on their 2nd album, edena gardens manifests itself as a permanent fixture in the el paraiso catalogue.

great 80s compilation incl cure, a-ha, dead or alive !

music from the marvel movie “shang-chi and the legend of the ten rings” on vinyl lp.

expel your demons keeps the dancefloors on fire with their next release from non reversible.

7 inch flexi album sampler + foldout poster + full album (10 tracks) download code....

4x phat ricardo & samuel, 1 per customer

b-stock! cover & sleeve with seam split. vinyl unaffected & mint. advanced music in sound and concept - tom middleton presents his new project gcom. the triple vinyl release includes a download code.

advanced music in sound and concept - tom middleton presents his new project gcom. the triple vinyl release includes a download code.

arcarsenals fertile collaboration in the period 2011–2016. ltd to 150 copies

ambient jazz

house and techno archive from delta funktionen on deeptrax - no filler

first ever vinyl vinyl pressing of the hyper-melodic power-pop debut ep from anamanaguchi, originally released in 2006. the famicom coloured vinyl (white with red & gold splatter) includes a download code.

pressed on 140 gram vinyl

milan w presents his new lp >in bloom<

ltd repress - second ep in the trips series

mule musique welcomes tjade on their label

unknown source be fast!

powerful 4-tracker from linear search for eternal friction. the vinyl ep includes a download code.

for fans of boards of canada, bochum welt, luke vibert, steven rutter, space dimension controller

incl download code

electronic meets classic - british producer and songwriter sohn shares the stage with 54 person-strong grammy-winning metropole orkest.

new ep from christine and the queens on limited crystal clear vinyl with a pink hue.

a sonic exorcism from l.a. based experimatalist pod blotz aka suzy poling. limited pressing on clear vinyl.

a sonic exorcism from l.a. based experimatalist pod blotz aka suzy poling. standard pressing on black vinyl.

ultracool 4 tracks on vinyl only

kelly moran’s wxaxrxp session on vinyl ep with download code included.

janus rasmussen (one half of kiasmos) delivers his debut album via ki records.

brother nebula has released a stellar solo ep and a collaboration with solar on the legwork label in 2018 to critical acclaim – two weeks priot to his release on touch from a distance, brother nebula will be part of the first tfad labelnight at panorama bar alongside desert sound colony, opal sunn live and nick ho&#776,,ppner

electronic experimental music

we are pleased to announce the first release of a new axis sub-label by jeff mills entitled star marked.

jazz with west indies soul!

the next release on our label is coming from berlin based nick beringer and we are very happy to welcome him on board. we have been following his work for quite a while now, so we were more than happy to receive this demo from him. the three tracks that we have chosen are a bit different from his usual productions and are working well in different situations or hours of a set.

warp records releases the 3rd album from ny based composer and pianist kelly moran. the vinyl lp is housed in a gatefold sleeve with download code included.

certain feelings, visions, and sounds recur to us as if in dreams. flashes of recall, hints of remembrance, suggestions of what could have been, or what may yet still be. a spark — a glimpse — a glimmer. we gaze into the abyss, fearless, the abyss gazes back, familiar. cognition — recursion — immanence.
left hand path presents the second full-length lp, idol collapse, from forests &#26862,&#26519,. written by jon du, kuo-hung tseng, and zun long in taipei, taiwan. eight songs in 36 minutes that unfurl like a flower and expand like a mushroom cloud, designed for utter osmosis and total absorption. the helix twists, the loop is closed. the cycle begins anew.
mastered by mark pistel at room 5 studios, san francisco, california. produced in a deluxe gatefold vinyl edition with artwork by wang yu and design, layout by nathan rickard and allen chiu.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

pressing on slug genital coloured vinyl (translucent grey-ish blue with a purple hue).

icelandic techno veteran yagya enjoys a release on x/oz that celebrates both new and old material. the tempo is noticeably ramped up on -one weak light- but never at the expense of that dark and mysterious icelandic hue. -existence is weird- is no slouch either, but yagya shapes out his atmospheres with such a refined touch that you barely notice how quick the tracks are running. -a very long daydream- is a gorgeous ambient track dug out of the archives, while -getting closer to an unknown goal- sees the re-release of a track yagya released as rhythm of snow back in 1999.

an artist as versatile as alex krüger is a rare find these days, not only did he release numerous eps and albums as tigerskin or korsakow since the mid 90s, hes also been on the forefront of the dub techno movement since 1999 with outings on classic labels such as raum…musik, force tracks and 3b/ united states of mars. now ten years after his last album on opossum recordings alex is back with this well crafted genre bending full length caves & cages. from deep techno cuts through rippling ambient excursions to funky reggae infused live jams with haushausen this work is yet another milestone in the creative bubble alex lives in (i.e. his studio)

four tet reimagines biceps stellar *opal*, adding his signature mix to the already accomplished original.

das mixen von östlicher avant-elektronica sowie krautrock mit jazz und bossa nova ist charakteristisch für cornelius musikalisches schaffen. seine karriere startete er als gründungsmitglied der band flipper’s guitar, die das in tokio entstandene genre shibuya-kei maßgeblich prägte. es folgten weitere veröffentlichungen, durch die er auch international große anerkennung erlangte: der -moderne brian wilson- oder japanische gegenpart zu beck oder the beastie boys waren nur einige der vergleiche, die in der presse sowie von kritikern gezogen wurden. cornelius live-shows gelten weltweit als einzigartig und sind bekannt für spektakuläre visuals, die perfekt synchron zur musik gezeigt werden. er feierte erfolge als produzent für filmmusik und wirkte unter anderem bei auftritten von yoko ono’s plastic ono band oder dem yellow magic orchestra mit. schwarzes 180g vinyl im gatefold.

this is a great sophomore effort by this scottish outfit. the singer has a unique semi-quavering voice with a melodramatic quality that suits the music and would equally suit him on stage in a musical. some songs are aggressive but with a dark hue. opening cut -a leaving song- finds sutherland carving his way through jangly and buzzing guitars set to a skittery beat with a touch of the theatrical. closing is -home-, a forlorn ballad with sutherland delicately pleading -please let me come home-, elegiac and sweet.

samuel van dijk is an electronic music producer, sound designer and media artist from the netherlands releasing deep electronic music as vc-118a, mohlao, and multicast dynamics. drawing inspiration from technology, nature, film, and fiction, his productions and live sets embody a dynamic musical framework. since the dutchman surfaced as mohlao for labels like meanwhile, field and other heights at the turn of the decade, van dijk?s music has found a firm position, the ethereal electro vc-118a project, deep ambient techno as mohlao, and subterranean ambient as multicast dynamics.

nach 24 jahren sagen drei worte immer noch alles: wu tang clan das neunteilige outfit von staten island, new york, hat einen weg für buchstäblich hunderte von künstlern geebnet und wiederholt hip hop geschichte gemacht. ursprünglich aus den ostküsten-rappern rza, gza, ol dirty bastard, method man, raekwon, ghostface killah, inspectah deck, u-god und masta killa zusammengesetzt, ist der clan nun wieder vereint, um ihr achtes studioalbum the saga continues zu liefern . die erste single des epik-albums people say (veröffentlicht am 25. august) mit dem ehrenamtlichen clan-mitglied redman, hat bereits die hip hop-community begeistert und in erwartung des albums versetzt, welches mitte oktober veröffentlicht wird. produziert von mathemathics, enthält das album auch features von killah priest, streelife, chris rivers und dem späten sean price. rza beschrieb den produktionsprozess für das rollings stones magazine im august und sagte: seit jahren hat math die idee gehabt, eine musik mit modernen und legendären geräten wie asr10 mit vokalaufführungen von wu-tang clan mitgliedern und anderen prominenten mus zusammenzustellen... mit der the saga continues setzt er ein meisterwerk.

modularz returns again with another, various artists this release this time on the more driving side of the techno spectrum keeping things raw for those warehouse or late club nights this ep is packed with sonic power. play loud and often tip

nach 24 jahren sagen drei worte immer noch alles: wu tang clan das neunteilige outfit von staten island, new york, hat einen weg für buchstäblich hunderte von künstlern geebnet und wiederholt hip hop geschichte gemacht. ursprünglich aus den ostküsten-rappern rza, gza, ol dirty bastard, method man, raekwon, ghostface killah, inspectah deck, u-god und masta killa zusammengesetzt, ist der clan nun wieder vereint, um ihr achtes studioalbum the saga continues zu liefern . die erste single des epik-albums people say (veröffentlicht am 25. august) mit dem ehrenamtlichen clan-mitglied redman, hat bereits die hip hop-community begeistert und in erwartung des albums versetzt, welches mitte oktober veröffentlicht wird. produziert von mathemathics, enthält das album auch features von killah priest, streelife, chris rivers und dem späten sean price. rza beschrieb den produktionsprozess für das rollings stones magazine im august und sagte: seit jahren hat math die idee gehabt, eine musik mit modernen und legendären geräten wie asr10 mit vokalaufführungen von wu-tang clan mitgliedern und anderen prominenten mus zusammenzustellen... mit der the saga continues setzt er ein meisterwerk.

part 1 of 3