debut release on studio barnhus from our man in wroclaw: pawel klimczak, a.k.a. naphta. this thomas mann-readin, sun ra-diggin young pole made palm trees love and spring ball so we could all keep the magic summer of 2014 blazin just a little bit longer. dzieki, pawel! simon haydo, our man on alpha centauri, delivers a deadly remix of spring ball, reworking the nice & bouncy original into a warehouse-maddening techno missile with that extra haydo twist.

following hot on the heels of paul bennett’s ‘modthree’, the next release on modernista comes from russian multi-instrumentalist and producer yuri shulgin. after releases under his own name and as mistanomista, alongside collaborations with anton zap, yuri joins modernista for a three-track 12 inch that effortlessly pieces together elements of acid, house, dub and jazz fusion into a very personal sound.

nice price deal !!! 2nd release picks up where the 1st ended, under the tutelage of the pittsburgh track authority, as 2 young pittsburgh producers grab the reins, & take the labels sound deeper into funky space-age techno.

after years of toiling behind a paper thin veil of obscurity c powers is finally starting to burst into view. having just finished handling production duties for recent houndstooth signees 18+, c powers continues to demonstrate his sonic versatility with the *up neck* ep (cgi007), his proper cgi debut.

radioactive man: -dub has always been a major influence in my music, mainly roots a la king tubby, marley, lee scratch, king jammy etc. i used to religiously tune into the manasseh show on kiss fm on saturday nights after coldcut, that introduced me to the massive amount of roots reggae and dub that was made in the 70s. i always loved the fact there was two versions, a vocal and a dub, which was always played in that order... the original remix music i guess...

the latest ep my normal usual far from apotek keeps the label in a firm stride. jerome sydenham forges on with another classic edit. on this occasion, sydenham minimalizes jonas kopps classic reforce leaving us with a steady pumping floor pounder. my normal usual far is the second installment of the new ibadan records artist sally. armed with an array of organic drum machines and synth jerome sydenham and sally trail blaze their way into tech-house heaven. the movement of this track is indelible. with encouragement sydenham and sally continue on the path to tech-house excellence with this stripped down ultra tool.

mallorcas dakpa has been on a roll since amam released his debut ep last fall. he has contributed to several compilations, including amams own hand out series, kina music s fade to k pt. 3 and wizz vinyl s sonar sampler 2014, plus eps for labels like district raw and serial number 849. but amam gets the honor of issuing his first own vinyl release, the distres ep. the opening title track is an exercise in jacking minimalism, vibrant tech house with just the essentials, but more than enough to get the floor moving. then, ademus gets into a slightly more colorful groove, with tropical percussive interplay and some whooping voice for a humanistic accent (is that brigitte bardot?). on the flip, virgo gives a modern update to the frenzy of acid house. the title alone brings virgo four to mind. on that note, this one is an effective tool for warping minds and evoking spastic dance moves. finally, the dependable gaetano vinci a.k.a. hooved reinterprets ademus with a heavy dose of melodic funk and symphonic washes, making the track into an entirely new creation.

life, death, energy, love, hope, danger, agony, peace, if i stop today it was still worth it. even the terrible mistakes, that i have made and would have unmade if i could, or that maybe i would just redo the same. the pains and thoughts that have burned me and scarred my soul, it was worth it for having been allowed to walk where i ve walked. which was to hell on earth, heaven on earth, back again, into, under, far in between, through it, in it, above and beyond it… i won t regret!

boston based production duo and room-mates john barera & will martin continue their journey into sculptural, storytelling house music, with their debut album on dolly - >graceless<.

ltd repress
new dutch signing ivano tetelepta touches down on fear of flyings first release on their main label in 2011 with > smokin g<, a 10 minute excursion into the trippier side of house music backed with a remix of pure raw analogue power from those berlin based italians, the analogue cops. ivanos second original production > flowers< rounds thing off, gentle shards of melody underpinning a deliciously tight deep house groove

2014 has been a slow year for sequencias in terms of releases. most of our energy has been spent towards the development of different projects, like our new webstore, that has become an outlet for us to share some of the records that influence the way we do things. so, with the wax offering slowing to a mere trickle, who better to entrust with our sole release for the rest of the calendar year? dcantu, of course. cantus electro-heavy sound is fleshed out here and while still lean enough for dance floors, it makes bolder moves into atmospheric and melodic territory.

die budos sind weit gereist und weit gekommen — sie haben auf vier kontinenten gespielt — seit den anfängen der band. eine gefühlte lebenszeit an welt-tourneen und wöchentlichen bandproben floss in die entstehung von burnt offering mit ein ... und die reise ist noch lange nicht vorbei. so lange es neues publikum zu begeistern und musikalisches neuland zu erforschen gilt, wird sie nichts stoppen. *wir haben unsere mission noch längst nicht erfüllt*, erklärt profilio. *wir sind immer noch hungrig.*
die vinyl-lp erscheint im klappcover inklusive.

teddy douglas, dj spen and maurice fulton don their those guys alias and invite jean-luc ponty to jump head first into their sampler down in baltimore to show some love, love, love and the result is this amazing 12 inch originally released on basement boys records in 1996. a truly deep beauty of a track that utilises pontys violin from 1983s *computer incantations for world peace* to the absolute maximum in over ten minutes of building bliss, *love love love* is an under the radar classic, a true gem and a real treat for all djs to play. the alternate mixes and bonus beats are also great, dj spens balto doo doo mix for example, keeping it thoroughly b-more with the old school breakbeats and snatches of the original sample jumping through the mix from time to time make this an essential weapon in any record bag! this 12 inch has been re-mastered and re-pressed in conjunction with the basement boys.

at once foreign and familiar, desert sound colony brilliantly scores a nostalgic journey through the proverbial looking glass. the plaintiff vibe of the way i began envelopes the listener in warm guitar licks and hushed vocals, transporting them to a time when innocence and insecurity gave way to transcendence. the road takes a turn with fire egg, a classic stomper that drives introspection with looping guitar melody and bouncy bass. and before we return to size, iris carries us further inward with scattered claps and a skipping kick, before releasing us into a deep and chugging, eyes-wide-shut, euphoric roller.

for the latest release on dissonant, his founder marc antona presents two grand journeys that reach into the deepest parts of his musical psyche. in rattle snaps he turns out a seductive bass line and a captivating beat drawing on his strength in layering up ingenious sonic details.

get a first glimpse into the musical mind of henry gilles. on their 7th offering public possession proudly presents to you another munich local: this is the first part of collected works henry has gathered over the past three years, with the second soon to come. we are very happy to share these tracks with you as we think henry is one of the most interesting young producers out there. whilst this release is musically leaning towards house and disco you can expect a wide range of different styles in the near future, ranging from hip hop to downbeat and further.

plastic love welcomes fellow angeleno michael walsh on board for the 2nd release on their budding label. walsh s debut ep showcases the producer s breadth and depth of all things rave with two distinct tracks aimed squarely at the dancefloor. before when it was new s unmistakeable melody act as a call to the dancefloor while a rumbling bassline underneath keeps you locked into a groove. strobe lights arpeggiated bassline and snappy disco drums showcase how versatile walsh can be. remixes come courtesy of label co-boss maheras as well as caravan boss and aus music stalwart dj october

nice price deal !!! having evolved from engaing underground prospect into a fully established international dj and producer in recent years, the time has now come for huxley, to release his debut album, entitled blurred

enter the spiral - the title of the opening track by the first collaborative work between sebastian mullaert and eitan reiter is not just a random name. it is a title which anticipates what can happen if you let yourself go alongside their nine epic musical trips

panel trax has grown international due to the producers and the trax being played abroad. the label is releasing trax in the spectrum of techno, acid, minimal, detroit, ambient and dub. it is into oldschool a new things as well but doesnt want to follow the actual trends. it just has a focus on atmosphere and sounding.

killawatt debuts on run out run with four of his signature journeys into electronic music. brutal drums meet paranoid synths and cavernous atmospheres to create four cuts ready for the soundsystem.

kitt075since being propelled into the limelight many years ago by none other than steve angello, italian duo veerus & maxie devine have showed no signs of resting on their laurels.becoming established names on the suara roster, the pair have remixed the likes of fatboy slim, noir, wally lopez

the loose control band are dj spun and jonah sharp. if you know, you know. if you dont - google that shit! first in a string of killer releases on golf channel, singlehandedly spearheading the breakbeat revival while simultaneously tunnelling deep into the underground for a sublime a side house cut golf channel every time!

in the heart of madrid the el barrio djs have been one of the biggest gamm supporters over the last 10 years or so, spinning our gems in various jazz clubs in the spanish capitol. we are now overly excited to have them onboard gamm with an absolutely stunning 3 track ep. the el barrio guys really know how to twist and rework various tunes into one song and the art of editing have never sounded better than now.

some believe music developed as a way to bring early humans together into a close-knit community, and this collection of songs is a perfect example of that theory at work. beautiful vocals from lindsey flowers, an oklahoman ospovat met tokyo. killer sax blown in portland, oregon by noah bernstein, an exceptionally talented friend of ospovat s brother. a driving remix by pablo bolivar in barcelona, without whose generous advice this project would still be a work in progress. a mesmerizing remix by canadian label partner, fellow deadhead, and sound manipulator extraordinaire craig oldring (c_olvrin). and the words of david moufang, who speaks with conviction in *movin to the d* – *…music has a lot to do with communication … working with other people is really essential.* we couldnt agree more.

cut a. kaos has been in the music and dj business since many years. last summer, he actively returned into techno with the purpose to create a new album. in other words, he targeted a genuine techno album containing two parts. the first one is a retrospective view to the origins of techno, consequently deep tech is accompanied by clear acid structures, exhibited by artists such as the martian, beltram or the old umek stuff. although many styles are aggregated, they are all pure techno. niereich, austrias number one techno artist, contributed a brilliant remix of *because it s acid*! another artist, edelstahl, produced a remix of *walk and talk*, which resulted in a hard and fat monster!

the original, with a well-constructed bassline incorporates a warm up melody that begins to set the tone for the night ahead. each layer is distinct as the track begins to build itself right to its crescendo when each of those individual layers collectively come together. you can distinctly hear the 80 s like synths that are cleverly inserted into the track which are highlighted by the female vocal samples. the grittier elements add a touch of darkness and instantly transport you to a warehouse club with an intimate atmosphere. the remix, done by the widely loved tech-house duo pleasurekraft jack up the tempo a notch, and add a bouncy groove to the track. where the original brought out a darker side, the remix is more upbeat and settles in well for a peak hour set. bringing that crisp bassline to the fore, and tuning out the melodies to make them a tad subtler it showcases a more tech-house version of the original. there s an added element a slightly more haunted vibe which is coupled together with those gritty and harder elements. all i can conclude is what a tech-house bomb this is from the highly talented pleasurekraft. they always manage to bring something new and unique to every single track they ve ever remixed which truly shows their remarkability as consistently good producers.

ltd 2014 repress
sandwell districts rrose launches a new label with a follow up to >motormouth variations<, last years unlikely collaboration with legendary improviser and synthesizer pioneer bob ostertag (named one of 2011s top 50 albums by the wire magazine).
for the debut release on eaux, rrose searched through ostertags cassette archives to discover a lost gem of studio improvisation from 1977. >the surgeon general< sees the barely post-teen bob ostertag exploring feedback techniques with an early buchla modular synthesizer, tape delay, flute and violin. the results are uncharacteristically moody, spacious, and well ahead of their time. on the flip, rrose provides two new revisions. >no child left behind< is a noisy and hypnotic acid-laden beast designed for dancefloor damage, while >her insides laid bare< takes the original into murky subaquatic territory. look for much more to come from rrose and eaux in the coming months.

new yorker elliot taub graces this 8th kinfolk release with 3 trax of varying intesity. do that dance is an uptempo melodic bass and synth heavy dancefloor jam. thirteenth roll in a bakers dozen takes a slower spaced out route. 10 dollars conitnues in the same mode but this time with guitar and a super heavy synth line pushing the driving force along and finally soft rocks grab a hold of 10 dollars and turn it into a john carpenter-esque electro groover.

ronald burrell s second release as equation on nu-groove is as deep as it gets. we re talking late night nyc back room deepness, often imitated but never bettered. -i ll say a prayer 4 u- is the lead track here, a sublime longing synth groove with a nagging bassline and crisp rimshots, a total -under the radar- anthem straight out of new york city circa 1991 and engineered by the equally as legendary bobby konders, a real undercover gem. the other two cuts on the ep drive further into the night, -domm domm, yeah mm hmm- is another dope basement groove, rocking some classic burrell flavours, and -my life- is a real down-tempo piece that reappropriates the roy ayers classic -my life in the sunshine- while giving it a real -100 bpm house- swing, don t snooze... all in all this is another classic release from the nu-groove vaults, re-mastered and re-pressed here for the first time in conjunction with nu-groove records and the burrell brothers. essential.

coming from the darkest depths of the south american jungle but raised in the city of utrecht in holland, julian alexander is a name that might not have fallen on many ears as yet but we guarantee you ll be hearing a lot of this 18 yr old powerhouse in the future. with a background in jazz and a trained multi instrumentalist, exploring hip hop and underground house and uk garage, julian soon started to craft a unique style and put his own slap and funk into the mix. focusing on a deep powerful sound with plenty of pound he quickly caught our attention as his meaty, stripped down minimalism explores an even darker chamber of the dungeon . julian s hustlin ep delivers the kind of tracks that keep the floor moving, essential tools that can be the perfect transition or the spark that lights the fuse on on the dance floor. can you believe he made the track undrg at the ripe old age of 16 years old. it really blows our minds to think he made it 2 years ago and it still sounds fresh and futuristic. as with all our releases these jams are tried and tested and proved to be very useful for building the tension and getting those fist pumping. their solid, track, bass heavy vibe will have no problem bothering even the biggest bass bins

following on from their last 2 eps on rinse as well as there unique take on route 94s - my love, maison sky are welcomed into the materials fold with their latest record, 69.

fracture is a new label which aims to release quality music on a medium we care about. this is why we chose to work with matt colton from alchemy mastering, and also why we decided to put only one track per side of a 180 gram vinyl. after a first ep earlier this year by berlin s i/y, this second release features signalweiss, one of the alias of prolific and talented italian artist dario tronchin (also known as chevel), here supported by a remix of milton bradley.the past years have seen dario exploring many directions, from intelligent dancefloor tracks to surprising housy & technoesque pieces. artificial is another occurrence of him blurring the lines between different genres, dreamy and abstract, it successfully creates a refreshing and unique atmosphere. milton bradley skillfully brings artificial completely into the realms of techno, keeping the original s track attention to space and melody, the track in his hands turns into a mental and punishing dancefloor bomb.

the first vinyl from kyoto based japanese label, descanso. for side a with 2 tracks, the label owner baiyon collaborates with los updates (aka jorge gonzález) with vocals. they have built a collaborative friendship since baiyon rimexed “i throw water into the lake” and “miss you so” by los updates and ricardo villalobos released from nice cat! records. a jazzy, energetic track entitled “i don’t care” for side b by baiyon.

here it comes the third release from rising label with an original track from deepbass, another rising artist, that gives the name and life to this record and gets completed by remixes from abstract division, max_m and p.e.a.r.l. the original track, -sleepwaker-, is a deep gummy trip into the deepbass world, shaped on modern techno. following, we can find abstract division remix, where the dutch guys goes on purposing a very beautiful version keeping at time an eye posted to the dance floor. on the b side we can find max_m s version, a track that goes punchy and energetic from the beginning while keeping all the essence from the original, simply and very effective. p.e.a.r.l. closes the ep going darker and harder with a broken track, -loopy- and powerful version to complete another finest techno ep.

it is said that the gods of the dead demand you ritualistically commit to each intensely hot beat of the ceremonial drum. now, here, is the music for their celebration of death, music to dance together with, to oblivion, a music both spectacular and ecstatic where, like never before, the spirits of santería and vaudou mix with raw electricity into burning diabolical polyrhythms. we here present cut hands and festival of the dead.
the double vinyl lp comes in gatefold sleeve and includes mp3/flac download code.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

three emotionally driven club tracks straight from the heart of untzz regulars, mic mills, furious frank & bessie. channeling a once prominent adelaide/detroit connection in various forms, mfb present a record fusing golden era techno and electro updated for the modern sound system. freddie norwood lends his trademark burliness to the final cut of one eight four, an epic journey weaving euphoric arpeggios and big bollocks into one tidy parcel. unlike previous releases from the label, one eight four sees untzz twelve inch really find its stride and has struck gold with this record that showcases a glowing adelaide culture. all tracks were recorded and mixed at one eight four, an institution of hedonist lifestyle in adelaide.

ample play records release a heavy duty collection of richard norris recent time and space machine mixes on double vinyl, including download code. a man of many guises, he has operated as a duo - as the grid with dave ball, as beyond the wizards sleeve with erol alkan - but when it is time for some solo sonic action, he records and remixes as the time and space machine. we find him at it here: *the way out sound from in*, reworking the most cosmic beat combos around into hitherto unheard psychedelic shapes. warpaint, jagwar ma, temples, psychemagik, the sufis and more fall into the time and space machine and come out the other side with wider grins and shinier eyes. it is the way out sound from in ... all aboard.

for the 13th release, icarus audio proudly showcases the debut release of a brand new drum and bass collaborative project from basis. coming out swinging, icarus brings them into the fold with their multi-flavored, graveyard ep. from the album artwork to the grooves of the plates, this one is sure to fire heavy on all cylinders!

dense & pikas offshoot label kneaded pains returns with another techno focused 4 tracker from the mysterious moss a1 brings the heat with a spacious warehouse jam, kicking off with a warm pad before unloading with the tracks monstrous bass hook. a2 dives into lo:fi realms with a moody yet effective groove complete with male spoken vocal. b1 keeps things main room albeit in a more clean and serene way with razor sharp kicks and percussion providing a nice counterpoint to the rougher edge of the a side before b2s deliciously deep jam rounds off the ep.

longtime raíz collaborator subversive makes his debut on droid sister label vrv with chainbreaker. subversive has appeared previously on historia y violencia and contruct re-form (under the name deception plan with voiski). this release for vrv is a collection of 3 tracks that reflect his focused, methodical programming. the title track stretches a deep, driving narrative over the course of 7 minutes, perfect for adding hypnotic breathing room to any set. the other side contains intergalactic, a subtle and harmonic passage that sets the stage for a2, telemore. telomere begins with intense, brooding synth design that inevitably builds into heavy rhythm structures, providing the sets most driving dance sounds.

house shoes is proud to present the first-ever physical release of the instrumental version of danny browns hot soup, his debut album released in 2008 prior to the release of the hybrid. featuring production by quelle chris, nick speed, and danny brown himself, hot soup immediately propelled danny brown into hip-hops national consciousness and solidifed him as one of detroit’s most electrifying live performers.

pacific horizons once again call on friends & family for interpretations of their catalog. oslos frisvold & lindbaek rework their recent single bandini into a rolling psychedelic techno workout. crue-l mastermind kenji takimi takes 2010s forest electricť into bombastic disco territory as being borings. on side b music for dancers co-founder & resident thomas k makes his debut as romeo with an epic remake of beaches of the black seať complete with fresh vocals & acid. finally, another los angeles luminary, top shelf founder j-disko, screws fata morganať into a stony, percussive, promethazine-hazed journey into the night.

while industrial and ebm seem to be words buzzing around the media today, not too many artists associated with these words seem to be truly delivering. tzusing, who resides in shanghai has been a student of the game through the years, and has strived to execute his take on these sounds and does so with shining results. this four track ep is a testament to him transforming the metal beat into a sound of his own and running wild without limits. dont miss this!

vin sol & matrixxman open up their label, soo wavey, to newcomer en who drops this 4 track ep (including a remix by vin sol & matrixxman) of house and techno. the lead track truth steps out of the gates swinging with aggressive yet tucked tr-909 programming sitting nicely alongside dark motifs. ens and reality then delves into menacing minimal drone techno territory, ultimately yielding to a subtle call and response exchange among dueling 808 tom bass lines. on the flip side, 4u lighten things up a tad with soulful, atmospheric detroit chords supplying a much needed breath of fresh air. last but not least, vin sol and matrixxman join in on the fun supplying a hypnotic, off kilter reworking of 4u imbuing the remix with restrained chicago jacking vibes that flawlessly straddle the divide between house and techno. limited to 500 copies (no repress!).

*head off, heart on* is next to go. this ep of our artist juzz contains two brand new tunes, both revealing in depth sight on the producers perception. *i felt a deep urge to get rid of all my conceptual influences regarding the way of creating my music. almost like a purifying force that guided me back to the roots of expressing my emotions through music- says the long time producer and dj. constantly being surrounded by music got me more and more into a repetitive workflow. remembering the freedom and innocence of my first attempts in the studio led to this sole conclusion: turn your head off and your heart on.* and the result speaks for itself: highly emotional music wrapped in functional arrangements, aiming to move your soul. accompanied by two astonishing remixes from markus homm and dreksler & haerle, who both got only one demand: head off, heart on.

rnt and lovebirds, together at last, with a 12 inch ep that oozes summer from every groove! on the a side, the familiar erotic boogie grooves of funk so pretty tickle you in the purple place. on the flip, free sculpts an overlooked 80s jazz pop tune into a shimmering shuffling world beat masterpiece, and then we get down n dirty once again with donwanchooback. cop it and rock it. as ever its pressed on 180 g vinyl and hand stamped label

it s only so long before liam geddes becomes a name you ll start hearing on the worldwide underground stage. having already churned out a number of uncompromisingly deep house tracks over the past couple of years, he comes armed with another exceptional ep on mil - the third release on the new music is love sister label - that further demonstrates his genuine dynamism as a producer. the with closed eyes ep should win this very talented producer the recognition his fresh beat work deserves into the wild gets proceedings underway, a ripping bassline paves out over rattling percussion shakes while oscillating dream like jingles play out during the course of the track. chopped vocal samples are introduced and tease against the shuffling drums which elevates the track with real drive and groove. close ya eyes for the journey packs the same layer of heat with its similarly groove-heavy bassline - a staple of geddes well-crafted sound. firmly footed, intermittent chimes seep into the track and are complemented by siren-like chords which grow truer in presence, until a hypnotic vocal snippet fulfils the deep terrains of the track. a saint is a tumultuous techno-fused roller with it s rip-roaring bassline and percussive loops which rhythmically swing out over shuddering pads, sustained chords and a cut up female vocal, brining a twist of colour to the arrangements of the track. there s a keen sense of tension and release, elevating this above your average and confirms geddes does depth and darkness with real conviction. broke will surely prove a high point for any decent dj set, and sounds like a cut you d expect from someone like delano smith. strings faintly play out over looped key chimes and a funk-like riff, while ticking hi-hats and a careful use of vocal sample gives the track extra heat, each element powered by the rumbling bassline.