reveal him self in 2010. we find it to be none other then legendary nyc techno pioneer adam x. adam’s >traversable wormhole< is now stepping up to vol 7, keeping the series fresher then ever with more new sound innovations in sci fi techno and dubstep.

rick wade, the self-entitled new duke of cologne returns to cologne based yore imprint, the real dukes in town. the detroit based deep house soldier rick wade has been around for a long time and has been releasing deep house tracks long enough to warrant the ‘old master’ title (all the way back in 1993, he built his own studio and established his harmonie park label), and now he returns of the mighty duke of cologne with a three-track yore follow-up to his fabulous 2008 full-length the good, the bad and the deep.it takes mere seconds for the title cuts deep bass-and-drum pulse to work its magic. driven by a slinky backbeat, the tune gets its skanky kick from a wah-wah guitar figure in the background and the silky allure of classic disco-era strings.

supported by: 2000 and one, luciano, jamie jones, lauhaus, anja schneider, magda, heidi, lee curtiss, ilario alicante, chloe, simon baker, monika kruse, jimpster, slam, anthony collins, audiofly,..…

traversable wormhole has been one of the hottest mystery artist projects/ series in the techno scene for the last several months. finally coming out of the wormhole to reveal him self in 2010. we find it to be none other then legendary nyc techno pioneer adam x. adam’s >traversable wormhole< is now stepping up to vol 7, keeping the series fresher then ever with more new sound innovations in sci fi techno and dubstep.

san proper stlyin like only he can... tip! good starts deserve likewise follow-ups. after a daring, but nonetheless vigorous start from the freshly formed dekmantel label thanks to israeli duo juju & jordash and their stunning and much praised self titled album, next up is amsterdams very own musical wolverine: mister san proper. you might have come across sans name recently. after coming, seeing and concurring the dutch lowlands san is on the eve of a definitive international breakthrough. with releases on world-wide acclaimed labels like rush hour and perlon his dazzling hand-jammed percussion, vintage synths and instruments- one - only - stubbles - upon - when - discovering - deserted - jungles now found their way to the dekmantel label – sans home bass.

supported by sian, loco dice, hot chip/ felix, john digweed, dubfire, todd bodine, derek miller, deepchild, goldfish + der dulz, mihalis safras, orde meikle, heiko laux, ktantin gabbro, toni d! yes, dominik eulberg is one of the few techno artists from germany who composes music out of a whole range of classical elements such as melodies, analogue synth sounds and a worthy treasure of self made elements. in dominik s world there is still place for romance and dreams opposed to the hard realism of the techno world and the music made on demand. so we were happy when we found in rodriquez jr a remixer who was able to connect dominik s world with his own world, keeping the gentle touch of the original but adding a quirky and lively element to it. if there is something like a perfect remix, this might be it!

entropic minus six contains four tracks selected from peter van hoesens forthcoming album. the mission of these four tunes is clearly aimed at the dancefloor. terminal kicks off this ep with an acidic, addictive bassline, supported by a solid kick drum traveling up and down the scales. strip it, boost it throws swinging metallic percussion at the listener, using only a few elements to maximum effect. on the flip side quartz 1 presents the story of a runaway slap bass riff, twisting and turning into a mad machinefunk frenzy. defense against the self opts for a more atmospheric approach, while maintaining the focus on the peters essential bass heavy sound. essential heavy bass, stripped down, machine influenced techno!

limited 7 inch! 2nd single of the self titled hit album. b-side contains a previously unreleased demo version!

tino boa now on plattenbau music! after his bomb shuffle express on drehmoment tino presents 2 songs for the dry fart ep. listen also to roberto mozzas very dry minimal songs. the idea after this release was to create a vinyl with very minimalistic techno. listen for your self.

support by : karotte, varoslav, mike monday, gel abril, anthony collins, laurent garnier, anja schneider, atjazz ...
alain ho aka dj yellow is one of the electronic music artists who established himself as one of the forward thinking artists in general. in the eighties dj yellow pushed forward french hip hop and he also had big influence on what french house music is today. with his label yellow productions (founded 1993 with his mate bob sinclar) he released artists like salome de bahia, dimitri from paris, joe clausell, bang bang and kid loco. with his second imprint poussez music (founded in 2003) he created an outlet for his own sounds.

support by luciano, reboot, sebo k, raresh, nuick curly.... chris carrier, one of the most respected names of the french underground house scene for more than 10 years, delivers his debut ep for off recordings. la fabourienne is the kind of peaktime tracks that you know and love off for, jacking grooves, a strong bassline and an infectious saxophone theme will turn your dancefloor upside down – guaranteed! jeudi is a completely different affair – a laidback sparse groove, garnered with 100% self-played live instruments and percussions show carriers deeper side, making this outstanding piece of music the deepest and most musical track released on off so far. william kouam djoko, one of biggest fresh talents of amsterdams ever-growing house scene, delivers a unique interpretation of jeudi for his friend and house-hero mr. carrier, straightening the deep original into a twisted techno-jazz-experience for the feet and the heart in two interpretations: the vinyls perky mix is more aimed at the dancefloor, while the trippy aftermath mix is perfect for afterhours. the ep is finished by cycles gladiator, a deep and timeless housetool typical for mr. carrier, perfect for the earlier or later hours of the night

a unique opener for haknams first vinyl release by emad parandian.
the tripping a-side >marangai waikawa< leads into archaic vaults - a dark spatial pattern of droning synth atmospheres all maintained at a decisively bass oriented centre. a ceremonial dance, refined with self-played kanjira percussion. mysterious choirs invoke a rainfall of tribal metal percussion.
out of the dust of >marangai waikawa< grows >scud< on the flip. part two of a thrilling journey, pulsing straight forward with pushing noise elements, astute shuffly percussion combined with scattered vocals >changes are gradual<.

dark beat is a new label from glasgow, set up to promote its own take on deep, dark atmospherical techno.
after the success of their digital releases this is our first dark beat remixes vinyl which has cuts from the very popular omen and untamed eps from label bosses deepbass & roman toletski.
on the a side we have oddity with a massive remix from mark broom. his remix of oddity is a no nonsense stripped back techno affair with a ripping synth line, the track teases you with a number off small drops before the massive atmospheric breakdown which would bring carnage on any dance floor.
on the b side we have the orb theory with a remix from edit select who seems to be able to to no wrong with his string of releases on his self named label edit select records. his remix explores the realms of atmospherical techno and has a straight up tribal feel about it, this track has been creating quite a fuss at berlins berghain during the early hours. the track has a percussive drive with rolling snares and a beautiful synth line that rises and fades throughout the track.
the tracks have been getting massive support from dubfire, len faki, jpls, ambivalent, drumcell, audio injection, dustin zahn, perc, dj emerson, alan fitzpatrick, alex bau, anderson noise, danny tenaglia, chris fortier, jim masters, par grindvik, hernan cattaneo, anthony pappa and luke slater.

the viennese djs and producers smacs & patrick kong transformed their studio into a grow room. >no more experiments!< says smacs, when being interrogated about specific preparations for gigs outside of the austrian capital. their critics say: >on the long run the move towards self catering and regional consumer awareness will lower the production output of s&p<. the critics are full of shit though, because the opposite is happening. the recording booths new dedication >gives (you) wings< as a globally known austrian marketing slogan states. >growers< simply became their new single theme. of course dirt crew is around handling business when things get dirty in the techno scene. but instead of cleaning up, the two berliners mash the dope up with their favorite flavors and create special blend of its own, which will probably make it into this years finals of the legendary grand cup. indoor or outdoor, this tune will work!

smaul recordings should not be suggestive of being fed by productions of acid pauli, only. however, creative times need being used and martin gretschmann - aka console - member of the notwist - alias acid pauli has collected lots of material whilst the scarce time left last year. on smaul 07 he follows his self-weaved red thread of the year. acid pauli confides more & more in a certain house rhythm paired with these melancholic layered sound-synthesis, already well known by him. astonishing things emerge out of acid paulis musical waves, sometimes even scientially croon quite a bit. nymbiotic (a) comes relaxed but holds a great melody up in the sleeve - seasonly peppered. symbiotic (b) rests bit on minimal house, but acid pauli never relied on that genre. thus, this track does not remain as it seems after three minutes. glitches and sounds break it up to evolve a new symbiosis. symbiotic becomes more timeless in spite of siren-climax peaks and an obsessive string chorus fading in the end.

reaching back through time to lay hands in the forges of metal, nycs children riff out the present with their debut, hard times hanging at the end of the world. formed through jam sessions by guitarists skyler spohn, jonny rad ollsin (formerly of vancouvers s.t.r.e.e.t.s.), and drummer adam bennati (of early man), the group laid waste to clubs in and around the city beginning in late 2006, and have kept shredding onward. tradition meets stamina head on throughout hard times six massive tracks. with intricate, narrative dual guitar work and a frenzied, wired demeanor children bring it all together: thrash advancements, serious girth, familiar passages crosscut with relentless speed, a formidable edge, and self proclaimed spiritual conspiracy party riffs.

detroit, 1993. the burden brothers, known for their octave one project and 430west record label, start a new sub label called direct beat. it was created to release the techno electro sounds of inner city detroit. in 1995 the label was in full effect and released music produced by friends such as tommy hamilton, keith tucker, mad mike banks, will web and them self.
now 15 years later we know that direct beat was one of the big influences on how electro and techno is today. together with underground resistance, axis, m-plant in detroit and some like minded people in europe and artists such as drexciya, aphex twin, autechre and dopplereffekt it changed the way people looked at techno... it broke away from the dominant 4/4 kick and brought back the funk and emotion that disappeared once house and techno became popular and mainstream music in the early 90s.
we are happy to bring back direct beat records by making some of its classics available for a new generation. this is a part of techno music history we may not forget about! especially in these days that people consume more and more of the format tracks. this shows that emotion, passion and energy creates much more then just a dj tool... it creates tracks that become part of peoples life! and not for just one or two months in your i-pod... but for the rest of your life in your record collection! timeless classic collection... must have!

already played by efdemin, akufen, mathias kaden, jimpster, frivolous, magda, jeff samuel, kez ym, mathias schaffhäuser, tomboy and more... strong gymnastic house tunes brought to you straight from the gym. pumping iron by brandt brauer frick… and 1 and 2 and 3! brandt brauer frick produce club music with self-recorded acoustic instruments (prepared piano, vibraphone, drums, various per- cussions, brass and string instruments), rhodes, bass guitar and few analogue synthesizers, as heard on their ep „iron man“ (incl. remixes by lee jones and treplec) or at their great performance at berghain last month. for the gym they have made two rather untypical house tracks, using more synths than they usually would, celebrating a more gymnastic dancefloor approach. enjoy!

twentieth release in fat cats famed split series compilations, this record combines norways alog with sunroof! member astral social club.
active since 1997 and one of norways leading exponents of experimentalelectronic music, alog is the duo of espen sommer eide and dag-are haugan, mainstays at the rune grammofon label.
alogs unique, hybrid sound has since developed through four albums that have unfurled a series of abstract yet accessible, self-contained sound worlds, each animated with their own internal logic, mixing a wide variety of bothelectronic and acoustic sources into something warm, intricate and organic.
alog embrace the freedom to flit and root in the cracks between strands of minimalism, electronica, post-rock, improv and vernacular music, merging woozy, stuttering electronica (a la oval or nobukazu takemura), with rich, shoegazey guitars, freeform improvisation, scandinavian folk, field recording and the masterful editing and soundscaping of electroacoustic composition.
astral social club is the project of prolific scottish-born neil campbell, apivotal figure on the uk post-punk underground, with a vast catalogue and numerous collaborations.
a member of both matthew bowers total and sunroof! projects, he appeared on three of the latters albums before helping to form the hugely influential and prolific (over 40 releases) leeds-based drone/psych-rock outfit vibracathedral orchestra in 1998.
campbell left vco in 2006 to go solo as astral social club, under which moniker he has released a number of albums (on labels like vhf, important, qbico, textile) and an ever-increasing stream of self-released cdrs in alimited edition series of volumes (currently up to #19).
the three tracks here were recorded by campbell, john clyde-evans, paul walsh and spider stacy.

rippertons perspectiv label with its 2nd split release giving new talents a stage. 1st split is a huge release with two sublime tracks by agnes and johnny white. not sure if this one tops it... but crowdpleaser and entlet deliver both two tracks that stand out of the pack!!. especially the b2 track by entlet needs some extra attention... a contemporary house track that has so much hidden power. phat old school bassline kills it everywhere.. and then the tracks continues to build and build.... like a modern dj pierre wildpitch affair! crowdpleaser delivers two solid tracks that went straight into the dj sets of many influential djs. highly effective and useful house tools (a description that actually doesnt do justice to these tracks which are much more then just tools!) ripperton proofs once again to have a great ear for new talents!!

diamond teams up with sophia romai and terri walker for his self-titled ep.

for more than 15 years now, steve bug is known for influential track somewhere in between house, techno and minimalism. with his very good sense for the energy of self-limitation, bug has set standards when it comes to the funk of modern sound geometry, especially with his imprint poker flat recordings. milestones such as >loverboy<, >monsterbaze< or >wet n dry< are now essential elements of the history of electronic dance music. only a few weeks after the release of his fourth album collaboratory, bug even tops that one with this 12 inch on cocoon: while look whos stalking obviously refers to steves close relation to the raw energy of u.s. house in between chicago trax and detroit, using driving hand claps, percussions and nasty vocals, the flipside zero balance could pass as a vision of how far you can reduce techhouse to the essence of a bass line. also here, short vocal loops - besides the fast-moving elements - complete a sensibility that makes bugs tracks such high quality music for a very long time now.

raz ohara and his odd orchestra return for their second album for get physical. >ii< is the follow up album to the critically acclaimed self titled raz ohara & the odd orchestra cd that is considered being one of the album highlights in 2008. its a warm, organic collection of avant-garde, open-hearted pop music which positively teems with life, a forest of pleasures and possibilities which youll want to lose yourself in indefinitely.
>ii< is certainly less melancholic than its predecessor – its imbued with good feeling, energised by the rhythms and cadences of summer and the great outdoors - but its not euphoric, there is an underlying note of caution, of trepidation. this emotional mix is what makes the record so powerful, especially when allied to a similarly ambiguous musical mix: which imperceptibly melds folk, classic pop, electro-acoustic experimentation and modernist electronics. 10 beautiful songs plus a special download (code included in the artwork) of the single >miracle< make this album a perfect journey through the winter days.

little dragon return with a spectacular second album offering in august, a pulsating electro pop epic that prince would be proud of (only fronted by a beautiful swedish lady with a sultry voice). a bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. machine dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

the history of it self stands for technological and social evolution. human kind cannot cope with overload of commercial illusion and fake governmental hierarchy which naturally tightens peoples aura to bring worldwide brightness. this back-to-back vinyl release is produced by michael random from russia and dj hammond from hungary. 4 tracks groovy and hard as fuk, for djs who search for quality message. datablender records hope no one will be seriously offended or injured during playback of this record. classic release.

lets give kitkaliitto a warm welcome! instantly impressed by these guys music we were – quite unique and not easy to classify. so this is their debut ep – coming straight from helsinki with love, three tracks and a remix. you can hear influences and samples from deep movie scores, downtempo, house, even big beat always escorted by some factor for self destruction. the remix of moravia by sevensol & bender shoves a rough house skeleton under tom pavlas fantastic trumpet – simple, raw and beautiful.

nice price deal !!! born in a voodoo cave from an analogue broth of baldelli & mancuso, mysterious new music project zarrylade puts first feet forward with this limited self produced release. a connie chase inspired calypso moog line serves as the backbone with heavy vocals soaring all over... we re not sure if he is a person, or a band, or from los angeles or london, either way leo zero has picked up zarrylades afro disco boots on a stripped down aa side. deep grooves for the feet & psychedelic sounds for the head and sky - heavy on the ethno beats and tribal overtones... all coloured in with some west coast spiritual glue. a zarrylade album is in the pipeline with this and another follow up limited 12inch - so dont sleep on this one people!

one of the hottest clubtracks of the moment, played by every self respecting dj., id&t resident comes with an infectious house track with mc shurakano on vocals. ... hottest track in ibiza, set for real crossover hit record in the benelux.

big with: eric morillo, groove armada, funk dvoid, jimpster, ante perry, dj hell, gregor tresher, karotte, martin landsky, michael reinboth, phonique, thomas schumacher, anthony collins, laurent garnier, zoo brazil, mijk van dijk, brothers vibe, danny tenaglia, plump djs, ...
welcome to the space-disco-electro-tech-housesongwriting world of bodymovin aka thomilla of turntablerocker and dj friction! continuing the intergalactic electronic extravaganza that is bodymovins self titled debut album, one of the duos hottest cuts from the acclaimed longer-player is now ready to hit the shelves complete with two very special remixes. first up, as if they really needed to prove their might, label bosses moonbootica rework >everybody< into an absolute stormerfor the clubs. taking off like rocket, this stellar remix uses the the catchy vocal refrain as its central pivot, careening around it with hot basslines, intense synth trip-outs and pure, unrivaled energy. simply unstoppable! then of course the original track is included as a reminder of its greatness.

the arctic monkeys much anticipated third effort was co produced by queens of the stone age frontman josh homme and james ford. humbug is a voyage somewhere new - its a richer, darker and more powerul sound. its heavy yet melodic mixing offhand self analysis with verbal assaults. turners charismatic vocals remain centre stage with that sweetening flutter of vibrato. the songs remain stories - fabulously wrought and told, set to thrilling and adventurous music. its a more grown up album of irony, guile, riffs and tunes, yet it still very much the arctic monkeys.

pocketgame artists / brill retro electro! ltd backstock

mountains is brendon anderegg and koen holtkamp, friends since their middle school days. they began exchanging musical ideas and compositions which led to them founding the apestaartje label in 1999. as their collaborations and individual projects blossomed, they decided to create mountains as a vehicle for live performance. a love of sculpting sound in front of an audience is at the heart of mountains. the groupÆs third album, æchoralÆ (their first self-titled release and second album æsewnÆ were both on apestaartje), is the culmination of their work to date and a balanced mix of the first two efforts. mountains are often compared to artists such as brian eno and fennesz, citing their extended melodies and their unique broad guitar work. mountains seamlessly blend pastoral electronic sounds with both field recordings and a plethora of acoustic instruments.the effect is incredibly sublime and hypnotic as the sounds slowly wrap themselves around each other and alter themselves in the mind of the listener. includes free download voucher.

beautiful disco masterpiece, the self-titled >zig zag< lp. originally released on the tiny canadian label pacha records, this lost gem has become one of the true holy grails of the cosmic disco scene and holds the top spot in many a wants list. this incredible record is every bit as good as you ve heard it is, with every track a killer. all feature great playing, awesome funky synths and b-lines and wonderful afro french vocals that make for one of the best disco lps of all time and a record that for once warrants the high prices paid for it in internet auctions. top class!

stone cold classic funky disco floor filler thats stood the test of time. first time ever on 12inch!!! taken from the hard to find self titled lp by tommy stewart, bump & hustle music is the definitive disco funk party anthem. it was recorded in 1976 in atlanta, georgia, and since then the lp has found itself in the play boxes of soul, funk and jazz djs alike. however, its not until now that this amazing song has finally made it onto the preferred format of dance djs the world over û the 45rpm 12inch single. in 1976 tommy stewart was a busy man, working as an arranger, producer, performer and writer for a host of soul and rnb artists. the lp made for abraxas records was the first to go directly under his name, and although it failed to take off locally, the lp soon became known by djs across the world primarily for the club smash bump & hustle music. as it happens that song in particular almost didnt exist but for tommy needing to come up with something quick in order to fill in a gap in the album. conceived and recorded on the spur of the moment, and with backing vocals by isaac hayes singers hot buttered soul overdubbed later, its a superb example of rhythmic simplicity blended with soulful, catchy harmonies. its just impossible to listen to bump & hustle music without a broad smile coming to your face, and when played loud in a club, its impossible not to dance!

that cheeky chap diamond geezer is back with another banging jungle single on his very own self titled label. featuring the vocals of dancehall veteran spragga ben, sound good is a frantic amen led jungle roller that incorperates old skool edits and some classic soundclash effects and bleeps for good measure making this a dirty little dancefloor number indeed!

firstly we have the man micky slim, the head banger of bomb squad records and a man responsible for remixing the likes of calvin harris, dizzee rascal, the wideboys and jaydee. a filthy re-rub that wouldnt be out of place in an east end brothel or on the hardrive of any self confident ghetto celeb!

detroit inspired bleeping techno ep. original cut brings back the accelerate synth bloop with modern pulse drums. damon wild kicks in the tight acid and xpansul makes this a big room summer hit. steve parker, not being an adept of calculated biographies or narrated thoughts, continues believing that the best way of presenting him self like dj and producer will always be with his quality and huge musical background. counting on a long career as dj his style in a dj set goes from tech-house and into the minimal techno, with the only guarantees that above any label or musical style the sonorous quality will always be the first and only priority

quality remastered reissue of automats legendary self titled lp. originally released in 1978 and produced by claudio gizzi and romano musumarra, this lp was completely groundbreaking at the time being built completely from synthesised sounds and rhythms with the band even building their own synth especially for the job. now one of the holy grails of the italo disco scene, the original changes hands for top dollar on ebay etc. features the classic æautomat - the rise, the advance, the genius, a magnificent italo synth epic spanning the whole of side a which features in dutch electro disco don i-fs top five italo records of all time. available here with full original sleeve artwork, this is a must for the serious disco collector.

observation document #01 is the first part of a 2 ep series with giorgio gigli on prologue. the concept of this ep shows a wide range of electronic music designed between techno, atmospheric minimal music and abstract house. every track has his own characteristics but all together they show us how electronic music must be designed at the moment. raveline magazine: record of the month

notion meets hobzee & second life for a nice 2 track ep!!

what sharon van etten?s heart bleeds her songs soak in and offer up to those throats in need of slaking. this is what we expect from musicians who trade in the autobiographical. we hold forth empty vessels and expect them to be filled with the reflective elements of a songwriter?s soul, mirrors within which we search for some small recognizable part of the self. ?because i was in love? features sharon van etten on vocals, acoustic guitar and tambourine, and greg weeks on electric guitar, organ and wood blocks.

from out of a clear blue sky comes ?my electric family?, the second full-length and third all-round release from new zealand?s bachelorette. bachelorette?s music beams to us through a universe of unconquered pop music, where long beams of sunlight extend to infinity, and blue moons rise wistfully in the deep purple expanse. she stands in the cradle of modern songwriting, that of psychedelic pop music. the sense of infinite possibility felt in those songs, the desire to manipulate a collective sensation to become anything at all, informs bachelorette?s journey. bachelorette?s song structures are traditionally examinations of love and longing, the exploration of self versus self and in relation to the surrounding, silent universe. the songs of ?my electric family? emphasize a particular fascination: the meeting of man and machine. ?my electric family? is an arresting development in the world of sweet pop music.

dickie is no longer prepared to stand idly by watching the current team failing to live up to the high standard set by the great den haag team of 75, how he longs for the anthem that is fc den haag to be on every city radio station celebrating the feats of the current team. sadly though todayÆs team does not live up to dickieÆs expectations, so much so in fact that dickie brings us the anthem to try and induce self belief in the team, æfc den haag, we are the bestÆ, so upset is dickie that heÆs considering coming out of retirement and offering his services to the team. following the anthemic opener, morwyck blues resonates with the sadness that dickie feels on matters close to his heart, while the hague jam is the perfect track for driving from den haag to scheveningen (or anywhere) at 3am. full of his trade mark 808 beats, vocoded vocals and searing melodies, dickie has produced tracks suitable to be played loudly on the cassette player of every bmw as it cruises around the city streets at night, searching for young souls to be evangelised to the ways of the 808 beat.