almost a year after their best-selling second ep, the anonymous bandits crumbs return to the fray, with another perfectly planned and executed smash & grab although delivering a mysterious & scantily clad 12- is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand it s undercover time again, and we re sworn to secrecy, of course...but two of the regular collaborators have engaged in a serious bit of one upmanship having landed this diverse haul, let s take a look inside as we move from a completely overhauled musicbox classic, flipped and re-pitched for 21st century floors. followed up by a totally irresistible modern afro-disco workout with more than a few sonic surprises thrown in turn over for a lost, cosmic gem with no end of additional sparkle, coupled with a a twice-baked & loose jointed rhythm and bass workout that really slams. a dj s delight, then, to be mixed up or played raw this one will be gone in the blink of an eye, but treasured for much longer

its tempting to concentrate on felixs dickinsons history, his pre criminal justice act rave orchestration, his 10 years djing for the lifeforce parties in japan or any of his djing and touring achievements during the early formation of the uk house scene.

cromie s bubbling, spacious house sound first drew critical acclaim last year on the sold out 12- vines / pyrex (peach001), a collaboration with fellow la producer sage caswell. now, peach is thrilled to present cromies solo debut ep inner knows, a revved up set of idiosyncratic dancefloor weapons. how to stop a bulldozer, a rotating helix of synth stabs, warped vocals and low-end torque warrants it s epic title. elsewhere, flan functions like a potent concentrate of 22nd century funk. inner knows kicks off side b with a swirling late night house jam that flirts with the deeper corners of the genre. another fixture in la s electronic scene, suzanne kraft (running back, esp institute, pharoahs) closes out the record with a cubist reading of flan. on his solo debut, cromie s creative depth and attention to detail belies his freshness to the game. regular sets at las club called rhonda and various underground happenings in the sprawling southland have taught him some valuable lessons. if he can deliver this many distinct sounds on a single record, we cant wait to hear what’s next.

following the dazzling debut 12 inch, crumbs hit us with another stunner! although delivering a mysterious & scantily clad 12 inch is hardly a novel concept these days, it does concentrate the mind (and feet) on the music more than the brand. it is undercover time again, and we are sworn to secrecy, of course ... but three producers of considerable note contribute here.

uk legends ben sims and mark broom are on remix duty for truncates first remix ep. also truncate reworks his own track concentrate on the flip side.

klute returns with a sneak peak from his forthcoming 7th album.best bits not over showcases klutes harder side with a rip tearing floor killer thats been causing hell all over the place. just one tiny slice of the impending album due to land in the autumn. for the flip klute has invited invaderz to take on one of his most popular tunes, take a breath from his 3rd lp lie cheat & steal. having taken a break to concentrate on their work with dego & bugs in the attic, invaderz have returned to d&b with a vengence with forthcoming releases on metalheadz, ram, commercial suicide & c.i.a. extremely limited copies of smokey-coloured black & clear vinyl, inserted randomly.

debut vinyl release of new russian label based in moscow, hosted by agcp (a guy called phone) also more known in russia as sasha partyphone. focused on producing young russians (and ex ussr republics) underground artists, who was inspired by 70s, 80s and 90s. also concentrate on producing not only basic dance music, but and music for the different moments of live with the funky, old school and different other influences as well. rush inside (which sounds like russian side) - is a compilation of deep, funky, groovy, new disco sounds by unknowns underground producers from moscow and st. petersburg. the first step in attempt to present a part of contemporary russian electronic scene.

killer re release of this regis masterpiece album

from gui borattos latest album iii comes >this is not the end<, an indie minded track that convincingly demonstrates guis impressive skill set when it comes to emotional narratives embedded in a distinctively monumental context. like his timeless >beautiful life< and last years album highlight >destination: education< (already remixed to perfection by terranova and tale of us), >this is not the end< features the beautiful vocals of luciana villanova, who seems to know exactly what makes gui tick - which doesnt come as a surprise, as they are married – and possesses this rarest of all gifts, an unique voice that seems to address each listener personally. in his own 2012 mix featured here, gui doesnt so much concentrate on the originals tearjerking qualities (which were already fully formed), but streamlines the arrangement for ease of use on the floor of your choice, making the track even more refined and addictive. those of you looking for a slighty more adventurous approach will find their satisfaction with michael mayers rework on the flipside, where the source materials hypnotic qualities are brought to the fore, resulting in a masterful slice of catchy prime time psychedelica. with both mixes turning out to be instant classics, we can definitely confirm that this is not the end.

luca lozano presents klsunderground001 is klasse recordings first foray into the various artists compilation field, a small but perfectly formed ep consisting of five tracks from various family members and extended homeboys. the idea behind the series is to take the focus back to the music, the ep aims to concentrate on tracks that are made with passion, pride and belief. music that will stand the test of time against the torrent of seemingly endless throwaway material that floods our inbox day by day. the tracks on the ep speak for themselves, so i will do away with the usual wacky metaphors and just urge you to give them a listen. thanks goes to mr. ho, red axes, viadrina, jordan peak and anders hellberg for providing the music and a special thanks goes to the latter three for joining the klasse family and being part of our new series. enjoy the music and thanks for listening. - luca lozano

as a team, we have renewed our brand and identity: we have grown strong as a musical family, so our name has grown too and become polegroup.for our 11th release, sound architect reeko brings us once more an ep made up of conceptual techno, which is suitable for the dance floor as well as for a quiet listening. he has created three tracks that concentrate on sonic details without neglecting its powerful rhythm.

hugo barritt was a promoter at londons infamous egg venue, during which time he focused his attention on robert owens residency at the club. a friendship was struck up and when hugo finally decided to leave to concentrate on production he could think of no-one better to provide the vocals to you are than the most recognisable voice in dance music, mr owens himself.befitting such a wonderful coupling, efdemin heard the track and agreed immediately to provide the remix,and a splendidly slick ride it is too, taking the merest hints of roberts vocal whilst injecting a melodic feel for a blissed out ride through the early hours. contrast that with high octane thrills of murmur regular tom demacs remix - dispensing with the subtleties of the original in favour of a power house ride of beats and bass, warping roberts vocal into something altogether sleazier.

droid resident artists david flores (audio injection / truncate) and vangelis + vidal vargas (raiz) combine their production elements on the degrees of motion ep. david has been burning up the industry charts with his latest raw vibe alias truncate. the spring/summer season in europe would have been quite silent had it not been for the phrases concentrate and focus. with releases and remixes on enemy, modularz and his own truncate imprint, david has enjoyed strong support from renowned acts dettmann, klock, luke slater, chris liebing, speedy j, dvs1 and countless others. the members of raiz, vangelis and vidal vargas, have also been making waves with their work on historia y violencia, silent steps, gynoid, and droid. on this collaboration david and the vargas brothers combine the dry and groovy tool perfection of truncate with the concept and sense of depth raiz has been developing over the last year. the result is a series of 3 flawless tracks exemplifying the degrees of motion. inertia builds the ep with heavy drum programming and warm pad work. flux takes the energy up a notch with hard swing percussion, sharp analog noise and arctic synthesis. jude law leaves his seed. rhythm completes the cycle with a deeply grounded pulse, accented by an enigmatic call to consciousness and presence. degrees of motion is a solid showcase of this production teams potential.

a great track from joe & ubit (aka hugo), remixed by two of the founders of the label (phooka & maurizio cascella) and great guest artist, hubble. the original track is a pure concentrate of techno and filtered tools. voices, percussion and bleeps all mixed with a relentless and powerful bassline. phooka rmx is a swell of synth and bass, which offers a glimpse into the psyche of the listener, a drive of techno beats & a powerful dancefloor-orientated track. hubble gives us a masterpiece, a mental and dark version, in line with his other works and his unique and personal style! maurizio cascella closes the rmx and transform the original track with a heavy groove and loops the song, making it a unique and potent dj tool, a must-have for all djs.

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

cupp cave was once heralded as belgians best kept secret.Ê well, guess what?Ê the secrets out.Ê from the us to japan, his glitchy beats have stood out as some of the most innovative and rich amongst today s electronic hip hop producers.Ê but he doesnt stop at just making dope beats, he crafts universes, ocean deep and mountains high.Ê hes also proven his ability to wear as the weather and terrains demand while roaming through tese soni landscapes. as kingfisherg hes spen his time excavating golden sine waves from deep, lost caves. as sineshine, hes fished out a treasure trove of long-forgotten disco nuggets.Ê as cupp cave, he serves up busted-gaming-console-and-dusted-broken-beat concentrate, filtered through a tub of radioactive waste to devastating effects. he also forms one half of surfkill along with dynooo. this ep sees françois / cupp cave return to his one true love: making sloppy chicagoesque beats. just like all of vleks output, it comes in a hand-screenprinted, hand made, numbered cover.

the housing project is a well rounded sister label to concentrate closely on more recognisably house productions. the reason for this is because at wr hq house music is in our dna and as natural as air.
dj support from jacques greene, dark sky, julio bashmore, alex deamonds, xxxy, hot city, doc daneeka, deadboy, hackman, submerse, martyn, geiom, ramadanman, jamie grind, ..

skinnerboxes first bpitch 12 inch >anapol< is the culmination of about seven years of performing experience. iftah gabbai and olaf hilgenfeld casually juggle colourful house, jazz and funk elements like its their second nature. and the metamorphosis from anarchistic improv chaos to form and structure in no way impinges on the level of energy in their music - in fact, just the opposite is the case, as the newly discovered sense of auditory space in the tracks allows them to significantly concentrate each tracks power.

anime introduces herself to the hardcore worldwide public: here is her first release on traxtorm records, innovation is the guideline of the project.
sounds, vocals, mergers between grooves and elements of various music styles with strong influences from her past as industrial/darkcore producer. her style has already become inspiration for many important hardcore producers and her tracks are already included in the best hardcore compilations worldwide.

hers is the most anticipated debut album of 2010 and her name is on everybodys lips. seldom before has a young artist so captivated the attention of a generation that she personifies. >the ultimate it girl<, >the new electro pop sensation<, >totally in tune with the spirit of the times<: these are just a few quotes from her reviewers. the delayed >sex dreams and denim jeans< is finally complete. uffie took her time, for after years of continuous whirlwind she needed to take a step back, put her bags down and concentrate on her writing.

close your eyes and concentrate your mind on positive thoughts. it is time to get into another dimension, a parallel world: its time for a new minimono on bosconi records! and now again, our two talented mates, fabio della torre & ennio colaci, show us their great ability to fuse art of making powerful grooves with a great catchy melodic approach!

nice price deal !!! after 25 years of djing and having been recognized as one of the pioneer of house music in switzerland, for 2010 djaimin has decided to stop! to shake the dancefloors to concentrate himself in various projects of studio productions from pop dance to movie soundtrack and we at purple music are proud to be part of his past and the new future is here... yes we can say: its a new day!!!

the second m_recs release confirm the label concept: pure techno sound. in this release max m (m_recs owner) presents the title track >egg< with his repetitive groove characteristic. three big artists make the remixes. the first one by the english chris finke (flux recordings), the second one its too hard by the dutch techno master bas mooy (audio assault) and the third rmx is by the dutch intelligent techno artist charlton ravenberg (labyrinth, audio assault). if this is just the second release, i cant imagine the future of this label. its a concentrate of the best techno for all the techno crowd. big!

>cancel< is duesseldorf based producer antonelli electr. 3rd ep for level records. while most producers arrange their tracks on laptops, using the latest software synthesizers and sequencers, antonelli choose to ban computers from his studio in order to concentrate on a production method which hasn’t change much since the early days of house music. all tree tracks are arranged and recorded live without any edits resulting in very pure record which a magical flow.

keeping chicagos house heritage alive since the mid-90s, justin long and mazi namvar dj and co-produce as wasted chicago youth. aside from that, justin runs dotbleep (20:20 visions house imprint), while mazi co-runs fresh meat (part of the brique rouge family). aside from that, their work has surfaced on robsoul, cajual, junior boys own, dessous and many others. chase the devil is w.c.y.s fourth ep, which finds justin and mazi fine-tuning their craft, zooming in on their citys rich musical history, and adding their own personal details to the house tradition. mars or bust kicks things off with an onslaught of booms and snaps, effortlessly juxtaposing dirty beats with precise edits. on the flip, we have the fuzzy bounce of atomic supermen, followed by love thy enemy with its robust melodic interplay coming in and out of focus. another fine addition to the tuningspork catalog, made from 100% free-range, organic, not-from-concentrate funk.

seamless recordings new offshoot seamless twelves which will concentrate more on vocal and uplifting house brings you a sampler of whats to come from the label. on this sampler we feature tracks by top quality producers such as matthias heilbronn (pdp ft inaya), jazzloungerz, greg stainer & central avenue people supporting these tracks already are atfc, roger sanchez, rocco, syke n sugarstarr, hector romero, alfred azzetto, tom de neef, martin ten velden, andy ward amongst others

not another promo text!?!? we find that all of the music produced by harry axt speaks volumes, therefore we simply (and happily!) offer you these two new tracks. it s worth mentioning that this is the last ep from harry axt before his album release in october on rompecabeza music. the whole summer he will indulge in a production break, so that he may doze in the sun, test every type of beer possible, demolish enormous amounts of grilled meat and danish ice cream, and then completely concentrate this replenished creativity on his debut album. then, while the sun fades away for another season, he will let the sunshine back into our ears…

frankie is back with a 4 tracker ep >balcony ep< a concentrate of shakyness and unpredictable beats on a1 stoic rough melodies and cut dirty voice increase tension & speed effective! on a2 secrets in a more freaky oldschool house way with incise drums and shaky beats bumper tune on the flip b1klipp a minimal techy track with rough heady melody and a paradoxal atone crispy voice and b2 repliq more funky housey complete this amazing tumultuous ep

baum records is a new label, which mainly will concentrate on deep dub techno and minimal techno. the first release is three track ep which are called buchenholz ep by resoe, who is the owner/founder of the label. moorpark is a deep track with fat chords and heavy bass for the dancefloor, which drags inspiration from the berlin heritage of basic channel. tsb is a more minimal track with smooth melodies that floats around in the wet space of reverbs and delays, but the deep chords still finds there way into the track. apart from space is a track of pure laidback mood with heavy dub influence, that just moves around in the spacious environment of plate reverbs and long tape delays.

back in 1993 munichs into somethin crew started a clubnight entitled maiden voyage. the idea behind it was simple while the successful weekly into somethin sessions set up by michael reinboth, florian keller and theo thoennessen in 1989 kept on providing a take on the current state of dancemusic from a jazz djs point of view the guys wanted to etablish another night dedicated strictly to the classics. jazz, soul, brasil, boogie and disco have been on the musical menu at maiden voyage ever since. michael reinboth and florian keller still love to play a set at maiden voyage every now and then but both guys left the ships bridge to concentrate on their variety of other projects in the late 90s. theo and rainer were joined by roland appel of fauna flash, trüby trio and voom:voom fame instead to form the infamous threepiece that kept on keeping on ever since

with >monuments<, the label manager pär grindvik returns with a perfctionist statement. after a period of heavy touring, he has isolated in his studio to concentrate on finding a missing link - something that would spark his curiosity, something that could make him feel complete.with monuments, he resurrects memories of the past sounds and rhythms and place them in our near future. from the dynamic dokument< floating point, to the melting pot of >mnemonic<. he feeds us snares and shuffle we haven t heard for ages

gez varley gained fame in the early 1990s as the other half of the seminal electronic duo lfo.. gez varley gez left lfo in the mid-90s to concentrate on his solo projects, which stylistically have varied from minimal techno to tech-house. not only recording under his own name, gez has also been behind the artist aliases g-man.. heres gez varleys latest twelve-inch masterpiece with strong detroit presence and some sleeparchive thrown in - however, these are just made for the more advanced dancefloors !!!

phat debut album

* mumdance & logos present proto , tectonic s first major release of 2015, set for release on 16th february. * recorded by the duo over 2014, proto is a collection of 10 future-facing club tracks that, against the odds, also provides a deep and involving experience for the listener. * proto focusses on the very brief sparks of innovation when new scenes were just forming and genre rules and paradigm were still grey areas, the early bleep track days when imported american techno was starting to be appropriated by the uk, the 93-94 proto era when hardcore was morphing into jungle and later when the darker sound of tech-step reared its mechanical, dystopian head. * all of this is underpinned with Òwot u call itÓ grime sensibilities and mumdance & logos trademark sonic disortientation. mumdance & logos concentrate on taking the moods and colours created by these leaps forward in sound and twisting them into something new, keeping in line with the futuristic visions of the originators.

jazz cinema 2, a touching remembrance of poignant love, takes you swimming through the joy of music and serenity and entering into a time of majestic legends. the performers in this album includes jamie cullum, one the most popular jazz singers in the world, stacey kent, a grammy award nominee, peggy lee, who has a great reputation in both singing and film career, nat king cole, one of the most legendary jazz singers, louis armstrong, the swing star, billie holiday, and ella fitzgerald, two of the most honorable jazz queens. their renditions of songs are from inception, the english patient, un homme et une femme, cars, oceans 11, casablanca and the curious case of benjamin button, those romantic melodies which is to remind you of the classic stories and write you an most unforgettable and delicate note in life.

in the context of electronic music, 12 years is damn near eternity, and though those who have lived it may not remember all the stops along the way, the ones who have kept on top of scott monteiths deadbeat music project will tell you he has been no slouch. through 6 critically acclaimed albums for scape and wagon repair, as well as countless singles, remixes, compilation appearances, and last years radio rothko dj mix, monteith has explored the art of dub in a staggering array of contexts, and staked his claim as one of it s strongest champions. and while the last few years have seen him concentrate on the more dance floor oriented side of things, his latest album and first release on his new blkrtz imprint sees monteith returning to his roots in the headiest and heaviest of dub business.

the essential classic jazz voices.stacey kent, carol welman,jamie cullum, mishka adams,ranee lee,hilary koleenrique marcos..