ltd ed 2 cd pack

best of pet shop boys !!

cd - 4-panel digipak, tube pocket, 12-page booklet

original motion picture soundtrack

cd edition of yagya longplayer..

xl recordings presents the debut album from yaeji.

the latest chapter in the acclaimed pacific breeze series! artwork by renowned illustrator hiroshi nagai

the knife’s karen drejer hat als fever ray mit ihrem neuen album „plunge“ gerade kritiker wie fans begeistert. das düstere und gespenstische erstlingswerk „fever ray“ aus dem jahr 2009, dessen songs bei diversen filmen und serien (z.b. „dark“, „breaking bad“) im soundtrack eingesetzt wurden, war lange zeit vergriffen. nun sind einfach-cd im jewelcase und auch die lp ab sofort wieder über uns erhältlich.

heavy rotation dance pop album incl single hits million dollar baby, maybe you are the problem !

ltd.cd+blueray digipack

the first ever full length album from belgian dj and producer tripped.

chase & status are back with a new album.

tip

clamshell box , cd sized with 1.9cm depth, printed on uncoated stock. 68 page deluxe booklet , 4 x cd in printed cardboard sleeve

3 cds best compi for edm trance vol 95 !

kink - live improvised outro as we reach the 19th year of cocoons residence on ibiza, the location may have changed from amnesia to pacha, but the enthusiasm for perhaps the most enduring party on the mediterranean island is guaranteed to continue. actually, only the sun, sea and wind are more reliable! the celebrated live sets of bulgarias life wire strahil velchev aka kink have been a vital ingredient for the ecstatic nights over the years. with unprecedented regularity, the man from sofia has been voted best live act by readers of groove magazine for the last three years, and in 2017 he was also crowned best electronic music producer. as kink, together with sven vŠth, celebrate one of the most popular evenings of this years season as well, what could be more logical than to repurpose the famed cocoon ibiza mix cd series into another live document of the event? no sooner said than done, and so here the bulgarian offers a 70-minute cross-section of his skills. well-known tracks, especially from last years playground lp (running back) meet exclusive, unreleased material in a spontaneous tour de force through the history of electronic dance music. there are distinctive nods to chicago and detroit, jazzy organs spiralling into string-drenched skies

a-sun amissa is a project formed out of leeds, uk in 2011 by members of glissando and the rustle of the stars. built on the foundations of the unknown, a project that encompasses minimalist drones, modern-classical movements and avant-garde tendencies. richard knox (glissando, the rustle of the stars, of thread & mist) & angela chan (glissando, the rustle of the stars, ten, tomorrow we sail) began forming the initial ideas in the autumn of 2011, moving away from the piano-led ambience of previous outputs. new album you stood up for victory, we stood up for less sees a-sun amissa moving in a more dense direction, the drones are heavier, the sound thicker and with the added bass-clarinet of gareth davis there a new slightly darker jazz element now to the music. the two tracks were conceived initially as two drone guitar pieces, following that, work was done on the composition and atmosphere of the tracks adding the bass-clarinet, viola, vocals, field recordings and piano. the finished works produce an unsettling but hypnotic listen with melodies moving in and out of the mix throughout these two pieces. you stood up for victory, we stood up for less is released a year on from a-sun amissas debut desperate in her heavy sleep (gizeh). the band will tour the uk and europe in february and also play a handful of uk dates with barn owl in april. recorded at cloud blunt moon and city 1, leeds in october & november 2012. mixed by richard knox. mastered by james plotkin. photography by frŽdŽric d. oberland. layout & design by richard knox

all tracks are from tanakas archive (2010-2015), which were produced since he had moved his base in berlin. the idea of the dj mixing with only his own tracks has been gestating for sometime and with his trials during his dj dates in europe, south america and japan the selection of the tracks and combination has been made. the thought process of mixing his own materials could be similar to preparing for his own live set. this recording was done at this home in berlin. all tracks has been released on 12inch vinyl (snd 06.07.08 on 2017) except track 6.

uppermost will be releasing his upcoming album with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his french signature at the core of the project. his previous hit tracks flashback and beautiful light have already generated more than 27 million combined streams across platforms, while mercedes-benz selected uppermost single disco kids to be featured in their formula one advertising campaign and starz/encore chose another of his instrumentals for their 2018 tv spot only few weeks ago. uppermost is being closely followed by international media leading to great articles from influent press channels such as djmag, vice, complex, paper magazine, and famous radios such as bbc 1 and virgin. in addition to releasing music via his own independent label uppwind records, uppermost has released music through powerful labels such as sony and ministry of sound and done official remixes for dada life, lemaitre and crystal fighters. he has also already shared french festival solidayss stage with madeon, yelle, fakear and die antwoord.

dj-kicks start 2018 in fine style with another vital entry into their long running series. the latest comes from swiss dj and producer deetron on march 3rd 2018, and features an exclusive solo track as well as exclusive collaborations with steve spacek, jinadu and jamie lidell. as one of the other most famous musical exports from his swiss homeland, he has pretty much done it all from fabric and balance mix cds to running his own label, from essential albums like twisted and music over matter on music man records to club focussed 12Ós on will saulÕs aus music and french label circus company. after 20 years in the game, he is still in demand at key clubs around the world, and is sufficiently respected as to be able to call on big names like seth troxler, cooly g and ben westbeech for collaborations.

we are proud to announce the vinyl reissue of one of the best and most complex japanese jazz fusion albums, 1987Õs breeze by hiroyuki namba, eiji kawamura, and toshiro imaizumiÕs band atlas. hiroyuki namba is one of the most important japanese keyboardist of the Õ80s with a legacy that in-cludes japanese cosmic classic Òwho done it?Ó and Òtropical explosion,Ó a sought-after gem by diggers. in addition to his work with his progressive rock band sense of wonder, heÕs also known as a member of tatsuro yamashitaÕs band.

sometimes he sounds like the euphorigenic warmth of a spring wind, sometimes he send us on a fluorescent roller coaster ride through the bends of our brain: mollono.bass creates a world of sound that has many different climate zones. his remixes are probably the most vivid proof of this characteristic feature. they cover quite all aspects of electronic dance music, but frequently they also come from genres that are surprisingly remote. somehow he manages to merge all these different vibes and inspirations into one compelling flow of danceability. thats why the fourth part of the mollono. bass remix collection is like a panoramic view of all these different layers of mood and atmosphere.

described wholly accurately by boiler room as one of the best producers and arrangers of disco music to have ever done it, bronx native john morales has more than three decades of hits and over 800 remixes to his credit. this 4th volume of m&m mixes on bbe is without doubt the most ambitious yet, containing gems from barry white, diana ross, level 42, teddy pendergrass and eddie kendricks among others, all woven together with that special, intricate m&m magic. gaining unprecedented access to original multitrack recordings from the vaults of sony and universal records, john has once again upped the ante, going where no dj has gone before. accept no imitations, nobody does remixes quite like john morales. previously unreleased m&m mixes featuring globally renowned artists barry white, diana ross & cher among others.

perc returns with bitter music , his third album on his own perc trax imprint comes in a limited edition deluxe metal case with printed insert and sticker
great dj feedback below

max ravitz has made a name for himself with his hazed dance not dance productions over these last couple of years appearing on a handful of different labels under a handful of different monikers. here on the 15 track, -common purpose- cd we get ravitz in all of his different forms as he teams up with numerous artists from his local brooklyn scene and beyond, serving up unheard cuts from numerous recording sessions done over the last years. through the record we hear the producer s versatility from tripped out downtempo vibes, to mid-paced acid, to high bpm dust burners, as ravitz and co. explore almost all possible avenues while in the studio. collaborators include huerco s., jahiliyya fields, ngly, terekke, bookworms, cloudface, and josephine.

das neue album der ephemerals, -chasin ghosts-, ist der nachfolger ihres erfolgreichen albumdebŸts -nothing is easy-, mit dem sie u.a. auf dem glastonbury festival, bestival und mostly jazz live performt haben. obwohl die band mit ihrer 7-mann-besetzung einer klassischen soul-band gerecht wird, haben sie auf -chasing ghosts- elemente aus jazz, rock und hip hop mit nachdenklichen, aber auch energiegeladenen texten kombiniert. ephemerals sind hierbei nie verlegen auch die dunklen themen anzusprechen, lassen dabei aber nie das licht aus den augen, ganz gleich ob sie Ÿber (verlorene) liebe, depression, weltpolitik oder philosophie reden. prŠsentiert wird das album mit shows in london, amsterdam, brŸssel, berlin und paris gefolgt von einer europatour im januar.

electronic music approximately 35 years after bands like kraftwerk opened the magic box. a lot happened since then and it seems all is said, done and invented. however it is almost surprising that new things still pop up here and there when it comes to electronic music production.

mit das beste was es an slo-motion house gibt, inklusive dem ultra raren, gesuchten maurice fulton remix fŸr alice smith love endeavour, hier auf 2-lp und erstmals auf cd. compiled by rainer trueby.

tender games ist das brandneue projekt von bbc radio 1 future-star marlon hoffstadt und hrrsn, chef des well done! imprints aus berlin. die beiden etablierten, eigenstaendigen produzenten haben ihre house-basierte soundpalette um eine lp erweitert, die alle voraussetzungen fuer einen kuenftigen soulklassiker aufweist. der sound von tender games trieft vor satten harmonien und warmen grooves und ist damit viel staerker der britischen clubszene verhaftet, als den duesteren, schwereren klaengen, mit denen man ihre heimatstadt berlin normalerweise verbindet. aus ihren ungleichen musikstilen heraus entwickelte das duo gemeinsam einen markanten eigenen und neuen sound, beim 20 jahre alten hoffstadt stechen seine house-tendenzen sofort ins auge, waehrend hrrsn eher aus der garage-, blues- und sogar folkecke kommt. das album entstand im laufe eines knappen jahres im studio der suol labelheads chopstick & johnjon und kann mit einer fuelle von gaststimmen und einer live-instrumentation durch hrrsn aufwarten. heraus kam dabei ein opulenter, organischer und vor allem frischer sound. moegen auch vergleiche zu kollegen wie disclosure und konsorten zu erwarten sein, die vielzahl an unterschiedlichen stilrichtungen, die auf diesem longplayer angerissen werden, verleiht tender games in ihrer vielseitigkeit einen eigenen, spezifischen sound. und wer fuehlt sich von so guter musik nicht angeregt?

system fork was designed around the principle of itamae, where ever detail was described and thought about before any work in the studio was done. this process took two years before a set of rules and principles were fully realised for the creative process in the studio.

just a masterpiece! 2nd part of omar s vinyl mix

the histories of bbe music and the southport weekender have intertwined since day one. the first release on the label, stop & listen volume 1, was compiled by dr bob jones, the venerable uk selector who was for many years an integral part of southport s core of resident djs who helped shape the sound of the weekender scene.

schneeweiss iii: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums - gro§stadtmaerchen and gro§stadtmaerchen 2 - have been a direct ode to the capital. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heat. this is where he started out when he first moved to the city, and this is where he lives now.

ultraphat rollin detroit techno !! pumping

the 100 best harstyle tracks of 2012!

after months of hard work forbidden society can proudly present the new album to the treshold, which is coming out on forbidden society recordings label. album consits of 15 tracks total (6 available on lp, 13 on cd and 15 in digital form). the album is filled with all sorts of different genres from drum and bass, drumstep, crossbreed to electro or dubstep, all precisely fitted together with forbiddens charismatic and solid sound, which will creep under your skin up to the point where it is almost unbearable (that is why the new album is called to the treshold). solid fans of forbidden society were able to hear some of the tracks, remixes and co-operations with other artists on various places in europe, or even in tokyo, japan. the album itself can show off with awesome cover, all done by kikai(jap), well known for his manga-anime desings, in co-operation with kristof from nosqrl graphics. lp album is coming out on the 21st of may, and the cd one week later. you do not want to miss the great experience of the new album!

electronic, danceable pop meets industrial, dark techno. its the first time you can hear the folkpopsongs of piroth in these free interpretations. piroth remixed is a collaboration between the swedishlabel kranglan broadcast and oma gusti records. the release consists of 6 remixes of songs by the swedish folk-pop duo piroth. the remixes are made by some of the finest electronic producers such as popnoname (kompakt/firm/italic), disrelatedkin (ministry of sound/kitsunŽ), harald bjšrk (kranglan broadcast), studio barnhus (petter nordkvist, axel boman, kornŽl kov‡cs studiobarnhus/border community/pampa records/ourvision recordings), clara moto (infinŽ) and nathan fake (border community). the release is scheduled to the 26th of january 2011. the mastering is done by stefan echinger aka lopazz.

dj andy smith Ð one of the worlds premier funk djs and the man who supplied portishead with their samples Ð joins forces with keith lawrence - renowned reggae collector and reggae dj from www.colourfulradio.com - to present the heaviest selection of funky reggae in the uk smiths comps have sold over 35.000 units inc. the acclaimed -document- series which included albums for greensleeves & trojanp>killer cover versions of stevie wonders you havent done nothing (sly dunbar), marlena shaws woman of the ghetto (hortense ellis) & william de vaughns be thankful for what you got (donovan carless) super rare cuts from bumps jackson, barry waite & sly dunbar tracks from impact, randys, demon, dynamic, hot shot, tent & various pama records offshoots various tracks from the pama catalogue which back-in-the-day was a contemporary of trojan inc tony scotts what am i to do now, pussy by kid longo, lloyd terrells i did it, ricos tribute to don drummond, d tony lees peyton place, lester sterling & stranger coles bangarang & children get ready by the versatiles.

2011 holiday collection. the project started in 2010 when jan illustrated the diversity of more than 50 christmas tunes in the field of jazz, funk and soul to tobias kirmayer of tramp records, germany. although some of the titles had already been compiled, there were exceptional songs that grabbed their attention. major record companies owned a handful of the initially pre-selected songs. despite the fact that these terrific songs never topped the charts the quality of this compilation easily shakes hands with famous christmas records of major artists like james brown or lou rawls. ladies and gentlemen, sing along, shake your hips and dance because: santas funk & soul christmas party is goin on.

2011 release, the follow up to 2010s successful first volume of bangs & works. the carefully curated compilation showcases chicago footwork, one of the most forward-looking, innovative new styles of electronic music on the planet. footwork is beginning to spread outside of chicago, influencing productions around the world. bangs & works vol. 2 brings the focus back onto chicagos own producers, showing where the real innovation still lies. while its predecessor sticks mainly to the more hallucinatory and left-field elements, this one has a wider remit, ranging from mad techno-style tracks to those that sound like musique concrete gone footwork.

in keb darges own words: i ve done many a compilation in my day, mostly based around the tunes i played at my long running deep funk nights in madame jo jos. that night is no longer on the go, possibly due to a growing lack of interest on my part, (sorry). in the last few years the lost & found: nights at the club have been my real passion, and indeed little ediths and andy smiths passion too. what a marvelous era this is for good music. we may still have pure stuff like dub step: pulling in large numbers of sheep, but an equal number of youngsters are being attracted to retro, or at least retro sounding music. people tell me it is because the youth are fed up with computerized music, or men with drug problems angrily shouting at them over a dull repetitive beat, but i know lots of teenagers who have bypassed this muck all together. must be the internet that is helping kill off the demand for empty music. you no longer need to go to a retro club night, or indeed search out rare records to be exposed to good music, the internet is full of the stuff. my fifteen year old daughter is a marc bolan fan who while researching the poor fellows influences discovered chuck berry, sun records, etc, etc. i dont really know or understand why so many are at last getting into the good stuff, but they are, and it is wonderful for the likes of me.

qwazaar & batsauce follow up their masterful style be the king ep (2011, fifth element/galapagos4) with a 14-track juggernaut entitled bat meets blaine. the record is an absolute rarity a series of inspired sessions from a world-class mc & producer team at the height of their respective powers. batsauce provides ambidextrous backdrops that are as multilayered as they are strident, while qwazaar simply astonishes, baring his soul while performing near-impossible lyrical feats. its a record all true heads should cop and that all lab scientists can envy.

this new reference on dilek records is something very particular and out of the ordinary. it was achieved after a long period of work in the studio, which lasted three years and was done with a lot of heart and passion. its the 10th vinyl release of this surprising swiss/argentinean label who is now presenting an extremely multicultural project. this release will be available on vinyl as well as in digital format including bonus tracks and later on also in cd, with even more unedited material! listen to these tracks and have the opportunity to discover something totally different with some of jorge drexlers uncut material. this new album was supported by amazing artists as well as magazines and radios stations that you can check bellow.

after two re-releases of conrad schnitzler classics, (zug & ballet statique) now m=minimal releases a completely new work from the pioneer of electronic music. conrad schnitzler is a sound explorer. for many years, he has been on expeditions, journeys through his collection of electronic synthesizers almost every day. sounds he liked has been conserved on tape and stored in his sound library. the result is a huge library of audio files, he calls them >solen<. >borngrŠber & struever< have got the chance to examine that library and started to con-struct new pieces out of the hidden gems. these are not remixes but new compositions. none of the sound combinations were thought or heard before. the 8 tracks form an album independent of any trend and therefore it becomes a real acoustic environment for everyone. the album was produced at studio.wannsee. to give the album more authenticity, the complete audio processing was done using analog equipment. they not only used many classics among the finest synthesizers and outboard equipment, but also custom built tube gear. the icing on the cake are the tubes used from the 60s, which bought christian borngrŠber on a trip through the atacama desert in a small radio repair business in the city of calama. thanks to the desert climate even the packaging of the tubes looked as new