boogie jams on wax by juan laya & jorge montiel.

the next release on shaddock records is more than just dance tracks, 2 songs that come with full-blown vocals, a re-edition of classic latin freestyle by jorge ojeda ft. hilda mariee with an up-to-date cover version by mr. & mrs. jonson. the original version is a slammer coming straight from miami the capital of freestyle music. driven by hard electro beats and ojeda s signature, miami bass with latin hip hop/ freestyle dance grooves, -betrayal- when initially released on ojeda s destune records became a club and street phenomenon in miami. it would be one of the first of many productions between jorge ojeda and hilda mariee and their project teaz ii pleaz.

as the first record in feral’s “climbing himalaya”-series reached the summit, we now slowly start to descend along the slopes passed shimmering lakes and enchanted forests. part ii comprises four dense ambient deep techno cuts infused with tribal influences and the inimitable dubby sound of feral. part 1 & 2 has so far received early support from many prominent deep techno producers such as claudio prc, deepbass, etapp kyle, giorgio gigli, kwartz, ness & svreca to name a few.

discobar re-launches in search of other galaxies with its second outing from toulouse-based duo zendid. they take us on three voyages through the electro-infused house grooves they made their name with, while still finding time to bring in mayaan nidaam for a remix. space has us seeing stars right from the start, with an alien menagerie conversing over a strict-form beat. the bassline on virgin virgin is big enough to give you butterflies, tempered by stellar synths and wordless vocal clips. berlin 6 takes the bass for a lighter walk and finally, mayaan nidam remixes space into a nebulous and reflective place, pads breaking through the thick atmosphere mid-track for a moment of zero gravity meditation.

mayak’s first part of their anniversary release continues to balance between deep and minimal house. for the a-side, the much promising noah skelton delivers a 12-minutes deep house saga, and for the 14 minutes remix on b-side we invited a legend - kamran sadeghi - who makes a sophisticated groove to support the great afterhours vibe.

sound warrior records founded by jenifa mayanja & dakini 9 aims to balance the playing field for female producers and exclusively release their music. sw006 warrior formulation is rooted in soul-stirring house with its heart arching towards the future. lady fingers returns with an engrossing slice of dub house. the north carolina artist/dj was recently a featured dj at moog fest. jenifa mayanja bumako records, shows up with a broken ambient house break. on the flip side sound warrior teams with well known berlin underground heroines mint berlin the female only booking agency. representing mint berlin is co-founder ena lind who has been pushing boundaries in the electronic music scene in berlin for over a decade. lady blacktronika comes with a soul house soaker. she has made quite a splash with her labels sound black and sound keymstry in the process earning the title first lady of beatdown.

dublin based musician lerosa has built an impressive discography throughout the years. with his first efforts dating back to 2005 the producer who has a broad palette of sounds has already been around for over 10 years with releases for a vary of respected labels. for the first release on saftx, lerosa hands out a taster of the labels new series ambitions. vivrant house music is most definitely the back bone of playa de la guancha as a whole.

padre himalaya s third release counts with the iran-born, berlin-based, mohammad reza mortazavi. an internationally acclaimed artist who, when it comes to play the traditional persian instruments, tonbak and daf, can single-handedly build an orchestra of sounds that are just as illusionistic as shamanistic. in this ep, focus, mohammad brings us five lush percussion tracks. expect complex and meditative rhythms in a journey between the throbbing minimal sounds of going, rebounce, floating in the now and the elusive hypnotic movements of white daf and birth of a whale.

ultra rare 7” from these two ladies of deep house. only 50 copy, vinyl only, be quick!

especial specials and deek recordings return with the second vinyl sampler of the covered in gloria album. as before, deek s bullion pulls together the label s alumni and homies a gamut of talent and styles feature, from suzanne kraft, minor science, sultan shakes, eyedress and geller & kaya.

mayak’s resident anton kubikov returns with a new very moody, percussive and melodic house track on a-side. for remix duties we invite dubtil, who makes a complete rework, dark, pushy, but still very groovy.

this time y-bayani has support from the great voice of baby naa. baby naa was just hanging out at the studio in accra/ghana when the recordings of rehwe mie enyim took place. the crew was waiting desperately for a singer to back up y-bayani. after an hour of waiting the producer, knowing that she sings at church every sunday, asked baby naa to do the missing part. then something occurred that nobody was expecting and finally everybody was happy that the original singer hadn t made it. rehwe mie enyim is a unique example of how roots-reggae can sound today. maybe it will be the very last recorded real roots-reggae song in human history? on mi sumolo the band of enlightment, reason and love gives us a light and cheerful instrumental every dj must have for his late night wedding set or any other high-class party.

90s material from the man also responsible for the rex illusivii material we ve been adoring here. stunning again. download code included. artwork by emilija radoji&#269,,i&#263,,. tip! otherworldly, poetic, imaginative and full of exploratory spirit: the music of mitar suboti&#263,, aka rex illusivii aka suba is somewhere out there. pure spheres of sound, ruled by absolute expression and a sounding language beyond our notion of a language

2000 release incl. harry choo choo romero remix. ltd warehouse find

boris bunnik is no stranger in the world of electronic music. he released several albums and ep’s under a variety of monikers since 2007 on labels like delsin, shipwrec, frustrated funk and his own transcendent imprint. fauxpas musik welcomes him for a new project called severnaya.
originally hailing from the island of terschelling, the most northern and remote part of the netherlands he now made a piece of music dedicated to this special place. severnaya means north in russian and refers to the bright frozen landscapes of the northern archipels. boris often plays with the influences and elements of ambient in his music. if we have to believe the man himself, polar skies is his most personal sound trajectory to come from his mind. drum programming is scarce and what remains is a lush and profound listening experience floating on scapes and melodies. we clearly hear his roots and intentions represented in the airy, tranquil sound design of this new album project. things sound spacious, and life is at ease in these melancholic compositions. crispy crackling percussions and icey pads place you in the midst of a resonant arctic landscape. you can hear influences drawn from producers like biosphere, pub, brian eno but we also hear more contemporary influences from modern day film composition but most of all we here boris his own signature. the tracks were composed over a couple of years (2015-2017) in a more contemplative mindset. at some point this selection formed a consistent piece of music and as a result you hear his most personal and fragile works to date. fauxpas musik is proud to release this new project in 2018. written and produced by boris bunnik aka conforce at the pasadenaoceanlab studios special thanks to family, friends and fauxpas musik for their support. this release comes in 180g vinyl and a hot foil stamping on the cover. vinyl tastes better...

maya jane coles ist seit anfang der 2010er-jahre die sensation der londoner tech-house-szene. spätestens seit ihrem debütalbum im jahr 2013 genießt sie internationales ansehen.
sie trat in über 40 ländern rund um den globus auf und ihr hit »what they say« konnte sich unter anderem wochenlang in den top 3 der resident advisor-charts behaupten. zudem kann sie zahlreiche titelstories und auszeichnungen verbuchen. während sie unter ihrem eigenen namen hauptsächlich house-musik veröffentlicht, hat sie sich unter dem alias nocturnal sunshine vor allem auf dubstep spezialisiert.
»take flight« ist coles langerwartetes zweites album, das auf ihrem eigenen label i/am/me als 3fach vinyl-box

yoshinori hayashi debuted his musical career with the end of the edge ep on going good records (uk) in 2015. he then dropped two other killer 12inches the following year (asylum on lovers rock & the forgetting curve on jinn records, the latter included a great remix by dj sotofett) born & based in tokyo, yoshinori hayashi debuts on disco halal (moscomans already cult imprint) with an out of this world 4 tracker, blending his unique take on house with psychedelic & jazz influences. disco halal counts in its catalogue amazing releases by red axes, autarkic, simple symmetry, chaim and many more. deluxe packaging includes white vinyl & printed innersleeve.

fresh off the back of his glitterbox remix of camelphat & elderbrooks hit cola, mousse t. drops his first original release on the glitterbox label, showing off the depth of his production skills in this sparkling genre-binding track rock the mic. mousse t. enlists the help of artist taz, the man who became the first uk rapper to sign to hip hop mecca def jam, also earning a prestigious ivor novello award nomination for his writing skills. rock the mic reunites mousse with american song writer inaya day, best known for her unforgettable vocals on the german producer’s biggest record, horny. the catchy hook and toe-tapping groove of intertwine perfectly over smooth strings to make this an irresistible record. the killer collaboration combines hip hop with disco, giving us the best of both worlds. rock the mic lives up to the hype, delivering six minutes of bliss alongside a percussive remix courtesy of kon. kons accapella and instrumental versions round off this full rocking package

7th storey projects is pleased to welcome back the myor massiv head honcho for his 3rd release on our label. earlier this year, coco bryce travelled to tokyo and osaka for a small series of gigs. thoroughly impressed by his experiences there, upon returning home, he immediately took to crafting a slew of jungle and hip hop tracks, heavily influenced by everything he d seen, heard, felt and tasted in the land of the rising sun. the ep kicks off with its title track, ayakashi. dark, fierce and mysterious like the mythical creatures it was named after, it builds up slowly, utilizing a combination of chopped up japanese percussion, haunting flutes and hot pants breaks, before switching to full on amen assault mode halfway through the tune. shinjuku is one of tokyos most well known wards, and also the place where coco found the records from which the samples were sourced to construct this number: a turntablism beat/scratch album, and a compilation of traditional work songs, this particular one originating from the gold mines of the island of hokkaido. on the b1 track, kaguya, he takes a more gentle approach: sweet, yet melancholic, like the miyazaki movie of the same name. the ep is rounded off with hotaru, which borrows from an entirely different source of inspiration, namely dj krush s abstract take on boom bap hip hop. shards of mid-90s mo wax are blended with anime samples, making for a solid two and a half minutes of golden era-esque head nodding.

russian producer nocow debuts on rekids with five murky tracks this december. based in st. petersburg, nocow is undoubtedly one of russian electronic musics most remarkable protagonists having released on clone, figure, fauxpas musik, gost zvuk and styrax. recognised for maintaining consistency whilst traversing various sub-genres, nocow is as comfortable producing intricate idm and robust techno as he is calm ambient and melancholic electronica. in soul connection a spoken word vocal mutters over metallic percussion and ominous stabs whilst a dense pad washes over everything. an undulating synth and ethereal effects make up disappear before moving onto syncopated drums and shadowy atmospherics in samaya dolgaya noch. next up, stop is comprised of mesmerising melodies, sturdy kicks and a looped vox until nocow concludes the package with a short 2-step cut titled aesthetic mind.

in flagranti is back with a new concept called hotfoot presenting energetic dj sets all done with 7 vinyl singles from there vast collection spanning from the 1960s till now. hotfoot is also their new 7 only sub label which will feature classic style songs on a side and dub mixes on b side. their first release will again feature new york performing artist ayakamay and released in fall 2017

for this debut release, the munich-based crew behind fayah chords has turned to two experienced vocal talents: south african dancehall mic man crosby and veteran toaster longfingah.
this release provides enough musical fuel to light every dance on fayah. by the way - the cover and vinyl presentation is delicately finished. a matt sleeve with white walled finish with an artwork depicting the artists fight against injustice. the vinyl itself is uniquely white.

the second release in endless illusion s series of split eps comes from marcos cabral & daniel araya and features two tracks from each artist. new york s cabral is known for his experimental idm and techno on labels like l.i.e.s. while daniel araya has recently released an album of acid, techno and industrial on the classicworks label. araya s we almost lost detroit is first and is a truly haunted deep techno cut with sparse acid undulations and a real sense of manic in the rasping synth lines. softer pads in the background only add to the spooky nature of the track. ghost bass is the other araya cut and this one is more up on its toes, with mid tempo kicks down low and wonky chords up top. it s a mind melting tune that trips deep into the night. live at the egg is cabral s first effort and is a lonely and icy techno track that is supple and seductive in its long lines and paddy drums. after getting you into a state of hypnosis, some freaky vocal sounds only add to the unsettling nature of it all later on. cuts & bruises rounds things out in squelchy and depraved techno territory. muted acid stabs are off in the distance as swampy drums suck you in from the front. it s a brilliantly odd tune that close out a fine ep.

meer is the experimental and ambient project of the techno rave producer ambre. in between industrial sonorities, occult rhythms, arabic references and electric guitar improvisations, meer aims to combine the occidental and oriental cultures. through dark atmospheres inspired by his north african roots, he composes his first ep on voidance recordings, -yawm alhissab, rabbok sayakouno aadowok ».

ltd to 300 , vinyl only, 1 per customer

first time reissue of the very first dub lp released in nyc, 1975! part of the genesis of the jah life label! first time reissue of kaya dub from 1975, noted as the first ever proper dub lp pressed and released in new york city. the eponymous lp is among the first set of releases on the kaya label. this imprint was the first to showcase the partnership of percy chin and hyman jah life wright as producers and cornerstones of the burgeoning nyc reggae scene of the day. though these tracks originate from jamaica thru a connection with pat jah lloyd francis and have also been released elsewhere, this is none the less a killer selection of dubs from tubby s and randys. in sound and visuals, kaya dub serves as a fantastic snapshot of the music and vibes of roots reggae in the mid 70s, among the best dub lp s of its time.

the highly-anticipated ep, despite everything , written and produced by italian techno artist, ayarcana, with remixes by london based producer manni dee, along with berlin based producer, huren, is finally here. this is the second release for omen recordings, once again archiving the dark sounds and malignant spirit of techno.

key uk house player richy ahmed is next up on play it say it with a standout twotrack ep that proves just why he is such an essential talent. ahmed is currently in the headlines for his four thirty two label, which has put out some of his own great music and will a&r plenty from his peers in the future. it has also spawned a big party in ibiza at privilege, and has hosted events from glasgow’s sub club to leeds’ mint club. all this comes after years of richy headlining all over the world and working with labels like hot creations and crosstown rebels. now really into his stride as a producer, his latest is sure to rock floors worldwide. up first is the big and bombastic kimalaya with its tribal tinged and jumbled beats and big woodblock hits. wordless chants also join the groove, and the looseness of the whole thing is what will ensure it really gets the dancefloor going. add in diving bass notes and some clever breakdowns and you have a sure-fire recipe for success. just as infectious is come with us, a more nimble and peak time tune with lively synths darting and jumping about above techno leaning drums. its a freaky cut with inventive synth patterns that really get under your skin as it rumbles on. with these latest tracks richy ahmed once again offers up some truly fresh house perspectives

coming from the sound system scene in geneva, androo began to produce 80-90s infused digital dub as a teenager. his interest in jazz, new wave, dub and house gently collide in his studio a place he sees as a laboratory of experimentation here everything is mixed, dubbed and recorded live at the console. with this first ep release on second circle androo s music reveals a desire to avoid categorisation whilst displaying a clear love for percussive rhythms and emotive melodies. big tip! second circles first release of the summer features an ep of tracks by young producer androo from switzerland. having released on the sparring partner label which he co-runs with bony fly, androo has another release imminent on his second imprint poly dance .

percussive drive and rugged atmosphere defines the fifth rashim 12-inch, where the body takes over the mind. this esoteric style not previously presented by abdulla rashim, confirms his ability and talent to further confirm hes someone to trust. exploration leads to innovation, and this is a prime example of shaping atmospheres into different styles.

south african house and synth-funk from the kwaito era by the legendary senyaka kekana. the unexpected deep house jam bayanyonyoba (1993) and the illustrious soul song dont judge me bad (1987) are big rh favorites. original copies are absolutely impossible to find, now released on 12inch for the first time. beautiful sleeve by stenze quo! esa williams i had the pleasure of performing alongside senyaka at the alexander theatre, johannesburg back in 2012 which would have probably been his last most iconic gig before his passing in 2015. these two tracks really showcase the sounds of south africa around the early to late 80’s, the influences from american synth pop and house that would then lead later into many of these records being played at the wrong speed which ultimately became the original kwaito sound from south africa

lullabies for insomniacs is pleased to present yasuo sugibayashi and the mask of the imperial family, a compilation of music from mimic records 1980-1982

rich la bonte is a musician, writer and editor from upstate new york born in 1946. at age 11 he figured out how to record a piano backwards with his first tape deck and discovered monk, mingus and art blakey. in 1965 rich moved to ithaca, bought an electric guitar and started singing in garage rock band the huns. after the band dissolved, he moved to nyc and played bass and sang in the original cast production of the musical godspell. in the late 70s la bonte moved to hollywood with shari famous, released a a few 7” singles as dada2, and started flatdisk records, a vinyl subsidiary of dave gibson s moxie record company.

crs ltd is back, after a long break, with an impressive various artists. a tracks selection with strong industrial influences, from scalameriya & vsk, ontal, ayarcana & yura yura.

after kicking off in some style, max d. blas and alex piccini s monologue label follows up with a second sizzling release, this time from yaya & lorenzo chiabotti. the first monologue release received great feedback from the likes of villalobos, raresh and matthew dear amongst others, and yaya and chibotti, fire out three original cuts here, that also come with a remix from robert dietz that ensures this is another massive package.

nice price deal !!! grayarea bringing you a nasty 5 track ep with various dark styled electro tracks alexis tyrel brings his silver lining to the dark record

two years since their debut release together, ansome & ossian combine again, this time on their own label. “butch” and “buck” go in very hard as does the remix from ayarcana with pdl doing a proper job on “buck” turning it into a dance floor creeper.

following the big success of the tmng001 catalogue, label-head yaya strikes back on his own label with another wicked release. his second ep called ‘unconditional love’ also features the first tamango remixer ever and we’re more than proud to have ‘panorama bar’ lady cassy on board. the ep kicks off the things with entitled ‘unconditional love’ which features yaya’s typical trademark groove with some extra great tribal-drums contaminations combined with a great caribbean-oriented female chant, giving life to a proper dancefloor burner. a2 is about cassy. she has been into the music industry since 2003 when she moved to berlin and she’s fresh of her latest album ‘donna’ on ‘aus music’ last year. she provides a beautiful and heavier interpretation of ‘unconditional love’, adding crisp percussions and pure analogic spatial pad, creating a dreamlike dimension surrounded by the massif utilization of pitched endless vocals. the b-side contains the dub version of ‘unconditional love’ for the ones who need a precise and outspoken tool without the vocal part. closing the ep is ‘lone wolf’ which is the prove to dispel any doubt on yaya’s producing skills: the track immediately approaches into softer sonority with nimble analogic and syncopated synths and rapid drums, with hi-hats and shakers only, for another tamango unmissable chapter.

minimalistic art sublabel, 0000, kicks things off with scribble acid, an ep from man at the top, brayan valenzuela. title track scribble acid is a mixture of acid sounds and saturated kicks combined to create an industrial techno line. 0000 differs, highlighting the simpler sound of acid. error makes use of metallic percussion to devastating effect but is lined with pauses in all the right places to allow you to breathe.

repress in white cardboard sleeve.
claremont 56 has always had close links with japan’s vibrant music scene, with founder paul ‘mudd’ murphy making annual trips for djing and live performances. it’s perhaps unsurprising, then, that the label’s latest limited-edition vinyl release comes from japanese outfit okinawa delays, a project founded by producer, dj and long-time friend of the label takeo.
some of you may already be familiar with okinawa delays thanks to 2016’s hana, a cover of a popular 1995 j-pop hit featuring original vocalist satoko ishimine. the singer is a well-known performer in her native japan, having released a number of acclaimed records on toshiba emi throughout the 1990s.

solid gold playaz hails from winsconsin usa. the duo, kenny gino & big mike are veterans of the midwest rave, techno and house scene and have released their incredible productions on moods & grooves, kanzerlamt, soulfuric trax, silver network, losonofo records. minds beneath atlantis was originally released in 2003 by jeff ks silver networks. jerome (of still music) immediately fell for this deep house 4 tracker and that record has been steadily in jeromes crates through the years. jerome remembers reaching out to kenny gino back then and they ve been friends since then. this reissue is a teaser for a larger project with solid gold playaz that will be released on still music later this year.

yoshinori hayashi visits an imaginary place and finds these two masterpieces, a lyrical one and a junglish one. on the other side the mysterious db.source in a tribal-dub mood, roundtrip ticket. highly recommended!

ltd 2017 repress , utopia records is the anticipated new label project by alexander bradley in collaboration with soho record store phonica, set to unearth a diverse range of music, from official re-releases and remastering of obscurities to contemporary and cutting edge club and home listening music.touching on jazz, techno, house, ambient, disco and boogie through to left-field cosmic, balearic soul and rock. the first release comes in the form of an essential ambient japanese house track by legendary producers manabu nagayama and soichi terada. this highly sought after version of low tension originally released on the la ronde ep on bpm records japan in 1991, has been remastered for single release for the first time.

ocobaya s debut features psychedelic house and techno from washington dc. raw warehouse weaponry, slinky hypnosis, and fearlessly bent electronics all work in lockstep on this release. sharp angles and buoyant vibes make for diverse functionality on the dance floor.

sonthaya kalasin was the male lead singer in in the molam section of legendary producer/ impresario surin paksiris beloved musical troupe thidso lam phloen. these recordings, the very best of kalasins work with paksiri, cover the period from the mid-70s to the early 80s and showcase kalasin s mastery of the traditional male molam lower vocal range.

mayak starts 2017 year with another bright newcomer - christopher ledger. his intelligent approach to music production and love to deep grooves is greatly shown on a-side, including original track and an ambient beatless version. on b-side we invite already beloved teluric, who makes a proper prime-time remix.

claremont 56 has always had close links with japan’s vibrant music scene, with founder paul ‘mudd’ murphy making annual trips for djing and live performances. it’s perhaps unsurprising, then, that the label’s latest limited-edition vinyl release comes from japanese outfit okinawa delays, a project founded by producer, dj and long-time friend of the label takeo.
some of you may already be familiar with okinawa delays thanks to 2016’s hana, a cover of a popular 1995 j-pop hit featuring original vocalist satoko ishimine. the singer is a well-known performer in her native japan, having released a number of acclaimed records on toshiba emi throughout the 1990s.

luv n’haight is proud to re-issue sweet maya’s self-titled album. a midwest jazz-funk classic with elements of folk, jazz, soul, funk and rock combining to create a heady blend reminiscent of ‘70s work by french band cortex and songwriting maestro terry callier.
the vinyl lp includes a download code.

tamango records is the fresh newborn imprint from berlin founded by yaya. the name is inspired on the story of tamango, the first african slave who fought for his freedom, which perfectly represents the no-boundaries style of the label.