newest release from fools gold (kid sister, a trak). huge club rework of a rap classic, includes remixes from flosstradamus and nacho lovers and b side party smasher juggle it!! after five years running their wildly successful club night disorganised which has hosted the realiest canadian appearances of such party favorites as mstrkrft, css, diplo, crystal castles and girl talk longtime selectors dj booth and chameleonic decided to dive headfirst into producing tracks of their own, and jokers of the scene was born. jots take the best and most mind meltingly intense parts of dance music through history the ecstatic buildups of big room euro house music, the hyper distorted basslines of electro rock, and the lighthearted samples of 1990s rave and throw them all in a blender at 130 bpm. its loud, its fun, and its lighting up dancefloors worldwide.

alex bau with the long awaited follow up after his credo album in 2007. finally credo turns to be not only the album, but now alex own labelplatform to perform his musical diversity. this time alex delivers a technoid release on only 123 bpm, but still featuring his energyful, bassdriven and floormoving style. high quality, premium techno for the hot times during the night.

flemming >king of the cut< dalum and moustache records are very proud to present the true 1984-1985 italo feel: 2 eps containing some of the most rare and obscure italo releases ever produced. most of the tracks never came out on 12 inch before! on vol. 1: paul rays superhit >my machine<, a 130 bpm straight forward high energy track, the vocal and instrumental edit. for the real italo lovers... only 500 copies available

ny/nj house producer jihad muhammad, whos previously had releases on west end records, easy street and iwanai out of canada, bestows us with a very special 3 song instrumental ep, 2 of which can be found on this october 2007 sampler. the piano mix of ascension is a gorgeous 124.5 bpm affair with plenty of plucky strings, a deep but not heavy balearic kick & bass drum, bouncy bassline, intermittent synth, & distinctive jazzy piano riffs that ll get the head nodding and hips swaying. expansions is another lovely instrumental but with more of an afro cuban percussive production whle keeping all of the dreamy piano chords and riffs intact and alive. feel the flow and head for the dancefloor…

last part of the vinyl edition of their new album… in a collectors sleeve ! the final part of >the life we choose< album series begins with >the question remains<. this track features three 303s, which modulate in perfect harmony through to the typical break-down, which hardfloor created in their cult track >acperience 1< back in 1992! >… me, three< - this is, at 131 bpm, the >fastest track< on the album. acid-techno at its best. please note - this part comes in the full album cover (in which you can also put in parts 1 & 2)

cloak & dagger deliver 2 spaced out balearic disco edits of these 2 classic tracks. a must have

after a short break highland beats is back with a new sound and a new start. release number 40 coincides with highland beats 12 and a half year anniversary. supernova jan liefhebber and studio partner nimbuz get back down to basics with solid driving track. the minimalistic deep bass lines amalgamate with an spontaneous melody at the steady pace of 130 bpm

the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

slim thug raps on 76 bpm - produced by mr lee !!

electro hardgroove remakes for well known classics by smooky

wow! karateklub throws the next bomb!blood & tears alias marco danneberg is formerly known for his hard-techno productions. this powerfull 5! track ep sounds like a fresh mixture somewhere between plastikman and chris liebing: a pumping bassdrum meets tweaky bleeps at 128 bpm! brian sanhaji from enable records transforms the >post metrom< to his kind of measures. an incredible remix, that fits terrific to the original tracks. last but not least, the sole karate girl mixed it up for the club. special bonus: >outro<!

spezial price! powerful sampling tools and performance effects at your fingertip .. here the new kaoss pad from korg. perfect dj effects. 4 samplebänge je 4 taken, sd card slot for sample datenaustausch, auto bpm detection, tap tempo mit midi clock ausgabe

the new kaoss pad that fits in your pocket --- the mini-kp, offering touch-pad effects for all types of music. main features: intuitive touch-pad interface gives you fingertip effect control in real-time., the smallest body in the kaoss pad series., battery operation and a carrying strap make it an ideal choice for any scene., one hundred effects including filter, delay, and looper meet the needs of any musical style., numerous bpm effects are provided. you can use the tap/bpm button to synchronize the mini-kp to your song s tempo, and apply a wide range of effects to your music., fx release function provides a natural decay when changing effects or removing your finger from the pad., hold function lets you memorize the position at which you touched the touch-pad when you release your finger., use the two memory keys a and b to store your favorite effect program settings, including the effect depth and the hold on/off status.

this ep is pure classic disco dj weapon. a side is from probably the best known disco group of all time, can you guess who? but forget those cheesy vocals! b side is truly classic sounds from 1780 and 1890! but they re beautiful and funky, whats to say? 126 bpm plus 95, and 89 bpm. watch the dancers all go crazy. music you just cant make on a laptop, and thats why its so good

new york s one and only underground techno legend, dj/producer dylan drazen, with his 'on tilt' ep. 'on tilt' is subtle pads, 140 bpm tribal percussions and intricate synth elements, all perfectly mixed to produce an ethereal and blissful late-night/early-morning deep melodic stomper limited backstock !!

its the first vinyl release of the hungarian electronic duo (sab & lazybones) at chameleon records label. the disc contains four excellent versions of the track called try. the original version is the bands own pulsating, dynamic, triphop like composition with sabs vocals tramping along the membranes like a road roller. apart from two great dreadzone and paul murphy remixes, the vinyl also contains a high bpm club version radiating a jazzy breakbeat atmosphere. the dreadzone version is an even more rapid and measured piece and its afrobreak rhytms and heavy bass parts will surely not leave the dance floor empty. the last track of side b features the legendary afroart dj, paul murphy who they have already collaborated with on a piece called budapest cha cha cha (afroart records) no doubt secta chameleons try will prove a real treat in europes electronic music scene

the first release of the now following versus-series starts with a new stroke of genius from rob acid. a trippy acid-monster with 125 bpm, that lasts almost 13 minutes. hardfloor are competing against this with a track that has been on the play lists of josh wink, david duriez and (of course) oliver bondzio, where it caused quite a lot of attention.

nach >keep our pace< der naechste elektro techhouse burner von eyerer & namito. das original ueberzeugt nicht nur in den fruehen morgenstunden, der etwas zuegigere monoromm remix ist mit dezenten trance elementen mehr auf peaktime ausgelegt wohingegen der markus guenther remix mit extrem entspannten 120 bpm auf charmante art die after hours einleitet and damit diese scheibe zum multifunktionalen werkzeug komplettiert.. 20.09.2006

after 4 wicked releases with impressive sales it is time for hertz to enter on his own label. the a-side is nothing else than a funky techno hit. you will recognize the old 70s bass-sample, mostly known from s-express in the 80s. with a full on arrangement and a great break, this is a guarantied anthem. on the flip you will find a massive tune, with a fat driving loop working in 130 bpm !!

the a side (devils & donuts) winds up to front with 120 bpm. ardcore hardfloor fans may have already heard this track on compiler 1.0 (cd only). and now, devils& donuts is finally released on vinyl! limited: only 1000 copies…the b side contains another special treat: who took da box? which was previously available as a strictly limited japan only release (500 copies),

second part of kerrier district vinyl 12 series with robottuss, realistique and ceephax remix versions.

funky very classic sounding disco track with sweet female vocals includes darshan jesrani dub mix

the bpm has slowed right down offering us two tracks with a subversive and insidious groove...though solidly based within current electronic thinking and styles, this ep stays well clear of any clichés....to quote laurent garnier on hearing these tracks >no other record in my box resembles this in any way<...you need to hear it

frankfurt based power drummer & full time action dude p. lauer (punkt music, real soon) starts his own label. lauer felt the urge to launch this small low key ego-label just for himself and maybe some friends to put out some explosive proto dance music. the first record contains non-sensedisco flavoured freak tunes between 120 & 124 bpm!

(remix by svengali). british trio blu mar ten, previously on ltj s bukem s good looking records, with an absolute floorfiller in this 132 bpm nu-disco gem >everywhere why<. available in transparant blue vinyl

as with typical of voltmusik releases the old man sorrow idea began in 2002, and was finally cut in 2005 ! old man sorrow is a trip back in time , deep, soulful music for the head ! a tribute to the old disco style coming in at unhurried 120 bpm with bluesy vocals, warm, sweeping grand piano chords and melancholic string-filled breakdowns this was drawn right from the foundation of dance music by brun ( swayzak ) with the help roger 23 and kenny paterson. forget minimal house its boring

hot limied test pressing full of minimal electro tracks burning digitalism rmx ... spitzenklasse

high speed over 160 bpm hardcore ! suffering death & boogoe woogie !

high speed over 145 bpm dancecore ! the bass is kickin !!

the album features a wide range of tracks varying from the trippy 'cube', the groovy 'groupie love' to club burners like 'who is jack?' and 't2dac'. the speed of the tracks differs between 122 and 127 bpm with the exceptions of one electronic downbeat acidtrack in the style of dadamnphreaknoizephunk. hardfloor's back... well, have they ever been gone? support by: david duriez, sven väth, björn wilke, pascal feos, ivan smagghe, ewan pearson

rong returns with more top gear for the late night disco dubsessions. here london's paul murphy (akwabba member) makes his mark with a chugging 115 bpm electro number, before handing things off for two killer remixes. ray mang amps up the dub factor, lays down a sick funk breakbeat and goes bananas with the steve miller synths

a sleazy vocal electro track with infectious lyrics that creatures of the night can all relate to… support coming from de:bug magazine!!(5 points), bpm, felix da housecat, traxx, tim xavier & woody mcbride amongst others…huge

touchpad gesteutes effectgerät (80 effects programms, 13 effecttypes) midi in/out, bpm sync, most popular effect --> unverbindliche preis empfehlung 420,- effects see details

diese erweiterte 2-cd-ausgabe enthält eine non-album-b-seite sowie sieben sehr seltene remixe von all i ever wanted sowie weitere sieben weitere von you ll be sorry und love me madly? die nur in kanada bzw. den niederlanden veröffentlicht wurden.

compiled by luca venezia aka curses.

its time again to add another sonic journey to the watergate mix series catalogue and for this endeavour we have enlisted one of the scenes brightest shining stars and club mainstay jimi jules.

future sound of leipzig features talented and upcoming label artists emerging from an open minded and versatile scene with a long history of endorsing leftfield endeavors. leipzig based label defrostatica unearthed tracks ranging from 80 to 170 bpm, spanning across genres like hip-hop, trap, jungle, juke, halftempo drum and bass. the sound of these 17 artists manifests a mission aligned with defrostatica records in committing to underground music culture.

die rohe essenz globaler clubmusik: transkulturelle kollaborationen zwischen 90 und 130 bpm.
nach -they made us do it- von 2011 ist -lost on earth- das dritte studioalbum von andi und hannes teichmann. man kennt die beiden exilbayern nicht nur seit den spŠten neunzigern als nimmermŸde djs der berliner technolandschaft (berghain, panorama bar, wmf, watergate, bar 25), sondern auch durch workshops, konzerte und projekte in Ÿber 60 lŠndern - reine clubmusik zu produzieren war den zwei brŸdern nie genug. unter anderem initiierten sie mit dem goethe institut die vielbeachteten projekte blnrb (nairobi/berlin) sowie ten cities, das afrikanische und europŠische szenen verband. zuletzt machten die umtriebigen wanderer zwischen den welten durch ihr kollaborationsgro§projekt -karachi files- auf sich aufmerksam. -lost on earth- wurde in zimbabwe, mexiko, nigeria, kenia und berlin mit gŠsten wie abe duque (nyc), mc psychotek (bulawayo), wura samba (lagos), santiago rodrigues & signal deluxe (mexico city), sasha perera (berlin), max turner (noland) und dem kunstkollektiv masai mbili aufgenommen. es enthŠlt elektronische stŸcke, die zwischen 90 und 130 beats per minute angesiedelt sind und mit gerader vierviertel, hip-hop und spirituellen afrikanischen sounds die rohe essenz globaler clubmusik einfangen. -lost on earth- erscheint auf dem familieneigenen label noland.

oscar mulero presents: perfect peace . don t expect dancefloor burners here, this time the spanish techno master goes deep and low, exploring sonic textures, low bpm grooves and the intelligent side of electronic music. melodies, pads, drones and grooves collide in this soulful collection, conceived to be listened as a soundtrack. oscar is not new to this sounds, in his grey fades to green or muscle and mind albums he showcased his abilities in this field as well as with his av projects biolive and monochrome. a new step in oscar mulero s ever growing career, showing his studio skills and music taste, far beyond his role as a fundamental techno dj.

max ravitz has made a name for himself with his hazed dance not dance productions over these last couple of years appearing on a handful of different labels under a handful of different monikers. here on the 15 track, -common purpose- cd we get ravitz in all of his different forms as he teams up with numerous artists from his local brooklyn scene and beyond, serving up unheard cuts from numerous recording sessions done over the last years. through the record we hear the producer s versatility from tripped out downtempo vibes, to mid-paced acid, to high bpm dust burners, as ravitz and co. explore almost all possible avenues while in the studio. collaborators include huerco s., jahiliyya fields, ngly, terekke, bookworms, cloudface, and josephine.

after hyperdubs first compilation of 10th anniversary dancefloor heaters, -hyperdub 10.2- features some of the labels best songs of the last five years or so. hyperdub is often associated with dark and brooding instrumental music, however, this mid-summer collection sheds some sunlight over that dread filled reputation, showcasing an underrated cast of talented songwriters, vocalists and producers. the album is laced with brand new cuts from kode9, cooly g, morgan zarate feauring. eska and ghostface killah, jessy lanza, dean blunt & inga copeland, and dva featuring zaki ibrahim. ranging from melancholy r&b, garage, funk, footwork and icy pop, -10.2- covers this overlooked side of the labels back catalogue. the album opens with dean blunt & inga copeland-s grime lullaby signal 2012, one of their final collaborations, moving into burials dubbed-out r&b on shell of light from his seminal album untrue, and jessy lanzas stand-out cut 5785021, before sliding into the digi dub meets r & b slow jam of south londons cooly g with obsessed. king britt features next, with his fhloston paradigm project, on the deeply emotive never defeated- featuring rachel claudio. after their collaboration on his pretty ugly album, dva is joined again by south african singer zaki ibrahim with their brand new summery mutant garage track solid. dam funk jumps on ikonikas funk bomb -mr. cake-, adding a fun, party vocal. continuing the -80s funk vibe is morgan zarate and roses gabors ice cold prince-influenced pusher taker, the lead track from his 2013 ep. jessy lanza contributes some more sparkling r&b with the brand new you and me, followed by another track from morgan zarate, a lost dub featuring the soulful eska and wu tang clans ghostface killah. the tempo raises in the final stretch of the album with dvas and fatimas collaboration just vybe, terror danjah & melekas shimmering r&g cut you make me feel and the 160 bpm soul of the late dj rashads only one from his acclaimed double cup album. the cd closes with the lo-fi, bashy mutation of kode9 & copelands lies lies. 10.2 calls on hyperdubs sirens to balance the moody energy of 10.1 with fourteen slices of hyper soul. let them lead you astray

hamburger dj & produzent marco niemerski, aka tensnake praesentiert sein debuetalbum glow mit dem er erstmals auf seine faehigkeiten als songwriter und transportiert mit seinem den spirit von soul, seventies-disco und fruehen house-tracks in die jetzige zeit.

jerome derradjis past compilations, 122 bpm: the birth of house music, in the dark: the soul of detroit & the american boogie down have received widespread critical acclaim and were great sellers in north america, europe and japan. chicagos original house music is seeing a huge resurgence of popularity around the world as proven by the recent reissue compilations on strut, soul jazz, demon and more. bang the box! is part 2 of a 2 series compilation, on the work of matt warren and miguel garcia. includes 14 unreleased tracks

my favorite robot join forces with no.19 music for the release of their stunning new artist album, atomic age venturing deep into the realms of ethereal, vocal electronica and beyond as only they know how. the toronto based trio, my favorite robot has risen through the musical ranks since their 2009 debut, to become one of the most highly respected production outfits around. the pairing of james teej, jared simms and voytek korab seems to be a match made in heaven with the mfr team running a highly successful label, touring the world with label showcases at the likes of bpm, wmc & sonar and creating stunning original music and remixes for labels such as crosstown rebels, visionquest, their own my favorite robot records and of course no.19 music.

1 year of total dedication brings forth this massive musical masterpiece... ranging from 155 to 178 bpm with pure energy from the first till the last kickdrumÉ melody meets rawness, instruments & choirs meet mesmerizing leads and kicks.... with brand new tracks like train of thought, automation, ipnotik generation (vs. dj d) and love sucker (feat. mc tha watcher). containing remixes by none other then hellsystem, t-junction & rudeboy, distorted revelation, miosa, rayden & juanma and last but not least hardcore heavyweight angerfist who remixed one of the most well known nitrogenetics tracks: pledge of resistance.... the album is completed by all the best tracks from the past 2 years like: state of the art, the experience and no heroes.

john lord fonda is somehow a signore of electronic music in france, a free bpm hero. a simple and classy producer who only communicates through music.2012 is a new beginning for our antisocial nerd, with an ep and overall his album supersonique coming out now in france and may worldwide. he started re-producing track in 2005 delivering debaser, his previous album that sold more than 10 000 copies, having some really great feedbacks from so many medias worldwide.between june 2009 and october 2010, he got back in studio improving his production skills, getting the right way of producing for the current market, tracking all his weak point to get better, bigger. from the last years he only kept 2 tracks, brunette tattoo and orchidŽe, concentrating on brand new tracks and influences for all the rest of the album. he came back on stages in 2009 with composite, a live-set project which enabled him to discover upcoming artists and to assimilate all the new techniques.changing several time of tempo, supersonique is containing quite a few pearls, some efficient like brunette tattoo, you originate and orchidŽ. but the album also include some fine and melodic tracks like ÒemilianaÓ or toyboxes (which goes aphex twin electronica style). some ghosts from the classical music also haunt the album such as mozart, getting out (under acid) in whats going on, verdi facing some syncopated drums on sound of a melody or vivaldi on brunette tattoo. a full orchestra seems to drop a tear on orchidŽe.john lord fonda is a dance music warrior, an electro-tech seigneur, a future leader of free french techno. this second album has a huge class, a kind of urgency, full of simplicity, and goes straight to the point.

biggest hardstyle anthems ever, 32 of the best festival hardstyle anthems on one compilation. every big festival has their own anthem to promote and here it is: 32 of the biggest hardstyle anthems ever on one compilation. relive your festival feeling once again and get the vibe back. with tracks from headhunterz, wildstylez, showtek, noisecontrollers and many other makes this compilation is an absolute must-have for all hardstyle lovers.