last record of sven vÄth @ amnesia !!! hit !! loved by: joris voorn, jimpster, raresh, audiofly, paul woolford, damian lazarus, josh wink, gusgus, andrew grant, hot chip, daniel stefanik... with yellow sky over reykjavík, part 1s a-side features a previously unreleased piece of music by thor from1999, which, had it been released in the year it was made, would definitely be a classic nowadays, similar tocolds strobelight network, the first catalogue number on his thule records. a track for those rare magicmoments, we all longingly seek for, a tune to reset the dancefloor. a true milestone!you are all lost on the flip side already was released in 1997 on thors famous aliens dont boogie release. atrack that might as well be a blueprint for deepness, raw yet warm, a subtle dub house experience, deserving are-release, properly re-mastered of course.

the final release from the a-z series by ash on atomic heart records. single sided record with etching on the flip.

episode two on touched by records sees the introduction of yet another talented youngster understate with his track >technology< backed with a remix from d&bs top-boy zero tolerance! yet another great record from this up and coming drum & bass label.

joel alter blew us away some months ago with his soul clap release on sweatshop! a much under-rated record which makes things go wild everytime its being dropped. now he is back strong with more straight pumping chicago-inspired tracks that continues alter s forays into the rougher, tougher side of house music. simple and effective tracks that reminds us of early raw house projects of jeff mills with basic elements and phat drum machines. joel alter going back to the basics and pushing the right buttons!

having already released tunes for some of the scenes most respected record labels (immerse, aquatic labs, bare dubs, sub aquatic dub) and earned support from big hitters like ramadanman, peverelist and scuba, spherix steps up on his own lowercase imprint with >in a hole< and >in the dark<.

this new record, drawing clouds, focuses on the raw techno aspect of andres production. never forgetting the more dubby textures and winding electrics so dear to the argentine master of wizardry, he creates yet another enthralling landscape right at the first seconds of the title track. as the maelstrom wraps around your mind, the unbeatable rhythms and fast-pace of the flip space mountain wallop your body for a tremendous trek. following the extremely favorable outcome of greeners first 12 inch, leonel castillos >el nino<, andres zacco pictures here the kind of journey we could only wish no end for.

rusty egan and steve strange brought you the blitz club in 1980, the cradle that not only spawned the musical soundtrack to a generation but also the styles, fashions and very fabric of the 80s. thirty years may seem a long time to wait before launching a record label of the same name but the sound of the blitz is as fresh today as it was all those years ago on a side street off covent garden.

four more explosive disco funk action gems to fill your dancefloor from a collaboration between texas finest exponents of funk and in flagranti with volume 4 of the series. >the insatiable tiger woods ep< as a nod to the sex addicted us golfer who allegedly likes a spot of disco dancing at the weekends. a brag mount is an infectious disco gem of such magnitude that girls will rush onto the dance floor with wild abandon. mishaps with chocolate is a cheeky and hooky bullet and theres no let up on the flipside as this value for money 4 tracker aims to prove with brass n bass led disco boogie. another essential vinyl item for your record box and another summer scorcher from the killer funk label stable !

inspired by the stripped back technical set-ups of yesteryear, mike monday and will saul present the sequence 1 ep, the product of the two artists limiting themselves to a roland 909, a korg kaos pad, a dave smith polyevolver and recording their jamming on the fly. >we wanted to inject some excitement, energy and randomness into this release, so decided to play the tracks live with mike on the 909 and keys and will on filters and effects. we had a broad idea of where we were going before we pressed record, and recorded a few takes of each track, then took the best moments from each. the big challenge was reining in the slightly chaotic recordings, but after some tweaking we found a balance between old school rawness and modern production values.<

everything from a small room. a few friends joke and start to record something.. something strange, indecipherable, or maybe just their souls. a voice begins to sound diffuse, catchy, distorted, hot. what happened to them on in that room don t know, but it was enough to convince us that this was a true story, unique ,inimitable. hooved was amused to construct a simple, yet many artists have come out of my mind, since the scsi-9: anton e maxim have made a pop song like this phoebe, that seems to be everywhere, but didn t think hitherto.. barrytone, new project of korablove, we delight rolled, cuts batteries and more pressing reason, unlikely to fade in your shelves. echonomist in greece seems to fall after many years in his bedroom, and start playing with the same old things, but with the eyes of this. finally tuccillo helps us find a very specific connotation, destination, disco. vinyl seems to sail on his last tour, but in the digital ve rsion will still expect the memories: l original track of hooved, version reinterpreted version of the cool voice hvoya, and the last train, the remix of dualism. a man and a woman summed up in just under 13 minutes all monsters and insecurities, words and glances, the soul of a gesture that turns into projects, loop, hours, bpm, second. apparel is pleased to present phoebe ep.

influenced by distorted electro sounds, to orchestral,jazz and blues pieces such as shostakovich and tom waits,he presents his first record,3 twisted and rocking tracks on archibell records.the first track right in the spotlight is >tokamak< a track with a dark kick and grind, featuring layered synths and vocal samples that break and drop with attitude.no time for intros this track hits hard and fast and leaves unexpectedly. next up is >g.i.g.a.s<, defined by its epic breaks, driving melody and sudden mood swing.perhaps the less sinister track out of the three, probably to give you a break for whats coming up next. unlike tokamak, nyxstarts with a slow baleful, classically influenced intro filled with suspense. eventually dropping into a deep atmospheric hard hitting groove. evil rhythm crafted with precise microsampling.

zckr records is a new and ambitious label based in bremen. the first release with the number zerozero is a white vinyl limited edition.
it features 3 tracks by stig inge, playmodul and medic & garoni. the music found on this record is exemplary for the forthcoming releases: melancholic, deep, rough, moony and always honest.

bergerac is the new record label set up by uk producer and dj red rack’em (aka danny berman) to showcase the more dancefloor end of his music productions. danny is well known for his wonky disco outings as hot coins on tirk and also his deep as hell beatdown house on untracked. his style of production and djing have recently taken a slightly more banging angle due to the influence of larger scale festival gigs such as glastonbury, snowbombing and the big chill. so it seemed like the perfect time to start a label focussing on house and techno for the more discerning dancefloor. the label artwork will feature bespoke illustrations from german artist silke eiselt of all the houses danny has lived in chronologically. how much more fucking house can you get than that? how i program is a raw, heads down, whacked out banger, which straddles the wafer thin divide between house and techno with aplomb. with a massive loud donking bass noise, seedy late night atmosphere and danny shouting about how he programs his shit - this is some freaky deaky peak time business. next up is bonn, a warm crackly rhodes driven halcyon house moment, which evokes the slightly majestic and nostalgic vibe of people dancing alone together in a hot room at the end of the night. cheering sourced directly from bonn in 1982 mixes with naive keywork and distant female chants the first bergerac ep closes with it happens to us all, which could be an ode to prematurely greying men, the onset of senility or occasional farting in public places. its definitely a prime slice of wrong house with some seriously french hi hats and dubbed out bassline action though. yes, its more syncopated than an exploding castanet factory but thats how we like that kind of funk

murmur has become a gem in the stone path of electronic music labels, a consistent voice of quality through their series of vinyl and global events. no fit state is a vinyl sampler for the label, bringing together some gifted artists and insightful music to celebrate the label s journey. claire ripley opens the package with a solomun remix of slow loris , released earlier this summer on timorous ep. best known for releases on steve bug s dessous recordings, claire is an undeniable talent with flair for getting the feet moving. solomun pulls the trigger with his remix in a capricious whirlwind track setting the skies alight with energy. label head geddes pairs up for another collaboration with the skilled young australian, mic newman, after big releases on the tsuba label as well as murmur. rework is available on digital only release, a rattling snake of a record alive with chords and softly spoken calls.

like >the final breaths of a game boy caught in the reeds and burbling under the waters< (nme), luke abbotts >holkham drones< has been making waves in all of the right places, and now as it finally drops in your record store of choice, the ripple effect begins to spread out across the world. >holkham drones< looks set to catapult luke from his provincial norfolk outpost of the uks burgeoning electronic underground straight into critics end-of-year best-of lists, in one fell swoop.

>listenin to the records on my wall<, the first single from skreams second album on tempa - the much anticipated and highly acclaimed >outside the box< - has long been in demand and is now finally being released on vinyl. >listenin to the records on my wall< is the perfect introduction to why skreams current level of success is just the beginning. its a joyful, ragingly energetic celebration of the last quarter decade of british street music, inspired by the hardcore and jungle records used by his older brother hijak who was part of grooverider<s internatty crew. its also a brilliant pop record that makes perfect sense to everyone who grew up surrounded by the breaks and beats of the 1990s ? and to those who didnt.

his release on jeff mills axis sublabel 6277 was the first in a series of amazing records, which made johannes volk become a very well known and highly acclaimed producer, liveact and dj. his initial appearance on heliocentric music features a stunning dancefloor bomb, which will spark large-scale-fires in clubs around the world.
the second track on this record comes from label-owner myon, who again delivers an epic journey through the periodic table of techno. for those, who listen closer!

jocke & elliots debut release which features the beautiful synth-pop tracks regnbagen and stadens labyrint. jocke is an established producer from gothenburg, and the beautiful young voice is from luke eargoggles son elliot. classic electro pop for all the fans of kraftwerk and dopplereffekt. lovely record!

marco bernardi marks his second outing on the dirty planet imprint with a 4 track ep bursting with emotion and originality. >i feel the lies< has a more laid back approach with deep and trippy grooves and evolving acidy stabs which are complimented with the unassuming and neatly placed vocal of detroit legend and aux88 founder keith tucker, making it one of those truly >special< tracks. second track >giro< (exium remix) is directed more towards the harder techno fans keeping the arrangement simple and the kick big and bold, this excellent remix has seen early support from surgeon with him choosing to feature it on the recently released fabric53 mix cd. flipping the record over sees two tracks exploring different sounds and moods. >msry< builds pace surrounded by an array of atmosphere, hissing percussion and lush detroit sounding synths where as killer track >giro< is a raw, off beat, electro monster laced with acid sequences and dirty bass.

z records deliver a very different sounding record to what you would expect from them. instead of the more soulful/disco sound they ve opted for a more filtered spacey affaire. it has dare i say it a fairly similar sound to >call on me<. its nowhere near as commercial sounding as >call on me< so don t let that put you off though.ltd backstock

when was the last time you were properly surprised by a record? we think parisian duo remote pulled out that kind of trick here. a tiny dot in an ocean of bongo-tech-house, an outcry of disapproval of the far-too-widespread uniformity of todays club music, this is what this ep is.

frederik hatsav and jamie kidd joined forces to create the new metalogic sound - edgy, dynamic and highly rhythmic electronic music. after releasing their music on well-known and respected labels such as perctrax and hidden agenda, their full-length album torus is a true highlight full of fresh and deep techno-tracks. the more you will play this amazing record, the more it will surprise and catch you. check out this bass-driven heavy monster-tunes that will rock any dancefloor around the world for sure!
this release is strongly supported by artists such as extrawelt, tony rohr, adam beyer, dietrich schoenemann, perc, speedy j, brian sanhaji, matt k, xavier morel and many more.

dole & kom are coming up with their first vinyl ep on 3rd wave music. a pure lesson of deep and jacking detroit and chicago influenced house music. 1993 founded dole & kom dj team at berlin based delirium record store. played sets at legendary berlin underground clubs tresor (residency), e-werk, bunker, wmf... in the following years they played dj gigs and live acts all over germany, europe and the united states. first productions on legendary berlin based label formaldehyd as clubheroes. biggest success dum dum on relief/ chicago (remix by green velvet) & lost piano on sony. the 12 smoke monster came on bondage music in april 2009 and dole & kom teamed up with the plastic fm on ostwind ltd 014 which hitted nr. 5 in carl craigs summer charts.

one year later the label panacustica delivers a slamming second twelve inch rats mother followed by a brilliant prins thomas remix, plus a detroit inspired instrumental by stay gold, argentoÆs alter ego. the record opens with a dreamy version where a plucked string intro and rats voice drive you into a deep, cinematic, adult dance groove. this laid back, psychedelic track flows well beyond your usual dance floor act into eno-esque territories. prins thomass mix is faster, happier and jumpier. its an amazing balearic trip with a live warm feel to it in which a guitar plays along the melody, accentuating the spaced out feel of the track, lifting it into higher states. stay gold gives the listeners a techno version where sparse, mechanical drums and a minimized melody take us to the motor city (citta dei motori) for a night drive in the dark. own it, feel it, play it loud.

o.ton is still growing up! we have finally managed to get two hottest french producers, mik izif and funny ox, for this new and exclusive release on o.ton records. >run< is simply made to drive a dancefloor mad, with its lfo bassline and these steady climatic harmony loops behind. the flipside belongs to funny ox: a great and groovy remix of >run< with all it needs to keep a crowd pleased and aware. o.ton 04 is the perfect minimal techno record! but what else would you expect ... enjoy!

the something vinyl series continues this time with seductive house tunes and deep moments for the dancefloor and places beyond. five tracks and four bonus loops makes this the next typical warm vibrating something record, you have probably already expected. as the title suggests, its not a perfect clean and faultless production. there is the dirt and a sound inhabitant, for what stl records are well known for. experimentations in the worlds of hardware based tone generators and at the limits of analog signal processors. the tracks also deliberately dispense much static computer arrangements and were recorded mostly in live sessions to capture the actual feeling for each song. every being is a universe of its own, with all it s known and unknown places. there are mistakes and inner strangers which are made to learn and grow. this record is a recent snapshot from someones life, where the love for music and sound is maybe the most beautiful mystery!

this record is a joint statement of kann and mikrodisko recordings.

contempt-music-prodution presents the next hardtechno record with 4 hard banging tracks. a-side we have some industial style from orman bitch with the track new kind of music. and a massive remixe by royal ash. on the b-side contempt music is proud to present 2 strong tracks from no one less then dj hammond.

kevin m. kennedy aka fbk is escaping. escaping from the everyday struggles of life in columbus, ohio, usa. one of his escape routes is his music and when you listen to his tracks you can feel why. his music is emotional to the core, no matter if its powerful and heavily funky techno such as >flying hybrids< or dark and sinister straight electro like >chosen path<. every single sound and rhythm is pure fbk and will cause a frenzy on the dancefloor. having released on shakes frictional label as fbk and on detroit based label xplor as the sleep engineer, kevin is not a newbie in the techno circus. diametric. is proud to release the first new record from the expert escapist since 1997. why he remained below the radar for so many years is a mystery. fbk will have further upcoming releases on frictional soon. no digital distribution. limited to 320 handnumbered copies. save the vinyl.

jakob korn, break sl, thomas froehlich, cuthead on the first release of this ambitious new label from dresden. with its foundations firmly rooted in house and open to all styles such as techno, disco and dubstep. its a small community of friends and producers, djs that meet each other the old fashioned way, the local record store fat fenders. the first release is a true house-affair. thomas froehlichs >get us< is a mysterious and breathtaking opener with beautifully plucked strings and a summerish feel. jacob korn with the surprise track on this record that combines intricate soundscapes built on an uplifting groove. this guy is on a roll! on the b-side breaks-prankster cuthead unleashes an unusual deep house study entitled >unacceptable moustache styles< before the record concludes gracefully with break sls late night jam >low light<. we ve said it before... the next generation has arrived!

the west coast series continues... after the huge hasbeens release its sumerian fleet with a amazing 5 track ep full of big dark wave inspired tracks. the perfect sound track for a movie such as irreversible. scary, haunting and dirty! do we hear some influences of the cure? liaisons dangereuses? adult? front 242? john fox? by far the most inspiring electro release we have heard in a while with its crazy industrial drive and dirty machine funk and robotic synths. btw check out that last track blech erkrankung... that track alone is worth buying this record! big.

back on friday 17th september (2010)...second single for the hotly tipped london based producer pariah on the legendary r&s record label. parishs debut single detroit falls/ orpheus gained the young producer many high profile fans including rob da bank, mary ann hobbs, ramadanman, untold, len faki, appleblim, chris duckenfield and will saul amongst many others. the first ep also found its way onto high profile, and influential blogs and websites including pitchfork, fact, gorilla vs bear, no pain in pop and rcrd lbl, and was a recommended release at boomkat. the debut single contained the first two pariah tracks ever recorded and were instantly recognisable as referencing the hip hop beat collages of dilla and the moody atmospheric 2 step rhythms of burial. this doublepack sees pariah move further towards developing his own sound, and takes in slamming percussive club tracks, deeper 2 step excursions and downtempo and beatless highlights. early supporters of this release include mary ann hobbs, falty dl, ramadanman, ben ufo, untold and mosca.

imagine >din da da<, martin circus and bostich all wrapped up into one long play club slammer! kenny dope strikes again with this flawless mixed tune. ken seamlessly connects these three classics and adds a hard pounding batucada house beat over them that makes this the record that everyone who is anyone will pound.

what an absolute stormer, for those of you who have never heard this record, get ready to be blown away. initially out in 1992 inner citys pennies from heaven was just the most perfect house anthem, i think it was kevins tunnel mix which was the killer mix, here it has been strung out just a little by the slow to speak people. all the crucial elements are still there, amazing vocal, the most uplifting of pianos, ridiculously simple yet deadly bassline and fantastic crisp garage beats. really they dont get much better than this, watch em go on nye when you drop this. awesome!

hypnotize to mesmerize. thatÆs always been mark eÆs thing. enjoying a sterling reputation as an editor as well as establishing his own label merc with a string of well made 12inches and two dope compilations, the man from birmingham complements our little label again with some original productions. starting with out with nobody else, mark puts love on top of love. unfortunately for you - and good for us - you have to fetch a second copy to go back and forth with the weighty bonus beats. flip side: the wolf is a murky trip into classic cavernous house music with a bottom-heavy ruffneck sound and an attention drawing siren. that alarm bell is also included in a minute-long extra fx section and for those that cannot get enough, seeks and ye shall find a locked-groove. people who like to carry their record collection around on a hard-drive, will also be pleased to know that there is an additional track to be found on the digital release (no locked grooves there, were afraid). its a contemplative force called stoneleigh express. e is for earthquake!

after appearing on record for the first time as part of cologne tape (magazine 1), barnt now releases his debut on magazine: the ep what is a number, that a man may know it? is a hypnotic and free-floating haze, heavily influenced by the dance floor. few times before has the psychedelic energy of the 1970s been combined with techno house in such an idiosyncratic way.

one of the key artists in japan is so inagawa. his first tack of relaxine has been mixed by harley & muscle in >deep house part 1< compilation album. next up is >cabaret to cabaret ep<, tracks which new style of deep house, featuring deep and groovy sound. so inagawa info: started his career, influenced by the jesus and marychain,the smith and so on. >cabaret< released from french famous label telegraph record in 2005. this aesthetic minimal abstract track was licenced by tobi neumans mix cd, and its become a bomb. he keep releasing constantly from milnormodern, rrygular, fenou, trimsound, minimood, goosehound, unfoundsound, multivitamin by both of so inagawa and the suffragettes. better not to miss his live, dj in the clubs around.

huge bomb alert! bob goes ragga/hiphop with his new single >rock this party<. this track contains an extrapolation of the classic record >gonna make you sweat< (by c&c music factory). on the mike dollar man & big ali. lead vocals: naomi goulbourne.

record 1 / side a + b of the album >ii<.
after various solo artist projects, oslos finest return with the highly anticipated ii and a worthy successor to their ground breaking first album. the space disco kings are back!

record 2 / side c + d of the album >ii<.
after various solo artist projects, oslos finest return with the highly anticipated ii and a worthy successor to their ground breaking first album. the space disco kings are back!

record 4 / side g + h of the album >ii<.
after various solo artist projects, oslos finest return with the highly anticipated ii and a worthy successor to their ground breaking first album. the space disco kings are back!

italians do it better owner/traveling dj salesman/heavy record collector mike simonetti takes an edit to three very obscure 90s house tracks. we were able to recognize the a-side with some help. the track was altered significantly and intro extends and builds and builds and builds... the two tracks on the b-side sound like 90s japanese piano house and a happy house rave track flipped on 33 but to be honest, we have no idea what they are.

on this record, you can find 4 deep house tracks with different atmosphere from artists such as alex danilov (denkbar/ compost /niveous), uncle deep (chevengur), a5 (exquisite music), 2loop (altered moods recordings). early supported by loco dice, josh wink, anthony collins, brothers vibe, ekkohaus, margaret dygas, pablo bolivar, alexkid, maik loewen, mathias mesteno and many more

2010 repress !!! it seems that tevo comes out of nothing delivering some house tracks that are as hot as they can get! as a teenager tevo was brought up in chicago during the haydays of house music. and there is no doubt that this left a deep impression on him! this record is another stomper with 5 basic tracks that have that same magic as early house records from the 80s! his first release on bgr was already picked up by several hot international djs and this one might even be better! great great record!

formed by snow patrols gary lightbody as an outlet for his fascination with country music, tired pony began taking shape in may 2009. by october, the solo project had grown into a full-fledged supergroup featuring another snow patrol veteran, iain archer, his wife miriam kaufmann, producer/musician jacknife lee, belle & sebastian percussionist richard colburn, auxiliary r.e.m. member scott mccaughey, and troy stewart. peter buck joined several months later, and tired pony traveled to portland in early 2010 to record the debut album. featuring guest appearances by zooey deschanel, m. ward, and editors frontman tom smith, >the place we ran from< was finished in one week and released later that year.

mathematics introduces john heckle to the world with his life on titan ep featuring 4 tracks of refreshing house from this new artist from the uk. elements of early classic house & detroit tech roam throughout while still maintaining a unique style. gonna be another huge record from this imprint!

from tocadiscos leading remix of >stopover< to chris lake & michael woods chart smashing >dominos< this is an essential piece for your record box!

this is a journey into our sound! an album in a reserved spiritual cast, thats complete down to its individual tracks. spin this record any way you please. from a pure jammed out playfulness there grew a sparkling conversation between the winds and those with keys ñ sometimes a rugged funk, others a finely-sensed jazz, and then completely improvised.

producer and dj, richy pitch moved from uk to ghana, west africa and took on the challenge to record an lp which drew on his many musical experiences during his stay. his goal was to record with local stars and talent and fuse the classic sound of ghanaian music with his own production skills that he had already developed in london. two years later and back to london, richy knocked on bbe records door to deliver ye fre mi richy pitch. (they call me richy pitch in twi) his creation gives the listener an excellent taste of the many different styles of ghanaian and west african music from highlife, hiplife to afrobeat to traditional percussion music, all combined with a fresh production twist. it features the cream of ghanaian music talent including mobo and mtv africa winner samini, reggie rockstone, known as the godfather of hiplife and talented mcs such as wanlov the kubolor, m3nsa and m.anifest, plus many other inspiring ghanaian artists.