streng limitierte lp-auflage des dritten rustie-studioalbums evenifyoudontbelieve, das ende 2015 ohne vorankündigung rein digital erschien. auf den 16 tracks denkt der glasgower produzent seine progressive fusion aus dance- und rock-sounds weiter und spielt auf den feature-tracks gitarre und weitere instrumente selbst ein. das doppel-vinyl erscheint inklusive downloadcode.

after a relatively quiet 2015 which saw brooklyns throne of blood release the third volume in the moon rock ambient series and a handful of singles from man power, jimi after, and vito & druzzi, things are already heating up for 2016.

22 tracks produced by your boy samiyam aka sam baker. instrumental hip-hop & rap tracks featuring earl sweatshirt, action bronson, jeremiah jae and oliver the 2nd. the vinyl release includes a download code.

our parisian edit friend reverend p hits us with a 4 track ep loaded with some serious boogie and disco heat. concentrating on the sounds of gladys knight (a side) and george duke (b side), reverend p decided to edit em not once but twice...ouble action = double fun :) the a-side tracks are two uptempo numbers with gladys while the flip comes with one mid tempo boogie tune and a high energy disco cut from mr duke. solid gamm material for anyone down with the more soulful sounds of disco!

politics of dancing records returns with two fresh tunes from the hot french duo two diggers. hanfry martinez and label bosses politics of dancing are on the remix duty. el amanecer is groovy as hell with a bouncy bassline and deep atmospheres. politics of dancing turns it into a peak time track with a killer bassline. get some music is a loop that goes straight to the head, with funky vocals. hanfry martinez delivers a stunning techy and dubby remix for some late night action. another essential release from the parisian deep house imprint.

bryan kessler is not a musician, he is a force of nature. the young talent’s refreshing perspective on electronic club music shows a love for powerful sounds that so many other producers are lacking these days. something that he was already able to proof on releases for get physical (remixed by dj hell), coméme, low hanging fruit and like records. the release starts with you look like trunks, a heavily driving, desert inspired piece that makes clear that kessler grew up in rock music. his second track vegeta charges up with a red-glowing synth lead that eventually explodes in a wave of youngster mayhem. teens are still doing it! the b side is dedicated to ludwig zibell’s remixes of both tracks that continue kessler’s energy with precision and warmth. his b1 remix releases a flock of tarantulas that set the clock to peak time, while b2 adds psychedelic loops to the drive of the original. this is the fourth vinyl release of supermoll from köln. rooted somewhere between a sound of cologne legacy, german experimental kraut attitudes and dirty acid vibes from oversea. 150 hand numbered copies w/ illustration by paula prandini

heron is back on flash.
early support & chart action by dj rolando, slam, florian meindl ...

leibniz takes no prisoners for his return to shtum. his new ep sees the leipziger by choice in best form. harsh but fair. -grind- is a masterpiece in the matter of building up tension with only few but proper elements. amen to that drumming and when the strings come in the dance floor is probably already burning. -foolish- is no less effective with its ultimate kick drum action and the way the pads are manipulated. romantic leibniz. on the flipside you get the vibrant -this is- in two versions. the -brecht mix- screams rave in capital letters with the bleepy synths and hard snare drum while the -scuff mix- trawls through dark and unearthy techno territories. no-nonsense music.

on its sophomore release, raar s bold mission of unbridled techno with a punk-rock ethos is continued in tracks from label co-founder maelstrom and newest family member, specialivery. opium wars sets a seething tone, deftly holding a line of tension as machines moan and shriek. focused yet dissonant, the discomfort continues to build without resolution, playing the edge but never grasping hold . diameter of recess starts under the skin in maelstrom s typified controlled chaos. as it grows, the track becomes both an aching roar and a needle-sharp, frenzied insistence, a feral yearning and a frustrated surrender. swiss italian carlo bernasconi is a man of many aliases, the most ferocious of which is specialivery. having eagerly taken up the challenge to push further than the original demos sent, dust detector subsystem is a demonstration of this, cumulating in -an extremely rare, compulsive mental movement- presented in both teeth-bared, club-optimized and more pensive beatless versions. it is with great pride and pleasure that we present the evolution of raar. it is our greatest hope that this work inspires and liberates its listeners. released on 12inch via the vinyl factory

a side : klaaar when you hear about klaaar, you’d probably assume it has something to do with samples and colourful grooves. on a side, klaaar, that has featured on all the previous label releases, is playing with funky vocal cuts on « contemplative action », and spoken words on « definition is », with heart warming beats on each track. b side : ortellaknown especially for his prim-and- proper take on dirty deep house with releases on rutilance and his own imprint mad in lyon, ortella have been delivering consistently great levels of house, and strikes once again on the b-side with his very special rough and deep sound signature. track titles « shut up and listen to deep house » and « bigmalyon » says it all. shaped for the floor

oliver schories is neither a friend of dogmas nor an antagonist of reflection. he winks affectionately to his musical past with his fourth album, to at the same time bethink himself of his musical core. accordingly profound and day-dreamfully rests relatively definitely in itself, without having any demand to be danceable. schories has allowed to let himself go and to listen into himself. in twelve tracks he tells about his experiences and allows a very deep view. who listens to music with the heart will understand what his ensouled basslines and oceans of melodies are telling. he came down to rest solid as a rock and knows where he belongs to. and apparently he feels relatively well over there. how sweet, that he lets us listen so closely.

good things come to those who wait. the long-anticipated land of light debut, a masterpiece of an album and pillar of the esp institute, was unveiled in late 2012, slowly followed by the gorgeous remixed ii. since then, many have longed for the missing first half of this two-part package, the universe is kind and has finally delivered remixed i. on side a, kuniyuki takahashi (mastering engineer behind seminal esp releases, and legend in his own right) took the bull by the horns remixing flares—a piece of music so entrenched in melancholy, with such fluid performance and production, its hard to imagine anyone taking it deeper—he has unarguably triumphed. on side b, esp institute veterans tambien rose to the same challenge with flares, the bavarians taking a refreshing uptempo approach, a contrast to the swells of guitar and synth. closing the release is the seahawks blissful re-imagination of bell rock outpost, slowly and steadily setting sail into a dusky vision of the scottish lighthouse after which the song was named.

feel music back in action! realignment stage 1. the fruits of a journey back to the source, where it all started. classic feel music tones from label owner john daly. do not sleep.

einmalige vinyl-auflage: der gemeinsame soundtrack des französischen electronic-produzenten m83 und des filmkomponisten joseph troponese zum us-science-fiction-blockbuster -oblivion- von 2013 in der regie von joseph kosinski. 16 score-parts plus der titeltrack von m83 mit den vocals der norwegischen sängerin susanne sundfor. schwarzes 180g doppel-vinyl im deluxe-gatefold.

die musikwelt war hochgespannt, als nach zehnjähriger pause ein neues new order album erscheinen sollte. dass der inzwischen fünfköpfigen band mit -music complete- aber ein solcher -return to form- (spex) gelingen würde, haben so einige nicht mehr erwartet. der nun vorliegenden, neuen new order-single -singularity- attestierte der musikexpress zudem, sie würde einiges der -blue monday--dna in sich tragen. und in der tat ist der song mit seiner einmaligen balance aus rock und elektronik, dunkel, energiegeladen und tanzbar, die perfekte sound-symbiose von ursprungsband joy division und der sich hier auftürmenden, grunderneuerten new order.
die farbige 4-track 12 inch enthält einen extended mix und remixe von mark reeder, erol alkan und js zeiter und erscheint inklusive downloadcode .

the rattler proxy present the prelude to their upcoming album, three new tracks produced by thomas bullock. *follow* is a ten-minute acid storm brewing with distorted vocals and jangling art rock guitar - it was previewed by tim sweeney on his beats in space radio show and voted one of the best tracks of 2015. *ex cop* is an edgy three minute punk stomper with sharp guitars and an incessant driving beat. *mother goose*, like *follow*, showcases more of the bands techno influences with thundering drums and twangy synths emanating from the deep.

with our regular 12” series both coming to end some people thought that wph would end as well. you should’ve known better, because there is too much gorgeous music coming from our small wph family to just let other labels shine with it. and so we have decided to throw caution into the wind and embark on a new story. a story in which our artists get to tell their story by means of a full album. at the heart of metrobox’ sound is a love for moog, 909 and sh 101 sounds, combined with a knack for seductive melodies and a healthy dose of vocal action. two collaborations with wph head honcho red d and belgian mc champ tlp add some extra oldskool flavor to the proceedings. and yes, we are well aware of the fact that double or triple albums are heavy on your budget and that you all prefer to shell out 15 euro for a one-sided limited detroit release instead of a 12” with three tracks you like ... so this album will come in three separately available 12”s, giving you complete buyer freedom.

this first compilation from copenhagen label pattern abuse is an eclectic collection of some of denmark’s finest artists from all around the musical spectrum. quirky electronica, retro techno, future garage, post punk and more: at first glance the nine tracks on this relase seem an odd blend. but played together, a common thread of dark and dusty sound appears, showcasing pattern abuse as a label that is sure to deliver unexpected and high quality sounds.

following the success of left-handed, daniel steinberg’s third full length album, the german producer and label owner has invited a stellar cast of electronic music visionaries to reimagine the lp’s nine original cuts. the much anticipated release, scheduled for march 18 on steinberg’s own arms & legs imprint will feature a wealth of talent including paul johnson, nick holder, 808 state & crazy p. making a mockery of the concept of ‘highlights’, this is a remix album of brimming with exceptional studio craft that glides across a slew of dance floor genres. from the the jacking techno madness of paul johnson’s ‘bones’ to the rock solid funk of crazy ps peace to the silky soulfulness of nick holders no one can change me and the raw avant-electronica of 808 states crucial, its safe to say that there is no filler on this impressively versatile collection. on bringing together some of the most respected names in electronic music steinberg states: its a huge honour, each of the 9 artists have been a big influence on my work over the years. i couldnt be happier with the result.

what happens when you take a track by a british power trio heavily influenced by blues and psychedelia, and get a master of wayward, left-of-centre balearica to remix it? that’s the premise behind claremont 56’s latest vinyl outing, which features magic feet recordings boss craig bratley delivering a pair of druggy, spaced-out interpretations of “better man”, one of the more laidback outings from fast-rising rock combo bella figura.

invisible inc bring out their second compilation ep, this time vaguely focussing on the interzone between cosmic disco, balearic house, psychedelic * glam rock* and seedy, tribal, dungeon acid.

phoenix g s latest output is another mr.g effort with great versatility. showcasing the original g sound throughout the whole ep, the g man comes up with funky bassline samples, analog string action and the signature vocal cuts that have elevated most of his records in some way. pg055s comes in a special full colour sleeve with an iconic picture of the g himself. licensed from and thanks to rekids.

bahnsteig 23 return 2016 takeover mit kris boy baha! baha boy nehmen ozzie ozzie ozzie (oi oi oi) neu welle vi 909 wig perucke. beat move tanz. powerstation melbourne partei and label und powerform edit rock welt!

tina m. howell is the truth. in 20 years she has wore many hats. poet, monologist, vocalist, songwriter, she has played with some of the best known and unknown talent in the city of chicago todd e. swope is a producer, arranger and composer from chicago, illinois. todd is a multi instrumentalist that has a variety of eclectic music influences ranging from jazz, blues,reggae,hip-hop,rock,funk, folk and dance music. major influences include john coltrane, jimi hendrix, bob marley, muddy waters, curtis mayfield, prince & bob dylan. the chicago native embraces the diverse music and culture of chicago. this love of music and culture helps define the sound that is chi-town gumbo. in underground disco circles, us crate digger rahaan young is considered something of an unsung hero. a formidable dj and talented producer, the windy city veteran has forged a reputation as one of chicago s finest underground exports.

official deluxe gatefold sleeve edition, made with full approval of the original compilers. the original 1979 greensleeves “original rockers” compilation was instrumental in bringing the music of augustus pablo to an international audience and with this 2lp set greensleeves pay tribute to that landmark release with a second disc of further cuts of the original albums classic rhythms including some rare sides making their album debut.

nice price deal !!! based on the worldwide success of max richters groundbreaking eight-hour work sleep, his personal lullaby for a breathless world - and the one-hour extraction from sleep, a series of remixes produced by a selection of well-known musicians and young artists.
the legendary scottish post-rock band mogwai, known for its special feel when remix of works by other artists, transforms max richter dreamy path 5 in a darkly throbbing track, marked by snare drum and complemented by haunting guitar soundscapes and cool, arpeggiated synthesizer, in remix electronic artist clark (warp records) is from max richter path 5 a sequence of three different, highly insistent musical scenes that send the listener on a heady trip - in clarks words by danny elfman on popol vuh to slint, merged in a planet of music.
the 180 gram vinyl ep includes a download code.

passafire has built their reputation up through relentless touring and a series of studio albums that have upped the ante each time out with its songwriting, musicianship and production. the band’s fifth studio album, vines, is their strongest yet, featuring a super tight set of songs that draw on reggae and alternative rock in equal measures. produced by the band and mixed by paul leary (sublime, slightly stoopid, pepper, meat puppets). the limited vinyl release includes a download code.

deep in the bowels of the dixon avenue basement lived a man so outrageously overweight we used him for a sofa. king chubby, a suite chap but a bit cheeky. said the only reason he was humpty dumpty was cause every time he rode yer maw she made him a sandwich. he tried dieting but nothing worked. we took drastic action and wired woofers direct to his lardy lugs with in basements vol 2 blasting in on repeat. thanks to the squelchy genius of tunes like luna, save it and sneaking out our big boned bro boogalooed himself skinny. he bopped till the weight dropped. king chubbys pumpalicious now and you can be to if you sign up to casio royales latest dabj dance diet plan.

jetzt erscheinen bowies sechs studioalben aus den jahren 1969-1973 einzeln auf 180g vinyl, die bereits im umfangreichen box-set david bowie five years 1969-1973 zu finden waren, welches im september 2015 erschien.
für die alben space oddity, the man who sold the world, hunky dory und pinups! wurde die remasterte version von 2015 verwendet, während für the rise and fall of ziggy stardust and the spiders from mars auf das 2012er remaster bzw. bei aladdin sane auf die remasterte version von 2013 zurückgegriffen wurde.

amin peck is an electronic studio project, contaminated by the new wave from u.k. like most ’80s electronic bands. amin-peck walked a fine line between disco and minimal wave throughout the course of the early 1980s, oftentimes incorporating shameless pop melodies and avant-garde leanings. amin peck were an italian band leaded by giorgio fioroni (aka george fyron, arrangements, production, vocals) with leonard parker (arrangments, keyboards) and max marne (production). incredible but true, amin peck started as hard rock guitar band in the 70s... and becoming one of the best examples of italo disco. this limited edition it contains full-length versions plus uncut audio material (a2) tracked down during tape restoration. (the first pressing coming from 1982 was pressed only on 7inch in u.k.)

great remixes by rebolledo, barnt + jens-uwe beyer and prins thomas.

from the label: in blood is the stunning 4th album from uk based multi instrumentalist, sunset graves. following up 2015 s acclaimed opus love pours into death this brand new album goes deeper and darker with sonics for casual beat heads and intertwining textures to reward the deepest of repeat listens. this is sunset graves in widescreen, journeying through genres and landscapes, incorporating ambient, drum n bass, glitchy rhythms, bass music, field recordings, sound design, tech house, chamber orchestra and even post rock. 3rd & debut records releases eclectic electronic music by sunset graves, the sample based lo grounds (as featured on joris voorns fabric 83) and the more experimental soundscapes of tpique. in blood is our first full length vinyl release, presented on deep black virgin wax, black inner sleeve and a full colour insert. supported by earmilk, textura and the formant.

2016 repress!!!! great raw techno tracks ... the third release of md2. after the red labelled md2 and the red/black labelled md2.2 its an all black labelled md2.3. a 4 track ep with 4 straight techno tracks that are raw and effective! killer dj tools to rock every dark basement.

new york haunted have invited some of our own favorite artists to explore the boundaries of techno as a form of communication. straight from detroit, the legendary terrence dixon represents the minimalist funk like no other in his contribution star dust. straightforward dance floor action with a truly hypnotic vibe. former yellow swan, pete swanson comes from a noise background and has been adding monolithic rhythms for some years now, his dirty work blurs these lines and shifts between harsh noise and distorted machine rhythms. cryptic techno philosopher jamal moss, aka hieroglyphic being drops an exercise in sun ra worship called speaking in tongues and label boss drvg cvltvre rounds of the ep with a combination of shortwave radio transmissions and walls of gutwrenching bass drums. often imitated, never duplicated. these are the unique voices of a techno generation.

its a great pleasure to welcome back waze & odyssey to the label, since their first please dont dance ep on dirt crew wich was released in early 2013 and that featured an excellent detroit swindl remix botht duos have had a massive rise and impact on the underground house scene worldwide. waze & odyssey have also had killer releases on their own imprint w&o street tracks and with their latest on the downlow single they stormed the dancefloors and major radio playlists. waze & odyssey is best know for their straight up bangin’ house cutz and with these two tracks you get exactly that! go go go is a filterred house banger that takes us back to the early chicago and french house productions from the mid 90s. on the other side of this fine 10 the deeper and more electrofied we go home delivers some nasty breakdowns and with its manic pitched and ascending lead sound it should shake and stir your brain to get your feet moving for sure. pure dance floor action with these two new waze & odyssey tracks!

repress !! having wowed critics and crate-diggers alike with 2012s acclaimed magik cyrkles compilation, psychemagik are now ready to unleash the follow-up, magik sunrise. bristling with psychedelic, cosmic and curiously balearic oddities hand-picked from the depths of their vast record collections, magik sunrise is, if anything, even more inspired that its predecessor.
given that magik cyrkles was widely considered to be one of the best compilations of 2012, that is some feat. that collection garnered praise across the board, appearing in the end-of-year charts of rough trade, juno and piccadilly records. as if that wasnt enough, dj magazine also described it as f***ing great! for magik sunrise, the kent-based duo has dug even deeper into the dusty corners of their record vault, deep in the cosmic forest. the result is another inspired, 15-track collection that gleefully skips between all manner of forgotten gems and little-known nuggets, occasionally stopping to acclaim an otherwise unknown track or artist.

the abstrat matters duo is back after releasing the hottest title on the cynosure label in 2014! with regular play from legends like derrick may to danny tenaglia. that being said the follow up is sure to land in the similar crates and rock dancefloors from ibiza to detroit. this ep delivers a combination of raw and rock solid techno grooves that boarder on the familiar or dare i say old school but maintain the futurist sensibility that make a proper techno twevle inch.

ltd pressing, straight from sao paulo, the debut ep of sphynx (aka marcio vermelho and pedro zopelar) is undoubtedly pure balearic bliss! intricate masterful compositions fascinate with live guitar, drum machines and vintage synths combined in a harmonious arrangement. without the use of any samples, sphynx constructs the perfect soundtrack for every sunset between ipanema and ibiza. no ar captivates through its unforgettable bassline and dreamy synths, while enigma shows the producers love for spheric new beat and proto house. on the flipside, tempestade explores the realm of electro rock, while toby tobias remix transforms the title track, with rough drums and the synth work, into a psychedelic uptempo jam.

attd vol 9 is a banger, fetauring remixes from fouk, nachtbraker & crackazat alongside jn himself.

a:g delivers his vinyl debut on aquavit, with something for both house and techno heads! with the title track dobra mare being a journey into endlessly deep dub techno soundscapes with a strong rolling bottom end for the darker rooms, the flipside offers a homage to the classic roland tr707 drum machine with the percussion sounds we all know so well, accompanied by a big bass lead to remember the next day. both tracks also get proper remix action: label boss robert solheim goes deep and progressive for dobra mare, and icelandic wonder boy viktor birgiss does a melodic deep dub house approach to i wish i had a 707.

3 years, 5 months & 2 days in the life of... is the debut album by american hip hop group arrested development, released in 1992. the album charted at #3 in the uk charts, and #7 in the billboard 200. charting singles that came off the album are *people everyday*, *mr. wendal* and *tennessee*. the latter song is part of the the rock and roll hall of fames 500 songs that shaped rock and roll list.
pressing on 180 gram audiophile vinyl.

originally released in 2008 as a limited edition cd. *sniper beats* is now finally available on vinyl from kingunderground, with download code included. *sniper beats - underscores for drama & action* contains 13 instrumental tracks from mr parkers vast production collection. each track was originally selected by lewis and recorded raw out of the sp-1200 (with no external samplers involved). those same tracks have now been remastered for this limited and much anticipated vinyl release. this is a must have in any long time lewis parker fans collection and for any newcomers a record that shows his pedigree as one of the best sampling producers in the game right now. limited to 300 copies this will likely sell out fast so get your orders in now to avoid disappointment.

scotlands claude speeed first came to our attention via his epic 2012 remix of kuedos *work live & sleep in collapsing space*. with a history in various bands such as russia and american men, his work draws from scottish post rock, 90s and 00s electronica, american minimalism, noise & drone. after a significant time travelling abroad he relocated to berlin and released his debut album for luckyme, entitled *my skeleton*. now he is releasing his follow-up ep *sun czar temple* on planet mu - an epic set of songs that distort emotional songwriting with textured synthetic ambience and computer noise. dreams on hard disk.

duckcomb aka patrick billiard is one half of brooklyn s sharegroove. a longtime brooklyn dj and digger, duckcomb drops two edits from the far corners of the disco stratosphere. bonnevie is a hands-in-the-air dancefloorgroover with sexy female vocals, funky bongos, synth melodies, and a heartbreaking keyboard solo. every night hits us right where it hurts with soft rock for hard times written all over it. male lead and female backup vocals, night drive guitar solos, and a drummer with a heart of gold, every night is just begging to be sampled, like kurt hauenstein or jim capaldi hid a secret mega tune in some private press tax scam record, knowing patrick would eventually come along and take care of the rest.

streng limitierte 12--edition (150 stück), handgestempelt und bestickert. ein wunderschön-episches kraut-yacht-rock-psychedelic jazz-groove-werk mit gitarre, percussion, analogsynthesizer, flöte, sitar, bass, orgel, alles eingespielt vom großmeister roberto di gioia. gold ist das metall der götter. pur, elementar und unschuldig. die musik wurde komponiert für und basiert auf einem theaterstück namens gold der avangarde-theatergruppe hunger & seide. alle instrumente wurden vom legendären genie roberto di gioia (hobby, marsmobil, max herre band, udo lindenberg, klaus doldinger s passport, u.v.a.) eingespielt. der multiinstrumentalist , songwriter, preisgekrönter jazzmusiker und interpret roberto di gioia arbeitete auch an produktionen und live-performances mit Âme, peter kruder, dj hell (gigolo), wigald boning, beanfield, console, notwist, helge schneider, trüby trio, christian prommer

the white noise backdrop of modern life means that without some fine-tuning on our part, even established and progressive artists can become elusive on occasion. but since musical creativity involves a healthy drive to self-determination, and often a keen collaborative spirit, out of earshot doesn’t necessarily mean out of action.
certainly not in the case of junior boys, who’ve readied a new album, big black coat, via city slang. a strikingly energised and intuitively dynamic set that reconnects them to their techno roots without sacrificing their soulful pop nous or riding a revivalist wave, it’s also shaped by what jeremy greenspan and matt didemus have been doing in the five years since their last release.
the 180 gram vinyl release includes a download code.

"party apex newness dancing action in short p.a.n.d.a. this was the theme song of the panda club in mid 80’s italy where marcello bertini aka dj arch (arch stands for architect, he was studying architecture at that time) was a resident dj. it was pressed on limited edition vinyl to promote the club and parties. a few decades later this 12″ was re-discovered and became an in great demand record for italo collectors. bordello a parigi got in touch with marcello bertini and found out he still had all the original mastertapes, laqcuers and even the cmyk films for the sleeve: a true italo treasure. get ready for some dancing action!"

not an animal return with their 2nd installment, this time from ess o ess (aka chris stoker and jamie blanco). their original offering, cantillate, isn t an easy beast to identify, being equal parts swamp-rock and techno. imagine you ve stumbled across an ephedrine and moonshine fueled rave in a deep louisiana bayoux in the year 3000, and you re close. add an out-there vocal refrain, and you ll start to appreciate why this is a particularly distinct record. relocate said rave to a some kind of space ship hitting hyperspace, with photon torpedoes fully armed, and you ll suddenly find yourself with the first remix, as created by ene records owner chida.

for finitude music s 5th release, label owner marcel heese and alexander kowalski aka d_func. share their visions on thought control. both tracks on the ep harbour the same intent, but each of them approaches it in a different way. d_func. s take revolves around sahko-like bleeps, if you are into early mika vainio or sleeparchive, look no further! but instead of being loopy, it s definitely a builder. its original trance track-like structure is sure to rock many an underground dancefloor. marcel s vision is slower and less straight-forward but creates and maintains a high tension. based on dense a bassline and intricate soundscapes, it builds up slowly, only to explode halfway through. an extra payoff also comes at the very end of a track, its noise/ambient outro making a perfect way to wrap up an amazing party at 8am somewhere deep in the heart of berlin.