the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

toribio is cesar toribio, a dominican american living in brooklyn by way of tampa, florida. hes an alumni of berklees school of music, and recorded my dear in his college dorm room in 2011. its difficult for me to find the words to express how proud i am to be releasing out his first recorded works. especially in a physical form. the music is honest, vulnerable, and exposes parts of his personality that even those who are fortunate to know him, have never seen before. esa montana se movera contains 4 tracks – 3 original songs on side a, and a 10+ minute remix from joaquin joe claussell, a long admired hero of cesars, on the flip

born marco sterk, he certainly doesnt come from a standard dj background. a former skate rat who grew up loving american post-hardcore and 90s hip-hop as much as early warp records, hes been affiliated over the years with amsterdam institutions such as rush hour, red light records (where you ll find him most weekdays!) and, of course, dekmantel itself. still, thers no question that hes always followed his own path, even during the years that playing his favorite records meant that he was occasionally clearing dancefloors

for his second solo album in 20 years roger raspail, a true legend on percussions, wished to reunite all the musicians who he has had the chance of performing alongside and that have marked him. the result is this wonderful intersection of jazz, cadense and gwo ka.

repress 2017 , allez! as the curtains come down on another crazy summer of love, apollonia drop their latest release courtesy of io mulen - the ukranian rude boy who appeared on the label at the beginning of the year with ‘unknown to the unknown’. he’s back with a hefty six-track package which is sure to please his fans, and win him a whole new army of supporters. we get straight to business with the first track, ‘rdm37’, one of those trusty apollonia bouncing bombs. skittish beats work off a sublime groove, while io keeps the background full of interesting sounds, boings, cheeps and all manner of whimsical effects, introducing more and more as the track progresses. by the midpoint you’re so gripped by the track that your whole body is moving uncontrollably, super glued to the rhythm. next up, it’s ‘xdt54’ coming through with a deep, persuasive bassline that jigs around in the low end luring you into its web. simple, polished percussive elements keep things moving at a pace while subtle keys and barely-there vocals add further layers to this catchy little number. the third track in on this lengthy ep is ‘mpc13’, a walk on the sensual side. vocal snippets are interspersed among sultry pads, skipping four to the floor beats and a sleazy b-line to create a delectable slice of dance floor naughtiness. this one flirts with you as it writhes around, taking you ever deeper…four tracks in we have ‘zgb41’, another alluring cut that has all the hallmarks of a deep house classic. those shimmering pads, a bassline that feels like it was born in nineties chicago, diamond-cut beats and a general feeling of what we would call ‘true house music’. there’s soul, there’s funk and there’s realness, what more can you ask for?ypt58’ keeps us locked in to that hypnotic groove with an insistent b-line holding things down - together with the infectious rhythm cultivated by the drum arrangement, it’s a killer combo. put those together with the smooth atmospherics plus synth lines staggering in and out of the background and you’ve got yourself a roller. last but definitely not least is ‘zxy22’, a wistful slice of technoid funk which has a delicate melody at its foundation. as it develops we get sucked in to layer upon layer of beauty, from the analogue low end to the electric guitar riff – each layer complementing the other and creating a symphony of sounds that acts as a perfect way to close out the ep and will no doubt end plenty of dj sets, when it’s released. so monsieur io (mulen) returns to apollonia with an instant classic, make sure you snap it up right away. magnifique!

next up for the brand new dkmntl ufo series is rohan walder aka randomer, who has been causing a stir with his uncompromising, bass heavy cuts on labels like clone, l.i.e.s., hemlock and numbers. the londoner graces our new platform with his signature sound that blurs the lines between big boned techno, sizzling side-step house and afro-inspired drum programing. delivering a four-tracker thats a highly energetic and confident outburst of a unique electronic music soul, randomer properly handles the abstract sound esthetics of dkmntl ufo

breakbeat paradise recordings is turning back time to the early 70s when funk music was made by talented musicians joining forces in bands with the objective to create the next big funk anthem. so many big tunes and classic funk productions came out of this era and it also harnessed a new breed of funk bands across the globe who is dedicated to continuing the legacy of the funk music in the new millennium.

after seemingly coming out of nowhere, your old droog set the internet aflame in 2014 with his self-titled debut ep, catching the attention of bloggers all over the web from new york magazine’s vulture to nahright. before long, conspiracy theories started and people began to posit that droog was another older, legendary new york rapper in disguise. profiled in the new yorker, droog (meaning “friend” in russian) set the record straight about who he was: a twenty-something ukrainian immigrant who fell in love with hip-hop when he arrived in south brooklyn as a small child. the timbre of his voice resembled that of a hip-hop legend but droog’s content had more to it than street dreams or observations from a project window. his music reflected his own unique life experience as he referenced everything from sports, to crime, to seinfeld and c-span in his rhymes. he was an intelligent hoodlum with a stand-up comedian’s sense of humor—unafraid to be as self-deprecating as he was self-aggrandizing.
on his critically-acclaimed debut, the your old droog lp, he vowed to “bring back storytelling” and now on his sophomore album, packs, droog delivers on that promise.

soaked in jazzy late night grooves, blissed out piano chords and glistening beats, it’s another essential release from a label that’s quickly rising to prominence.
following on from the soul-drenched disco excursions of ross from friends’ debut ep, newcomer rgl’s ‘1 thing’ ep spans 3 dusty deep house cuts built from the ground up to do the dance-floor damage. rgl is the moniker of tokyo based producer rigly chang, who’s also part of the tokyo based cosmopolyphonic collective. his affinity for intimate dance music brings soft textures and moods that stretch into the listener, bringing a new kind of warmth to the club.

aaaron is a producer that s been on our radar for a long time. as demonstrated by his beautiful and stripped back recent work for connected, aaaron s tracks have developed a certain maturity that has become impossible to ignore. following that signature style, the grooves on black arp, his debut ep for yoshitoshi, flow smartly from his experiences in berlin s minimal techno/tech house scene. never too abrupt or intense, black arp and keep doin it are versatile tracks for many different atmospheres and set styles. like much of his music, the percussion throughout features elements of tribal house, producing a playful energy and an extra level of accessibility. additionally, we re very excited to welcome dj t., another respected berliner who really needs no introduction, to the label for the first time. he gives the ep a rough edge with this remix of black arp. the distorted synth leads and stabs here filter in and out over a driving tech house groove, giving the release a peak-time option for those in need.

as we roll into a brand new year bass culture keeps the pressure high with a funk-filled new three-track ep from one of germany’s finest, sebo k. the berliner has been entrenched in his city’s vibrant scene since the nineties, when he was playing breakbeat and jungle. in fact, there’s a nod towards his early days on the ‘brock wild’ ep, along with some sultry funk. head of his own label, scenario, and curator of parties under the same name, sebo k has also produced music for a long list of some of the world’s most influential underground labels and now he steps up to bass culture with this sleek collection. the title track is a steady roller with hefty bass rumbling deep below sturdy beats. the groove is funky and low slung, swirling pads mesmerise you as soulful female vocals raise your vibration. the track is punctuated by an iconic sample of uk reggae star top cat, which was used in several early jungle tracks in the mid-nineties and now again on sebo’s killer track.flip the record over for side b, which kicks off with ‘aftershock’, another sweet groove with jazzy hues, more punchy percussion and a warm, simmering undercurrent. as the track evolves, techy notes are added to its potent mix and we get a wonderful mix of traditional sounds and more futuristic effects. last but not least is ‘foliage patterns’, a sensual cut straight out of the us school of deep house. this is one that will be spun by all the deep house masters no doubt, with all the elements you need to inject some bounce into the dance floor yet still touch its soul. as we said, sebo k is one of germany’s finest, a versatile producer and dj who demonstrates exactly why he remains one of the nation’s most consistent and respected artists. make sure you add the ‘brock wild’ ep to your collection, it’s a must!

hot on the heels of the transcendental and mystical vibe telemetry long-player of the man like telephones, we proudly present: vibe remixes. some of you might notice the irony between the lines. a producer who goes by the name of call super is remixing an artist known as telephones. but, we rather rivet you on his 8:59 long skippy dub journey that recalls (pun intended) an atmosphere that could be found in the space between smith & mighty, the ltj bukem of his youth, italian house records, british balearics and bass affine music (of whatever providence). a magical mystery. but we don’t hang up here. dj fett burger is treating the other side and only he himself knows how he made what he did. 14:51 min of almost every style ever invented in the scope of house music. designed for people blessed with an everlastingly short attention span and djs on the lookout for a toilet break and a coffee break or whichever break, it leaves its listener speechless. and: its so much fun that once its over, you want to redial fett burgers number immediately.

always keep moving, never stand still a motto that dapayk & padberg have been following consistently for more than ten years in every respect. for nearly three decades sought-after musician, producer and machine enthusiast niklas worgt has researched diverse club sound effects with countless projects, while singer eva padberg is an internationally renowned high fashion model. since 2003 they have been traveling and performing together as dapayk & padberg. they are passionate sound nomads who capture acoustic impressions of their exciting journey. each album is a sound logbook, which captures memories in the form of beats, tunes and skits. on sink this ship, released a few months ago, the berlin-based duo provided a first glimpse of what you can expect from dapayk & padberg in 2017, with their new album harbour. a harbour, where both stop off for the moment, because their next trip is already planned: after the release of harbour, dapayk & padberg tour europe and row.

mayak starts 2017 year with another bright newcomer - christopher ledger. his intelligent approach to music production and love to deep grooves is greatly shown on a-side, including original track and an ambient beatless version. on b-side we invite already beloved teluric, who makes a proper prime-time remix.

what a pleasure to announce this 2nd opus!
we offer 4 tracks composed by rare and talented artists who master the hypnotic groove perfectly. we focused this release on the organic and dancing side. a dance that takes us until the early hours, at the moment when the sun is rising ... le jour se leve.
certified quality! written and produced by alan castro, raul falcon, nicolas m. trojani, radostina bekiarska & daniel ivanov.
vinyl only! limited copies!

“which doobie u b?” is the debut studio album by the latino rap group funkdoobiest. dj muggs was the executive producer for this album. tracks on the album are performed by son doobie and tomahawk funk, including additional cypress hill member b-real on the track “wopbabalubop”. hence the album is very much in line with the cypress hill productions.
pressing on 180 gram audiophile vinyl.

voilaaa is one of the many projects led and produced by bruno “patchworks” hovart, who’s proven over the past 15 years, his place amongst the finest producers of groove music in all genres.
this time exploring the wide spectrum of the african and tropical disco scene, he received a massive international support for voilaaa’s first album, on te l’avait dit, released late 2015 on favorite recordings. with a second effort already planned for spring 2017, voilaaa has not finished to feed international dancefloors with heavy afro-disco vibes.
here comes the first single from voilaaa’s upcoming second efforts, made of 3 new killer tunes featuring doctor lass, sir jean, and pat kalla.

this third release from no real value features tracks from k.i.t.t., label head, aggborough and dj ford foster, who all supply huge slabs of experimental techno and electronica. comes in very limited numbers, hand stamped with linocut graphics by alpa depani.

(incl. joris voorn remix) its a brave artist who takes on the task of remixing what many would regard as a true classic record. especially when said track holds its own personal memories, having played its part in shaping their own musical path. green boss joris voorn has taken the plunge, by lending his skills to reworking ‘mengs theme, a true dutch techno classic from secret cinemas former alter ego, point blank.

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp. mit dabei ist unter anderem die 2016 gemasterte version von »station to station«, gepresst auf 180 gramm vinyl.
»station to station« ist das zehnte studioalbum von david bowie. es erschien ursprünglich bereits 1976 und markiert einen von vielen musikalischen richtungswechseln bowies – von rock, funk und soul der vorangegangenen alben hin zu elektronischen einflüssen.
mit »station to station« erreichte der musiker platz fünf in den uk-charts. in den usa stieg das album bis auf platz drei.

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp. mit dabei ist unter anderem die 2016 gemasterte version von »young americans«, gepresst auf 180 gramm vinyl.
»young americans« ist das neunte studioalbum von david bowie. es erschien ursprünglich bereits 1975. was die musik auf »young americans« angeht, so verließ bowie sein gewohntes rock-terrain und arbeitete stattdessen mit verschiedenen soul- und funkmusikern sowie mit beatles-legende john lennon zusammen.
das album landete auf platz zwei der uk-charts. in den usa erreichte es platz neun. zu den erfolgreichsten singles gehörten der titeltrack »young americans« sowie der song »fame«, der es in den usa bis auf platz eins schaffte.

rico puestel is in charge for our cocoon recordings 144th release. rico is an producer animal who released more than 100 tracks & remixes since 2005 under various project names such as dinamoe, central scrutinizer and of course under his main moniker rico puestel. the enormous amount of productions shaped ricos knowledge and taste and his new cocoon release neyst and enokid seems to be the logical result of his long journey through the techno-universe. puestels style is very unique and merges elements of dark and hypnotic mainfloor techno as well as orchestral sounds and even industrial elements. neyst is the perfect hypnotic and dark techno circle that keeps on progressing and building up into sheer madness. no fast food, no leightweight, this is heavy techno business! enokid comes with a little more of a chicago house vibe however it is again still deep in puestels very own style. we especially fancy the crazy break in the middle with the spaced out room effect part and the melody coming in after the break. as stompy and musclepacked this track is, it still seems to be very musical and deep at the same time - what a trip! this one demands a good and proper sound system, well what other cocoon release doesnt?

omni am came into existence from the disparate musical tastes of adam collins and marky star during the strict 90s chicago house scene. making use of a wider palette of sounds and rhythms, the two formed an act around an eclectic live pa and their unique vision of unpredictable house music. with resident advisor calling it as good as house music can possibly get, beat dis is a breakbeat salute to house music and was featured on fabric records tyrant 2 by craig richards + lee burridge. dangerous is a minimal tech classic with omni am s signature rule-breaking style. originally released on swag, the song deepened the groups long relationship with the south london record shop and its crew. presented now for the first time with updated masters, this release is for fans requesting these rare songs, and also for a newer generation who are eager for their own copies

efficient space continues to expose australias esoteric musical history with oz waves - a collection of 80s diy recordings, compiled by odd wave anthropologist steele bonus. definitive proof that inhabitants of the down underground were links in a global network of creative kooks, oz waves connects those who utilised mobile recording rigs and small press releases to create and disseminate misfit synth-punk, tape loop experiments and inner city pop. through overseas mail order exchanges, anonymous groups like zerox dreamflesh could find place on belgian compilations, while chris and cosey lullabied their son to sleep with irena xero and her interdisciplinary art collective zip. bonus selects 10 survivors from the fertile period (1982-1989), most of which were only issued on cassette in tiny editions of 5 to 100 copies. m squared affiliates prod join the extraterrestrial software seduction, he dark ages minimal wave neglect and the irreverent cut ups of the horse hes sick and mk ultra & the assassins of light. the remaining tracks have been sourced from musicians private archives and are being officially released on oz waves for the first time - andy rantzens industrial dub itch-e & scratch-e precursor, the buoyant vocal-drone of ironing music and moral fibro, sydneys short lived answer to weekend and marine girls. with detailed track by track notes, lines are drawn to severed heads, scattered order and other

nice price deal !!! andrea paganin is our latest member of the kompass family from italy. his former releases on labels such as tenax, modulator or circle already stirred quite a buzz and now its his turn on kompass musik presenting to us his >big shit deluxe ep<. its andreas dark and classic original on a1, followed by a remix by his circle label fellow marco sarto, which takes things a bit straighter. on the flip side its well-known argentian seph known guy showing us his remix skills. his releases on phonocult and dumb-unit made him quite famous already and we are proud to have his dark but deep minimal techno remix production aboard. to complete the package, its roberto clementi, a london based italian who contributes a bouncy and twisted piece of music, a perfect addition to the whole package. we love it.

bereits im letzten jahr veröffentlichte parlophone records mit »five years (1969–1973)« und »who can i be now? (1974–1976)« zwei boxen, die david bowies studio- und livealben aus den besagten jahren versammeln. fünf dieser longplayer erscheinen nun auch einzeln, und zwar als cd und lp (180 gramm vinyl im klappcover). mit dabei ist unter anderem die 2016 gemasterte version von »diamond dogs«.

lelio luttazzi was a multifaceted artist, a jazz lover (whose favourite pianist was erroll garner) who left his mark as a pianist, musician, conductor and composer. during a career spanning more than 50 years, he established himself as a master of several disciplines such as music, literature and cinema. “i miei stati d’animo” (my feelings) is one of his greatest records, where you’ll find all his irony and wittiness, his versatility and priceless talent. a beautiful easy listening jazz work, completely instrumental and way ahead of the time it was released (1971).
this vinyl release includes the album on cd.

“dramatest” is a collection of experimental library music published in 1974 by fonovideo and signed by oscar rocchi (and his moniker chiarosi) - an excellent pianist and composer, who worked with many italian jazz heavyweights - and fabio fabor. “dramatest” consists of 14 slightly eccentric explorations of the electronic spectrum, casting pure experimentalism, melody and no fillers whatsoever. one of the best examples of the lost art of italian libraries!
this vinyl release includes the album on cd.

night visions is a collection of stories which dance alive over an infectious blend of afro-latin rhythms and contemporary dancefloor beats. told by a variety of characters, drawn from the vibrant imagination of chico mann, these stories take place in an endless night, where we move through dimly lit clubs, jungle moonlight, pitch black desert plains, and the internal shadows of personal darkness. while the characters often stumble and search blindly in the dark, the persistent presence of a distant light provides an underlying direction and hopefulness to all the songs. captain planet s production, informed by his regular crowd-moving dj sets, keeps the album sounding effortlessly danceable & contemporary. meanwhile, chicos vocals have an instant classic appeal, hinting at old cuban rumba and vintage afrobeat lps. the two are aided by guest vocals from regular collaborators kendra morris & brit manor, as well as some talented friends who contributed additional horns, guitar & marimba

2nd release of darmstadt based vinyl only label comes with a four tracker by sercan - labelhead of utique - who is back with an impressive solo ep along with a dancefloor remix from tolga top.

after few releases featuring sübaka with remixes by steve bicknel (uk) and sean deason (usa), module records maked a ten years break. so we are very proud to introduce klash point guys who produced this persistence ep for this labels comeback.they are two french producers who combine fiery energy and the wisdom of experience. like a family affair! all in all, name check these lads out for more future aural excursions. on this 12inch, this is minimal electronic techno at its best, deep and dubby with a solid straight groove. then, we are sure that new ep will not disappointed you, without a doubt!

stepping up for its landmark tenth release is label honcho juan sanchez, who drops four slices of heavy techno funk. over the course of nine releases, format records have established itself as a very credible source for quality techno. its tenth release again perfectly captures that frisky format sound.
first up is serpent, a mid-tempo and bass-laden belter that’s followed by the darker, minimal-tinged qualia. a different place merges detroit-esque elements with tones of european techno, after which things close with no-beatsall-fx stubborn synth.
the tenth format release is a perfect snapshot of the label’s signature sound, while paving the way for many more good things to come.

dj, musician, former saxophonist - theres a combination of skills you dont get to see too often. get acquainted with demian, then, aka damien pontonnier, a french artist who relocated to paris after an influential career as electronic music pioneer and party organizer in northern spain. now an accomplished producer with releases on labels such as correspondant or clouded vision, he presents the milestars ep for kompakt - a quirky and vibrant track trio with an obvious knack for catchy melodic details in a kinetic techno corsage.

the next chapter of attic music is a propulsive, dark and deep techno ep from st. petersburg’s new talent relic radiation.
loss of logic explain his direction with a moody and cinematic title track full of introspective drones, nebulous clicks and slow-nervous rhythms.
the territory of irrational is a most functional and hypnotic techno track perfect for your blackhole robotic-dance.
loss of logic comes also with an ace remix from the outstanding giorgio gigli who made a serious work on the beats creating a dense techno tunnel over the b-side.

the hoodna orchestra is a 12 members orchestra who studies and investigates the african origins of western popular music. the orchestra formed in 2012 in the south side of tel aviv, by a group of musicians, and it functions as a collective and a record label.

timely outing from two grand masters of exploratory electronics. kassel jaeger is the moniker of french musician françois bonnet who works at the grm and has released a number of books including the highly regarded the order of sounds, a sonorous archipelago published by urbanomic in 2016. jim o rourke is known to most through his explorations of the song and shapes, the high and low, the east and south. wakes on cerulean is a joint adventure where process folds upon process and the operation of procedure remains unknown. amongst a mysterious cloud of excited high frequencies tiny whistling howls. frog leaps in technique lay out a thrilling and uplifting journey that runs from the soothing to ecstatic and back to the buoyant again. wakes on cerulean is a staggering feast of the joys found in electronic process. a malleable bubble of hovering excitement, melody and joyous refrain.

second chapter in the af voiceless series. the label run by pervert keeps on broadening its own catalogue by adding artists committed to the underground electronic cause. this ep is a 5-track new voyage through analogue-crafted soundscapes, acid-injected breaks, thudding bass lines, warm and intricate melodies...the sheerest voice for the voiceless. af005y introduces new members to the family as houston-based daed (ian lambert), who displays his ability to create a perfect acid-glitched called pulse lunar . thus, smiley moon is above all a glimpse into the analogue world of the well-known rolando simmons, proving himself he s one of the brightest electronic artists of the moment. sheffield based dave forrester (techdiff) twists the modular in jamuary with a killer aphexian/jenkinson temper. longing raving days are depicted in quest with an evocative electro halo by the hand of the irish producer cignol. last but not least, smoke , an acid junglist and braindance orgy signed by gareth clarke, known for his previous works on canada s sublight records (venetian snares, bill laswell) and lovelove records. limited and handnumbered as usual.

invaderband are a garage/artrock band assembled in 2012 in derry, northern ireland by mancunian singer, guitarist and songwriter adam leonard who enlisted local musicians to voltage-enhance his dystopian post-punk songs.
leonard has a prolific history as a musician with an extensive back catalogue of solo and collaborative work, and was an occasional member of one of stewart lee’s favourite bands, the owl service. he was also the winner of the uk city of culture 2013 resonate award for best song. invaderband’s lead guitarist / synthmeister is chris mcconaghy aka our krypton son. bass frequencies are provided by gavin mccartney (of here comes the landed gentry, the murder balladers) and drums are handled by rion mccartney (on the album) and john goodman (live).
invaderband’s debut single the implausible man was issued on record store day 2015 and the follow-up, attack of the pod people arrived in december ‘15. the singles were picked up by local, regional and national bbc radio, with the latter making it onto the bbc 6music recommended playlist.
the self-titled debut album (below) is released by tectona grandis, the vinyl release includes a download code.

we are seemingly headed towards dark and confusing times. the tension inside of the people is rising so instead of putting more gasoline to the fire and fueling the rage i submit to you these sounds of peace. not black music or white music. not borders or class. just music. it’s time to stop labeling music, just as it is time to stop labeling humans as 1st class and 2nd class citizens. if you can ignore my broken voice and if you could only look past my music’s imperfections, you would feel me instead of hearing me and maybe then you could get a small glimpse of the hope that the people feel when they are at my concerts and understand the idea that many great men and women before me like bob marley and john lennon had, that we are all one. the idea that had brought hope and countless others. the hope that makes them scream: peace forever. (charles x)

following two staggering contributions from the analogue roland orchestra and 2030 that illustrated to boundless sonic possibilities for the label, deep’a & biri return to their tel aviv-based black crow label with a pair of powerful, emotive techno cuts in the style for which the duo long since become admired. for a long time one of those admirers has been detroit techno founding father derrick may, who has been on a mission to push the new 12inches a-side, basic cycle, into instant classic territory through his unwavering commitment to making the track a highlight of his sets. may has been far from alone, with the track being one that d&b have been asked about, if not outright begged for, over the past year or so. it finally becomes available to techno fans worldwide in january 2017, backed by the pummelling rhythms of overdrum, which itself has the potential to turn heads and drop jaws all by itself.

tripmastaz label plant 74 has been launched back in 2009 as a platform for young artists worldwide. since then it’s catalogue got licensed by !k7, defected, cocoon, ministry of sound to name a few.
2017 is the time to get vinyl lovers their hands on vinyl only mix series of the best tracks from plant 74’s back catalogue as well as new unreleased music. that’s our give back love affair with supporters :)

vinyl only .. space is most definitely the place as far as the latest vinyl adventure from us here at future reactions is concerned. with galactic references aplenty, futuristic soundscapes and more than a hint of interstellar travel on the analog core ep, the only thing missing is an astronaut suit. manning the controls of this otherworldly craft is josé rico, a key figure in themadrid underground scene through his associations with the downbeat and freebeat labels, who blasts off with the raw emotional electronica of orion. that man rico also features alongside the much-vaunted leonid (dolly/sistrum/statik entertainment) under their joint studio guise of cygnuss. having made their debut on freebeat earlier this year with the well-received long player night drive, the duo are on a mission here to warm-up the dance-floor with their house-not-house rocket journey to outertape. hailing from buenos aires but with a sensibility rooted in chicago and detroit, diego perrisson caught the attention of the more discerning ears as co-owner of the short-lived but not-forgotten label monochromatic. turning heads once again with his new venture, fundamental sounds, perrisson captains a smooth touchdown with the cultured deepness of restless ride.

un.t.o.’s fifth release comes from cosimo damiano who delivers a brooding four tracker that leans heavily upon synth melodies and hardcore stylings. the result is an essential experimental techno ep that works just as well at home as it does in the club.

tamango records is the fresh newborn imprint from berlin founded by yaya. the name is inspired on the story of tamango, the first african slave who fought for his freedom, which perfectly represents the no-boundaries style of the label.

ltd 50% deal - last copies left !
stephen brown presents his next new mirage ep for mojuba sub label a.r.t.less. the scotish techno mainstay who just released an ep for the magnificent indigo aera returns after his huge debut illuminance ep with a killer techno tune called 2fm in finest robert hood / m-plant tradition on the a-side! the b-side is a very emotional synth laden track that will work perfectly for those opening or closing set moments when everyone is in the zone, eyes closed floating on the dance floor following the funk created by rhythmic melodies!

east wall was an italian electronic dark wave band started by fabrizio chiari (ex keyboardist of kirlian camera) and wilma notari in 1982. “silence” was self released by the band in 1991.
we decided to expand the album, releasing it as a deluxe double lp cut louder at 45 rpm. we have also included an unreleased extended version of “ice of fire” and the bonus track “intro”, found on the dat tapes fabrizio chiari sent us. all songs are remastered for vinyl by george horn at fantasy studios in berkeley. it is housed in the original jacket, featuring a dramatically lit photograph of the band by andrea gambetta. each copy includes an 11x11 double-sided insert with photos of the band, lyrics, and liner notes by intergalactic gary, who’s despair mix turned us onto to this album all songs are remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring a photo of a boy by pushe 27. each copy includes a 2-sided postcard with photos of the band, lyrics, and liner notes by flemming dalum.

they are dangerous is the second song released by senator gary. the riddim was build by the late great keyboard player winston wright (1944-1993) and the vocal was recorded at creative sound studio. the tune was produced by neville reid who died a few years ago. senator gary is also called imara, abbasani and now he is voicing under the name of i-maa-raa. so the quest to find him was not so easy, thanks to marshall neeko for the help.

the muggs presents the soul assassins (chapter 1) album was originally released in 1997 and is produced by dj muggs. it features tracks from a veritable who’s who list of rappers like dr. dre & b real, mobb deep, rza/gza & genius (wu-tang clan), krs-one (boogie down productions), goodie mob plus contributions from his cypress hill fellow band members b-real and sen dog.
pressing on 180 gram audiophile vinyl.

tell (aka milan for the ones who know) is a french producer who did tracks for beat x changers, banoffee pies, house running, nachtbreaker new imprint & just caught the attention of the mighty boiler room. this is his first ep which is in fact a mini lp & it s a fucking killer ! if you like pepe bradock, moodymann & strictly rhythm (so skylax in a way ,-)), this is definitely for you. ultra classy producer on the verge of getting big. we ve been following him for years now (thx to garage shelter / signal st advise) & we won t regret, the result goes far beyond all of our hopes. futur classic. skylax records 4 ever