repress , 4 of the biggest tunes by this groundbreaking artschool guys band who mixed nu wave with funk, disco and polyrhythmics. included are cavern - which formed the basis for white lines - optimo, scraper and out!!

ltd 2021 repress!

following his successful >tears in vain 12inch< on perspectiv, promising new producer simon garcia continues his quest for the holy-grail of modern house and techno as we set forth into >cavern<. and indeed >cavern< is a breathtaking ride - a warm pulsating synth pattern is coaxed along by a dusty, filtered kick before we are greeted with rushing bright percussion and a thunderous lead kick. wild fx open up the floor with the first ecstatic break and from there on the track runs with a mind of its own, exploding with rapturous drama and tasteful restraint. bringing us back down to earth at least for a moment. ‚bass ii bass‘ treads more swinging, groovy territories in a classic ny styled house track, updated for 2012. freaky, pitching vocals swirl around a tight bass-led rhythm section, telling a futuristic story of hopeless hedonism. the emotive-piano house vibes of ‚options‘ will likely raise a few tingling hairs for those well acquainted with steve bug‘s recent dj sets. the perfect blinded-by-the-morning-sun moment, mr. garcia really shows of his classy production skills with this slinky, moody slice of classic house.

truffle music (toronto) returns with the voices (plant music) releasing their first e.p. isince 2005 and following up on the initial success of their sure thing/street commander eps on nycs plant music. cavern is a disco punk stomper that builds from the start with sizzling 4/4 live drums, bass, keys and a hypnotic subdued vocal that build to an apex only to break down and come back harder on the instrumental tip. spooky is a tripped out instrumental that is slower in tempo and heavy on the pychedelic. featuring all live instrumentation, this track takes you on a twisted journey. l.a.s woolfy (rong, permanent vacation) takes on the remix with his epic woolfy neu rave disco mix and he delivers just that with a speed up stormer that is over twice as long as the original and has a faint scent of old warehouse days but takes it forward with an interesting arrangement and eclectic instrumentation.

funky jazz and hip hop flavoured breaks includes cut chemists and psychonauts remixes not to be missed

new album from norwegian fusion band elephant9.

limited 2024 repress on translucent yellow triple vinyl.

limited edition ocean blue double vinyl. dlp donkey kong country ost dlp 3 recreated, mastered for vinyl, fully licensed, half speed mastering, colored vinyl (ocean blue).

casual treatment returns to hayes with sludge, six elaborate works rich with living detail and complex, atonal riffs that weave a textural fabric in an impressionistic, dimly lit cavern.

part 2

repress incoming! the classic leftfield and experimental disco compilation from 2000 is finally back! extra loud pressing, spread over 3 vinyls and housed in a gatefold sleeve.

original score from “the chronicles of narnia: the voyage of the dawn treader” available on vinyl for the first time. audiophile pressing on black 180 gram double vinyl.

1 per customer

seekers come back with special project consisting of a various artist 4-part vinyl set + 90 minutes tape cassette. the cassette has 2 exclusive bonus tracks that do not appear on vinyl.

collaboration of sleep d & ad lib

cool spacy tracks from electro to breakbeat

strictly limited explorers edition - one time pressing on magenta & purple 180 gram triple vinyl . features the original egypt station recordings, 6 bonus studio recordings and 4 live performances.

strictly limited explorers edition - one time pressing on triple black 180 gram vinyl with download code included. features the “egypt station” album plus 6 studio recordings and 4 live performances.

volume 3 in the act of sedition series - ultra funky edits on limited edition double 7 inch.

the brand new parisian imprint opaq records delivers his first ep “signal”. 4 tracks composed by the label’s members mare, charlou, steve marie & stephen. this 4 tracker is strongly influenced by the ravy mood of the 90’s, it’s a mixture between techno, acid, breakbeat and trance which will destroy many dancefloors for sure.
early support by seuil, le loup, les points, sbri & yoshi (from libertine).

50% deal - spazio disponibile welcomes yet another new artist to their realm. this time the label welcomes producer grand river for its 11th release, and one that marks something of a new direction where ambient and experimental music will sit next to more dance floor fare. it s a direction already hinted at with marco shuttles full album earlier this year, and is now realised once more by aimee portioli. she is a multi instrumentalist, soundtrack composer and known for her deep and atmospheric sound and debuts on donato dozzy and neel s label with four lush ambient explorations. across the course of the tracks, fizzing, grainy ambiance makes way for dark atmospheres, then brighter synths arrive late on to bring some light to the shadows. elsewhere, undulating rhythms sway down low as muted keys and strings ripple in the distance. it makes for a cavernous world that keeps you in blissful suspense and overall this ep is a trip through a dark underground cavern with a spring day high up above. as well as this brilliantly cerebral ep, the future will also bring more spazio label nights across the world starting in 2018.

this is the first release of inversions, a label run by milo smee and thomas franklin. it s an offshoot of milo s power vacuum label. this first record is a various artists ep indicating the intended direction and scope of the label, featuring tracks from cavern of anti-matter, booze, fupper, clean & jerk and apotheose de la trahison. the record, and record label in connection with the first release, was featured in articles in dummy, thump, and ransom note blogs/magazines. the record received positive reviews by resident advisor, terminal 313, kiltr and beach sloth. milo and thomas were invited to play a guest mix on the baba yaga s hut podcast on london s resonance fm. tracks also played on audio texture radio show, independent music podcast and the zone.

die mitglieder der britischen gruppe hawkwind gelten als begründer des sogenannten space rock, einer psychedelischen spielart des hard rock. die band wurde 1969 gegründet und hat 1970 ihr erstes album vorgelegt. gründer und einziges konstantes mitglied ist der gitarrist dave brock.
knapp ein jahr nach der erfolgreichen veröffentlichung des konzeptalbums -the machine stops- liefert die britische space-rock-legende hawkwind mit -into the woods- nun den nächsten longplayer, der thematisch an den vorgänger anknüpft. -into the woods- bietet 14 erstklassige space-rock-tracks, darunter titel wie -cottage in the woods-, -have you seen them-, -space ship blues- oder -magic mushroom-. -into the woods- ist das atemberaubende neue album von hawkwind. eine empfehlung für alle psychedelic-rock-, space-rock und hawkwind-fans!
jetzt erhältlich als limitiertes doppel-vinyl!

for their first release of 2017, phuture shock excursions venture further afield with an accomplished remix package featuring two reworks of nubian mindz(colin lindo) soulful house gem somebody else – which appeared in its original form on last years excursions 3 split ep.

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

the first release on the copenhagen techno imprint ectotherm is by local producer schacke, a key figure in the danish noise, techno and industrial scene. this club friendly four-tracker encompasses schacke’s many aspects: whether it’s functional dubby excursions or forest-leaning soundscapes, a unique and rough energy powers through the entire record. his shattering live output can be witnessed at the copenhagen warehouse-come-venue mayhem, and his taste explored on his own label moral defeat.

2016 is shaping to be a fantastic year for rebirth records, the 10th year anniversary and the 100th release…to celebrate this special date the label owner shield and his right arm robytek get in the studio to collaborate with two of the most innovative figures of the end of 70s / early 80s. the a side is the the pyramids with isabelle antena, french singer and songwriter, founding member of electro-samba pioneers antena. in the 1990s she also led another group, the powaga sisters, for three albums between until 2004. alongside these projects she maintained a solo music career, selling over a million albums and earning musical acclaim across the globe. from camino del sol (1982) to bossa super nova (2010), her cool latin, bossa, jazz and funk vibes have delighted ears and feet worldwide. the pyramids is something really special, a cosmic and balearic song with a timeless meaning, with the collaboration of martin ditcham (sade s percussionist) for the drum and paolo mantini, a real italian talent, for the bass and chords. the aa side is now, a collaboration with salvatore principato (sal p.) and dennis young, known as the vocalist and marimba/percussionist of (for the legendary early 80 s nyc band liquid liquid) seminal nyc minimalist-funk band liquid liquid. the experimental sounding band emerged from new york city s vibrant downtown scene in 1981, developing their own unique sound which they called big beat, a fusion of irresistible basslines, junkyard percussion and urgent, free-flowing lyrics. the group s successes included club hits such as cavern (sampled by grandmaster flash in the making of white lines), bellhead and optimo in addition to sold-out concerts worldwide. sal p and dennis still explore today new ways of writing & performing music. now is the experimental way to combine the live drums played by snacks (the berlin based duo rene corbett & aljoscha babel), with the electronic world and the unique musical textures from sal p and dennis young.

mystic jungle s tribe lands to solaria planet with a sound inspired by craters, solar wind and obscure presences who are probably responsible for the hieroglyphics found in an abandoned cavern.

where to now? records are proud to present beatrice dillons follow up release to the widely well received * blues dances*. this three track 12 inch sees beatrice step things up a gear in terms of intricacy, experimenting wildly to add to her already astute palette of timbre and rhythm. face a leads the record with the unmistakable skronk of saxophone cutting and jamming over the skeletal pulse of beatrices signature dubbed out techno landscape. initially the inclusion of saxophone acts as an aural abstraction or diversion to extract a little freedom from the pumping cavern of dark dub techno atmosphere punctuated with the mechanical juddering saw-bass, but as the piece develops and we become deep into the groove the inclusion of wild sax snorts trips us up and become the focus itself as new levels of complex melodic and rhythmic detail become apparent within this otherwise structurally obedient space. taking its cues from rabih beaini, miles davis * big fun* era, dresvn and keith hudson, undoubtably face a is a compelling, complex trip… heads down but arms flailing. face b continues the theme but takes the listener far deeper into the cavern. here the concern is more the effects of space within song, a moment where beatrice allows herself to move away from the floor to find a little more room for playful experimentation. the saxophone is further treated with a plethora of effects to compliment the array of dub signals that scatter and skip around the basin. the record closes with sonnier (walk in the light) which strangely somehow manages to feel jazzier in its components, even in comparison to a pair of tracks riffing on a manipulated free-jazz sax part. it sounds strangely unsure of its world, adding to this whole loosely slung, loping feel which somehow fits amongst the stern, brooding, and efficient synth play. beatrice masterfully manages to create a piece here that grows in intensity without ever increasing in pace or texture, every drop is intended to stir the listener a little more than the last. theres a sense throughout all the pieces of having rhythm imposed or even inflicted upon the listener but this is certainly not a conflict of ideas… there is optimism, harmony and above all - wild groove nestled within beatrices world of mutant shuffle.

after releases on livity sound sister label dnuos ytivil and cold recordings, batu returns with his own new imprint timedance. the label is set to offer a platform for hybrids and mutations of uk techno, and the first release will be launched with a party in bristol on 20th february, where batu is joined at the cavern club by beneath and transient. the release showcases a progression from batu s first two 12 s, with more colour and melody than his previous work, sitting alongside waves of propulsive percussion.

droid behavior’s luis flores comes through with a 2-track ace for the label’s 20th vinyl release, static forces. negative pressure (a1) starts off with a brewing undercurrent of bass and hypnotically builds into a dizzied cavern of competing sonic forces and reverberant whispered utterances. surface tension (b1) takes an alluring shaken groove and reveals its drive as its elements make their way to the front, slowly pushing the track’s rhythmic intensity. two tracks for long play and lost minds. silk screened jackets on black sleeves.

an interplanetary space/love odyssey featuring melvin van peebles (brer soul, sweet sweetbacks baadasssss song). following heliocentrics *out there* and *13 degrees of reality* albums. download card included. vinyl 2 contains all instrumentals.

killekill is proud to present eomac’s “spectre”, the debut album from dublin-based producer ian mcdon- nell, a rising star in the techno scene. spectre also marks the label’s first full-length album release. ian is better-known as half of the irish duo lakker and this album is certainly carved from the same cold slab of stone. his music has already gained huge support from the likes of tommy four seven, ellen allien, thom yorke and the one and only aphex twin himself. bleepy, slo-mo synth lines, dense textures, saturated bassdrums and hand-sliced vocals dunked in cavern- ous reverb – spectre is all about eomac doing what he does best, taking our concepts of club sound and contorting them into something that is truly his own. the melodies are slo-mo and lo-fi, the pads, exquisitely lush and textured. ian’s amazing sound-design (bordering on the intense in some places) and incredible attention to detail makes this an album where each listen reveals a deeper layer. spatters of noise, shards of broken beat and relentlessly pounding techno rhythms also make it a dancefloor-decimating weapon.

making a clean break with the poisonous digital dubstep rhythms in his first ep, dogboy’s basement to the attic is an fearless musical odyssey where the confines of this world end in intriguing organic sounds. in a way that wishmountain or burnt friedman would, dogboy scrutinizes the boundaries between experimentation and pure dance music. using recordings made in the different rooms of his family home, the four tracks on the ep start with laying down the subtitle emotional cool yet wobbly riddim card on the table, before gradually rising the subs and the pressure into a rave like burst of pride. futuristic, organic, progressive and utterly baffling, what makes basement to the attic so successful is it is purely unique.
pressing on 180 gram vinyl, free download card included.

bristol-based behling & simpson come correct for apple pips with two slices of cavern-deep, slo-mo tripped out bass-led housey doings… these chaps have been making waves in the last year or so with their mixture of bass music, deep house, boogie and discoid with a characteristic bristol edge of not caring for the rules. with killer releases on bristol house dons futureboogies own label and a stonking re-edit of faith evans getting plays from peeps like modeselektor, derrick carter, untold, mosca, jackmaster and many more they continue to forge out their own groovy path through the bass scenes myriad styles… >where the ohs< glides along on a rolling, endlessly chugging beat, with glacial synth sweeps, dubbed out finger clicks, treated vox and sub bass stabs slowing cutting through the mix…perfect slo mo house styles for fans of prins thomas, todd terje, mark e, andrew weatherall etc

the new ornaments presents carlos nilmmns from glasgow and his analog machinefunk

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

downwards sidestep expectations again with this glorious limited 10inch vinyl release from tropic of cancer. two beautifully dark compositions that remind slightly of angelo badalamenti in >twin peaks< mode, or maybe reservoir dogs, if it had been filmed with a huge cavern as the soundstage. processed guitar and drones wash swampily over a simple drumbox beat, as eerie snatches of melody float in and out. as badalamenti himself said of his own work, >my (musical) world is a little bit dark... a little bit off-center. i think of it as tragically beautiful. that is how i would describe what i love best: tragically beautiful.< seems to sum this release up quite nicely too...

the huge new version of rose rouge..already quoted a brilliant remake of the st germain classic by pete tong who played the track 5 times in 4 weeks on bbc radio 1 and tipped it essential new tune, and rewieved nothing less than a techno jazz classic in dmc update & number 2 in the buzz chart, and with early support from leading names including groove armada, luciano, villalobos, dj sneak, crookers, dubfire, laurent garnier, mousse t, nick warren, ralf & rob da bank to name a few...

>flow< ist ein mächtiger chicago mover mit schleifender bassline & stotternden vocals. ein platte für drag queens und glamouröse abende, für wild pitch fans und techno lovers. wie sagte queens of the stoneage so schön - >go with the flow<

mit candie hank produzierten sie so etwas wie desert-polka, hymnischen hip hop hingegen mit modeselektor und den puppetmastaz. wir hšren mitrei§enden neo postrock in kooperation mit tortoise oder laetitia sadier, radiotaugliches songwriting mit eric d. clark, gebrochenen funk in kooperation mit den eigens wiedervereinigten funkstšrung und einen astreinen r&b-ohrwurm mit den junior boys. so ist 21 again eine ode an die freude und freunde der band und gleichzeitig ein manifest des stŠndigen dialogs, eine feier der vielschichtigkeit.