reissue of the 1981 single on limited clear 7 inch vinyl for rsd 2018.

2018 reissue - different cover than original (inverted) - the mojuba sublabel a.r.t.less is very proud to present a retrospective by detroit techno veteran martin bonds aka reel by real. this package contains booth parts !!

first release of 2018 for twig, the sublabel of seekers, this time a various artists.

2lp gatefold vinyl+extensive spot varnish+ sticker, second album from ame, first album since 2004, featured guests: matthew herbert, gudrun gut, planningtorock, jens kuross (ex drummer ryx), roedelius. in the world of electronic dance music, ame stand apart. since 2003, the duo of frank wiedemann and kristian beyer have cut a singular path through techno, house, minimal, ambient and more with their anthemic singles and mixes. but 2018 reveals their finest achievement yet, their debut full-length album dream house. it both sounds unmistakably like Âme and unlike anything youve ever heard from the duo, an evocative home listening journey enacted after 15 years spent crafting dancefloor weapons.

naif 009 is the second in a series of five eps that are released around the release of the dj-mix-cd also named naif which has its release in april 2018 the second strike comes with two superstrong techno tracks: lean forward is a contribution by nihad tule that wil burn the dancefloors. followed by not now, not yet, a scratchy track from the hands of one half of cassegrain: rhyw. side b heads into trippy territories with a heady, sparse but seductive groove by marco shuttle followed by a track from efdemin in a collaboration with his close friend and fellow konrad sprenger (pan) after more then three years of silence as a producer, efdemin a.k.a phillip sollmann returns with a striking hybrid concept that merges the album format with the continuous dj mix format, presenting completely new material in a seamless manner. the cd-mix, named naïf, officially reinstates his label of the same name and is a sprawling tour of inner space featuring 19 distinct tracks from fellow producers along with an additional ten that feature efdemin himself (either as soloist or collaborator). the release condenses his decade-long dj-ing journey and evolution as a producer into a single potent elixir of contemporary techno. naif consists of completely unreleased material from both himself and valued collaborators, all of which will eventually manifest as ep releases: five on his own naif label and two more on curle.

mu&#776,,,,,stesna is an istanbul based independent record label founded in 2018 with an aim to reveal and re-evaluate the underrated sounds which was either forgotten, or not yet discovered.

their first release comes with a selection of tracks recorded between 1995-2006 by etnik sentetik, the infamous electro synth-pop band from istanbul. this 8 track lp offers a dark journey of uncanny sounds, fostered by 90 s influenced raw electro-acid beats and eerie vocals.

those who preordered, do not have to do so again - we will contact you when we have stock! omar mccutcheon, operating under his batu alias, has been on the frontline of bristol’s innovative electronic music scene since 2013. in 2015 he founded his record label timedance, a platform for showcasing his tastes utilising a close knit group of young producers and djs. batus glistening broken techno productions are pushed through a deeply uk-sounding prism, one informed by batu being brought up on a diet of dubstep and uk dance music from a young age. trying to tie his sound to those genres however, would be a mistake. having been earmarked already by the guardian as an artist to watch for 2018, batus sound is very much his own. batus rebuilt ep marks his third release in just over a year. not one for complacency, his debut release via xl recordings shows batu pushing his sound forward in every way possible, creating his most uniquely slippery sounding tracks to date. i wanted to try and challenge myself a bit for this ep. every track represents a different phase of experimentation and also different tempos, i wanted to push my processes further than i ever have done.

after a lot of questions from fans when we were going to drop enzyme 060, it is finally here. we thought it was time to celebrate one of our most memorable releases with some new influences, but not forgetting about the original one. as it’s been well over a decade since its initial release and the overwhelming impact it has had on many of our loyal fans. it was time to do something special. we present you the (very!) limited picture disc edition of ophidian & ruffneck’s “so many sacrifices”, including two remixes by rapture and neox. the original track has been carefully remastered to fit today’s standards, so you can play it loud again in your sets.

rsd 2018 release.

roy davis, jr. s undaground therapy muzik label relaunches after almost 20 years with al zanders guidance ep. al zanders approach to his first ep of 2018 is as precise as it is whimsical. featuring 4 tracks showing zanders sheer versatile when it comes to making music. opened by piano-percussion track martha s revenge which is made so clearly for dance floors, followed by television, a chance for a closed- eyes boogie be it on a dance floor in the middle of a set, or on the sofa at home. on the b-side, likes for cash s comedic title is met in contrast with a piercing synth top-line and stripped back drums, with just enough of a bassline to sit in-between the drums and synths. closing the ep is guidance, a reflective and a chance for the ep to close as well as it would close a dance floor when the lights come on at the end of the night.

memories — places, vacancies, allusions — are fundamental characters in mary lattimore’s evocative craft. inside her music, wordless narratives, indefinite travelogues, and braided events skew into something enchantingly new. the los angeles-based harpist recorded her breakout 2016 album, at the dam, during stops along a road trip across america, letting the serene landscapes of joshua tree and marfa, texas color her compositions. in 2017, she presented collected pieces, a tape compiling sounds from her past life in philadelphia: odes to the east coast, burning motels, and beach town convenience stores. in 2018, from a restorative station — a redwood barn, nestled in the hills above san francisco s golden gate bridge — emanates hundreds of days, her second full-length lp with ghostly international. the record sojourns between silences and speech, between microcosmic daily scenes and macrocosmic universal understandings, between being alien in promising new places and feeling torn from old native havens. it’s an expansive new chapter in lattimore’s story, and an expression of mystified gratitude. a study in how ordinary components helix together to create an extraordinary world.

special 1 lp / 7 track version originally released in 1983. limited rsd 2018 release, pressed on 180 gram vinyl.

record store day 2018 release limited to 3000 copies. includes a 24 page justice league comic book and folded 24x36 inch justice league poster in a clear vinyl sleeve with rsd sticker.

kojak giant sounds return to the fold for 2018!! you know the drill

2018 repress ... well. where do we start with deep inside ? originally released in the golden nyc house era of 1993, this 5 tracker literally smashed everything in sight. and still does now! the epitome of an evergreen, all-time classic release. masters at work louie vega and kenny dope were on a major roll in this era, producing, remixing, dj-ing and everything in-between, these guys put in ridiculous work. they are joined on this ep by a roll-call of names and collaborators, erick morillo engineering the title track? check. maurice joshua on co-production duties? you got it. vocals by ms. barbara tucker? they re there. killer, rock hard drums? stacks of soul? masterfully chopped up disco samples? all present. serious stuff. sometimes a record just manages to capture and distill the true essence of what this is all about and deep inside is one such record, it bears all the hallmarks of golden era maw, all the signposts of what was happening in nyc s clubs in the early to mid 90 s were there within it s grooves. you know a record is good when it s still being, quite literally, hammered nearly 25 years later! now, remastered, and reissued with the full involvement of strictly rhythm this seminal piece of nyc house history is made available again with all original, full sleeve artwork intact as per the 1993 original. this one s a straight up essential for any self-respecting dance aficionado. you know what to do!

first pressing of 1.000 numbered copies on different shades of grey swirled audiophile 180 gram vinyl. contains an exclusive 8-page booklet with pictures and liner notes.
fifty shades darker is a 2018 erotic romantic drama film directed by james foley and written by niall leonard, based on the novel of the same name by e. l. james. danny elfman wrote and composed the score for the movie.

** 2018 repress ** - a classic science fiction soundtrack album - outstanding & masterfully executed ** incl dl card & sticker**

2018 repress!! max one copy per customer! ion ludwig for kontrast! kontrast is a creative collective founded in belgium about 5 years ago.they are known for hosting parties, proving their excellent taste in music by only working with the most talented artists. they are now expanding their output with a brand new vinyl only label. ion ludwig is delivering two very smooth tracks. both tracks are carefully selected, timeless pieces of music

making his debut on the label, spanish producer kuo climax is welcomed to the hot creations fold. a solid two track release that has already been heating up dancefloors across the globe, the talented artist showcases his distinct style and proves why he is hotly tipped for 2018. the ep opens up with whyte, a pulsating track with a warped bassline and oozing synths. two and a half minutes deep it disperses into a breakbeat-esque breakdown that dives back into the familiar 4/4 beat. title track nacrem is a smooth roller with an underpinning bass and intergalactic vocal stabs. the ep highlights the spanish producer’s ability to bring balance to his output, providing music perfectly attuned for the floor. born in malaga and now residing in barcelona, kuo climax has released on respected labels such as knee deep in sound, solid grooves and viva music. 2018 will see the producer launch his own vinyl-only imprint, lfofl, that aims to recognise the progress in technology without losing the essence of true dance music.

repress 2018 !!
runs so deep it puts your butt to sleep, to paraphrase actor/musician ice cube in his seminal hit it was a good day. and it is a good day for lovers ofhigh-grade house music.

suns out, guns out: darkroom dubs ease into 2018 slowly with a new addition to their limited vinyl series courtesy of madrid analogue scientist eduardo de la calle. last spotted on planet e and boasting a 15 year back-cat on the likes of cadenza, biologic, just this, hivern discs and mule muziq, eduardo is a man you’re already well acquainted with. and you’re going to want to get even closer once you’ve digested these four straight-to-business stripped-back traxx. each cut designed for deep mix tailoring that you can really bend minds with.

ryo fukuis 1976 highly sought-after jazz masterpiece scenery in a deluxe limited edition 2018 reissue, 180g, half speed master, gold sticker, obi tag, stoughton sleeve, limited to 2000 (wrj001) we release jazz (wrwtfww records new sister-label) is proud to present its first release, the official reissue of ryo fukuis highly sought-after masterpiece scenery (1976), sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound and on digipack cd.

ryo fukuis 1977 highly sought-after jazz gem mellow dream in a deluxe limited edition 2018 reissue, 180g, half speed master, gold sticker, obi tag, stoughton sleeve, limited to 1000 (wrj002) we release jazz (wrwtfww records new sister-label) is thrilled to present the official reissue of criminally overlooked japanese jazz gem mellow dream (1977) by hokkaido pianist wunderkind ryo fukui, released in conjunction with the its legendary predecessor scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack cd.

kiev based label muscut opens 2018 with an lp from st. petersburg musician eugenii fadeev (flaty). raising the attention of the musical community with his work for the 12th isle and gost zvuk labels as aem rhythm cascade, he s also recently released on udacha and his own label anwo as dada ques. in addition to the aforementioned, flaty also adopts such aliases as ocurob and wrong water.

after 7 releases, rivulet records says goodbye. the very last release comes from cofounder stanley schmidt in collaboration with his long time friend hobor. the two leipzig based artists had the idea to release an album together for years and to finally bring the work to an end as well as to the label felt just right. the album itself ranges from eerie and otherworldy ambient tracks to banging lofi-jungle sounds. it mirrors the musical taste and exchange of the two artists. listen to it at home in full length, or play it in the club when the time is right – it works both. rivulet records says thank you to all the artists, dancers, listeners and friends. it has been great. leipzig, 2018

exhumed tapes i is the first in a multi-artist series of cassette releases on the modern cathedrals label. with label art featuring small details of “important graves,” the series will dig into eery, broken beat techno with gritty textures. the first cassette begins in a natural place: with altstadt echo crafting four works presented with an image depicting the grave-side rubble of his often-referenced inspiration albert camus. it will be limited to 50 hand-numbered physical copies. copyright: modern cathedrals 2018 mastered by tim xavier @ manmade mastering, berlin

losouls another picture label follows on from eps in 2017 by honesty and the label boss himself with a new two tracker by japanese artist sasaki hiroaki. the yotsume label owner is based in tokyo and his sleek sounds take cues from 80s new wave and look for a soulful vibe in electronic music. 2018 has already seen him release on open recordings and now he offers up some warm house rollers for another picture. ‘eo1 is eight minutes of rubbery drums and loose, scattered percussion, tumbling toms and clicks. dreamy chords light up the background and the whole thing drives ever deeper into the night, always evolving as it goes. on the flip, ‘plain song is just as heartfelt, but icy hi hats and metal stabs are more upright, getting you on your toes and keeping you there for another eight minutes of organic, authentic deep house bliss.

2018 repress!
with our indian summer holding strong it seems to have spread into camp critical too as the label that has delivered the finest grade d&b since 2002 drops another sumptuous release from the man with the midas touch, calibre. showing off his more experimental self is a release that sits perfect on the critical mantle, sit back and enjoy.

part of the orphans collection, available on its own for first time. newly remastered and pressed on 180 gram translucent blue vinyl, housed in a gatefold sleeve. record store day 2018 exclusive.

ein jahr nach seinem 70. geburtstag meldet sich elektropionier klaus schulze 2018 mit einem neuen album zurück: »silhouettes«.
insgesamt vier ausladende stücke warten auf dem longplayer, an denen schulze von sommer bis herbst 2017 arbeitete: »silhouettes«, »der lange blick zurück«, »quae simplex« und »châteaux faits de vent«.
sie zeigen den elektropionier, der zuletzt mit gesundheitlichen problemen zu kämpfen hatte, von einer ruhigen, besonnenen seite, die sich auch in den reduzierten und meditativen klangbildern und -ebenen widerspiegelt.
das weiß & grau marmorierte doppel-vinyl erscheint im klappcover, album-cd inklusive.

following the u.s. army’s liberation of munich in may 1945, the world’s first amerikahaus was inaugurated there with a library, a magazine reading room, a children’s library, a record and lm department, and lecture and seminar rooms, together with a concert hall and exhibition space. up to 80.000 people a month utilized the offerings of amerikahaus during its early years. beginning in 1953, the united states information agency (usia), an institution founded as an instrument of the cold war, began to finance amerikahaus. in addition to representing the u.s., its principal task in west germany was to democratize and denazify the postwar population. after the beginning of the cold war, many of these re-educative measures also served as propaganda in a programmatic linking of democratic and economic principles meant to strengthen transatlantic relations against the communist bloc. in 1997, the u.s. government concluded its work at amerikahaus in munich and shipped almost all its items back to the states. however, 1.630 long-playing vinyl records from the library were left behind in cardboard boxes in the basement. when michaela melián looked through this forgotten collection, one of the first things she came across was don gillis’ 1940 tone poem »portrait of a frontier town«, whose second movement is entitled »where the west begins«. don gillis, a composer and radio producer, used the musical styles and genres of that decade to create an explicitly american program music. michaela melián’s »music from a frontier town« is fueled by the diverse sonic material of this extensive record collection once considered as an instrument of cultural education. this record has been produced in addition to melián’s twenty-four hour performative music installation »music from a frontier town« in the garage of what is now the bavarian center for transatlantic relations at karolinenplatz, munich (4-5 may 2018).

word of advice to funk lovers, there is not a minute to lose. get on board of the big hustle’s spaceship. before we take off, let s do a little history. the band was founded in 2014 by bass player and composer sébastien levanneur and its aim is to bring together 70 s old school funk with the hippest actual sound laced with influences spanning from steely dan and headhunters, to snarky puppy and soulive. with mighty horn players, a rock and funky rhythm section, the big hustle s music has a very large variety of soundscapes. the first destination takes us to the washington, d.c. area with “turn up”. the groove is clearly go-go music flavored with the trademark sound of cowbells and of course it reminds us of zapp by the use of the talk box on lead vocals, performed here by saad el garrab. and don t miss out shaun martin (snarky puppy, erykah badu, kirk franklin amongst others) as a very special guest performing the talk box solo! second stop is “a curse, a blessing”. it’s an instrumental very much in the freddie hubbard vein during his cti years. the last leg of the a side ends with an instrumental interlude titled “flying donut”. double tribute to jay dee and flying lotus, the music is a simple hip hop loop based on samples. the b side takes us back into the past with two brilliant covers, involving rod temperton the late great british songwriter who scored some of michael jackson s biggest hits. now the idea for this b side is to do the opposite approach from the a side. taking 70 s and 80 s original music and make them travel into time to 2018. we first land with a heatwave song named “the star of a story” from their 1976 central heating album. track 2 is a herbie hancock song named “gettin to the good part” from his 1982 lite me up lp. this time traveler ep journey ends with an interlude. called “gimme dat”, the song deals with the need of new music, new sound. again, this blend of deep rooted funk laced with a contemporary edge is to be consumed without moderation. and do not forget that e.p. also stands for extended pleasure.

2018 repress of the debut full length lp from spencer doran and ryan carlile s visible cloaks project. initially recorded in 2013 and issued on cassette by sun ark in 2014 (as cloaks), this first offering uses conceptual processes to weave many of the same threads as their later work, synthetic fm tones, tuned mallet percussion, and electronically modulated voice, all arranged in a gossamer web, spun with neon electronics. on this release the duo set off on the sonic journey they are still on today, refracting their influences through east-west feedback loops, augmenting traditions with technology. remastered 45rpm dmm version with additional surprises!

limited rsd 2018 release on transparent green 7 inch vinyl.

one of the most anticipated albums of 2018 according to rolling stone, complex and hiphopdx is here! don’t miss your chance to get the soon to be classic album prhyme 2 from prhyme (royce da 5’9” and dj premier). this is hip hop at its finest! comes as double vinyl in gatefold sleeve with download code included.

2018 repress - bicep make their way home to feel my bicep records for their first 12” on the imprint since their collaborative ‘dahlia’, recorded with hammer, back in september of 2015. fmb006 is a notable addition to the label - a reimagining of blaze’s seminal recording ‘lovelee dae’ - originally released on classic back in 1997, before a string of subsequent re-issues and remix packages on playhouse, true and urban tracks that included carl craig and 20:20 vision. the remix was originally designed to be included in their essential mix in 2014, but a lack of space has meant that its pressing on fmb is the first time it sees the light of day. using ralph lawson and carl finlow’s classic aforementioned acapella version as the basis of their work, the bicep lads ensnare an air of swooning euphoria in their remix that stays true to both their original productions and their dj sets. shortened vocals suffuse galloping 909s and a gleaming synth riff that certify it as a festival fail safe

nice price deal !!! state of flow is proud to announce a freshly baked ep by jakob seidensticker & boronas which will be available in march 2018. this release marks the magical number three coming from the well respected vinyl only imprint. a psychedelic and spacey but solid minimal tech house ep.

uncage founder marco faraone makes his second appearance on rekids with a massive vocal cut entitled ‘on my way’, featuring a remix from 50weapons and hyperdub’s addison groove. the italian techno producer had an active year touring in 2017, dropping only one release on tenax recordings. however, 2018 is already proving to be one of his busiest on the production front, with releases appearing on rekids special projects, on edge society and his own label uncage, not to mention forthcoming appearances on gigolo and avotre. he now returns to rekids with his biggest sounding record yet. with its infectious vocal, rolling kicks and off-beat hats, it is undeniable that ‘on my way’ is destined to become one of this year’s most recognisable club tracks. on the flip, bristolian producer and swamp 81 affiliate addison groove has produced an intricate remix featuring a cacophony of percussion as a stuttering low-end joins chilling synths. finally, faraone concludes the package with a ‘dub acid rework’, losing the vocals whilst incorporating heady 303 licks.

flux003 lands spring 2018, 180gram limited edition vinyl (no digital) with cover artwork from laura zhang. straight out of coastal bordeaux, laroze is back on flux with another collection of floor-focussed cuts. joining him on remix duties this time is fellow frenchman kosme, who s been making waves with his residency at lyon s esteemed le sucre club alongside the likes of agoria and laurent garnier. following on from flux002, larozes style is typically packed with energy and verve, using the classic us house framework as a launch-pad to bring his sound to contemporary dance-floors across europe.

known for releases on labels like overall music, innercircle and frole records, back to basics regular barnsley begins 2018 by returning to his vessel records imprint with big move ep . consisting of two low-slung originals, the release also includes remixes from bass culture founder d julz and cabinet records bosses cabdrivers. a compelling groove lays the foundation of time whilst quivering synths operate throughout, leading into d julz s remix that twists the original into a moody roller with tightly executed 808s at its core. forgiveness starts with clanking percussion as melodies add to the heightening atmosphere, while the cabdrivers remix takes the key elements of the original and plays with the harmonies to make them coarser.

!! repress !! points new year, new concept: maceo plex locks down 2018 with a fabriclive mix and his new mutant series that sets out to explore the more mutated side of his signature cosmic techno further than ever before. similar to his conjure series in 2015, the new releases will reside across labels run by peers maceo respects and is inspired by, with some also featuring on his much loved ellum imprint. correspondant are proud to release the debut ep, mutant 1. three tracks deep, each version tells the same story from a different perspective, mutant disco tells it from the bassline’s point of view as a latent funk thumps with wry mischief, mutant dx shows things from melodic side with its rolling bulbous bass lead while mutant moog closes the ep by surging us even deeper into the stars with a crisp sinewy arpeggio that sucks us in and, like all card carrying mutants, refuses to let us go. time to mutate.

rausch ohne namen / mein schöner schein / du bist die sonne / hier will ich sein / rausch ohne morgen / wir brennen hier / die sterne funkeln / im flammenmeer / hörner und fanfaren / fanfaren der freude / fanfaren der angst / den wein den man mit augen trinkt / gießt nachts der mond in wogen nieder / vorsicht mit der axt eugene / personal jesus / kein anfang kein ende / achtzehnter oktember / die nacht bricht an / der könig kommt / die jagd beginnt / freude schöner götterfunken / der lange marsch durchs unterholz / glaub mir da ist nichts / es war einmal ein räuber / der liebte einen prinzen / das ist lange her / frühling sommer herbst und gas / es fährt ein zug nach nirgendwo / pauken und trompeten / zukunft ohne menschen / warmer schnee / alles ist gut / die glocken läuten / du bist nicht allein / das rauschen im wald / das rauschen im kopf / leicht wie nebel / schwer wie blei / musik ergibt sich / strömt wie gas / eine lichtung / schweres gepäck / einstand im jenseits / der tod hat sieben katzen / weltkulturerbe rausch / endlich unendlich

wolfgang voigt 2018

born in cameroon, vicky began banging the drums at the age of 9. by 13 he had moved onto bass and within a couple of years he was playing every night from 10pm to 5am in the castel douala cabaret. at the age of 19 vicky moved to paris to study banking and commerce and cram in even more music. he took classes at Épinay-sur-seine conservatoire music school and it was here that he met bandmates of his dikalo project. word spreads and he soon becomes one of the most sought after bass players in the afro arena. his session work features on many scenes stars, manu dibango, eko tala am, kemayo, sammy massamba, toto guillaume and many more. a chance meeting with the gibson brothers also see him play on two of their hit albums. in the 80s vicky moved to the us for spell and excels as a session bassist and touring musician. we pick up the story in 1981. with his stature as a musician and bass player riding high he takes a detour to nigeria to record with the afrodisia label in lagos. the thank u mamma album is the result. it is repressed for the first time, here in 2018 on the revitalised afrodisia label. musical proceedings open up with the heartfelt ode to his mother thank u mamma, smooth pop meets afrobeat boogie. marina driv slows things down with its smoldering jazz. side two opens with its not serious a catchy vocal number underpinned with funky guitars and striding basslines. stormy rain is lazy guitar jazz swansong. we close off the album with the ever so funky you. slick funk grooves powered along with a dose of slap bass. as a side note vicky actually plays left handed but with a upside down right handed bass. this upside-down precursor making his effortless slap playing even more impressive. vicky went on to record a two other albums and still tours and plays as an ever-in-demand session musician.

hugo manuel is better known by his musical alias chad valley. a product of oxford’s prolific creative community, chad valley has amassed a catalogue that spans four studio releases, numerous collaborations and dozens of remixes. his 2010 debut — a self-titled exploration in swirling synths and sunburnt melodies — laid the groundwork for 2011’s equatorial ultravox, which gave his downtempo productions a decidedly more pop-leaning twist. it was with equatorial ultravox, and his 2013 album young hunger, that chad valley’s profile sprung forward, strengthened by a string of key touring slots supporting the likes of erasure, chvrches, active child and passion pit, and by his collaborations with el perro del mar, glasser, totally enormous extinct dinosaurs and twin shadow. after releasing 2015 s sparkling entirely new blue and continued touring extensively, as he now prepares to release his third full-length album in 2018. imaginary music includes the previously released singles “up again” and “la in august,” both of which bolster one of the strongest batches of material chad valley has yet delivered. the vinyl release includes a download code.

breakthroughs,
flips and crucifixions.
highs, epiphanies, despairs.
ten year’s animal screams
and virgin suicides.
mad generation and us,
down on the rocks of time.

2018 repress in black sleeve.

the formidable 90s danish techno label awakens! back and not only in business meaning business. two great tracks, re-flipped in fine style. here we go. tip!

welcome to the first release on acid lamour a sub label for lamour records started in 2018 with a focus on techno and acid dedicated djs. releases are limited to 303 vinyls, no re-press.

on the special occasion of rsd 2018, michael kiwanuka releases an exclusive live album. recorded over his 2017 tour in three iconic uk venues.

public release adds another entry to its 2018 chapter with a four-track ep that engineers the intersection of gentle warm-up house of the balearic genus and frosty chill-out. the 12inch is the latest from dylan khotin-foote, who goes by the mononym khotin, a producer and dj firmly planted at the epicenter of vancouver’s lively, colorful dance music scene.