dubculture has been pushing the sound in ireland running ‘dubstep’ nights for over a year. now in celebration of the success and evolution the sound has achieved, and to satisfy public demand for high quality music, we will be launching the label dubculture records. the aim of the label is to supply the scene with quality music, from top irish and international producers that share the same attitude and direction. dj support from appleblim..

deadmau5 is back with huge smash hit >ghosts n stuff< and the minimal >peddler of misery<. ghosts n stuff was written especially for deadmau5s essential selection live from the warehouse project manchester. a new musical direction for the mau5, ghosts n stuff is a gigantic slab of french house. big organs and synths collide alongside a killer bassline and tight percussion. ghosts n stuff looks like being one of mau5s biggest hits to date. peddler of misery is the complete opposite to ghosts n stuff with its minimal arrangement and trippy double beat. the percussion is delayed and crazy, helping to create real messed up dancefloor moments!

incl solomun remix !! as we venture into the future of house music, we find certain styles taking definitive direction. one of europe’s hottest producers, tiger stripes, has been at the helm and leader of tech & electronic dance music. he lays a new foundation over >voyage<, a recent release found on his safari lp released in 2007. two new re-interpretations, solomun main and lost version of this single will be released with more of his signature sound, pumping drums, jabbing synths, rolling over a bouncing bassline with string flows atop breathing new life into an already vibrant track. tune in and hear what we mean.

the berlin based dj and highgrade-artist jens bond presents with his new ep >hypochonder< his latest work. bond is allready known for his percussive tracks beside that the resident dj of berlins watergate club is well established thanks to his collaborations with benno blome (sender records) and guido schneider (pokerflat). in the namegiving titeltrack for this new ep for highgrade jens bond gives it all: stakkatos of rolling percussions meet pearling synth-lines, creating a jacking, neverending groove. >got some…< develops this recipe for success more into a slightly darker direction, while keeping up beeing changefull with the same >hands-up<-factor. instead of a break mr. bond serves us with >paulista grill< the next highlight of this ep. massive, with a touch of darkness, build on a strong fundament of a funky, dry-asa-bone groove. three tracks, simultaneously eventfull and homogeneous, carrying clearly jens bonds signature.

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. were gonna be highlighting new talent, re-releasing some lesser known nuggets and certainlly give you some dancefloor killers along the way to. from japanese techno to california kraut. just the way we like it...for int005 we bring you a slow house chugger in the form of break the barriers, done by malaysian born and berlin based frankie flowerz. i have to say, its not by choice i decided to put this track out but a calling... upon hearing this track in frankies myspace player i knew i had to put this out over 12 inches in full scope... i spent some time trying to come up with the perfect match for remix duties and i think weve succeeded with the choice of man of the moment(and soon to be legendary)john daly of galway who turns in a slightly faster, darker and a bit dubbier affair.

after 17 years of working together, tejada & leviste are back in the studio again putting their modular synths to good work. m tracks (m as in modular) features 4 analog workouts in varying styles. m track 1 features a melodic deep, yet driving track reminiscent of the duos best known work. m track 2 and 3 showcase a trackier sound focusing on basic elements while m track 4 turns in a much more experimental direction. the approach to this ep was a very fun, hands on process. analog sequencers are used to drive the various modular synths and their components. this process allowed for a more organic feel as the unstable electronics change over time as well as the manual changing of parameters over time. systems used include doepfer and frostwave sequencers, and modular systems consisting of cwejman, doepfer, harvestman and bananalogue modules. analog drum machines aided in the rhythms, however m track 3 was generated from pure modular hardware including the drums.

roaring bass and a rave-signal - do we need more? 2001 techno by bryan zentz who knows just one direction - forward!

support by:andre galluzzi, gregor tresher, sebastien leger, oliver koletzki, nick warren, terry lee brown junior, roberto rodriguez , anderson noise, hernan cattaneo, robert babicz aka rob acid is back on circle music. the last strike from robert on circle music was the great and lyrical remix of dan corcos >new world<. he also convinced with his atmospherical work on way out wests >spaceman< on hope recordings and ruled on sytematic with the big album release >a cheerful temper<. robert, who is one of germanys very early techno and electro heroes, appeared on the last cricle music compilation with the unique >invasion< and will alo appear on the next circle compilation >the mechanic sound of nature<. for this it is only logical for the co-founder of shortcut records to release his latest two dancefloor sensations on circle.

after 3 succesfull releases, this label has slowly proven it self. stephane signore, the headhoncho of the label, has gathered a nice selection of artists around the label so far. wehbba, hertz, pedro delgardo, reaky and others. this 4th release is the next stephane signore single. on this release he has delivered 2 absolute monster tracks, and asked reaky and lars klein to deliver their remixes. lars klein brings his 2008 minimal inspired techno burner. clicks and bits with a techno attitude. reaky, one of the most succesfull new comers to this game, takes it into a completely other direction, a well funky tribal explosion with a subtle throbbing bassline vibe. proper, rolling techno for the masses!

support comes from steve bug, shinedoe, karotte, james flavour, gruber & nuernberg, paulo olarte !! highgrade goes east! with homm & popoviciu the berlin-gang grows in the eastern direction - to be specific: romania. their musical..output..of both wasn..t hard to spot, because markus homm and mihai popoviciu made a name for themselves for quite a while. no wonder that their output spreads across several..high-class..labels like dj hell..s international deejay gigolos, pascal feos.. non zero records, as well as the british immigrant and the spanish sub conce label. after their first strike - highgrade digital number 009, this is their first vinyl ep on highgrade. without any doubts they take the chance to demonstrate their most.. appreciated.. skills: on the the titletrack >urban ballroom< they send a massive..house-groove..to a trip, alongside with a swinging bassline, decent melodylines and some springy percussions, combining perfectly funkyness and deepness. >contact< and >wipp< on the flipside are convincing in the same versed way. the former slightly more dubby, the latter comes up with a little more speed. all in all forming an ep cast from the same mould, while the title >urban ballroom< says it all. homm & popoviciu are delivering a new housy shade for the labelsound, which suites highgrade perfectly

moving away from the multi artist approach of the previous 7 releases, ir-008 sees jason brunton take a more direct approach to the dancefloor with this straight up techno workout. stabbing chords run amok over a xxl moroder-esque bassline-hints of basic channel, carl craig and the shuffling rhythms all combining to create something both fresh and familiar at the same time. since his initial outings on headpace and iridite many years ago, marco bernardis career has went from strength to strength with a string of releases on glasgows soma records and a fruitfull relationship with the dutch masters clone- here he takes mixed metaphors in a new direction- crazed synthetic vocals combine with ice cold strings and electro beats worthy of any aux 88 or kraftwerk release! rei loci turns in a superb reworking, moving into deeper realms and coming off like early robert hood crashing into maurzios back yard!

once more compound delivers another storming output with some of the creme da la creme of the techno scene to date. division ep has all the elements of funk to hard deep pounding grooves from the likes of glenn wilson, wetworks, dean rodell, monocore, zoid and mucky beats, making this various a must have for any techhead to have in their box. a1: monocore open this ep with lingering whisper a well crafted floor banger that builds over its existence to a total crowd pleaser giving the ep a kick start in the right direction. a2: dean rodell and wetworks prove with their first collaboration that techno can move and groove with a colourful arrangement of sounds without losing the drive that we have come to expect from these 2 producers. b1: glenn wilson leads the b side with risen, again a xxxxl pounder with cheese in true wilson style: a stabby deep number with rhythms and grooves that u expect from the tech master himself! b2: last but not least 1 of the uk biggest up and coming techno artists zoid and mucky beats give their debut on compound with japanese clank a thunder thumper of a track that highlights the strength of sound the island has to offer today. a class floor mangler to finish off an ep that has something for every hard tech division

while on a months hiatus in the australian countryside jaymz nylon began recording the dirty wonderland ep stretching his afrotech sound into a more experimental jazz territory a direction that would make herbie hancocks 1970s band head hunters very proud...dirty wonderland ep is filled with 4 gems that will leave a lasting desire for the ears, heart and your dancing feet.

koyla, mastermind of russian composer and producer nickolai serbryakov, rips into the electronic scene with his slickly produced acid jazz style sound. the 25 year old producer from st. petersburg drops his first single on bombay&#146,s subdivision manali records &#147,bowel&#148,, a solid deep soulful disco groove. the b side is an in house mix that brings us into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. koyla and dj primat are true musicians and deserve the fullest respect in this genre, stay tuned for these boys with singles and albums to follow.

support from efdemin, loco dice, sebo k, shinedoe, dave dk, agnes, d julz, serafin, ame, ben watt, ray okpara, sasse, luke solomon, peace division & ashley beedle, among others... anonym is the one who is anonymous. his music, however, is anything but anonymous. hailing from the mecca otherwise known as detroit and with releases on his very own anonymous releases and on sushitech, anonym embraces in his music the ways of future past of the motor citys unique techno scene. anonyms new release arrives exactly when detroit techno is again paving the way to the future by transforming the now: post minimal strategies and a desire to find its own place in the tradition, make the music signed by anonym a strong creative statement, something that could only be cooked by a detroit native, but that resonates all over the world. for remix duties, we asked our good friend patrice baumel to take it amsterdam style. detroit techno has a strong hold on amsterdams music makers but the natives of the city of the best coffee shops in the world have also always shed a different light on their own productions. patrice is a perfect example of this: his originality and fierce work ethic has gained him a place in get physical and trapez. we were hoping for something special from patrice and he definitely delivered, taking shanghai express in a completely new direction, making it something else, but also his personal tribute to the city of cosmic cars and vital underground resistance

after his debut releases on resopal, young finish producer rasmus hedlund follows up with another brilliant ep on the motherlabel. its the fiftyeight installment of the resopal 12inch releases so far and we quote him as one the most interesting and promising new techno producer of the year. back to bassics offers four deep electronic techno tracks, a finish version of new school minimalism that, all by all reaches the dancefloors of today. rolling kickers with massive synth lines. rasmus hedlund is definitely going to pave the way for resopal 12inch direction this fall

banging hardtechno tracks by greg notill, leo laker and waldhaus!!

already in the box of ripperton, loco dice, james what, solumun, someone else, pheek, mark august.. with >the games e.p.< daniela stickroth finally delivers a fantastic follow up to >stories from the attic< ... the approach found on the attic, gets its logical continuation on the games ep, which leads us from up under the roof straight down into the brush of a mysterious forest, with moonlit clearings, trails and sweeping turns

hot on the heels of the bestselling second edition in the limited series, the ppf boys dropped off this outstanding third ep in the sample pleasures trilogy!!! as always, they expertly reference classic, though less well known underground gems from the last days of disco to early forays into proto house. heavily influenced by the fertile early 80s period, when european disco and boogie sounds took us in a more electronic direction, and the kind of boundary pushing, energetic, funked up soundtrack ron hardy laid down in the music box, the popular peoples front have established a formidable reputation for making stand out modern club cuts...

swedens speedmarket avenue are a a pop music collective led by a little guy who looks like a cross between charles manson and marc bolan. their new album is, without a doubt, one of the musical highlights in 2008 for all pop lovers! their debut album im going to let my new swiss army knife answer to that, was packed ful of jangle pop reminiscent of label 53rd and 3rd. the band have played various european festivals and collaborated with camera obscura on their lets get out of this country album thanks to the mutual connection of producer, jari haapalainen. under his direction, they ve now recorded their second album, way better now. an absolute beauty from beginning to end replete with precious pop melodies in a non conventional way, imaginative arrangements and an omnipresent trumpet. limited to 600 copies on vinyl.

james hammer storms the a with a bright hypnotic groove on solid beats that displays a definite mills influence that is sure to have the floor heaving & perfect for the mix. flip for label boss gus brown taking things in a darker direction, heavier snares & a buzzing bass used to maximum effect. then techno legend orlando voorn steps ups for the final remix & slams down a harder remix that builds on the original groove & twists it over and over to finish the record perfectly.

dj-support by adam beyer, alexi delano, paco osuna!! on his 2nd ep on aesthetik brian james shows his true colours. dark, deep and stripped down techno with a solid old school, almost chicago-esque feel to it. rubber doll instantly grabs you through its simplicity and efficiency. pulsating beats, a mental bassline with a slight bleepy feel to it. a true techno dj s delight. madrid s techno maestro xpansul turns rubber doll into a harder edged techno stomper. edgy technoid sounds and xpansul s trademark dark rhythmic craziness makes this track essential to any self-respecting techno jock! panic in detroit is again a typical brian james throbbing techno piece for when dancefloors go into >mental mode<. bubbling custard takes a more experimental direction, reminiscent of early dark model 500 tracks, but jacked up in brian s very own wickedness.

vakant presents valt. valt stands for vakant limited and means a new 12 series for straight dancefloor tracks. number 1 is being produced by onur Özer and showcases his all new direction after his heavily acclaimed masterpiece album >kasmir< from 2007. valt 1 will be limited to 1000 copies, single sided and available on vinyl only!

another alias from our man inflagranti. killer new york electro-disco meet german krautrock of highest order. traveling without moving could be the subtittle to this piece of mindblowing music. pure class

electric minds present gatto fritto for their 3rd release. a talented musician and producer from north london, he has been steadily building a reputation through his releases on london based dissident. extending his repertoire further he brings another quality production to electric minds. the a side bursting the bubble is a nine minute jam with quirky sync samples, heavy bass and a change in direction half way through the track which is becoming a trade mark of gatto frittos productions. the b side radio b-92 did not make its place on the first electric minds release as planned, so they were delighted to have been able to include it here. it is a sync rich track taking inspiration from new yorks 80s electro scene, a perfect compliment to what is already a very strong 12inch release. house heads as well as the cosmic fans will appreciate both productions

supported by wagon cookin, rainer trubi, manuel tur, jimpster, alton miller, motor city soul, pablo bolivar, fish go deep, jesus gonsev.. house cafe music presents the new 12 of the label signed by sven weisemann (mojuba, liebe detail), titled >light soil ep<. this young producer has demonstrated immense talent in his own productions with a serious deep house lean. he provides a distinguished and refined sound on blazing 12 from house cafe music...

dave robertson & jon gurd have delivered an outstanding mix, turning the track into a complete new direction, a techno monster which draws inspiration from their the rendition club hit released on cr2 last year, causing any dancefloor to go ape everytime!!!

after the huge >score for direction< success with label owner pär grindvik stockholm ltd presents a new swedish talent for the world. simon haydo is a really close friend of pär grindvik and the stockholm ltd family. for several years, simon has been playing records among the high end clubs in his hometown of stockholm, sweden. a while ago he finally got himself some studio equipment and has been asking for production tips from time to time, but when we received his demo we realized that he didnt really needed them. simon knocked us right out of our chairs! we rarely get demos this emotional and we didnt know that simon would pass us one as we had not heard a bleep of his music until that day. most of the demos you get are from people trying to sound like someone else, but simon has a sound of his own. we are really proud to have simon haydo joining the label and his first record >different shades of white< will follow us forever! >different shades of white< has got great support all over the world and will be released on stockholm ltd, watch out!

tuomi, as well as stefan goldmanns 1st ever production for a band! tuomi is a trio of voice, piano and double bass, lead by singer kristiina tuomi. touring the globe from europe to bahrain to south korea, tuomi perform a unique blend of superb songwriting and acoustic chamber composition. for their macro debut, the trio is joined by live strings and an array of electronics, synths and drum machines, taking their signature concept to the dancefloor in full effect. the result is stunningly adventurous house music. the title track >expense of spirit< comes with a mind blowing bass line, acting as a catchy counterpoint to the deep acoustic chords and strings. the b side also holds a minimalistic dub version. >mourning eyes< and >expense miniature< reach far beyond the dancefloor, being another prime example of macros experimental direction. a pioneering four track ep showcasing what should be possible at the junction of acoustic and electronic music today. tuomi are: kristiina tuomi - voice carsten daerr - piano carlos bica - double bass featuring: margherita biederbick - violin hannah klein - viola stefan goldmann - synth bass, drum machines, processing

reggie b has been working on music by himself since beginning of his career. but in 2007 he was suddenly gotten attention in the new school beat scene via myspace, had been airplayed from opinion leaders like benji b and gilles peterson, then just put out his solo debut album go. this is first of 2 ep series off from the album. we r here is produced by the instrument genius, motor citys best kept secret saadiq, the 1/2 of platinum pied pipers, who is also going to drop his first solo joint from circulations. reggie b delivers the next level mid west funkiness over the detroit manner head banging of this tight minimal beat. on this intergalactic p funk biz, japanese beat trio super smoky soul twisted with opposite direction of arrangement into dreamy hip hop psychedelia. for all the beat geeks they serve another track of doper spaced out beat cosmos as re edit. including a bonus song of the album title song go, the manifesto of his music with sick bass & beats by lenny d, the producer of innatesounds. from 4lux recordings, reggie b also released another project future music with slum village drummer daru recently

generator heading in the direction of classic acid house with chicagos mauser who made his first contribution with his industrial remix of neon sex fiends elektrofive. 4 seriously beatin acid jack trax, styled after traditional phuture like acid workouts, incorporating detroit soul and chicago jack. guaranteed to destroy dancefloors

leon segka is back with his new >mosanto< e.p. a beatless, breathtaking soundtrack with a not yet known music direction. >inside you< a reconstruction of his original work with the participation of the vocalist olga kouklaki >while you where sleeping<, dirty, hypnotic techhouse the main dancefloor action this time comes out of san francisco. sutekh reforms inside you to his jerky-techno sound

a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we re gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it... second release up is a taste of what s to come later in 2008 when we drop windsurfs debut album. these 4 tracks where initially planned for release on sentrall but where for some strange reason scrapped and made available as mp3 only. too sad as this is some of the finest heady downbeat electronic music to appear in the current baleric,cosmic blah blah blah call it what you want scene. windsurf consists of 1 part sorcerer and 1 part hatchback, both has records out on tirk and thisisnotanexit respectively and they ve also managed to deliever killer reworks of lcd soundsystem and shawn lee s ping pong orchestra(to be unleashed early 2008). crafting their own musical universeout of layers and layers of guitars and synths, never going for the obvious... well, im not gonna spend more time trying to convince you, check it out at wordandsound.de(paste in appropriate link here f.ex....)

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

one of the stand out tracks from osunlades excellent artist album elelments beyond from early 2007 hits the shelves with a plethora of remixes from dj gregory, deetron and manoo stella. dj gregory does what he does best, building and layering tribal rhythms with techy beats with a touch of off key xylophone action thrown in for good measure. the manoo stella mix starts deep before big pads and synths take it in a near progressive direction, while deetron strips things right back and does away with most of the vocal for a pounding house rhythm perfect for the late night clubs. a great track made better by a set of slick remixes makes this a promising start to 2008 for strictly rhythm and osunlade.

be is from manchester. his music has no equals. here is how be describes his superb disco sound. each day brings inspiration. people, words, skies and sounds form the solid foundations of the personal experience that be uses to express the abstract ideas drawn from these interactions. a deep love for soul music, jazz, funk, disco and electronic, combined with a respect for those who have gone before and created allows be to embrace performance and production with an open mind. experimenting with recording techniques, sampling, direction and writing, be works with music as a dj and artist to express a universal message that can be felt by anyone who listens.

already a secret weapon of ricardo villalobos, richie hawtin & paco osuna with the fourth release the still young and succesful label enters the race. this time co-labelowner federico molinari, who already delivered a remix (kreiskollaps) on the first oslo ep, showcases his skills. enerverende is dubby house tool, which slowly develops its effect and finally as a damian schwartz remix takes the hightime direction. the last one is takk brett, which is being carried by cleverly composed vocalbits and percussive elements. it breaks the ground, which oslo is following since the beginning. modern house music.

supported by james holden, loco dice, tom clark, gus gus, jeremy p. caufield !! a tolerant dub tek track flued with warm bass and indricated sounds. argy from pokerflat takes aether on a tech-house direction while leon segka has reconstruct the track using its musical material beside his technoid percussions

new artminimal with jifi that marks of are imprinted this new maxi, continuation logical of his production in the face a >driving one the road< noise, bassline and melodies… classic but efficient. on the b side two tracks >jack moves< baffled and minimalist this track will give you emotion and punch on all dancefloors. and the 2nd >driving in the night< more minimal but all baffled a pure moment as much electro minimal for this maxi. release supported by boys noize, dandi & ugo, david eckenback, john dahlback, kolombo, paul nazca

a new label , a new day , a new direction. controversial and exciting , this label is going to be one to watch for anyone who has their brain switched on and who can make up their own minds about music. it is not going to play int o the hands of the minimal techno explosion but it will share the space and the dance floor with most styles of techno and provide your audience with some memorable moments in their lives. this is what we believe music should now be aiming to achieve. you are welcome to tell us if you think we are doing that or not. first track rox the box is almost daft punkesque in rhythm , but the groove is more techno styled with some serious heavy gating in the break giving it a glitchey crackly sound. strange dayze is a more mellow minimal techno experiment , a very cool club sound with some unusual melodies enjoy

3 tracks from the cdep. aka drop the lime, 1 of americas most prolific young electronic artists takes a new direction, a conceptual vision based around love for dub & dubstep including a dubbed-out nod to early carl craig & some heavy american dubstep

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

remixes by audion (matthew dear) & motor big with: radio slave (top 10) , dj naughty, ewan pearson, laurent garnier, miss kittin, magda, tiga, konrad black & dave clark (top 10), monika kruse (top 10),… originally released on planete rouge records, terence fixmer >electrostatic< , have been licensed to gigolo records in 2000. electrostatic has been voted among the best track of the year 2001 by many magazines and dj s in the world and became a classic hit in the techno history. the smasher track electrostatic was the track which opened a new direction in the techno scene, this kind of mixture of energy, techno and ebm influence. now back to planete rouge catalogue, electrostatic has been revisited by matthew dear under audion and motor

italo business & logical musik... with a perfect release theme… already compiled on a lot of compilation… universal, polaroid vol.1… a very special track for dancefloor with this big theme federator. they two other tracks complete this release to make a classic of this release.. support by stephan bodzin, john acquaviva, laurent n, kolombo, dandi & ugo

its been a productive month for the mood ii swing boys. the follow up to last months passing time, a collaboration with vocalist lauren, is a fantastically deep disco record that moves and shakes along with the best of them. the bouncy, wobbling bassline of the main mix simply demands to be grooved to, while laurens husky vocal glides along the airy pads and cheeky synth stabs. the dub foregoes the bassline of the original, opting instead for a more top heavy sound and taking the record in a pleasantly techy direction

peter has already graced numerous labels with his unique yet constantly evolving studio style. after numerous afterhour situations with the doc family, we caught wind of grummichs new productions. we believe that the therapy ep continues the development of peters uncompromising underground productions. the title track, therapy, is a nine-minute journey into dancefloor dynamics. slowly building with concentrated breaks, therapy works it out and then some. label boss, aaron hedges, has been giving it heavy dj support and has found that its been quite some time since well placed hat crashes can drive an audience crazy. minimal, sexy and sleek, but at 7 minutes the listener is surprised with a full on new-rave lead which takes the song in a different direction. get it is a nice tech-house track with building percussive patterns and highly concentrated synth breakdowns. this track is only for the most sophisticated house djs that know when to drop a track like this. drymilk is a seriously twisted hard minimal track. nasty sound effects and perplexing pitch shifts will keep you guessing. is it genius or insanity? you be the judge!

promise land is a solid deep soulful groove created by koyla. the demo floated around the bombay itunes player for a few of weeks, we needed someone to tear this track up. we tried a couple of options it wasnt working this groove needed something killer. thats were good friend jrod indigo come into play, san fran neo soul singer decides to come into lovely vancouver to hang for a while at bombay studio hq, and thats were the story starts for this track. jrod writes and lays down his song and creates the promise land over koylas ripping hooks and players. everyone is diggin the direction, timmy comes in and throws in some backups, inhouse producers sean dimitrie and nav take all the parts and put together a b side. the awaaz mix takes the track into a late night bumping funky direction with ambient tripped out textures and hard detroit style chords. overall this is a classic style ep with a real organic disco avour, that will never die for us. koyla and jrod are true musicians and deserve the fullest respect in this genre.

le k aka sylvain garcia is from perpignanin south of france. hurluberlu is his first solo release, and le k is a name guaranteed to be heard in the near future! this 4 tracker release keeps the floor pressure in a more noisy direction than usually on circus company. here youll get a mixed blend of everything funky and raw

special random one-sided release! will make the hearts of collectors go boooom! a fairytale is looming on the horizon of the unknown. one must not tame a fairytale. fairytale lies in absence. eremits rebel against the power of the kings and for their romantic nature, secrecy should be the rule. they complain about our reasoning of the land - that we bought socrates for logical dissilusion. but where have all the flowers gone? why matemathics instead of metamathics? pursuing what all philosophy has tried, that is, to avoid metaphysics, and because i feel that tonights peasantry without pleasantry is somehow nervous, wanting for something to make sense - you outrageous calculists - i am going to tell you the secret that underlines what you have heard until now. because all i want to do is hug you close, and all that you want to do is to be hugged - consider it as a gift