atlantas royal thunder crafts a timeless, evocative, and strikingly beautiful brand of southern rock. mlny parsonz soulful, smokey voice haunts dark, slow-burning hymns. simply put, the music royal thunder creates is deeply stirring and this recording opens the door to their vast well of talent. limited edition of 313 copies on opaque bone white vinyl.

the album also features a song co-written by agnetha fältskog. although she had composed much of her swedish solo output, the song disillusion , for which she wrote the music, is the only song released on an abba album to feature a songwriting contribution from her.

presley begann seine karriere 1954 als einer der ersten musiker der rockabilly-bewegung, einer fusion von „weißer“ country-musik und „schwarzem“ rhythm & blues. seinen durchbruch hatte er 1956, als er zur kontrovers diskutierten identifikationsfigur der rock-’n’-roll-bewegung wurde.

elvis aaron presley (* 8. januar 1935 in tupelo, mississippi, † 16. august 1977 in memphis, tennessee), häufig einfach nur „elvis“ genannt, war ein us-amerikanischer sänger, musiker und schauspieler, der als einer der wichtigsten vertreter der rock- und popkultur des 20. jahrhunderts gilt.wegen seiner erfolge und seiner ausstrahlung wird er auch als „king of rock ’n’ roll“ oder einfach als „king“ bezeichnet. presley gilt mit über einer milliarde verkauften tonträgern als weltweit erfolgreichster solo-künstler.

excellent groovin tribal techhouse action

excellent 3 track groovin / hypnotic tech house action

rockabilly was the name given by american trade papers between 1956 and 1959 to describe a new kind of music.

a collection of classic songs from the highly influential blues & folk legend on double 180g vinyl in gatefold sleeve.

so sound recordings latest acquisition to its roster is a trio from hannover, germany and they are called les loups. ladies and gentlemens if you thought that >french house<was a cool style of music back from the late 90s and early 2000s, think again, because felix littkemann (18), antonio dominguez (19) & philipp landmann (20), are ready to start a disco revolution. being influenced by jazz, indie rock, french house, hip hop the three got together and started to produce french house based on disco samples from the late 70s and early 80s, creating their own trademark sound which is so fresh!

lipservice are proud to welcome a new addition to our label roster. >out of city< are a tuscan based trio and are no strangers to the scene. having already worked with labels like eskimo and dc recordings they make a melting pot of sounds with their fingers and thumbs!
in dino storai, simone fedi and nicola lopetuso we find a band that seem to effortlessly combine synth music with disco, rock and punk and their >galactica< lp for lipservice is a real joy to listen to from start to finish.

6 track ep with pumpin techhouse techno action

this double a sided release finds us in a mellow mood as we couple joshua moses >pretty girl< with sharon bengamins >mr guy<.
>mr guy< is a lovely slice of lovers rock and somewhat overlooked when released in 1980 but it has become a firm favourite with us here at bristol archive. >pretty girl< finds roots singer joshua moses showing his softer side, it was something of a hit on the original release and makes a natural pairing with sharons tune.
both tracks were originally released as singles on bristol label shoc-wave records some thirty years ago and were given their first digital release with their well deserved inclusion on >the bristol reggae explosion 1978 ¹ 1983<. >mr guy< also made it onto the limited vinyl version of the album, but running time constraints meant there was no room for >pretty girl< something we a very pleased to rectify with this vinyl release.

keep up! records unveils brand new signing bestboygrip complete with his debut ep fonck. those with their ears to the ground will be aware that the germany-based bestboy is well-known within the drum n bass world under a different moniker. but this is the bestboy cutting loose for a minute and kicking out some modern disco jams with one foot in the past and the other in the future. this is the sound of an 80s boogie, synthesizer, library music and b-movie obsessive. fonck is the slow-paced opener with heavy-hitting synth drums but reflective keyboard narrative. one of keep up! recordsfavourite producers architeq provides a dubby, spacey remix sounding like something luke vibert might have included on his nuggets library compilations. on the flipside the pace quickens with the flexible bassline but tight groove of copyright. the ep closes with the house-tinged cross my mind, which builds on the strong melody-lead theme of the other tracks even further with the aid of catchy synth lead and vocal hooks. the fonck ep sits comfortably next to artists such as faze action, lcd soundsystem and ilija rudman. just the way keep up! likes its modern disco. bestboygrip is aiming to expand his sound even further, this time onto the stage with a full live band. keep an eye out for roland and his crack team of musicians visiting your town.

supported by tornado wallace (delusions of grandeur), pete herbert (reverso 68/dance disorder)... when jay shepheard launched retrofit in early 2010, deep house with a splash of disco was on the menu. six releases later and the quality of music hasnt faltered once. jays own work has always been the main focus on all five releases but for retrofit 6, rudys midnight machine, (who is in fact robin lee of faze action) takes to the stage alongside an appearance from shepheard (as ee_ef_ex) on remixing duties. >ecstatic love glow< kicks off the ep, diving head first into the disco and synth heavy realm that we expect from retrofit (and, for that matter, from mr lee), whose house outputs with faze action as far back as 97 speak for themselves. the intro of tip tapping hats and congas leads into a penetrating bass guitar, a riff that goes on to be cleverly mirrored by keyboards and later, by what sounds like a scratchy lakland guitar. wooden hats, sirens and a plethora of cosmic elements boogie their way around until the tracks dominant synth parades in and takes over the arrangement, striking a dramatic and smug pose at the close of each stab. the second track of >east side good living< sticks with its predecessors groove, cosmic sirens, electronic whistles and metallic drum taps yet again highlighting rudys modern disco sound

mother focus is their 1975 studio album which marks a departure from the progressive rock style that dominated the band s prior work, to a poppier, often disco influenced direction. it is focus last studio album that features the notorious jan akkerman on guitar.

shortly after the idea of acting as a record label under the guidance of oliver schories, the first release is already upcoming. different artists from northern germany convinced with their qualities and they found their way on the >nordlichter ep<. mauro basso brings with his >calm water< a potential summer-hit, which should not be missing on any open air event in our opinion. friends of more bassy amusement should listen to the hamburg/bremen based duo apnØ with their >trøt<, a track which encourages even the coolest northern lights to get into action. on the flipside >meet me on the streets< brings some deeper sound onto your turntable, accompained by a video on youtube, the intention of bremen-based duo datastix becomes definitely clear. last but not least julie* from papenburg, who is spinning only vinyl for years, shows us with her >cheerful expression< again, how to make your legs perk up. our advice is: dont disappoint your mum and make your exercises enjoyable: do not forget your turnbeutel in your next set.

180 grams audiophile vinyl + gatefold sleeve

max essa returns to feel music! its almost impossible to convey the scope of >iberia sequences< in a 45 second clip, so you gotta take our word for it, 10 minutes of pure bliss, the definition of a musical journey. on the flip side >islands< mixes 80s club sounds with a touch of classic house and of course that by now classic max essa feel, while mr. fabrizio mammarella on remix duties takes the a side up a notch with some acid disco dancefloor action. summer starts here!

achtung, warning, balushi is out with two new techno bombs for the summer. on the a side let me be myself is a deep aquatic adventure with a huge basline chugging along. there are some deep dark underwater effects and vocal snippets which develop into a deep stabby groove that hypnotizes anyone listening to the track. there is then a break with a beautiful vocal derived from the snippets that refreshes the listener and takes them into another dimension before bringing them back into the heavy hipnotic groove. on the aa side we have the path one hell of a tecno crossover designed to electrify and rock summer crowds all globally...with a funky meaty bassline that rolls on and perfectly complements both rasta vocals and crazy electronic synths and squelches the path is a fat groove to look out for on the hottest dancefloors...

the boston based alternative rock band buffalo tom formed in 1986. the band around singer/ guitarist bill janovitz became one of the more popular alternative rock bands by the mid 1990s. the 1992 album let me come over was truly the great leap forward for the band, sounding richer, more imaginative, and more emotionally powerful than anything they d recorded before.

psycho trill anniversary pack, limited to 100 copies! including:
aut 2011 carsten rausch: cat eyes ep
ptne 2110 bv ltd. re-press_ casey hogan: red shift re-edits
ptne 2117 ltd. ed. jonzon: reflections of my mind #2.0
sar 0005 ltd. ed. flextronic: old boy needs a dirty rave
… plus several add-ons like stickers, posters and flyers!
>whats worth the bucks<, though for its 19 years of psycho thrill anniversary the world-wide respected, cologne based, cutting-edge techno imprint strikes again with another technofied steppin quad-pack release.
this fourfold-dash specialises primarily on the long demanded 100 copy limited re-press of carsten rauschs classic techno/house hybrid >cat eyes<. an unbelievable ever-fresh workout from contemporary minimal splashes to rolling techno and acid infected beats, proving that you dont really need a worn-out 90ies tekkno or house sample in order to rock the house all the time and lift us finally up into an eerie, energetic world of wicked bass and driving beats.

berkane sol present the vinyl debut of erra. erra comes bursting through your speakers with a riot of tuff drums and sweet melody – its like the sound of someone who has rinsed their console so much that its gone way beyond high scores and into a full on system meltdown. >stax< starts out with a dreamy intro which leads into the rudest of wake up calls – a proper peak-time jackin synth stab married to a smartly evolved bassline, all driven by concussive garage flavoured rhythms. >jookup< on the flip again demonstrates erras irresistible talent for blending blissful keys with hectic dancefloor moments, this time really bringing the sickly grime synths to the front, with some cute but disembodied vocals punctuating the action. the 12 inch follows up erras popular l2s digital release >cake music<, and neatly shows off this young producers rapid development. these tracks have been getting love from people such as: al tourettes (applepips), mary anne hobbs, brackles (rinse fm), n type (wheel and deal), dj flight (1 xtra), spamchop (wigflex), 2562 (tectonic), shortstuff (ramp), cardopusher (hyperdub), martyn (3024), martin kemp (blunted robots), elgato (hessle audio), selector dub u (hotflush), skipple (sub fm), west norwood cassette library (teal), king thing (fortified) ...

featurecast s previous ep went straight in at the number 1 slot in sales charts across the globe last year, this second instalment is set to rock the world again and stamp this rising star at the forefront of the ghetto funk sound. all 4 of these tracks whipped glastonbury crowds up a treat! tried and tested dynamite.

top notch balearic action from mental / zambon getting a lot of plays and support from the likes of ali ooft, rayko, leftside wobble etc

district of corruption is proud to present a very unique collaboration between dilo and egon orange. dilo hails originally from buenos aires and is known for connecting the two worlds of rock and electronics. dilo is currently living in a perpetual summer, splitting his time between berlin and buenos aires. dilo is running his own imprint, igloo records, and has released on numerous other labels such as we are, minus, clink, unfoundsound, and einmaleins. egon orange made is production debut in 2009 on igloo. egon has also been refining his unique live show for several years. >take me home< is a tech-house gem. strong and repetitive percussion is set against dilos own fragile voice make this a perfect summer storm. we expect you will want to take this one home as the memory of a perfect night out. >röte< is the perfect flip. warm special pads pulse along with deeply hypnotic percussion and bass. ear candy is abundant but this is a no-frills journey. >röte< gently develops with lush analog keys and heavily processed vocal oddities.

the first world unknown 12 inch kicks off with a slamming piece of prototype house from glasgows naum gabo aka jonnie wilkes from optimo and his production partner james savage. showing that a relatively low pace doesnt mean any drop in energy levels and dancefloor pump power, whop! cracks along like something from an alternate reality version of 1980’s chicago. its as easy to imagine it rocking the house at medusas or the box as it is to envision it in the present day soundtracking some kind of bizarro fetish party or a particularly intense session at berghain’s lab-oratory. this is jacking in the true sense of the word. on the flip side italian born berlin resident franz underwear ups the tempo with a stunning piece of slamming european musclebeat. shades of ibiza 88-89 pervade here, the kind of pumping, chunky synth action, teutonic vocal exhortations and vaguely menacing but ultimately benign vibe that sent thousands of potty european kids totally round the bend and changed the world of dance music forever.

slamming disco / boogie action with remixes from toby tobias & soul renegades

following the legendary first two, stoically super minimal records >sog 1< and >sog 2< that provide ecstasy disguised as boredom on kompakt extra/speicher in 2007, and the outstanding beautifully bizarre >sog - abweichung< on profan in 2010, we are now listening to >fremde hÄnde<. like its predecessors, this sog stands in the tradition of >the art of omission< with wolfgang voigt variegating his preference for the bluntly straightforward quaver bass in two different forms. the a-side contains a tonally noncommittal sequence ambling across the keyboard in quantised form, reminiscing of the arpeggiator (accompaniment function) function of early 70ies and 80ies synthesizers. on the b-side, daring and thoroughly unquantised quaver rhythms rock around a bass drum that, as the only straight element, tries to keep the whole thing together. the result sounds a little like a delirious can live.

nice price deal !!! nice price deal !!! nice price deal !!! upps he did it again! rock n roll comes back to stock5!! or is it heavy metal? we dont know but its fat and its from ahmet sisman. but instead of bleeding out the same ideas again and again, ahmet presents a totally new side of his soul. his beat gains a lot of power and presence, fewer sounds do more without losing the typical sisman atmospheres! the young artist from essen knows nowadays how to interpret and manipulate tendencies to his very own style! and as usual great work and for sure one of the seasons big surprises

slamming 3 track ep with minimal techhouse action

some of the worlds greatest djs play his tracks, some ofthe worlds greatest producers request his services as a remixer and for years his music has featured on world renowned labels. none the less, peter horrevorts has stayed in the background whilst studying modern musicproduction at the rock academy, evolving and developing into the artist he is today. he released on numerous labels like kanzleramt, trapez, ec records, global undergound , gem records and of course be real and bla bla . he also did countless remixes for labels like bush, weave music, tronic and many more. his previous release on be real recordings, the love from above received excelent feedback and was played and loved by many djs. also his track on the recently released bla bla spring sampler did some serious damage on many dancefloors with this unresistable groove and funk in his music be real is very proud to welcome peter back for his second ep on be real with 4 brand new tracks

ltd 2011 repress , exclusive for decks.de !! vol 5 with more prime time action !! hot minimal techhouse / techno ala ideal audio !!

slamming powerful minimal techhouse / techno action

gerd is delivering at the moment! after releases on clone royal oak, philpot, a big re-issue on rejected, great remixes on 4lux and delusions of grandeur its time for him to release on his own 4lux label! a massive chicago influenced track called h.o.u.s.e. featuring the voice of l.b. bad, the prince of dance music. this track was originally penned in 1994 when gerd had elbee over to tour the benelux. the track was released on an obscure limited edition white label only back then, but here a new rework of these old recordings. 2011 sees the track remixed by gerd himself and he takes the tune into rough & uncompromising analogue territory with filthy synth bassline and relentless tr808 action. seriously good track!! jakob korn, arttu and neville watson are on remix duty and deliver some fresh remix that complete this record. recommended!

with releases on 100% pure, saved records and great stuff he marked his spot in the scene. now he returns to bitten for his second release, two tech-house tracks, both oh lord and the essence of life rock like crazy!

after the great 12 inch by sirko mueller its time for the next adventure of our beloved goldwill boys on mojuba sublabel wandering. with their new record they teamed up with some vocal support by lazarusman from southafrica and deliver a conceptual work called >when we< where one mesmerizing main theme is taking three different approaches to stimulate all your musical senses. from serious rocking dancefloor action via deep relaxed house grooves to sparkling ambient sounds! enjoy the music!

killer french minimal techhouse / techno action

franksen & tom wax, two of the main characters of the frankfurt house scene releases there second bomb on amusedrecords. smoker is an realy hypnotic deep tech house track with some progressive house elements in it. cant control it on a2 is the most housy track on this ep. classical house elements like hi strings, vocals, analog cords meets a massive tech house groove. just like this on b1 is the most drum oriented track on this phatt ep. absolutly a massiv clubtrack that will rock your floor!

in just a matter of months, life and death has swiftly established itself as purveyors of quality contemporary dance music, made by artists who would undoubtedly make anyone s short list of who i d like to invite to my afterparty . it seems only fitting then that with their newest release they ve recruited the undisputed kings of late night mayhem and madness for a paen tribute to that beautiful party after the party, the continuation of all things good and twisted.. the afterparty itself. not to take the issue of such a joyful celebration lightly, dop has gone on secret missions over the last 6 months, quietly (and often not so quietly) infiltrating afterparties worldwide and secretly extracting pituitary secretions from the rowdiest party goers at each of them. they then took these secretions, burned them in a special voodoo ceremony and immediately went into the studio to create a fitting tribute to the after-hours festivities we all hold so dear. once that was complete, friends were invited and even more deviants came to the party for some dirty late night remix action. clockwork (who s recently released it s you again on hot creations has already been the soundtrack to many an after party) are here, french wolf+lamb collaborator le loup is here, mas collective (who recorded on seminal nyc label strictly rhythm) is here and marius & david are here too.. everybody giving it their own special flavor. what an afterparty indeed.

excellent groovin techhouse action

summer of danny is an exclusive vinyl ep about dwdk serial dancefloor gems to be released as digital singles only in the next months: as you probably know supersonic lovers is a project by ajello s dj rocca and marcello giordani (italo deviance blog), they teamed up with singer adam clay (of ricky l born agains fame) for one of the catchiest vocal tune of this summer. dutch rhythm combo feat isa gt has been 2010 secret weapon for many djs, this mix of latin, hip-hop, funk gets remixed by dwdk dons ajello for extra party time action. jadoo is another italo-nu-disco dream team (ajello, heels of love & rampi), the irresistible voodoo love features the vocals of the most famous disco queen around hard ton. huge huge huge. showroom life by hot duo ajello close this vinyl sampler with an up-tempo disco tune designed for mirroball dancefloors.

since decadence in june 2010 and seven eps released this year, dame music is a continuous story of success and has established itself in the underground music scene. the triumph of bloody marys >arabesque< ep on national radios was a turning point for the label which has defined its musical identity, a modern genre of electronic music blended with a touch of rock, disco, classic or new wave influences. last hits sierra sams >queen of spade< ep and komatons >dehunt< ep are an excellent representation of the dame-music signature. the artwork of the label has also seen a significant evolution by the quality of its covers and teasers which fully fits with the music. to celebrate its first anniversary and give a first overview of the label imprint, dame-music is proud to present potluck, a special compilation of unreleased tracks, produced by five duos (one of the dame-musics artists, plus one of their friend). bloody mary got this concept to gather the dame-music family (mostly consisted by marys berlin based artists and friends) to work hand in hand with the music and artwork. they shared talent, creativity, emotions and ideas.

savor musics second 12 inch release follows a rockin record by papol and ekkohaus. we are proud to present today some raw future classics that will quite simply tear the floor into pieces. lucas mari is a hard to catch butterfly that spreads his subtle wings on few carefully selected projects. a resident of the city of rosario in argentina, lucas mari appeared occasionally on the very fine argentine label greener, german imprint stock 5 and on us labels adjunct and airdrop. in true early 90s chicago fashion, the two original cuts feature some serious drum machine action, building a sturdy way to allow for some exquisite chord relief to flourish. gez varley, absolutely stunned by listening to the originals, decided to contribute to the release with a simple and hypnotic remix that only he, the one and only g-man has the recipe for.

stomping hardcore action

kill kill is the name of the last ep of wat, resulting from the electro rock odyssey wonder. a video clip, filmed in los angeles, accompanies the output of the song, with remy cayuela (one more prod) at the helm. the track, electro tinged funk and hip-hop, sounds like the soundtrack of a rebounding road movie. kill kill is an indirect reference to movies from the 60’,s, and among others, those of russ meyer. faster pussycat kill kill, does it ring a bell?
support by : bbc radio1, larry tee, le mouv , steve aoki (dim mak), far too loud, radio nova, dj mag spain, maelstrom...

7 oz records co-founder goes solo for the first time on his own label. keep the faith is a two-faced release: one side is deep and soulful, while the other one is very groovy and it definetly suits the dancefloor.
the original mix plays it house with a great melodic spin. the remix has been produced by ivan iacobucci, one of the main artists of the italian house scene. his groove, enriched by and old school bassline, is ready to rock every dancefloor.