kicking off with head honcho mark browns mync project and the dancefloor devastating switch remix, next up we have the much sought after tocadisco mix of the egg. the b side kicks off with the incredible dj marky & a sides remix of legend carl cox who teams up with yousef on æi want you forever taking it to a whole new set of buyers. rounding things off we have the newest of the tracks an amazing pairing of sneak & herve which has to be 1 of the tracks of the year so far. all in all a dynamite package not to be missed

bomb the bass is back! but put away that smiley face, this is no nostalgia trip. with >future chaos<, tim simenon revamps his long-running project to produce a record thats fresher than anyone might have expected from an outfit that got its start in the 80s.

"many electronic producers make music that sounds like the future. alavux is making the future and has carved himself a millennium head start. whilst many of his peers maintain a course along the kraftwerk or drexciyan trajectory alavux is committed to creating his own path; still drawing on the inspiration these great pioneers gave to so many, but choosing to adopt their pioneering spirit and innovation rather than their sound and track structures.
many a conversation has taken place about whether alavux is a maker of techno or electro. his discography tells you that he can pull off both very well and octagon shows you that both can be combined with explosive results. the sheer power and intensity of his grooves make each track a force to be reckoned with.
supported by dave clarke, billy nasty, igloo magazine, thomas h green (the arts desk), dj stingray umwelt and more."

die dritte ausgabe der -future bass serie beinhaltet die derzeit 30 angesagtesten tracks aus den bereichen bass, post-dubstep und house. mit am start sind u.a. der grammy gewinner sam smith (im unveršffentlichten jonas rathsman remix), jessie ware, wankelmut, etienne de crecy, hannah wants, karen harding, mike mago, u.v.a.!

2cds of the most influential deep house , bass & garage tracks

amazing cr2 3 cd compilation!contains 1 cd with 10 full length unmixed tracks!

schwarze 2lp mit content-sticker inkl. 9 exklusiven/unveröffentlichten tracks

incl darren allen remix

black vinyl

decks tipp, from trip hop to drum and bass

bassheavy floorbanger

a collection of 15 true drum’n’bass classics on double vinyl, compiled by trax magazine.

cool collection of 90s british bass techno on 2 lp, coloured pressing

eine ep voller verspielter 90er-jahre-breaks, rollender hypnotischer basslines und verträumter elektro-klangwelten.

the 23 year old from mumbais music to date has been largely influenced by rnb and soul.

experimental sound from japan

bleepy drivin techno, a bit dance mania influenced

debütveröffentlichung des in berlin lebenden künstlers txl. die a seite der ep beginnt mit luchos simphony, einem effektiven dancefloor track mit einer fetten basslinie, auf a2 gibt es dunklen break sound. die b seite folgt mit einem weiteren acid dancefloor track und der b2 letzte track ist unser favorit, ein schöner downtempo track namens kibortacord.

cool collection of 90s british bass techno on 2 lp

next bassheavy bluetrain vinyl

b-stock! this is: the revenge of the bass

this release takes you on a airy ride and will have you floating on bass. the sexy minimalistic vocals and jazzy elements add an organic sauce to the tracks that tastes very good. futuristic disco at its best.

this is: the revenge of the bass

tribal pulse is 5 years old, and we re celebrating with a special series of vinyl and compilation releases, and parties in some really insane locations, including a unique birthday celebration in the beautiful highlands of scotland. first up we have boom merchant s i see the future available on 180g vinyl and containing contributions from italian slammin techno kingpin johnny kaos and maltese 303 sniper acidulant. the title track is a morphing, energetic futurist techno cut. a powerful, bass-driven groove works alongside complex analogue percussion sequencing and growling distortion before detroit-style chords and atmospherics move in to take you higher, before slamming you back into the dark groove once again. this one is a real bomb waiting to go off. for sub mission boom merchant combines forces once again with johnny kaos, and in keeping with the theme of the ep, the results are dark, distorted and full of flavor. the track roars through lashings of sub and relentless machine bleeps, drums and noises, jumping in and out of breakbeats with a monster reese bass chasing you down from start to finish. to round off the ep, acidulant does what he does best, stripping the original back to its bare elements, looping the vocal and creating a roland-heavy roller full of squelchy goodness. we see the future, and we are bringing it to you on wax. we hope these tracks put a smile on your face.

having hallmarked their success through their ability to showcase the hottest talents in dance music, whilst being renowned for curating some of the finest compilations over the years, londons finest party collective, future disco now offers a warm welcome to gimbrère to the imprint. the young dutchman steps up to the plate with his heavy weighted disco weapon, a thing, seeing ava regular jordan on the remix duty. kicking things off, gimbrere teases with a series of sweet melodic disco grooves under a booming range of 808 kicks, slowly sweeping off the filters to let the passionate vocal howls let loose and tear through the speakers. coupled with thunderous crashes and well deserved breakdowns, this track is without a doubt some real peak time business from the flying dutchman. on the flipside, jordan lays one down for the early hours, switching up the beat into a trashy hi-hat affair, making room for a wobbly old school bass and synthline to playfully glide along with the sam-ple hooks. two completely different, yet equally as satisfying cuts, rounding off what is yet again an-other quality release from the future disco crew.

the 2017 remix and rebuild of one of drum and bass biggest dance floor anthems ever. babylon. dj future has delivered an absolute tearing remake of this all time legendary track and brought the original classic into the 21st century. with andy c, randall, uncle duggs, ray keith and many more playing it across the world at many of the major festivals the demand has never been stronger for the juice to start flowing again. for the original heads that loved the original you are in for a treat as bladreunner has pieced the original masterpiece together and rebuilt it piece by piece and it sounds stunning. an absolutely essential piece of drum and bass history revisited.

bass culture welcomes frenchman leo pol to the fold for this fresh new four-tracker full of analogue vibes. leo s penchant for synthesisers and the warmth of his beloved machines is evident throughout this new release, with a retro soul spliced with modern sensibilities and, of course, visions of the future. things get off to an energetic start with caliente , a track that combines a killer main riff, scintillating pads and steam-powered percussion to really get those feet moving. this is followed by fnc burning , which totally slips the script with its off-kilter rhythm and uk-influenced breakbeat-esque sound. get ready for a sublime breakdown, with more uk rave stylings in the second half... fresh!on the flip side we get dark outside, which harks back to the early days of post-electro detroit. those formative years when masters like juan atkins were the soundtrack of motor city... from the hushed, silky vocal to the cosmic bleeps, this is a homage to the ghosts of techno s past, with a contemporary sheen.finally, we finish up with techyes no! , a dark, marauding stomper with a menacing atmosphere and spinetingling strings to really amplify the eerie feeling that pervades throughout. a diverse, yet cohesive collection of killer cuts from the young master leo pol and another superb bass culture release. only the finest from d julz s excellent label...

slamming bassheavy stuff

betonkust has been spotted lurking in the realm of seedy late night body music alongside artists such as palmbomen ii, landing his noirish wares on 1080p, pinkman and most notably dekmantel. now he makes the logical leap to crimes of the future alongside equally accomplished belgian producer innershades, previously spotted on wicked bass, creme organization, hot haus and many more besides. the sound on forever in boccaccio is totally fitting for crimes of the future, all muscular drum machines beats and analogue synth lines angled to send a shiver down your spine. watch out for the unexpected rave hit of -jambers at carat afterclub- which comes on strong with some fist-shaking peak time euro techno motifs.

future retro have selected four of the finest future thinking drum & bass artists that are around right now to bring us the “future sounds ep”. villem & mcleod kick things off with the deep rolling vibe of “burners”. next up the super soulful duo roygreen & protone are joined by robbe to bring us jazz infused “arbitrary”. macca goes solo and effortlessly rolls out the hands in the air most uplifting “what you need”, which is exactly what you do need on a great night out. rounding off the ep nicely, phase delves deep into his subconsious and gives us a little glimpse of what goes on in a produers mind with “subconsious thinking”.

remastered von den originalen tapes, downloadcode inklusive. -future days- aus dem jahre 1973 ist das fünfte studioalbum der band und zugleich das letzte album mit dem japanischen sänger damo suzuki. auf dem album herrschte eine für can bis dahin ungewohnte lyrische atmosphäre, insbesondere bei den stücken -future days- und -bel air-.
credit:
irmin schmidt - keyboards /
jaki liebezeit - drums /
holger czukay - bass /
michael karoli - guitars, violin /
damo suzuki - vocals

by popular demand future retro brings 4 of the most demanded remastered classics on 12” vinyl. now one of the real international superstars of drum & bass, netsky had one of his first releases on future retro. now remastered for 2018 this classic is sounding heavier than ever. bcee’s “glitter balls” still sounds as fresh as it did when it was originally released and this lenzman & redeyes remake is a match made in heaven. random movement & mutt round up this ep nicely with remastered versions of their tracks “ain’t going nowhere” and “the motions” which both ooze soul.

aux88 bass magnetic re-issue 1993-2018. back by popular demand, the same unique spirits that brought forth the sound of detroit streets and turned it into the futuristic soundscape known as techno-bass , the original members have collaborated to re-issue their catalog 25+ years later. starting with their 1st double pack lp, bass magnetic (considered to be a mesh of influences between miami bass and detroit techno), aux88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. after the release and production of their own documentary ( aux88-portrait of an electronic band ), the group celebrates its now classic recordings. harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados. aux88 s bass magnetic = classic detroit electro.

following on from the massive ashley beedle remix of mama unmask me (bb26), hannah holland s batty bass imprint welcome back underground new york duo, fatherhood. the striking collaboration of michael magnan and physical therapy, who remixed the carry nation in last year s as if bb release. this 12- includes mural and choppin onions, a melting pot of styles, born from ballroom, future jungle, trippy and retro house. on remix duties, octo octa is an artist who has continued to create beautiful, forward thinking dance music. her mix is no exception, get ready for the journey.

ikeaboy is the intermittent project from damian tubbritt, who first debuted the moniker more than ten years ago. it s been a long while since any fresh material from this deep cover curio of oddball techno hit wax, but now wicked bass have done the honourable thing and gathered up this excellent trio of tracks. shape memory plies a funky line in squelchy bass and jangling delay trills, while living in the future opts for a more mysterious, pad soaked trip into spooked out electro. on the b-side dayna sports some forthright drum machine beats and epic sweeps of synths that only serve to confound any expectations you might have about the sound of ikeaboy.

as a longtime chicago and detroit house-head who spent hours listening to sets online, justin ramsey packed up his bags and jumped ship to berlin to get involved in its thriving music scene. the result - spacey pads, warm vocal samples, and driving drums which make up the backbone for each cut. don’t just keep me is a deep and trippy ep, dressed up with bouncing bass lines and breaks to dance to.

realitycheck returns to uttu with 3 blissed out deep club tracks - melodic techno, electro-bass & detroit house - all in the mix!

new teachers join the bass academy: uk droids gods of technology (phil klein & simon brown) featuring egyptian lover, and legendary us producer jamie jupitor. must have freak seeker (l.a. freax) feat. the unknown lover (you ll probably know who s behind) and future computer sign two authentic electro funk pieces in the great tradition of the west coast sound. phat bass, vocoderized lyrics, sharp 808 drums, and irresistible synth melodies characterize these instant classics guarantee to put you in a circle. come and take a lesson of music directly from the masters! ltd blue transparent vinyl.

chicago house legend mystic bill joins crimes of the future with two straight up jacking house tracks with bonus instrumental and a mind bending remix by scott fraser. bill torres needs little introduction to those fans of the original chicago movement in the late 1980 s and 1990 s, he produced a string of 12inches for the likes of trax and relief records whilst playing and holding down dj residences in some of the citties best loved venues. after remixing scott fraser s no word of truth release last year on his dx recordings label his first full solo release on crimes of the future has arrived.the a cut frequency 9 is a rolling jacker with rattling percussion and dark synth stabs to dement the warehouse dancefloor and very much in the line of bills trademark style. a2 sees fraser return the remix favour delivering a massive floor bumping remix adding all new drums, 303 and huge bassline giving a nod to the classic sound of those sex trax/ power music 12s from the 1990 s with his 11 minute mind control remix. the frequency cannot be controlled! side b has both the original and a bonus intrumental of the ship is sinking, a dark slice of jacking house complete with real tension and total mastery of the sampler for those able to spot it.

detroit techno pioneer kevin saunderson has revived his underground house moniker e-dancer with into the future, a rolling futuristic nod to the sound of detroit techno. swirling retro-future synths, echoed out claps and solid bass line that just screams detroit. the tracks gritty yet groovy sentiment is a perfect continuation of the very first e-dancer album heavenly, released in 1998

shadow child returns with his connected collaborations album. album sampler 2 of 2 features his official rework of the future sound of london’s seminal ‘papua new guinea’, ‘err’ offering it s bouncing bassline and skippy 909 hats with huxley and finally ‘gacid’, which is possibly the friendliest acid tune you’ll hear with the elusive supertanker.

crimes of the future is the kind of label you can trust, no matter who is at the controls. the same could be said for giallo disco, and certainly the two labels orbit a similar space for lurid soundtrack-inspired hardware jams from the italo age. vercetti technicolor is one half of the giallo team alongside antoni maiovvi, and here steps out with a perfectly bombastic range of compositions that revel in b-movie brilliance. -golden taurus- is the perfect slow-burner, those mono bass notes warming like no soft synth ever could, while -topaz fear- brings a more action-driven sequence into the mix. -death wish- too opts for a pumped up club scenario, while heinrich dressel smokes out -golden taurus- into a seedy slow-jam.

future sessions is proud to have two great producers such as g.marcell and myles serge both hailing from the midwest. now to the music and we have g.marcell “damaged earth ( you ) which flows with so much goodness and the chords and pads are the aesthetics to this amazing journey with its pounding kick and its deep bass most def one of favorites at the moment then we have g.marcell “ sea side “ with its think kick and its driving bass gives it that tripped out start then right into the deep pads and its movings synth’s which joins into this well thought out track strickley for the deep minded. then we have myles serge “ glass” which starts out very rough with its pounding kick and its melodic key’s right into a solid jacking gritty sound myles is know for. then last but not least we have myles serge “ shift “ this one is very raw with it’s techno clash drums and percussions and its jabbing synth’s and it’s invading pads a very latenight track for sure and its heavy laden detroit sound … we want to thank you at future sessions for allowing us to be he we are true music lovers and that is all much love to you …power to the people and god bless you

dave the drummer and marcello perri get together once again with 2 tracks of techno goodness.
in safe hands: this is a hard bass-driven industrial kick-drum groove which meets some carefully placed vocal loops and a piercing high synth shot which gives the track a distinct warehouse party vibe. this track is going to detonate those dance floors!
acid future: this is the first time a squelchy acid line has ever featured on a hydraulix release. a tough rumbling reverberated drumbeat, firing on all cylinders with a squelchy 303 sat on top. it’s even got a voice and some reversed bits of 303! what more could you ask for?

marvis dee returns to in my dreams for the second part of his ep series with the sparking, 80’s boogie-house 5-tracker, dreams of a future metropolis. huge shimmering synths, funk-heavy basslines and serious grooves all sailing out with the setting sun.

crimes of the future rounds off the year in fine style with an absolutely essential ep from twins. 3 moody us house cuts straught out of atlanta and a sublime deep remix from label boss scott fraser. opening up with cause of dissociation, a slice of banging chicago house that would not have been out of place in the hands of mike dunn at the warehouse. rattling drums amd percussion a cut up vocal and a killer bassline make for dancefloor devastation. next up -you take too- takes things a little deeper, maintining the groove with chicago inspired percussion and filtered drums and stabbing synths grooving the track along. over on side b scott fraser takes -you take too- on to 5am on a dark smoke filled dancefloor, with a deep bassline and soaring strings. adding additional percussion, keys and swirling echoes... could be the sound of a lost nu groove classic. finally things close out with -a way from now- with more chicago inspired goodness with a funky bassline, pumping percussion and eerie ethereal keys rounding the ep off in fine style.

the last untitled future times white label release arrived in 2012, a record that we now know, thanks to the eagle-eyed searchers of discogs, featured a hunee edit of re-mida by don carlos. we dont know what kind of material features on this new untitled release from the label, but the bumping hip house rhythm and vocal combo and lush 80s analogue bassline suggests some kind of vintage material has gone under the knife to create this track. regardless, this one-sided 12inch is another essential cut from the dc-based operation.

• vinyl only , 180g pressing
• the future future sound are dan andrei & emi
• to fully grasp the essence of contur003 we must focus our attention to its most basic bits of information. we must observe its pure dna, hardcoded into the bassline and subtly passed from track to track, only to suffer minor mutations. we must experience es pion s game of smoke and mirrors over the simple cadence. we must indulge in bass vilain s erratic loops or in the dub suspense built in the hideout.