shit robot returns with his first new material since the release of his debut long-player, >from the cradle to the rave<. after spending much of 2010 and 2011 touring the globe with his live show – including a string of dates opening/performing with lcd soundsystem during their final shows in nyc - the rebooted robot is back with >the green machine<. the first result of his stuttgart/new york studio adventures is a double-header of dancefloor jams, >teenage bass b/w >space race<, which is released on vinyl and digital on dfa on may 21 2012. its the first in a series of releases called >the green machine<, which will culminate in an album early next year. lead cut >teenage bass< rides a rude ebm bassline and rave alert sirens, before expanding further with key changing chords and a defining arpeggiator. the hypnotic >space race< is a distant relative of 2007s chasm – a meandering, melodic, star-gazing robo-techno workout

space junky is the track that first brought bosco delrey to public attention, landing him pieces on the fader, rcrdlbl and elsewhere. it features his typical excess of influences- semi-psychedelic guitars, bedroom soul hooks, splurting dancehall reggae basslines- anchored down by solid songwriting and lyrics. it s a weirdly great combination that made us think this guy might be on to something. my my racecar is harder to pin down, but no less intriguing with a chopped up guitar lead, mouth pop rhythm section and zipping bass. the drop the lime influence shines on these two tracks, lending heavy bass, sound effects and making everything crispy.
free mp3 download-coupon included.

ltd to 1000

ltd ed pic disc

red, yellow, blue splatter

15th studio album from 93 94

you are invited to take a trip inside our history through the eyes of one passenger, phoenix, born of the human race…

***
drifting flesh doorways
attack electric afternoons
silver flying scanning
patterns metal satellites
***

contra communem opinionem shortly cco, own name florin büchel is the pure acid lover from zürich. he has debuted on mathematics records in 2008 and since then he has been quite active with several releases on lux records and few other brands. there is a strong analogue character in his music based on 808 or 707 beats seasoned with melancholic pads, melodies and already mentioned acid lines. he is also involved in savage ground project formed by him and daniel cosmo. this is “space race” from melodic electro through overdrive madness to drone beats. it comes with remix from man behind endless illusion, layup.

electronic experimentalist james pants returns with his first full-length release since his 2011 self-titled album. savage is inspired inspired by martin denny flourishes, royalty-free breakbeats, gary wilson, and hamburgs infamous golden pudel club.

slamming boogie / disco edits !! repress

beautiful and trippy original track is completed with great remixes by benji vaughan, tripswitch and electrosoul system.

colored vinyl

sounds like can meets hawkwind! unbelievably killer and super, super heavy brand new psyche/krautrock album coming out of nowhere from brown spirits, new on soul jazz records!

trance infused rave energy. the trackname b2 kineta - clone drone has been changed to carbon based - cyclone (kineta remix) for copyright reasons.

roland jv & tb-303 at the best.

a side = 45 rpm , b side = 33rpm

glossy soul, jazz, and serene house.

second release on ellen allien s new label ufo inc.

soul dynamite pull no punches with the follow-up to their first release and go straight for the jugular with some vintage mr lif fire a 45 splitting mr lifs seven-and-a-half minute return of the b-boy into parts 1 and 2 one on each side. thats not quite as weird as it sounds for on lifs critically acclaimed debut full-length from 02, i, phantom, the el-p produced return of the b-boy features a fade and then a complete change of beat change for the epic third verse. the first half is dark, space-funky boom-bap while the second half is er even darker, and a bit faster, space-funky boom-bap. either side though, you’ll be able to revel in such a-grade lyrical excoriation of race relations in the states as, theyre defacing masterpieces, just to blast to pieces/ what’s dope and hope that wed accept a wacker thesis. jesus! black vinyl.

the grand, sweeping sonic explorations of “pretoria”, from john matthias and jay auborn’s 2017 album “race to zero”, are given new life on this four-track remix ep.
moon gangs (better known as william young, keyboardist in bristol-based electronic outfit beak>) takes the reins first, delivering a thunderous take on the original’s faster-paced second half. typically of the artist, the track builds and builds in intensity, climaxing with an apocalypse of emotional, layered synths.
bristol’s cuts strips back the elements for a much darker reworking. a single, repeating piano note echoes into wide, open space alongside the original’s antique violins before clattering percussion and synths enter the mix for the most foreboding turn of the release.
closing the ep, former mogwai member john cummings also bases his reinterpretation around the original’s piano. but where cuts leans on moody darkness, cummings take is more upbeat, courtesy of a driving four to the floor kick and fidgety, high-pitched piano.

after the creation of computer disco lp (1982), marcello giombini produces the year after i adore commodore - computer music flash, which was mainly made with a commodore 64. giombini was a veteran of music applications with personal computer, started with an apple ii europlus and then converted to the commodore 64 thanks to the presence of 3 independent music generators that allowed him to make more elaborate music easier. the record was inspired by the videogames of the time, so that the titles of the 10 tracks are inspired by the names of famous games. the music was created using four to eleven commodore 64 programmed and synchronized with an external audio interface. at the time, giombini, in his studio in a basement just a few steps from nomentana, rome, had organized a small school with courses of basic and computer music. the graphic is the same of original lp with inner-sleeve dedicated to commodore 64.

nice price deal !!! the sound of these 4 tracks bruits into space entrobically. a perfect liason of japanese phonetics & occidental vibrations. a soundtrack for a movie that was never made !! / played by dave clarke…limited backstock

‘race to zero’ is the new album by musician and composer john matthias and producer, musician and composer jay auborn.
the album’s starting point was a series of acoustic improvisations recorded in a variety oflocations, from a 700 year old chapel in the devon countryside to a basement studio in reykjavík, iceland. in an attempt to create a fractured sense of space reflective of the digital condition, the duo found themselves working within a place that could only exist in the digital landscape.
by crushing the recordings through a hundred different virtual rooms of reverb and other chaotic digital processes, they collided, soared and splintered into sweeping new rhythms, melodies and drones.
the outcome is a unique landscape that blurs the line between the virtual and physical worlds.
the vinyl release includes a download code.

following his 2013 debut lp, fictitious nostalgia, beastie respond joins forces with alia fresco, silkie and circle vision to present his new ep, back to the future. as with most of his output in recent years, the danish producers indisputable enchantment of 80s aesthetics and purple nostalgia beams through the entire record, elevated by alia fresco’s soothing vocals on the glamorous title track. intergalactic soap box derby’s hectic synth work and sharp turns generate an unpredictable space race for the head nodders, while joy ryder sees beastie respond carefully mesh classic d n b programming with neonlight melodies. silkie rounds off the ep with a signature sub treatment of back to the future, navigating on a tempo not previously released by the acclaimed uk producer.

strut follow up their hugely successful marshall allen-curated *in the orbit of ra* compilation with a newly curated set from the immense 125 lp back catalogue of jazz maverick, diy philosopher and self-professed member of an angel race, sun ra. to those of earth ... and other worlds is a hand- picked selection from bbc 6 music dj gilles peterson.

usb stick - kein vinyl !! (usb stick - no vinyl)
2014 is the year of degree records first anniversary celebration. after three highly successful eps, which all hit the top 10, the label owners veitengruber and 212fahrenheit give their love back to the audience with the most sustainable and utterly stylish gimmick - a wooden 8 gb space to race usb flash drive with 16 exclusive tracks by the best national and international deep house and techhouse artists. it will be delivered in a precious box together with a necklace.

new ep from zadig for kern project. killer release with wicked jam for highspeed race.

mit dem neuen album we got a love meldet sich die musikalische dfa maschine shit robot eindrucksvoll zurŸck. hinter dem roboter mit den elektrisierenden beats und melodien verbirgt sich der ire marcus lambkin, der die neun songs auf we got a love in deutschland bzw. in new york aufgenommen hat. schon wie beim vorgaengeralbum from the cradle to the rave aus dem jahr 2010 versammelt lambkin auf dem neuen werk zahlreiche gastsŠngerinnen und gastmusikerinnen um sich, darunter dfas nancy whang, museum of love und luke jenner sowie hip-house-hero lidell townsell und die australische saengerin holly backler.

with the latest album from dance producer hans-peter lindstrøm, norways latest entry in the space race has been launched out of the wooded outskirts of oslo. six cups of rebel, lindstrøms fourth solo album, is a super-sized cosmic disco rocket that burns up a galaxy of eclectic influences in its wake, from bach to deep purple, from prog rock and arpeggiator disco to acid house, while sounding sleek and utterly contemporary. he may worship at the temple of godlike european djs from the 80s like daniele baldelli and beppe loda, but the relentless, occasionally monumental scale of six cups of rebel has the power to move mountains all by itself.
double 12 inch in gatefold cover, cd-version of this album included.

supported by paul woolford, neil quigley, greg dowling (fish go deep), shigeru tanabu, fred berthet (troublemakers), craig morrisson, nacho marco, dj rork & more

damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number, sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so its not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.

ltd to 1000

remastered reissue on limited white vinyl.

the palm trees whistle in the pink meteor shower. an entanglement of nature’s mystical tones settle. sonics trigger movement in the oceans crust while giants filter the earth’s waters, thrusting the waters with their gnarly space knobs. the damsel in distress is a hadronic mechanical design like no other, moulded, tested and shaped by the entheogen melanges of the omegian race. many a cosmic knight whipped there sword out to retrieve , but in rightful and aware conquest the dilation and deja vu of multidimensional experiences returned the opal tone to the omega men. the midi rain will dance , and the grooving aqua orbs of life will continue on. - eddie

berlin based techno titan frank muller adopts his beroshima alias for a new four track ep that is already been hailed by the likes of marcel dettman and laurent garnier. first emerging in the nineties, muller has since become a techno great who has played from asia to south america and beyond. he’s had plenty of underground hits on the likes of cocoon and soma, and held some key residencies over the years. always one to command your attention with his multi layered grooves, this ep features an old juan atkins sample “buy some shit from detroit” that has been part of beroshima’s live sets for years. excellent opener ‘encounter’ reflects a recent idea jeff mills and muller had to produce tracks together for a not yet produced sci-fi movie. it is an eight-minute astral techno trip with smooth, driving drums and plenty of intergalactic synth lines. ‘the passion of lovers’ transfers the organic beroshima style into 2018 and shows off frank’s passion for spaced out electronica. it’s a brilliantly bumping cut with lithe synths and melodies adding that soul and colour as it races through the galaxies. the iconic ‘buy some’ with the atkins sample then surges into the future with icy hi hats dancing over rubbery drums. the warped synths take the lead and bring a real sense of off kilter energy to this most timeless bit of techno. last of all is the fantastic space mix of ‘encounter’ which is dreamy and cinematic with exquisite keys and pads colouring in a huge night sky as the drums drive things along. this is an archetypal techno ep filled with cosmic colours and serene emotions.

computer controlled delves back into deep space with norwell’s interkosmos ep. five tracks of russian space race era influenced electro/techno. hotly tipped last year by helena hauff and with a string of releases under his belt from the likes of umwelt’s new flesh, dalmata daniel, pinkman and his own label with imre kiss, crisis, norwell is definitely one to keep an eye on.

for the record the artist presents a sonic curation of her work ë.ctu_isbtmí. operating in a space between sculpture, code and electronics, the system scans 3dimensional objects via a live video feed and programmatically encodes the artistís glass sculptures within a language of pitches and rhythms using samples as a transla- tive matrix. following samples are used : 0 basketball, 1 tennis, 2 swim, 3 scubadive, 4 helicopter, 5 race, 6 golf, index side a: codes sounds were produced from rotating black glass objects whose shapes determine the parameters of a 2d synthesis space. side b: the resulting sounds are live coded into musical pattern. along with byrke louís sound piece the physical record features words by agf.

klasse co-boss mr. ho steps up to the plate and knocks it out of the park with a new ep of brand new and original material. inspired by listening to various library music and funk records found whilst digging in asia, the hong kong based artist lays down three tracks of boogie-disco and funk inspired house music. funky walking basslines, eerie 1980 s synthetics and spacey snares make for a total tip!

the impossibility was inspired by the destruction of the planet earth by the human race, the early works of jg ballard, tarkovsky s stalker, conspiracy theories, and places where the rules of time and space are brought into question.

danyb (of best-selling busted edits fame) kicks off another affair of the art, with jupiter dance. spring-boarding from the jupiter dance radio show, which takes a regular tour through the lesser known avenues of synth pop, space disco & italo here we have three worked up renditions of awesome 80s obscurities, deutsch new wave, french synth experiments & new age pieces which conspire to deliver a very welcome selection, for aficionados and ass-shakers alike.

if you like tape hiss, heavy beats and cheeky sampling this will make you go bang! ctepeo 57 (stereo 57) are a newly formed duo. they have been around for a while and you might know them under different aliases. their obsession with 1950s culture brought them together and they own a massive collection of marlon brando memorabilia. the 1950s were a decade of mystery and hoaxes, the cold war, the space race and the establishment of nasa. ctepeo 57 insists the cold war isnt over and claim russian astronauts landed on mars in the late 90s to discover something truly amazing… it all seems far-fetched but who cares, when they make music like this.

we re very proud to announce the release of a new series of records, between modern retro-futuristic library music and idm, inaugurated by the fabulous bill vortex! also known as poborsk for about 20 years, patrice curtillat is one of the spearheads of the idm in france. he has been released on prestigious labels such as icasea (team doyobi), central processing unit, or flogsta danshall, and he is the cofounder of the skweee label mazout, so autechre were right by choosing him as the first part in lyon during their last french tour. recognized by his peers from scandinavia to england, he is a discreet but brilliant producer of the stamp of labels like skam or warp, with in addition a typical marseilles balearic touch. in this new project he reconnects with his old loves : funk, breakdance, house oldschool ... always keeping his inimitable style made of granular grooves, and pentatonic melodies in a sunny atmosphere. his -feelgood music- is the ideal soundtrack for a science fiction series, a 4g tv report, or a motorcycle race.

shoot recordings presents fierce, a collection of dancefloor sickness from some of today’s finest bass technicians.
calculon, shamanga & austin speed drop the original, a savage, banging slice of classic hardcore fast-forwarded to the future. cutting and chopping with swooping sci-fi basslines, fierce earns its name, the meanest track shoot’s released.
dj madd turns the sick first mix, a halftime juke rework that puts fierce in a lowrider and serves it a cup of sizzurp. the bounce version for all the cali heads.
skeptikal is up next, deep-freezing the track into a tidy stepper. focusing the track’s scope, it’s a deep space killer, exactly what you’d expect from the don.
survival is the anchor, turning out a rugged neuro vibes that race through the nighttime city streets to assassinate your eardrums. the darkside sickness.
four tracks of pure fierce. shoot recordings for 2017, dancefloor innovation.

opening this essential release is the slow and spaced out groove of replicant v1, with fat synths and dark spacecraft sounds circling you as the drums grow ever bigger. shoulder of orion then drops into a rickety groove with soulful pads stretching off to the horizon as rough drums march below. proving he has real range, motor rotor is a deep and driving track that conveys a real sense of motion as it races along an intergalactic highway, and love on time picks up the pace yet further with twisted synths roaming free above a motorik kick and icy hi hats. last of all for the digital release, replicant v2 is a spacey and dramatic techno effort with widescreen pads and gurgling synths making for a turbulent ride. first vinyl bonus cut hang on is a forceful seven minutes of eerie and cosmic techno that stretches out in all directions as manic melodies rain down from above. lastly, traktion is full of ominous drones, crashing percussion and sombre pads and makes for a dramatic and driving track that is filled with pain

daniele baldelli producer now has nothing to envy about daniele baldelli the dj. this is demonstrated by the authoritativeness of the first two 12”s of six in the series -cosmic temple” on the mondo groove label. what first strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by aldo drudi (the designer of valentino rossi), a large mosaic that interprets garish aesthetics/logoa cosmic. but immediately after the music takes the stage: 3 tracks in -chapter 1- and 3 tracks in -chapter 2-, are able to tell the true mood of the imaginary baldelli’s sound and take them to a land of wonders. chapter 2: the phrasing of zircaloy, and still that yin and yang that composed krebs cycle, with burattini on synth, a race horse deep disco at 120 bpm that goes into stratospheres, and afelio, a lethargic space ballet at 90 bpm.

mit seinem longplayer -terrör of the Üniverse- veröffentlicht hyboid sein mittlerweile drittes album auf dem label astro chicken. hier verschmelzen kraut- und cosmic-einflüsse der 70er jahre, synth-pop der 80er und soundtrack-landschaften aus filmen, tv-serien und computerspielen. das album wurde ausschließlich mit vintage-klangerzeugern und vintage-effekten produziert. und das hört man: -terrör...- ist eine weltraum-oper aus purem strom! 2x12 inch plus kärtchen mit mp3 download-code!