2017 classic re-issue from the boss !! (david morales)

vinyl only
lucretio s first solo release on memento, the -system pressure e.p.- is a piece of carefully handcrafted nightclub music. the late-hours anthem -addict to the dancefloor- combines the early 90s heart-felt grooves with the state of the art of contemporary electronic production. -2bpad1- is a relentless ride of voltage controlled oscillators and hexadecimal quirks over hefty bare drums processed with a juicy analogue filter. finally -love wont leave- bring back together house and techno, melting their rhythm and blues essence into an absolute peak-time conjunction.

limited reissue on turquoise coloured double vinyl of kid rock’s 2001 album “cocky”.

joey negro presents remixed with love, exclusive unreleased versions. the soul weekender anthem circles gets a joey negro make over in remixed with love style, making the most of the rich orchestration from the multi track tape and complete with beefy live drums. on the flip the disco classic everybody dance is reborn as a mainly instrumental groove with some additional roy ayers style vibes to give it a new jazzy flavour.

the third and final part of the jacob f. desvarieux anthology on endless flight brings two more hot productions of the fabled french zouk veteran with roots in guadeloupe. the tune “rifyx” is taken from desvarieux’s 1985 album “oh madiana” and delivers arresting jazz-funk and zouk-suspense enlarged with touching horns, synth-enthusiasm and longing female vocals. the second song comes from the paris based, west cameroon born singer tala, produced by desvarieux for tala’s album “mother africa” in 1982. also here desvarieux tuned the synthesizers odd and edgy to let them dance with an afro styled rhythm. above all tala sings sexy with a chorus of girls while percussions go crazy and the sounds of horns are longing for the sky. on top of everything endless flight asked again the japanese producer kuniyuik to edit a desvarieux track. he chose “rifyx” and tuned it into an epic soulful eight minutes long dream house anthem that funks all dancers crazy. hotter than hot stuff here!

after the reception of “battle anybody” from luminaries like dj premier (#19 on his best of 2013 picks), dj evil dee, dj eclipse and more, dawhud and ace-one started working on a proper follow up to their emceeing anthem. one track turned into an ep which then quickly turned into a full length project. the project... d&g (david & goliath) - “the scepter & the sword” the concept for the group simply came from dawhud’s name (david in arabic) and ace-one, who was in the midst of fnishing up his “rapmonster” series. those two elements and the sheer chest pounding vibe of their prior track led to the creation of “david & goliath”. epic, biblical, and loaded with imagery that paints what the duo are trying to convey in just a name. produced entirely by dawhud, the duo trade verses over his landscapes to join forces and reign together. from the opening battle cry of “something’s coming” to the closing of their p-p-p-p-p-premier approved track, “the scepter & the sword” is a rap odyssey. assisting the duo on this legendary journey are emcees like masta ace, rock (from heltah skeltah), sadat x, kokane and pacewon alongside longtime friends/emcees joe harvey, jo and otomatik. with a title like “david & goliath”… legends should be involved. something’s coming…

clave house debuts with 4 cuts of laid back midwest grooves. appian kicks things off with for warm weather pt2 , a breezy melodic summertime anthem. gerald norton answers with wilbert cobbs in his usual hypnotic low-slung style. segv starts off the b-side with sub-120bpm dub echo chugger uhxhxh , and is rounded out by jazzy rumble pitchblack from minneapolis mainstay berndt.

nice house / funk anthem, played by mukatsuku records chart, soopasoul, spark arrester (boogieburg), i love 45 s!, soul 45, funk night us, originals, 45 live

same speed sambas are back to celebrate the sound of the summer in 2017 in their very own unique way. following on from last year s now hugely sought after debut, they have dug even deeper, searching out for more obscure uses of brasilian rhythms and coming up with two dance floor delights â&#128,&#147, one from denmark and another from right here in the uk â&#128,&#147, giving them once again, that unique same speed re-touch. samba operator takes a rare live recording of one of the uk s finest soul acts of the 80s biggest hits and re-works it into a mostrous tropical club anthem, while numero dois goes down the samba-not-samba route taking a danish 70s girl band and giving them some very warm disco treatment. the result is something very contemporary sounding that ll fire up the dance every time. all same speed releases are limited, hand-stamped vinyl-only affairs, but also be on the look out for the occasional re-work of more contemporary artists, available for free download as a little treat, to pimp up your dj sets this summer.

nice price deal !!! the storm – space age pads suddenly drop you into a dark rolling storm. another sure fire anthem from the number one u.s. dynamic duo.
ghetto blaster (urban assault remix) – americas finest deliver a dance floor slamming remix of the bangta rights original, taking it to the next level & most certainly living up to their reputation!
supported by bbc kool fm, knowledge magazine, doa & some of the worlds finest djs, including: jj frost, aphrodite, nicky blackmarket, optiv, btk, cause4concern, missrepresent, shortee, kenny ken, dieselboy, dara, gappa g etc.

italys electrorites, holds a promising status among techno-heads. having released with the likes of decoy records, afu limited & morforecs - and simultaneously running his labels: nightmare factory records, shout records, he now brings forth his latest project, archives vol.1 with his new label structures records. technological/ computer-esk sound semantics make up the infrastructure of archives vol.1. the application of effects, whether itÆs arpeggiated midis or filter distortion, adds a driving personality to each production - with the potential to not only mesmerise, but trigger primitive urges among lovers of the genre. accentuation of coarse factors result in a full bodied synth lead that navigates the bulk of 001. octave separations anticipate drama and leave mood to the imagination. whether the track is experienced as dark or uplifting, itÆs sure to accelerate the energy of any early hour endeavor. dextral maneuvers within the detuned arpeggio emphasise an aphotic hysteria within 002. punctuated by a throbbing kick, dark landscapes of industrial chaos are brought to mind. classic layer exploitation is evident within the last production, 003. the automation of fades has been enforced in a way that teases the listener, intrinsic to the classic techno anthem.

danish composer the swan and the lake is at it again with his trademark widescreen soundscapes wrapped around eight new tracks of exquisite scandinavian balearica. with the release of his first album -moments- last year on copenhagen’s music for dreams, we were introduced to a unique artistic vision. with one foot in the ambient chill out spectrum and the other in everything from classical avantgarde, idm and jazz, the music of emil svane breum under his alias the swan and the lake is both very accessible yet complex. on his new album -clouds- we see him expand on those same ideas and with seemingly simple means achieve extraordinary strong emotions. opening side a, the jazzy intro of -fresh food- leads us into a sublime piece of hazy ambient groover that could easily be mistaken for a lost 80s production from japan. -clouds over Østerbro- keeps things playfully cool and adds elements of scat singing and xylophones, layered over breum’s shimmering bright chords. while the title suggests we are still on danish soil, this feels like a five minute vacation to a tropical paradise. guitarist johan liepstack makes a guest appearance on -summer in december- which comes off as an understated anthem that could break out into euphoria at any second, but manages to stay in a sombre state all the way through. on the track -plastic pacific ocean remake- we are visited once more by airy vangelis-like vocals which assume the role of a nurturing angel, guiding us to a comforting state of relaxation and healing, as breum lays down an overwhelmingly beautiful synth serenade with chords that hit you right at the core of your most vulnerable state. flip over for the mallorca inspired track -port d andratx- which comes in two versions - part 1 (sun) shines like a perfect escape into that cafe del mar/ hostal la torre sunset while the more deep and melancholic part 2 is aptly named rain. the gentle trickling of -waterfalls- sees breum mimic the eternal cycle of water, creating an organic and ethereal composition that stretches out seemingly without beginning or end. and finally on -heaven’s voice- we see breum in his most epic and emotional mood, as he steers us through a slow explosive force of cinematic sounds. it all ends with a heartfelt spoken word contribution by guest vocalist neonbi.

sfsb recordings welcome mr hot mood to the stable for our second release, following his previous releases on tugboat edits, editorial, masterworks, deep sense an whiskey pickle records. side a s lets get it and lost soul head toward the deeper side of mexico s finest, with -let s get it- looping itself into an underground frenzy before releasing the crowd into a classic 1970s chant and them throwing them over to a killer organ hook, a must for 4am. -lost soul- takes you even deeper in to the realms of 70 s soul, bringing it into the 21 century with its beefed up lick - i wanna hold on, and let my love grow strong-, reminiscent of the original mark e working that helped start the movement. side b ôthe g groove- proves to be another early set summer anthem, completely heads down whenever it gets played, while -keep on dancing- does exactly what it says on the tin. the hardest track of the ep is left till last, with its -keep on dancing- call to arms for the dance floor reinforced by a destructible sax loop, it should be called martini, anytime anyplace anywhere. these tracks definitely reflect the sounds of south beach, produced with love by hotmood, curated by south beach recycling. dj support: session victim, sleazy beats, art of tones, dave allison, 80s child, disco tech, black loops,78 edits, homero espinoza, martin hayes, dj moar, coeo, osmose

a few years ago, melodies family members floating points and dj red greg got their hands on a couple of original 70s obscurities. while these standout records shone brightly in their own right, the two djs saw the potential to create their own edits behind the scenes, finely attuning the original versions to modern-day dancefloor standards. of these new recordings, they cut only five copies for themselves and a few dj friends of theirs. today, melodies international is very proud to bring you mel006 and mel007. fully licensed, lovingly mastered to the highest possible standards and carefully edited to dial up that dancefloor enjoyment, these two æyouÆre a melodyÆ classics werenÆt originally meant to get official releases. but due to popular request, they are now available to play and share in very special moments at parties around the world. mel6 arrives as a 7-inch, with the original version and the edit on the flip. first released in 1979 as a three-minute up-tempo library recording, ôdisco baby-, one of 10 tracks off a record available to license for film, radio, television and other media, held some hidden magic that would only get uncovered almost four decades later. informed by years of combined dancefloor experience, floating points and red greg have slightly tweaked the original material, realising that played in the right context, it can become a true disco anthem.

limited edition pressing of 1500 copies on silver coloured vinyl
2017 rebuild and burial remix released this exclusive limited pressing on the legendary metalheadz label features the never before released remix from burial of goldies classic anthem inner city life, re-mastered and on vinyl for the very first time. the single and also includes a 2017 rebuild of inner city life the 12inch is pressed on silver coloured vinyl

after agoria and oxia, dino lenny is now entering the sapiens family. founder of frenetica and fine human records, dino lenny starts young as a dj in a small radio in cassino (italy) and after a while he moves to london where soon he starts enjoying successful releases on labels like ellum, innervisions, crosstown rebels, exploited, yoshitoshi, toolroom, suara and many others. dino also gaines notoriety remixing underworld, missy elliot, timbaland and collaborating with everyone from scissor sisters to wutang clan and madonna. in 2015 dino signes to ellum 3 eps in a row its saturday, living in a song & the anthem this is a love song. 2016 sees dino remixing in partnership with seth troxler the magic room out on seth’s label (play it say it) and contemporary on innervisions a certain distance with a great rework from label boss dixon himself. this year correspondant will take part in this exciting journey with a track that dino wrote with fiberroot called suddenly meanwhile his label fine human records continues building nicely with great support. the italian wizard just got remixed by agoria & maceo plex and his original mixes of shoot me to the sky/ this time we take it easy will be out soon on sapiens. exciting electronic days for lenny! tracklisting 1 shoot me to the sky (maceo plex remix) 2 this time we take it easy (vinyl edit) 3 shoot me to the sky (extended mix)

weÆre now halfway through the treisar series and moscoman shows no sign of slowing down. next up is donkey jumps ahead. the sixth chapter kicks off with big jack arbon, an unambiguous summer anthem tied up by digital steel drums and pitched chants. on the flip, things forgot to be this way calls for the never-ending daze of the afterhours with disco infused melodies and distant vocals floating atop doped down beats. closing track unheard melody sets a different pace. wistful mediterranean guitars pick unhurried melodies while delays cloud the track in just the right amount of sleaze.

*god is a dj* - need we say more? on sunday 8pm, maxi jazzs reverent flow managed to produce -god is a dj-, not just a dance anthem, but a hymn of majestic proportions. sunday 8pm is a prime example of dance music at the peak of its popularity, but dont let nostalgia fool you, this album still stands today even in one of the most changing and evolving music genres we know. pressing on 180 gram audiophile double vinyl.

absolutely essential record right here - the underground solution aka the s man aka the legendary roger sanchez is a name that you should all be familiar with by now, and his 1990 anthem luv dancin is an nyc deep house benchmark. that s right, this originally came out in 1990. that s a heck of a long time ago. thing is, this record, when played at the right time will still cause maximum damage in the club. riffing on disco classic is it all over my face and with elements of the bottle interspersed with a deep, rolling garage bassline and dreamy keys and pads sanchez crafted a solid gold cut, a timeless piece of dance music that still inspires today and is often imitated yet obviously never bettered! the flipside cuts deep in my mind and afterthought are also sublime exercises in the deepness, the s man s trademark eerie pads, bleeps and dope drum programming evident throughout, making these tracks huge hits from nyc to sheffield and beyond! this whole ep is flawless and if you dig the deeper side of this stuff then you re in for a treat - now s your chance to bag a bonafide, hands down classic record! luv dancin has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

seth troxler’s agenda setting play it say it label is back with more summer heat, this time from detroit based duo ataxia. hailing from detroit, this pair has recently played the famous movement festival in their home city for the fifth time, work with top labels like nervous records and culprit la and have already impressed with a fine ep on leftroom this year. their sound is designed to get the party started, and after already releasing on this label in 2016 they are now back with three more essential tracks. up first, the terrific ‘time original’ is a fluid and wriggling tech cut with busy synth lines scurrying about over driving drums. it’s dark and freaky with poised chord stabs and the whole thing cannot fail to get floors moving. then comes ‘supertouch’, which is a superbly slick acid number. weird bleeps and clipped vocals add an unhinged edge to the urgent rubbery drums and the whole thing is a mind melting number that will take any set to the next level. last of all is the vital ‘villains’, seven inventive minutes of gurgling bass, alien sound design and wonky synth lines that all warp around each other and melt your mind as they do so. colourful and full of character thanks to a rapped vocal line, this one is a real party anthem in the making. across all three cuts here this talented duo really show off their wide range of studio skills in some style.

london star alexis raphael returns to hot creations with the dance floor killer it’s kinda jazzy, with fine french exports dan ghenacia and chris carrier teaming up to deliver the remix with electrifying results. title track it’s kinda jazzy is an ultimate peak time weapon. alexis explains how its a real melting pot of different musical influences that have inspired me over the years. there s everything from hip-hop to 90 s uk house and garage, jungle/drum and bass, upfront house and techno and, of course, jazz. on the flip dan ghenacia and chris carrier deliver a solid remix that keeps the pace, changing gear through trippy turns. last up, second original track strip off lays down the swing with sultry vocal slices. an influential player on the london scene, alexis raphael earned his stripes across the pirate radio stations of north and east london during the late 90s and early 00s and went on to hold residencies at legendary london clubs the cross and bagley’s. his first release spaceship was picked up by hot creations sub-label hot waves in 2011. since then, he’s had numerous releases and remixes on labels including jackathon jams, of unsound mind, avotre and get physical and not forgetting his anthem, i know. dan ghenacia is the undisputed kingpin of the paris underground scene, having founded and ran freak n’chic for seven years and now one of the three creative minds behind new label and b2b2b dj outfit apollonia. chris carrier is another heavy-weight from the french underground scene. together they have delivered some recent killer ep’s on appolonia, music for freaks and adult only.

samo records second release comes from australia s tunnel signs, who has previously released on cutters records, nein records, days of being wild, to name a few. -ultraviolet,- a ready-for-the-floor collaboration with moderna (ghostly, lumiere noir), blends a stick-in-your-head vocal with hard electro for radiantly retrofuturistic results. -carbonate- emanates classic industrial vibes with a heavy, pumping bassline and soaring, melodic synths. the markus gibb (rttb) remix of -ultraviolet- strips the original of its prominent synths while adding a healthy dose of slinky, hypnotic beats and dissonant samples. wt records willie burns turns -carbonate- into a big-room-rave anthem: driving rhythms punctuated by noisy squelches under heavy synth loops.

nice price deal !!! jazz monkey consists of two chicago natives and avid house junkies, jay nice and jerome o. they come together to bring you their first house single. we start with soul power produced by jay nice, here he provides a funky bass groove with hard hitting drums and a soulful guitar, which is followed with enigmas down tempo track with laid back keys, powerful congas, and solid hitting kick drums. jacks groove produce by jerome o., is a party anthem that will get the crowd in a frenzy with hype bass drums, congas, crisp snares, and great vocals. train of thought is a definite throwback track that reminds you of a acid house record from the eighties but with serious drums and modern progamming. jazz monkeys mission strives on providing the best in house, disco, electronica, and afro beat to all who seek good music.

the powerdancers also known as the legion of boogie down have slowly begun to infiltrate the discos firing their brain gun in all different directions. from their opening gambit, the self titled power dance, to the bohannon like groove of muscle groove, to the enticing left field party anthem that is safe and happy place. the lost art of getting down is the main feature. the powerdancers take all that they have learned and invite you to come and have one massive get down, from future funk, to acid house, to disco, the legion of boogie down cover it all with one main message, dance and let go. this is a world where there is nothing but music and dancing. long live the legion of boogie down

quality reissue of the highly sought-after promo 12 inch of the legendary idris muhammeds incredible 1977 disco classic *could heaven ever be like this* - eight and a half mesmerising minutes of hypnotic slow-building disco-funk huge on the early nyc disco scene which became an anthem at mancusos loft parties and is still in high demand today. on the flip, *tasty cakes* is a nice lighthearted disco bubbler but the clear go-to track on this side is the awesome hot funk groove of *turn this mutha out* as sampled by to great effect by moodymann for his amerika kdj release. essential!

prime are delighted to announce the long-awaited official 12 inch re-release of probably the most revered paradise garage anthem of all time - m.f.s.b. feat the three degrees and the now legendary -love is the message-. originally released in 1973, -love is the message- has sustained dance-floors across the world ever since and here we present the full original 11.28 mix from tom moulton which is always a £25-30 record if you ve ever been lucky enough to find a mint one and copies of the rarer u.s. 12- with the long mix are like gold! worry no more as the quality on this 12- is from the best master and 100% sanctioned by sony music. on the flip we are proud to re-release -t.s.o.p. (the sound of philadelphia)- aka the official soul train theme, using tom moulton s full original 5.42 mix. another piece of significant dance-floor history. as double-siders go, it really doesn t get any better than this. there is already high-demand from lots of djs needing to replace their battered copies so accept no substitute. this is the real deal.

awesome moody cut of this classic tune, first time on 7inch and with previously unreleased dub! monster roots cut from the naggo morris era of the heptones, who cut an album & more for channel 1 in the late 70s. this tune was released on lp only, and like a handful of great roots produced by channel 1 in the 70s, the dub cut was available only on dubplate via the dub room at 29 maxfield avenue. a tremendous moody interpretation of this classic roots anthem, with some unique brush work by the drummer at the start to add to the mystical feel. the dub mix is suitably sound system style, heavy and raw. happy love / wackies love we all need / roots. us10 digikiller gladstone anderson holy mt. zion / holy chil. us10 digikiller joe morgan forward ever / you let me. us12 digikiller joe morgan stop them / warrior us12 digikiller paula clarke / singie sin. i want to go home / if i us10 digikiller. all label related items 2017 rush hour - please mail all your feedback, questions a

the first trouble maker 12” is here in full disco-led summertime force! three sure-fire summer hits, that make you smile from ear to ear and transport you to those days spent dancing in the sun… “makes you” treads the line between disco and house perfectly and delivers a summer anthem straight off the bat! the combination of party drums, howling melodic bassline and stand-out vocals makes this a stand out first release from the newcomer hatterman. “one & all” on the flip takes things slightly deeper but the focus is still very much peak time elation! think lush pads, shuffling drums, disco tints and again a killer vocal! fans of kdj, moodymann, theo parrish are going to love this! fernandos live remix fuses live bass guitar, synth stabs, arpeggiators, guitar and slithers of the original to turn it into a cosmic-disco bomb! all three are set to be festival favourites over the summer, strictly for those who like to laugh, dance and cause trouble.

after the huge success of ym001 supported by maya jane coles, arnaud rebotini, james teej and kasper bjørke (just to name a few), ylotana music is right here with a new sex of insects single. this time it is electronic anthem i am full completed with remixes by hiroshi watanabe aka kaito (transmat, ibadan, moodmusic), sergey sanchez (teamed up with mag day chuk) and sex of insects mastermind anatoly ylotana.

nice price deal !!! strong infectious melody combined with benjamins own vocals are making this a future festival anthem

nice price deal !!! big room house anthem!! english version and dub dj mix included.

nice price deal !!! first single of english synth-melodic pop band chew lips on kitsuné. with remixes of tepr and david sugar. there is nothing quite usual about chew lips. not their way of making music, or their live shows, or indeed, their inception. when the vocalist tigs and multi-instrumentalists james watkins and will mcdonald decided to start making music together they had only one edict: not to sound like just another guitar band. the result was the organic and purely accidental evolution of their current, electronically enhanced sound every song sounds like it could be a planet-bestriding, galaxy swallowing pop smash, with will and james gorgeously whirling and mutating casiotone/guitar/bass/drum machine attack providing the perfect backdrop when the amazing frontwoman tigs s voice soars, swoops and dips precipitously and smoulders beautifully. with their first single solo on kitsuné, chew lips alternately capture the yearning, impatience, beauty, confusion and impermanence of youth, with tigs summing up the hopes and dreams of a whole generation with the fist-pumping battlecry of >we dont want to wait, theres no time, no time<. this is pop music alright, but pop with a gloriously vivid, almost cinematic sweep, as well as a human heart, filled with a very real sense of longing and desire, in amidst the shiny, clattering electronica. french producer tepr, well known for his remix of yelle >a cause des garcons<, has made of the song a dancefloor anthem while david sugar smoothly delivers an uplifted version of the track.

spiros kaloumenos has been one of the key artists of planet rhythm at an earlier stage. this time he’s back with a completely recrafted style that perfectly fits the label’s current state of mind. adventurous techno with thumping beats and at times a little acidic touch. the greek artist comes up with a killer four track ep that goes from the sturdy beats of introvert shadow, through the acid tainted 101 reasons to the rave inspired anthem called de forme. we’re happy to welcome spiros back to planet rhythm.

dub-stuy links bukkha with uk grime stalwart killa p for a dark, sound killing anthem. dub-stuy expands on their vision for 21st century sound system music with a new 12inch that brings together resident producer bukkha and one of grimes most recognisable voices, killa p . the result is a deadly cut that takes no prisoners and is backed by an equally heavy instrumental. death chat is arguably one of dub-stuys most ambitious collaborations to date. bukkha crafts a dub meets grime riddim that builds from filtered keys into a ten-ton heavy monster. killa p, who has collaborated with the bug and is fresh from a turn on sir spyros topper top, delivers cutting lyrics in his instantly recognizable patois-inflected style, with each bar building tension toward a sonic climax. backing up this dancefloor sureshot is ‘ethiopian dub’, an instrumental that samples its vocal and melodic hook from an obscure dubplate and whirls both around a steady beat and bass line solid enough to punch through walls. with this latest 12inch for dub-stuy, bukkha shows his versatility and delivers an anthem that no sound can test.

continuing our policy of re-issuing some classic double-siders and even some previously never released on 12inch titles, it s give us pleasure to unveil a pure double-sided must-have ! topside is melba s philly anthem, the bubbling mcfadden and whitehead penned and produced standing right here which put melba on a more credible path after her early hits and is now an underground anthem. mint original copies of the u.s. 12inch are currently around the £20-30 mark. stick with the real deal from the original masters! the flipside has never been released on 12inch before. yes, melbas stunning version of the curtis mayfield penned classic make me believe in you (originally done by patti jo) finally gets it debut release on 12inch vinyl the full 7.03 album version.

for our next release we welcome back two of hamburg’s finest and most recent international exports: adana twins. last seen on our latest various artists compilation, the duo returns with three absolutely stunning tracks of low slung, infectious cuts blurring the lines between house and techno with an undeniable brush stroke of character the two are quickly becoming synonymous for. ‘flower of cane’ kicks things off in an almost sinister fashion with massive low end bursts and a fever inducing, single note that never stops rising culminating in a climactic crescendo of dance floor euphoria while ‘ortus’ takes a much more ‘up-beat’ approach with dreamy arpeggios and shimmering atmospherics laid over a pulsing bassline resulting in a gorgeous number ideal for a number of memorable moments. wrapping up the originals is the guaranteed summer anthem: ‘relentless fest. jeppe kjellberg’ where sultry vocals and lush aural artifacts launch sensations to uncharted new heights. not done yet, we asked none other than the brilliant andre lodemann to create his revision of ‘relentless feat. jeep kjellberg’ and he, as always, delivered big time. with not only one but two solid reworks of the original lodemann’s remixes need no description other than there is a vocal and a dub version to satisfy any dj’s sensibility. we hope you enjoy.

the first release of -syncretism- is a strong declaration of techno made by cressida. the ep includes 4 tracks, 3 written and produced by cressida and 1 additional mix is made by uvb. all the tracks have got a solid raw sound, an excursion between the hardest industrial, the classic uk acid sounds and new wave. the first track, toxic masculinity, is a punching tune characterized by raw drums, rough synth and break sequencies. second track, the uvb testosterone mix, represents the masculinity killer track, with a screaming human being in a dark environment. third track, snakecharmer, is the anthem killer track characterized by acid and big room sounds. neurotic x represents the other side of the label where the artist experiments his tone bringing you in a post industrial and wave scenario.

nice price deal !!! massive big room anthem!

the release opens with brian s proper dun one , a track which caused a twitter meltdown on alan s profile when he first started playing it at the tail end of 2016. loaded with sharp and pounding drums, this is an ethereal experience from start to finish and packs a real punch. it s a no holds barred, certified main room anthem. wait a second feat. mc r1bbz has been a staple of adam beyer s sets of late and has been getting a lot of air time on drumcode radio. this rave inspired track takes a raw, stripped back approach and delivers a real killer blow. alan sampled the vocals of mc r1bbz from an ltj bukem tape pack from the early 90s and the record tips its cap to early jungle raves around the m25. the release closes with trance, init? , a homage to alan s days first and foremost as a raver before he became a dj, with his non-purist attitude when it comes to electronic music shining through. the breakdown is sure to be a hands in the air moment at festivals all over the globe this summer.

following the success of the now sold out freundchen ep, true romance revisits the disco anthem with this hot hot hot trio of remixes, right in time for the summer. on the a side, red rack’em puts freundchen through his cut and paste wizardry delivering a heavily filtered, bass heavy, hypnotic disco version. on the flip, lauer cranks up the groove and unleashes the pianos for a classy house rendition that oozes sunshine and smiles. russian producer phil gerus’s gets gritty on his take, bringing the track on a mad chopped up italo road.

this killer 45 spotlights vassilis vassiliadis, the underdog from athens whos now ranked as number one in greek psychedelic laiko and tsiftetelli. the great flipside was not a difficult choice. a super rare and highly sought after anti-mod anthem (full lyrics + translation will appear on our forthcoming compilation) by vangelis perpiniadis, a reknown singer, composer and bouzouki player of the golden era of greek laika music.

2017 repress , vinyl only! one-sided limited edition 12 inch!justin van der volgen s my rules label is back with its second release of 2016: the lee douglas edit of soulful dynamics, jungle people. given the nod and approved by the band, this is the version you ve heard and been looking for over the last few years. now finally seeing a proper release after many requests. called by resident advisor a mareh anthem referring to the new years eve festival in brazil and rinsed by djs like tim sweeney, psychemagick, and eddie c, this record is pure soul-disco heat. douglas takes the original, teases out the arrangement and turns the psychedelic knob to 100. simply stated, putting this record on is like pushing the button labeled -party time. vinyl only.

incl 90s piano trance club anthem children !limited edition double vinyl and cd in gatefold sleeve.

amsterdam producers and good friends kaap and scott franka have come together to start a new label and live act: working titles. kaap is best known as the label boss of tape cassette label yield, scott just debuted with his first 12” on quartet series. together they perform primarily hardware based live sessions. for their label they improvise, jam and record to press these takes only on vinyl. the idea is to capture the real, raw and authentic improvised moments as soon as possible after they happen, hence the name working titles. this first vinyl release features the wt001 and wt002 outtakes on one disc. these sessions were recorded by the pair in an abandoned cabin in the woods in the south of holland, surrounded by nature.

following a killer debut on optimo trax michele mininni debuts on r&s with the heavy hitting psych detonation of ‘rave oscillations’ hailing from southern italy, mininni s influences run to kraut, post rock, new wave and electronic amongst others, a long time dj he manages to condense his influences into beguiling productions that come as a welcome breath of originality. taking a heavy dose of inspiration from seminal kraut groovers silver apples, ‘rave oscillations’ builds from the hypnotic motorik groove and off kilter bass into a pulsing peak time anthem. on the flip, ‘vortex stasi’ takes things into a more psychedelic direction - dubbed out piano, jittery rhythms and spiralling swathes of guitar blossom into a truly tripped out, squalling, breakneck concoction. mininni s kaleidoscopic musical vision is a truly unique proposition, a myriad of different styles and genres deformed under his oblique lens to create sun-drenched space music.

memento records honcho idriss d is back on his own dib sublabel with * khomsa* a 3 tracks banger with a steady pace and a fresh sound, blending together house chords and rhythms with techno bleeps and structures. “khomsa” is a peak time dance floor anthem focused slowly built up by shuffled grooves and bouncing synthesised drums. “watching my self” is darker, faster and relentless, while “stability” is a fine crafted esoteric percussive trave into outer space

back to back 70s roots shots from joe morgan, his first and second ever tunes. while many know joe from his wackie s anthem basement session, joe was already producing himself in the mid 70s on his own afro black label in jamaica before coming to nyc. both of these tunes are stone cold classics long hunted by roots collectors, and the rhythms used should be familiar to astute listeners from other brilliant cuts. joe continued to record and produce himself and other artists on his own main imprint fish tea, and other labels label thru the 80s. the two tunes issued on this fish tea 12inch both originally appeared as afro black label 45 s in jamaica, and the b-side also on a pet shop label 45 in nyc