we feel very honored to present our new baby rue de plaisance-re issue to the world. we are starting this project to re-release some of our favorite tracks from back in the days, as we believe they need to be made known to the new and upcoming generation. these are our rootz. for our first opus we have invited from the uk the infamous duo >idjut boys< who surely have much to offer with over 20 years of releasing contemporary dance music all over the globe. for our first issue we chose their track >not reggae< supported by forward thinking mixes by varoslav and david k who pushed those classics to another level. we hope, all of you, will enjoy this new project as much as we do. quality timeless music on vinyl...

downtown party network released their first single days like these back in 2009, which quickly become an earworm for clubbers in lithuania, ibiza, the uk and everywhere else. the mission had to be continued, so summer of 2009 was greeted with the second record on eskimo.

after take 1 comes take 2, it sometimes really is that simple. together with the pre-take that came out before the summer this third volume in wphs our beat is still new project completes the 12 tracks that form the album. more members of the core wph family are on board here, but we also welcome some newcomers to the label.

misty conditions is a project that started off when henry collins and richard wilson met up in henrys studio a couple of years ago and jammed for a few days non-stop, enjoying the process thoroughly. the connection became so good in this period that the duo developed a fluent understanding of how each other worked, ending up as a project made across the internet, while henry was living in france and richard in la. they cross pollinated by developing what each did best, henry making and creating banks of samples and richard creating software and effects to cut up and re-sample, passing the tracks back and forth, essentially until they felt finished.

inklusive motor city drum ensemble remix! erste von zwei remix eps zum erfolgreichen zweiten darkstar album news from nowhere auf warp. darkstar remixen in eigenregie zwei albumtracks zur clubtauglichkeit und heuern für den dritten den angesagten produzenten motor city drum ensemble (aka danilo plessow) an.

true love never did run, it stood its ground. it fought. it tried to hold on, but in the end? there were bitter tears, and loveliness all rolled into one. for romance is the glamour that turns the days dust into shimmering golden haze. dreamy night owls and deep end lovers-this ones for you: stb crafts more shapely analogue tones in this four-track soliloquy to the night from label head francesco belfiore and rome-based upstart alex tea.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

shlomi aber returns to ovum with slack tide. it has been three years since shlomi abers acclaimed album chicago days/detroit nights was release on ovum.

for all you sunshine people! sampler of the classic remixes done by dj gregory & pepe bradock on ver002 & ver013 at this days sold out! limited 2015 repress!

since day one, radiq has been showing an affinity for the afro-centric funkiness and carefully-honed sound design of modern days minimal music. as in many of his previous tracks, all six songs of >vida noir< has this certain kind of unyielding quality - long, hypnotic grooves with muted kick drum set the stage for more emancipated experiments in texture and sound design. on >a long hot summer break<, for example, the effect is utterly obvious as kicking its ass into gear with syncopated drums and strain of warm chords before animated vocal sample slips in like fingerprint. while deeply seductive interplay of those chugging percussion gives way to delighted horn of >a-dieu<, warm chord and acoustic guitar of >calling< is perfect example for radiq’s masterful sound and texture. >machine codes modified< has rather restrained structure for him, but tightly woven drums speaks eloquently about its carefully arranged funkiness and dance floor functionality. despite their repetitiveness, its surprising how well these productions forming cohesive solidarity as an album. presumably, it owes a lot to wide tonal vocabulary which is radiqs hallmark - these tracks has something concentrated, vivid qualities. this album sits just at the edge of the dance floor, but also performs its exceptional strength on intense home listening. dusky synth and truncated surge of bass of >vida noir< constructing something dark, before closing this album with modulated afro-acoustic guitar and deep falsetto voice (by the producer himself) of >rondo<. this album offers up an engaging and comprehensive amalgamation from the inquisitive sound by the maestro

our west coast brother from another mother marc barrite has been a vital part of the circus company troupe since the early days of the label, due in no small part to his combination of flamboyant style and hefty funk. for all the experimental qualities in marcs music as dave aju there is an equal amount of hip hop swagger and heartfelt soul, and when you filter those elements through a house music template you get close to a perfect definition of the tastes that drive our label.

while >sweet nothings< was a balancing act between clubsound and listening-electronica the duo is now turning its back on the dancefloor, to take the listener on an accustic tour through their personal amber room. with their chamber-electro mix, containing characteristics of dubstep, catchy pop-elements, classical string arrangements and and a singer/songwriter like intimacy, they achieve to create new sound-rooms

hey guys, heres finn records from germany, and this is for you! matthias kick is a munich-based producer and dj who has already released his songs on several labels. with the ep - wheels of motion - he hits the mark for the upcoming summer.

och has a strong pedigree of collaborations with fellow underground stalwart jay bliss the latest to share space on a autoreply record with the label boss. bliss should be known to many as the co-owner of electrique boutique alongside markus homm, for a long time the only vinyl outlet in romania, and his discography makes for impressive reading these days. recent times have seen mr bliss share record space with the likes of skudge and petre inspirescu on respected imprints like 20:20 vision, all inn, hudd traxx and fear of flying.

dutch breakcore/jungle legend fff recently joined the prspct family and his first release on our rvlt imprint rocks pretty damn hard! 6 tracks of epic nostalgic proportion taking you back to the good old amen days. jungle, breakcore, dark dnb, rave and even some oldschool gabber vibes. this ep has it all!

fine dj friendly techno with subtle, blue atmospheric ukg leaning twist

firing out of his northampton studio, tom dicicco brings the heat with part.2 of under the aquadrome. his sound is bang on point for the current techno climate, the perfect balance of deep and industrial sounds... mesmerising & searching deep techno - mechanical yet delicately put together – the first track physical states its claim for the dancefloor and the heads alike. the ep then continues to take the listener into other sound zones and will continue to find favour in the longstanding traditional clubs alongside the new basement party scen

rockabilly meets punkrock aus schweden!

without a label since 1978, joe cocker signed to island records in 1981.chris blackwell (head of island) took him to the bahamas, where he recorded a 12 inch single, >sweet little woman / look what you ve done<, and continued working on a full length album: sheffield steel. the result was a successful album, which put cockers name back on the map.
music on vinyl brings this classic album back as 180 grams audiophile vinyl pressing.

*turn me on* by jay w. mcgee is the third release in a series of sought after boogie, disco and modern soul re-issues on légère recordings. the original 12inch vinyl single appeared on the tiny canadian indie label love productions in 1980 and is immensely hard to find these days. *turn me on* is an unusual production for its time, grooving along unbelievably deep in a spartanic arrangement, and fuelled by vocals which are not too far away from sylvesters iconic style of mixing soul, disco, funk and jazz.

three marvelous house pearls by luvless and a great remix by ooft! on release #5 from leipzig / germany based rose records.

the production renaissance of rhythm plate continues apace with the third release on their pressed for time label which revisits one of the peak district duos earliest releases. originally issued on the crucial uk house imprint diy discs back in the halcyon days of the late nineties, the masters at wirksworth ep helped establish the rhythm plate sound. clever programming and a deep stomping vibe permeated all four tracks and this is still the case some fourteen years on. as the cunningly re-titled ep suggests, the two original tracks have been newly remastered and are accompanied by two brand spanking new mixes by matt rhythm and ant plate ... so theres now no reason to pay l106 on discogs for the original ep!

dionne is a one of a kind rarity. osunlade pulls and draws from the lovely days of old, paying homage house music as it once was, when vocal edits were the vibe and pulse of an emerging sound. with traditional bata drums, filters that would put u in the mind of classic nick holder an just good ole fashioned groove on top of groove. the b-side is a ode to the bossa sound with a pulsating heart beat, funky melodies and smooth rhodes topped with a quirky yet fun vocal asking the question *what gets u high*? its music here that gets us high. we hope the same for u.

steve lees (the project club) above machine label returns after 003s massive *love disguise* from vendetta suite. this fourth release comes courtesy of acclaimed italian duo almunia. their celebrated output through paul mudd murphys claremont56 label, including the recent superb pulsar lp has seen the their blissful & uplifting balearic sound expand and evolve beautifully. one time is a gorgeous slice of the same, and conjurs up gentle sea breezes and long summer days perfectly.

spanish based uner has been a solid part of diynamic for the past 4 years now, contributing amazing tracks and sets (live and dj). his new release four consecutive is a long awaited ep featuring two completely new uner tracks. and when we say completely new, we mean it! the more analog sound and density of the tracks create a deeper and darker sound, proving uner is completely on top of the direction house music is going these days.

gleich der opener the sun never sets around here zeigt, wo die reise hingeht. leichte, unscheinbare töne entwicklen sich zu einem wohlbekannten wall of sound aus gitarren und handclaps. die wundervollen melodien und harmonien der folgenden songs klingen wie eine indie pop-fusion aus elo und den everly brothers

i do not like the day.
i dance, i drink, i kill.
i want her dead for days now.
i want her head.
i am trash.

12 tracks mind massaging, butt jacking, feet soaking deep house music flavor, ska, reggae, tango & tripped out mellow ambience. this is your dads classic vinyl album, from the days artists exhibited a sense of pride when presenting art. 300 pieces only

i-robots is an alias of opilec music boss gianluca pandullo, a long time dj and producer with a penchant for classic techno and electro cosmic disco. for his next project in the esteemed i-robots reconstructions concept series the italian re-edits some classic material, all with the permission of the original artists. the tracks in question are derrick mays hugely influential *emanon* cut, recorded under his rhythim is rhythim alias and originally released in the 1990s on his own seminal transmat records label – one of the most important imprints in the early days of techno alongside kms and metroplex. the second track – which was first released on metroplex, the label juan atkins founded in 1985 and then re-released and reworked on sound vision - is *game one* produced by the legendary juan atkins and orlando voorn as infiniti. the latter of these pair has already released a number of times on the opilec music label.

stir15 is back with a killer release hitting the hearts of deephouse lovers again! with stunning remixes by ian pooley and stir15 head c-rock this one will finally bring the summer to your turntables, speakers, dancefloors or however you enjoy quality music these days!

fresh new uk label with two killer tracks that will turn some heads. amazing piece of house music that is working like madd without using the standard cliches. a accomplishment by this young producer neinzer in these days of looking back! opening with a funked up track that goes somewhere between things we know from shake and recloose but comparing it to others isnt doing the track any justice. flip side cranks the tempo up and gives a mad techno piece with some sample trickery. best start a label could wish!

ltd vinyl summerpack with 7 killer groovin tech bombs from shinedoe

tantsui - definitely one of the most exciting russian electronic projects - delivers its first vinyl ep on whats in the box, sublabel of highway records. release includes 2 original tracks (one of them - featuring therr maitz) and 2 remixes by days of funk (witb, hed kandi) and downtown party network (get physical, eskimo, compost).

vinyl only! very limited copies! vinyl runs from the inner side to the outer side like the old nsc cuts from back in the days. pure detroit house and techno.

hardly a rookie these days – perhaps more of an intrinsic part of the great british renaissance and current techno climate, tom dicicco brings his new label run out run to the table with a superb 1st release. treading a more layered path than on his previous outings, tom shows his teeth here with brilliantly creeping, menacing riffs at the fore while retaining the house and dub sensibilities in the rhythm section that have already gained him much support – certainly something for everybody here on this worryingly confident own label debut!

the debut vinyl release of editors kutz brand new imprint joins summer period with three juicy disco-house edits on tracks that we all love and danced back in the days. the ep features on side a a fantastic house edit by the talented russian dj / producer buzz compass on a fav by chaz jankel, plus an outstanding club edit by the greek disco stallion leonidas deejay, aka alien disco sugar, on a rare 12 inch version of ray parker jr. on the flip, vinyladdicted upraises the bpms with a house edit on the boogie oogie classic like you have never heard of before! 70s and 80s aroma, beefed-up, sampled, filtered a bit, extended and strictly made for bringing on the dance-floor a real disco fever-pitch!
limited red / brown coloured vinyl pressing.

vinyl only and strictly for those who know! seven limited is back now for its 4th installment, just in time for the summer months and what a release they have for us this time. jackmaster k makes his debut on the belfast based imprint and delivers 4 classic, deep & underground garage cuts. with releases on skylax, midnight love club, music is love and made fresh daily, the london based producer is in a league of his own. many are duplicating the classic garage sound these days, but no one is replicating it like mr k. think along the lines of early todd terry, mood ii swing, tuff jam, jeremy sylvester and youre only half way on the journey this quality new producer is taking you on. as usual with seven limited, vinyl only, strictly for the heads!!

parassela is the studio and live project of blawan and the analogue cops. their first release on their own label with the same name has become a collectors item in less than 40 days. now the project lands on restoration, featuring the appearance of pariah on track a1, a crossover monster of techno and garage. getting darker, a2 is an unfriendly radio-activity with a gloomy chicagoid reminiscence.

the electronic dance world has seen the many sides of and.id as a talented musician, a multi-faceted producer and a live performer on the dance floor but his latest musical rebirth has sparked a new jolt of inspiration to travel back to his early days in thessaloniki where he passed the hours of the day discovering and analyzing a world of dance vinyls that ultimately shaped him as a live act today. the product of this rebirth is mobilees next album release, eternal return.

this is the second vinyl for the spanish label that is connected to discos paradiso record shop. agony forces (lycaon) express their experience better than ever. they are growing more and more. very high quality of modern techno. one of the two remixes is signed by an artist who doesnt need any introduction: ness. his style is unmistakable. the surprise is the other remix signed by dark vektor, pure electro that we dont hear much of these days.

nick lapiens debut release as metropolis garnered little attention when it materialized last year. a skeptical yet dedicated network of underground heads built up a subterranean buzz that has yet to spread into the daylight. that initial transmission was thick with the raw analogue flavors that have become ever-present in dance floor fare recently—but his is a sound that is dedicated to the emotive, narrative aspects of electronic music rather than simple fetishization or passing curiosity in the days of yore. this, his second release as metropolis, shows a more focused and patient hand at work. the titular track on the a side is a deep, psychedelic groover. melodies, textures and sequences undulate and intertwine within a lightless atmosphere guided by lapien with optimum restraint. equally pensive and gorgeous, the flood serves as a machine’s beat-less foil on the reverse. made up of little more than feedback and two slow, echo laden arpeggiated sequences, this is reminiscent of jean michel jarre’s more sinister moments: a brilliant paradox of economy and indulgence. expect to hear more from lapien here at sequencias. he has many more dark corners left unexplored.

sacrifice is the work of two duos at the top of their production games. bicep, after their critically acclaimed recent releases on aus music and their own feel my bicep records, and smd fresh from promoting their new live album, decamped for a few days to smds london studio to jam out this resulting epic.

ltd 2013 repress !!
illusion recordings is bringing an absolute stomper from the appropriately titled ny stomp with a track called >the ny house track<. a massive track inspired by new york, jersey house music and designed to get every party rocking! ny stomp is a special project by gerd (clone/4lux) who made this track to add to his live set with no intention to release it. it was just a cut made for his live sets and done as an hommage to the early days of ny and nj house. however after playing this at a party from the illusion guys in leeds he got tortured by the guys to make him release it... and lets be honest... it would have been a shame if these cuts never made it to vinyl! one the flip side a slightly more introvert track calles >can you feel it<. on remix duty its nicholas and dj aakmael both doing an excellent job by smoothening things up and take things a bit deeper. proper house music!

2 fierce tracks that are straight up o.g. jacking house in roman flugels unique way. timeless tracks that maybe even in some way go back to his early acid jesus days and connect that with what hes doing today

keith tuckers optic nerve persona returns with the timelapse ep. side a1 minimal detroit mix is a dark minimal mood beat pumped excursion into techno floor stumper. a2 time displacement mix is a completely different take with alternative beats creating a sort of shift in time. the tracks show tuckers growth and influence on electro and techno with his work in aux 88. side two one moment in time is a detroit sort of metroplex gem. tucker once again shows his melodic melodies and baselines that shows his love for detroit music and grooves. a highly thought out sequence of great sounds and string chords as only optic nerve does it. tucker has hinted many times that he has a lot of unreleased music from his metroplex days! b2. transient force records label owner as1 gives us a true electro mix which keeps alot of the original mix of one moment in time. the tone is a more electro clash techno mesh of urban beat programming for the electro heads.

saved presents the 3rd instalment in their collection sampler series, collection c. the release contains music from artists who have already made a mark on the label as well as a couple of debutants. a reflection of the labels tastes with original music and an eclectic range.

this is what happens when two scientists of the bristol bass continuum collaborate ...
a. keyhole : have you ever stayed awake for 3 days straight? this track runs in a parallel universe to our own - a bit like being in a hole you cant get out of.
aa. hydropump : die & addison groove force-fed the sp1200 with a secret 90s nutrient formula, creating the pairs first ever collaboration – hydropump. no spider mite here.

swayzak!! after a long, long break the real swayzak sound is back on 3rd wave music with a holy masterpiece and lesson in deep and dubby techno music. everyones sound of todays bub or deep vibes is called >sounds like swayzak< but this one is swayzak. raw, floating and never ending adventures of pure andvbeautiful electronic soundscapes and feelings combined with a straight groove. this release has a unique inside out cut! means the needle runs from the inner side of the vinyl to the outer side! 2 tunes with almost 20 minutes playtime on 180 gramm vinyl. all songs are written and produced by david brown. shrink-wraped. rare!