jazz

new label from milans vitamina party

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by “120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. “120 bpm” is a get-together moment through clubbing, this moment where fears are forgotten by dancing with one’s friends, what we called “the chosen family” at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campillo’s previous film, “eastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the film’s power and the aids theme

*la ronde* is one of the seminal japanese house releases, originally released in 1991 on king street offshoot bpm records it has long been a highly sought after slab of wax among deep house & dance music aficionados around the world. confined to one single disc on its original release this luxurious 2015 re-issue lets all the music contained within breathe the way it was naturally intended across 2 re-mastered 12 inches, making it utterly indispensable for all you djs & fanatics out there clamoring for all these classic tracks from far eastern heavyweights like toshihiko mori, soichi terada and many many more (nycs legendary pal joey even makes a guest appearance!). this is gorgeous, ambient, deep house at its finest, full of melody, soul & vibe, totally essential & finally available in this format for the very first time. fully re-mastered, re-pressed and re-released in full conjunction with king street sounds / bpm records, nyc / japan.

in 1991, former king street sounds, bpm king street production released the compilation ep named la ronde, which includes the tracks by the hot artists in new york and tokyo underground scene at that time.

following on from his blistering essential mix debut back in february, marco niemerski aka tensnake releases his highly anticipated new single 58 bpm on may 13th. just like his equally on-point remix for little boots celebrating record store day in 2012, this new release is an equally limited vinyl run thats limited to 400 copies worldwide only this time, the music is all his own. and the remix on the flip comes from dublin-via-berlin producer mano le tough

122 bpm is the story of how a father and his son changed chicagos dance music scene in the 1980s and went on to take the world by storm, leaving an impression that will last forever with just a couple of 12 inch releases the world would soon know as house music. nemiah mitchell jr. and vince lawrence couldnt have known what their contribution to house music would become. their story provides the missing chicago link between soul, disco, new wave and then house, between the radio and club djs and their audience, between the old generation and the new generation. this is the story of the first house records ever made - long before trax or dj international were even dreamt of. the compilation includes numerous unreleased tracks and beyond hard to find house tracks made in chicago in the early to late eighties from the catalogues of mitchbal records and chicago connection records

deep grooving vocal house track with nice female vocals fli for a slamming electro house jesse perez remix

hot techno mix cd incl. tini, carl craig, hector, seth troxler and more. mixed by hector

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

127-132 bpm, druckvolle kicks, satte pads und bewegende basslines

the final samurai music vinyl release for 2023 sees asc return to the label with four new 160 bpm jungle excursions. comes on green marbled vinyl.

half-speed master edition 2lp-set

brand new label vibrasjon kicks off with a tsunami remix ep, joining two of west-coast norway s favourite sea-gazers. telephones reimagines and transforms the material into beatless ambient, leftfield trip-hop and euphoric balearic techno - from 0 to 137 bpm.

jungle, breakbeat, beats, house breaks

introducing cutcross, created to champion the melting pot of basscentric sounds teetering around 140 bpm. delivered on hand-stamped 180 gram vinyl.

from da split iv, is composed of house, minimal and electro-house tracks. an ep of 3 tracks/side, with on the a side, u ep of emi Ömar and on the b side, an ep of puffin. the idea of these mini ep is to -increase- the music through genres and bpm to make the public travel in the universe of each artist.

inyl double pack ltd edition w/ printed insert

2023 reissue

yuku’s fourth vinyl-only white label brings the mysterious kliptown alias back for a solo release. extremely fun and versatile 130-140 bpm broken beat weapons.

germany exclusive green 4x 180g lp !

yuku s fourth record in what’s becoming a increasingly sought after vinyl-only series of anonymous white labels brings the mysterious kliptown alias back for a solo release. extremely fun and versatile 130-140 bpm broken beat weapons.

there will be a range of trance and electro from 110-140 bpm.

ltd warehouse found, the one and only reinhard voigt starts with a delay heading into straight ass whipping and slapping techno territory! it s 1-2-3-4-go with a speedy 130 bpm and dark and beautiful sounds like simple rave signals...plus cool minimal / electrofied remixes by rework & solvent!

ltd warehouse find - (cover not mint) ...tiga beamt >gary< zurück in die frühen neunziger, drosselt das tempo auf entspannte 120 bpm und verleiht dem track feinstes italo-disco flair. auf der flip basteln alter ego vs. product 01 einen unwiderstehlich poppigen electro mash-up zusammen. toll

1991 italo-house mix on picture vinyl.

hans zimmer live in prague on may 7th 2016. limited white 180 gram 4x12 inch vinyl, housed in a gatefold sleeve.

the second release on paradoxy records build by clafrica! a fantastic 6-track tape and digital release, with some breaky and crunchy tracks starting from 123 bpm till 145 bpm

pressed on orange coloured vinyl, randomly housed in 1 of 5 different cover designs.

various artitsts ep incl ame and radio slave

a casual walk down the streets of havana, a trip with your bro who drives you into an artificial insanity, a dance marathon through voices and sand at seaside. that s the key to your heart and ears. our 5th release or the fifth element of h24 records, a double va, full of nervy bpm which wraps up 8 musical incursions well dosed with dopamin

lorenzo fortino setzt seine reise fort und erreicht die fünfte vinyl seines futop musica labels...4 tracks immer zwischen techno und ambient mit verschiedenen stimmungen und bpm...perfekt um in jedem moment eines dj sets zu spielen.

new ndatl incoming from miranda nicole includes the original kai alce and byron the aquarius production plus remixes from dj beloved and jihad muhammad

compiled by luca venezia aka curses.

the sound of electronic funk for the musically minded turntablist practitioner. pressed on pink coloured 12 inch vinyl.

the sound of electronic funk for the musically minded turntablist practitioner. pressed on pink coloured 7 inch vinyl.

er klingt eher nach traditionellem goa-trance, ist es aber nicht... mit einem rhythmus um die 140 bpm, wie der eröffnungstrack, tritt er mit einer robusten bassline die clubtüren ein, verzaubert den kultivierten tänzer mit seinen eigentümlichen melodien und lässt die puristen völlig kalt, die auf eine zigarette ausweichen. denn wer schert sich schon um puristen, oder?

mighty wicked scratchtools from dj chmielix on 12 inch vinyl.

acid skanking is dedicated to cross-cultural riddims. the first one drops versions of the planck riddim: acid basslines meets dub science on 162 bpm. there we go ska rude girls and boys skanking on acid. the flip side with the hypernism planck brings back old school hardcore on the same bassline inclusive a proper slamming hoover ending.

quantec presents their new moments ep

whitelabel, limited edition

2020 re edition! supported by dj dixon and efdemin

hans zimmer live in prague on may 7th 2016. purple 180 gram 4x12 inch vinyl, housed in a gatefold sleeve.

the 2nd split ep is in continuity with the 1st. an ep of 3 tracks / side, produced by an artist or group of artists. the idea is to -increase- the music through genres and bpm to gain power on each independent side.

muscles & hate is an unnamed artist from russia producing raw, pulsating ebm-inclined rhythmic techno. his second white label release on bore hole in 2018 was quickly sold out and is now getting a limited repress.

der anfangstrack heat bietet druckvolle und erhebende synthesizerakkorde in einem von latein inspirierten rhythmus. die dicke synth-bassline tanzt zwischen den trommeln, um den groove zu kreieren, und der londoner musiker matt sluys trägt zu film noir-ähnlichen saxophon-linien bei, um diese spannungsgeladene geschichte der sexy, urbanen dämmerung zu vervollständigen.

die a2 schiebt die dinge weiter auf die tanzfläche, wenn auch mit einer niedrigeren bpm. der gesamte track schwebt auf einem loop gefilterten gitarrenriff. große drums sitzen auf einer warmen basslinie im reese-stil, die an des meegans geschichte als angesehener drum & bass-produzent unter einem anderen decknamen erinnert.

auf dem flip ist der titeltrack der ep. thematisch und hypnotisch entfaltet sich der mut des helden über 8 minuten, um die geschichte unseres helden auf seiner reise zu erzählen, während sie gegen den ultimativen feind kämpfen und siegreich zurückkehren. der höhepunkt des tracks ist ein emotional aufgeladenes live-gitarrensolo.

die veröffentlichung wird mit dem track atmosphere burning abgeschlossen. dieses stück ohne beat atmet synchron mit dem universum ein und aus. der track wurde von der schönheit unseres heimatplaneten inspiriert, der im weltraum schwebt und jenseits des menschen existiert.

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me.i collect all these inputs and ideas, all this energy, to define what concrete music dna is.because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre.to make the music more easy to apprehend, we are spliting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. slow or quick bpm, heavy kick or atmospheric this is what concrete music is all about...-

nice price deal !!! no frills, just thrills. sebastien san is back on his own ab initio imprint. time does fly when you are having fun, so this is already the sixth release of the series. and there is no hostages being taken here, because what you get is three straight bangers for darker and deeper dance floors, with that trademark sebastien san jack always keeping your feet and ears busy. >adrastea< kicks things off dark and dubby, churning away in devastating fashion for a full 12 minutes. one can easily imagine djs destroying berghain with this one. flipping over to the b-side we first find >120 bpm<, a track rooted in oldskool chicago jack with a healthy dose of claps and flangers that will be very hard to resist. closing the e.p. is >arp madness ii<, a very worthy follow-up of >arp madness<, which was a standout track on ab initio 02. intricate and devastatingly effective dance floor music.

detroit beeinflusste tracks, die sowohl in bpm zahl als auch im stil variieren