supreme chicago dj and world traveller jamie 3.26 comes on board with the gamm fam with a diverse two track ep. the opening track is a 11.24 min long philly gospel workout that is just as uplifting as its a real treat to tweak in the club (= isolater adapted). it s definitely one for the hard working djs. but to show that jamie s range is wide he delivers an even longer jam on the flip that clocks in at 14.08 mins...ouch! this time jamie goes italo (but not that cheesy shit) with a fantastic edit of barsotti s music box classic -whole lotta love- - chicago style!

luvjam went awash into the phantasea waters with his trusted friends melba and sentosa. at an infinite horizon they were met by an almighty swoop from their trusted sparrowhawk helvyn. helvyn guided them to the oceans edge, where they bobbed together at the thought of their future dreams. with a special thanks to a devine inspiration & ysju.

following the astounding success of their first release with chaos in the cbd, yam recordings return with the first installment of their you and music compilation series. this 5-track release features leonidas, msss, sofatalk, tom esselle and z lovecraft. compiled by shop owners theo & tom and born of relationships forged at yam records on rye lane, it represents both local and international talent that they ve had the pleasure of crossing paths with over the past 3 years. tom esselle s le&#770,,let kicks things off with a traditional guadeloupean folk song re-worked for the club. driven by tropical percussion and a hefty bass line, the call-and-response vocal elevates the track. msss follows with this is a modern drugs party. this track chugs along, interlaced with african and far eastern influences, while tuned percussion adds a hypnotic element. modern drugs party indeed. on the flip, italian maestro sofatalk offers up truth theme, an afro broken-beat masterpiece prime for the summer. polyrhythmic percussion, twisted horn samples and vibe solos carry the release from the nightclub to the beach. leonidas takes things back to the floor on shesha dub). this analogue hardware session delivers crisp hats, acid bass lines and synth stabs aplenty. the syncopated rhythms drive the track through five-and-a-half minutes of pure groove. finally, z lovecraft closes the compilation with oceanic a live jam recorded in one take. this track invokes memories of video games, beach life and sun-kissed afternoons, transporting the listener to an audio oasis via a digital ocean.

delivering the super deep and trippy 4tracker library of babel ep. all of the tracks on the ep are a result of a spontaneous jam session between the artists, which has also since become a liveset.

simba is a sweet soul from the uk, wefound him through his release on shadeleaf music and super happy about this 12inch and his remix for marcel vogel on mate 11. a truly gifted man!

new years deal - a1 - luc marianni - six synthetic suites (anno stamm remix) berlin producer anstam’s remix of six synthetic suites is quite a trip. the producer has crafted a dubbed-out version, almost sub aquatic in its sound design, structured around a murky but driving techno beat on which he layers marianni’s sounds. exotic instruments, unusual timbres, daring melodies and even slapped bass: the contrast between these sounds and stamm’s grayscale groove is powerful. a2 vril - synthetic suite giegling artist vril uses samples from marianni’s six synthetic suites released in 1986 to produce this lovely slab of dub techno. carefully crafted, this track is all about soft edges, with a kind of blurry and hazy vibe that permeates it. a sense of motion is conveyed by the sparse but efficient rhythmic section, with chords and melodic elements giving the impression of floating. with much more contrast and complexity than it might seem at first listen, this is beyond your usual dub techno cut. b1 luc marianni - six synthetic suites (margaret dygas remix) also based in berlin, margaret dygas’ own remix of six synthetic suites is a deconstructed affair, built around a half step groove, ready to be used creatively in dj sets. somewhere between an ambient excursion and a more rhythmic jam, the producer uses a sparse palette of hallucinogenic, dizzying sounds with a dash of eerie darkness that gives this version a melancholic, unsettling nature. words by edouard isar.

it is making my blood boil. man, my jaw is hanging down listening to this stuff. read the email from butthole surfers man and producer, paul leary, when he heard the demo for what would become the debut philipp gorbachev & the naked man album. philipp gorbachev, the russian musician and dj, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of moscow in years. in 2014 he released his debut album silver album but when invited to perform a live boiler room he had something else in mind: a band scenario. the resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with gorbachev’s damo suzuki-like vocals. taking that experiment into the studio, i dont give a snare is a wild ride that jumps genres, switches paces and alters tones frequently. the opening goodman exploding in intense rhythms and heavy, spiralling riffs that at times recall sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. whilst gorbachev cites a range of influences from beck to blind willie johnson as being core to him, the primary motivation is the live nature of the project itself. the main influence is the constant live experience we have as music players and performers. i want to get the most out of every party, every jam, and every dancefloor.

endlich! das 2008er deb?t erstmalig auf vinyl erh§ltlich! hellsingland undergrounds deb?t tritt uns als echtes album alter schule entgegen, mit feinem flow, gen?gend abwechslung und vor allen dingen mit keinem einzigem l?ckenf?ller. daf?r aber mit f?nf oder sechs wahrhaftigen topsongs, die gleich h§ngenbleiben und mit fortschreitender zeit zu vermeintlichen klassikern mutieren ... g§be es noch vern?nftige plattenl§den, w?rde ich empfehlen: leute, rennt zum plattenh§ndler eures vertrauens und kauft euch dieses album, ihr werdet es lieben. und vergesst nicht, eure freunde einzuweihen. hellsingland underground sind die band der stunde. hooked-on-music

broox is pleased to host for its third release the french producers jam’on and worker union. jam on offers two punchy cuts with a bass line as subtle as effective. as for worker union, this is all about 2 tools exploring with intelligence the breakbeat inspiration mingled with a deep house background. vinyl only !

amsterdam producers and good friends kaap and scott franka have come together to start a new label and live act: working titles. kaap is best known as the label boss of tape cassette label yield, scott just debuted with his first 12” on quartet series. together they perform primarily hardware based live sessions. for their label they improvise, jam and record to press these takes only on vinyl. the idea is to capture the real, raw and authentic improvised moments as soon as possible after they happen, hence the name working titles. this first vinyl release features the wt001 and wt002 outtakes on one disc. these sessions were recorded by the pair in an abandoned cabin in the woods in the south of holland, surrounded by nature.

long time collaborators jason letkiewicz and nicholas dawson colab on the a side with their improvised confused house jam style. there off-the-cuff technique is subtle in its arrangement. ste-018 starts slow and expands with sublime patterns of melody and subtle drum fills. on the flip side, bookworms ste-101 changes the mood. a droning bass signal lies beneath driving percussion and surging noise. dissonant chords slowly creep there way into the track inducing hypnosis. zone out. file under stalker music

following his 2015 release s/t, ant orange is back with another groove-laden 12inch on karaoke kalk. arkupe is a prime slice of laid-back beats and bass-heavy jazz breaks. each track oozes soulfulness, from the smooth-as-silk fender rhodes on the opening title track to the downbeat afro rhythms of fog walk, and the nonchalant guitar riffs and synth lines on little wing. side 1 closes with feld, a sun-drenched slo-mo house jam. side 2 presents another handful of diverse ant orange cuts, starting with the more uptempo toe-tapper big lils. lb offers more tasty jazz-n-bass drumming, while the closing track my man has a breezy still-awake-on-sunday swagger. with his latest 12inch on karaoke kalk, ant orange shows the wide range of styles he has to offer. arkupe is loaded with some of the mellowest vibes youre likely to hear all year.

the second release in the series comes from the french master lowris with a remix from sammy dee

vinyl only release !
roduced by roman flügel and jörn elling wuttke / published by copyright control mastered by dubplates and mastering, recut by stefan betke at scape mastering berlin alter ego recordings is very pleased, to rerelease this acid jesus classic, which is sounding just as fresh as it sounded, when it was released on klang elektronik back in 1997. the record was out of print since over 15 years and the tracks were not availlable on any digital platform. based on a very light, but striking ground construction, roman flügel and jörn elling wuttke leading their listeners over delicate fm-synthesis-sounds, minimal clonky bass patterns and snappy percussions to a long intermission breakdown, which reminds us of a starting boeing 747. where “interstate” plays like an inspired peakhour-jam should, “turkey skank” and “hibernation drive-, on the b-side, take on cooler tones for a headier machine-funk ride. the record was played out by dj’s like andrew weatherall, matthew herbert, luke slater, baby ford, dj hell, ellen allien, sven väth, ricardo villalobos, michael mayer etc.

in this outstanding 12”, stk drops two beautiful analog jam moments in studio. the tracks are deep, raw and soul. the b side is an amazing re-interpretation of high tech soul by detroit veteran hero, gari romalis.

gnork delivers his first long player via the medium of cassette for the newly founded outskirts label. deep, textural explorations tinged with the more forward thinking sides of house and electronica.

nice price deal !!! a key milestone in the labels discography. the ep begins with a cool drifting taste of modulated pads, rhythmic guitar and simple drum work. highlighting a bit more of a funky disco groove, atlantis is a liquid soul jam for the ages. the beat picks up with count down to zero, as an uber progressive hypnotic loop track gets lost in the smooth key stabs. the tribal vibe picks up with dont look down, adding some more percussion, slow attack synth chords and crazy rhodes melodies. gabriel slows things down to a lazy dubbed-out house cut full of succulent strings, charismatic claps and middle-eastern harmonies. great for the late-night club slot or an introspective headphone listen, this solid ep is a sure fire success!

nycs finest dj spinna comes through on local talk with an epic release that might surprise those of you expecting a more traditional soulful house workout ! this time spinna went out of his comfort zone with a deep warehouse journey that works equally well in dark european house clubs or at the shelter in nyc. tb or not tb got that perfect blend of space darkness, analogue synths and that old school house thump. initially it s quite raw and simplistic but the true magic of this track begins halfway in (be patient!). if there ever was a journey track, this is the one! but we re not done, on the flip spinna also comes through with a warm and melodic deep house jam destined for those very last small hours. oh btw...that analogue bassline got that extra. thang!

a new my rules release from the always on-point justin van der volgen featuring two previously unreleased remixes that showcase his varied and unique style. the a-side sees him take both the original and spencer parker remixes found on the the 2016 shit robot single lose control and through editing, blending and layering of fx concocts one serious bomb of a mega mix. think classic dj bootleg remixes on legendary labels like razormaid, disconet and hot tracks. the b-side is an altogether different affair where justin dispenses with all of the original music and only keeps the vocal from felix dickinson s 2014 acid jam burning flame. what comes out the other end sounds like lee perry and murk made a tune once they got back from a sleazy ny after hours. early plays and support from gerd janson, john talabot, tim sweeney. vinyl only.

played by omar s
a little more than a year after the release of basement jam , and following a first album played and greeted by many renowned artists such as moodymann or mr g, the hyper talented paul cut is back on popcorn records with brooklyn lady ep , and asserts himself as one of the pillars of the parisian label. with 3 originals and a remix by the awesome leo pol, it is a record not to be missed...

limit and asymmetric are in fact both the work of st. petersburg-based producer evgeniy sergeev, who has been building up a library of contemporary d&b productions digitally and now makes the leap to vinyl with some of the strongest of his productions to date. stormy is aptly titled as it rips with ferocity through mangled breaks, rave stabs and hoovers aplenty and quarantine is a quintessential darkside jam with more of that tricksy drum programming. the b-side offers a little more respite with the sunkissed tones of transzendental and the soulful yet ruff mood of jazz is making a smart counterpoint to the heavier a side.

brassica is a trusted staple in the field of outboard house and techno, from time served on labels as esteemed as dissident and civil music through to more recent outings on feel my bicep and others. here the uk producer has been snapped up by vivod for four tracks of deep analogue house and electro to warm the cockles a treat. coco diaz is a tightly wound jam that hinges on a broken beat, while splash opens out into a blissful melancholic reverie. nothing to say amps up the sleaze and the acid a treat before blue function heads into more trippy soundtrack territory

this release is gifted by a special remix from someone who need no introductions today : chris carrier aka mr georget delivers a dope remix of one of the track that franck already released on home invasion called yabba.. the idea was to give to our favourite remixers (cause we got some good guys coming up aswell) the freedom to choose one of the tracks that they really like from the label.mr georget gave us a deep and hypnotic feeling on this one and we already love it it here, that s why we choosed to press it has a 45 rpm full side to give him the best sound and dynamics. on the other side franck give us 809, a track wich is the result of the sync between the 909 and the 808 together when it comes to speak about drum and some synths delighted by his own secret. bugz is a simple ruff track coming out from the mpc wich we can ear from the drums, and some stabs samples coming thru his vermona filter and passing by some external effects.. in and out its all about the jam here j we hope you will enjoy this new ep has the summer starts soon guys...

25th anniversary edition of the multi-platinum soundtrack to the film singles, featuring classics from paerl jam, alice in chains, paul westerberg, soundgarden and many more. the 2x12 inch vinyl comes in a gatefold sleeve includedand a bonus cd with an addirtional 18 tracks.

** vinyl only ** ray kandinski s much sought after jam could you (be mine) finally drops on vinyl via the e-beamz label! backed with 2 underground warehouse belters on the flip the tongue-in-cheek lo fi is dead and the balearic basement vibes

manchester original sameed comes through on gamm with two tasty noodle nuggets based on his food experiences from vietnam where he currently resides. his simple yet effective approach is best described as sample-friendly underground dance music with influences of disco, soul and jazz. on his gamm debut the first noodle dish comes with a heavy disco and jazz-funk feel (bun) that together with some gritty vocals gives us a peak time jam to die for. for desert, sameed delivers chao which is way darker and chops up some deep jazz samples with some 4/4 rhythms. again, simple but oh so effective

!!! (chk chk chk) liessen “shake the shudder” von den dance-koryphäen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. während die band, geprägt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsänger nic offer seine vocals über die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards. so entstand dieses groovige meisterwerk!
limitiertes transparentes doppelvinyl mit downloadcode.

!!! (chk chk chk) liessen “shake the shudder” von den dance-koryphäen phil moffa, joakim und matt wiggins produzieren, die 12 tracks featuren eine ganze reihe von vokalistinnen wie lea lea, meah pace, nicole fayu, cameron mesirow und molly schnick. während die band, geprägt von ihrer post-punk-vergangenheit, immer auf der suche nach frischen sounds ist, bleibt ihr geschmack behaftet im funk und diversen elektronischen dance-styles. die idee zum neuen album entstand bei jam-sessions in barcelona, in den folgemonaten wurden die aufnahmen zu loops geschnitten, aus denen die neuen songs entstanden. zuhause in brooklyn ergoss leadsänger nic offer seine vocals über die disco-breaks seines zimmergenossen. ferner zeigte sich die band diesmal offener bei der verwendung von samples und keyboards. so entstand dieses groovige meisterwerk!
schwarzes doppel-vinyl mit downloadcode.

double vinyl re-issue of the classic lord echo debut. features the huge single thinking of you. available for the first time on general release outside japan. look out for the brand new album harmonies from lord echo - part 3 in the trilogy.

dâm-funk is on the decks for the next edition of dj-kicks... for fans of : george clinton, madlib, theo parrish, flying lotus. red coloured 180 gram double vinyl in gatefold sleeve with cd included.

besides launching his fresh bodybuilder quartet series (qsb), inaugurated by scott franka, nachtbraker unveils yet another quartet: four records in the the trophy quartet series (qst). both these two quartets will be released over the course of the next two years. the trophy series will cover the warmer side of the house music spectrum. and who better than parisian boy-wonder tell (banoffee pies, skylax, rutilance) to kick off proceedings with the brilliant faster than light ep. last year he released hope springs eternal on qs003 which was an overnight succes after getting rinsed by heavyweights like jeremy underground and dam swindle, so a proper solo ep was inevitable. on the a1 tell serves up some intergalactic french filter house dubbed faster than light which brings back the daft punk and armand van helden vibes of our walkman-days. we all just love filters, admit it. its true. next up is yall feel that honey (paradise mix), a tune with undeniable swing and moody chords that ultimately collide beautifully with a delectable big room piano riff that will stay in your head for days. b1 opens with a leisurely-paced jam called “what can u do for me”. it’s the ‘pretty one’ of the ep, the one girls fall in love with and boys hate to love because they know he’s hot stuff. a high pitched vocal, asking what you can do for her, flies over rubbery rhodes chords with neat percussion keeping you on the groove. the ep closes with b2 vamos a la playa. keywords: coconuts, sand, bikini, six-pack and tan. vamos! large and in charge.

ill camille ist seit einigen jahren eine kapazität in der hip hop-szene von l.a.. kendrick lamar featurete die rapperin auf -sing about me- von seinem debütalbum -good kid, m.a.a.d. city-. zudem arbeitete sie oft mit kendrick lamars produzent terrace martin für verschiedene projekte zusammen. gleichzeitig arbeitete sie an ihrer eigenen musik mit künstlern wie mndsgn, iman omari, dj battlecat, like (pac div), georgia anne muldrow oder sir, die nun alle auf ihrem -heirloom- album gefeatured sind. der sound reicht von smoothen, g-funk beeinflussten west coast-beats, bis hin zu eher organischen live-produktionen.

native stockholmer and acid-fiend your planet is next turns in a playful and charming ep for klasse wrecks. a close friend of the label and also recent grafiti tapes alumni, ypin provides 4 trax of wildly different flavours ranging from the messy 303 wiggle homage on thunderdome to the epic rave hardware jam of rave2dagrave . something for all the freaks contained within!!

back down on my knees is a raw house cut combining a pounding bass drum and clever percussion reminiscent of a late 00 s new york sound with washed synths. i m amazed offers an ambient track lead by a simple piano interlaced with a field recording taken on a subway platform in new york. on the other side rubber jam is a tough hardware jam with a floaty arpeggiated synth line. here will be blood rounds the ep out relying on percussion to drive the track with breakbeat and a heavy bassline.

echovolt s lost and found 10th release is finally out! a beautiful mosaic of six tracks produced by new and old friends hailing from six different parts of the world. . from the no-reason unreleased terekke s -sun salutation- remix, the new greek producer but old friend of us under the (for the time being) name -old man talkin -, the first hip hop jam ever released on the label by west coast s -tlim shug- to the mysterious one-off alias of sydney s -indreamz-. however, this compilation could never be more complete without our new loves that are australia s hugo gerani (aka john tanner) and shea from overseas both of them to be seen in future solo releases!

classic dirty dike album ‘sucking on prawns in the moonlight’ featuring guest appearances from fliptrix, jam baxter, chester p, verb t, remus, ocean wisdom, lee scott & dabbla and production by dirty dike, joe corfield, chairman maf, konchis, klagen, dr zygote & jazz t with cuts from dj sammy b-side.

smbd aka simbad is back on gamm turf again after a longer break and is planning a few eps with seasonal themes for gamm. the first ep is summer and as you might expect he delivers three tasteful summer influenced reworks and remixes which we hope will be your perfect dj weapons over the summer months. if the broken(ish) co-op with alphabet s heaven of bootsy collins (rather be with you) won t do it for you or the supa soulful colonel abrams tribute (table 4 2) don t grab your attention, we guarantee that the stunning 4/4 rework with mike lowrey of jazzy jeff s summer classic (summertime) will be the cut at any summer festival...big jam if u ask us!

pedantic record collector and dj, stephen king (aka virgo type), has finally started releasing some of the tracks and edits that he s been working on over the past few years with his vinyl debut on kat records. there s an eclectic range of source material on this ep including early disco rap on dancing heart , chopped up, dusty lounge bar grooves on jazz cigarette and even some 90s new-jack-swing gets the loop and filter treatment on outta my head. packing an mpc, drum machine and an extensive record collection, virgo type s tracks are a love letter to the people and places that have provided the inspiration for his music. dj feedback ennio styles, 3rrr fm, australia - love it, nice to have a lil jazz jam to round things out too!

finnish techno icon mono junk aka kim rapatti joins forces with berlin based freestyle man aka klas sasse lindblad, known for his productions on classic labels like sähkö and moodmusic. pata ep starts with the hard hitting techno title ‘not a love story’, haunting vocals, simple synthline, slicing percussion and deep bassdrum, all u need to make an effect, this must be heard in a big sound system. following with ‘need your lovin’ the ep takes a more electro approach, mesmerising love story with jupiter-8 bassline and 808 beats accompanied with vocals on this track too by mr rapatti. the ep ends with ‘stella polaris’, a production which started as a jam in 2007 in berlin at sasse’s blackhead studios and was finished 10 years later in 2017 in the same location. reminiscing of early 90s electronica time when everything was pure and gold and when these fellows also were starting their careers. ‘stella polaris’ leaves no one cold with emotional themes of analog synthesis and depth of the bass.

bunkr enslave dust-coated synthesizers, dilapidated drum machines and rusty fx boxes to craft 4/4 tunes for their impatient overlords. their vision is clear they will make techno, they will make house, they will make electronica, and you will listen and dance. its not yet clear if bunkr is the work of one frenzied human or many lazy individuals but we do know one thing - the ringleader is one james dean, who previously released as lost idol on labels such as pork recordings, nature, final frontier and cookshop. following a prolonged spell of writing music at slow tempos, dean initiated bunkr as a reactionary desire to speed things up. too much time had been spent just sitting around - it was time to stop sitting and start dancing. true to their vision, here we have cloud chaser, a bubbling jam backed with a huge remix from shan, who flips the mix with dramatic strings, sprinkles of magic dust and massive amen breaks. no less impressive is junos revenge, a track youd turn up on your headphones while taking a nice afternoon stroll on the moon, on a sunny morning after a long interplanetary rave. igor tipura delivers the rework, complete with a marching percussion workout and acid chemtrails that will send you right back to 1993.

rising amsterdam-based star esther duijn leads the charge with a hypnotic, understated slice of dub techno that grooves in all the right places. label boss brothers vibe then steps up with a sharp-edged, percussion led workout that blooms into a fulsome, acidic jam laced with techno futurism and pure machine soul. german production duo youandme are regular collaborators with brothers vibe, and here they join forces for the tough, drum-pounding playing with toys. rodriguez also takes the opportunity to unveil the silent rodgerz alias, championing the toad red vision with a daring, experimental trip through abstractmodular-synthesizer processes that build towards a jacking rhythmic throw-down.

vitalik continue their vinyl gold series with another gold standard release. for the forthcoming vitnyl003 clive henry drops a fifteen minute long opus on a single sided limited edition vinyl. my fifteen minutes of fame is contrastingly raw in it s production and sublime in composition. it s gentle meandering melodies float over a warm bed of muted pads and analogue bass. recorded as a live jam and stripped down to its constituent parts its melodies take centre stage, enthralling the listener into what can be best described as an acid house lullaby and what has already been penned as an instant balearic classic. my fifteen minutes of fame was engineered by rui da silva and is the former peace division front man s first solo release since his illustrious studio partnership with justin drake, he joins artists such as jimmy edgar, the mole, franklin de costa and anonym on the vinyl only vitalik offshoot.

psychemagik are back after a brief hiatus with two solid disco floor burners, the first track gotta hold on me a 12 mins plus hypnotic, soulful disco jam that gets deep under the skin with a groove that gives no mercy. the flip wildman smacks hard with sleazy vocals and a mesmerising rhodes hook, given a contemporary twist with a subtle kick n snare, this 12inch packs serious heat! perfect late night shenanigans.

the eccentrics parties started some three years ago by will overill and mark gilbert have been a monthly staple of the eclectic nightlife in peckham since its inception, playing a very wide selection of music attributed to thirty years of record collecting. the second release of which delves into those collections to amass a veritable hoard of gold. cosa rosa: is a stunning fretless bass led boogie new age monster, with soaring vocals guaranteed to bristle hairs on the back of the most cynical of music fan, a sure fire winner here. wake up: is a dose of downtempo synth laden kraut funk urging the listener to taste life in all its technicolour glory. nar na neh: here’s something a smart dj will use to build a dance floor, a disco not disco jam that rolls along with drum machine insistence, compass point sensibilities with synth and slap bass wonder. och eye: dirty, sleazy synth laden kraut funk, heavy heavy chugg 4 rune : mystical bongo laden intro with eastern snake charming seduction builds and builds to dramatic synth stabs, cinematic, wide and very very hot

pinky pinky ist ein proto-prog inspiriertes rock-trio aus los angeles, bestehend aus den teenagern isabelle fields (17, guitar), eva chambers (17, bass) und anastasia sanchez (19, vocals/drums). die band präsentiert -good clean fun- und verneigen sich vor den größen von gestern mit vollem einsatz für die zukunft. die als 7inch picture disc streng limitierte ep wurde vo hanni el khatib und jonny bell (crystal antlers) co-produziert und erscheint bei innovative leisure aus los angeles, heimat von nick waterhouse, badbadnotgood, allah las, usw.

cuthead have, over the last few years released all kinds of gritty house and hip hop beats but normally through his friends over at uncanny valley. we re now overjoyed to offer you his first ep on local talk and honestly, it s everything we could ve hoped for. spread out over four tracks you get a real dirty basement jam (fuck that shit), a sample friendly house nugget (get down) and a melodic 4/4 tune that sounds like if cuthead and our old friend hnny hooked up in the studio together it got that lil sweet twist we all love! to round off the ep we also included something extra special for the beat heads, a jazzy instrumental hip hop number (what can i say). a pretty good debut on local talk if you ask us

thus far lost city of atlantis has been spotted on just one 12-, released on emotions electric two years ago and supposedly the handiwork of a producer active in the late 80s between new york and detroit. whether the providence is correct or not hardly matters, the most important thing is the quality of the tunes, and on this new release for slow town there s an abundance of hardware delights to get freaky to. -secret code of 7- is a particularly bugging synth jam, while -four- piles the swinging funk on heavy. this is certainly rough and ready house music, whenever and wherever it was made.

for our 15th release bokhari are proud as punch to introduce 3 timeless classics from the analogue jam master sweely. spanning raw warehouse grooves on the time has come , smooth heavy rolling bass and melodic keys on hangover day and shuffling us garage beats and choppy vocals on wopp , this release has something for everybody. after recent releases on swamp tapes and sorn, paterson steps in for bokhari remix duties darkening up the time has come with a driving bassline, off-worldly atmospheres and dusty keys.

nyc s legendary west end record label has contributed a fair few classics to the disco cannon and continues to influence dance music today with it s forward looking releases. when you touch me is no exception, recorded and released in the golden year of 1979 and featuring the breathy, sensual vocals of a young tanaa gardner who had previously worked as a backing vocalist for numerous other projects until the label released her (other) stone cold solo classic work that body the same year on 12-. both cuts featured on her self titled debut lp and boasted the combined production and studio talents of kenton nix, bob blank and of course - larry levan. now, that s a serious line-up to have behind the boards (& in the clubs!) and of course when you touch me was a classic with it s slow, elongated intro that calls to mind a sleazier version of donna summer s love hangover before launching into a full-on disco assault that you won t forget in a hurry! yes, the record surprises you, tanaa leads us into a false sense of a slow jam and then - boom - we re off! backed with the incredible instrumental version the 12- is repressed here in it s original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with west end records, nyc.