as an artist, christian burkhardt, is not content with existing within the realms of house and techno, but is determined to further stretch its limits with his signature sound originally from heidelberg, germany, he has carved out his own unique path in production, something which perfectly evident on send the money back.

josia played his colourful,excessive sound all over berlin at well-known venues as sisyphos or weekend, but also in numerous german cities and in neighbour countries like poland, luxembourg, lithuania or austria. as producer and remixer josia combines dirty electro bass lines with deep psychedelic soundscapes and effects on a base of minimal techno beats

limited to 100 pieces worldwide! crime scene kicks the geez out of the backyards of crime city with 3 dirty street trax. cc 004 is a real underground oldschool jam. tracked and recorded on real analogue hardware – no plugin fake! houze musique – straight to the ghetto of our heart! vinyl only!

limited to 100 pieces worldwide! black edition. crime scene kicks the geez out of the backyards of crime city with 3 dirty street trax. cc 004 is a real underground oldschool jam. tracked and recorded on real analogue hardware – no plugin fake! houze musique – straight to the ghetto of our heart! vinyl only!

gary beck never disappoint if it comes to peak time techno. 3 raw and dirty tracks with a delicate flavour of funk.

fleetwood mac is a band with many faces. in contrast to their poppy sound of the 70s, fleetwood mac actually started out in the sixties as a psychedelic blues band under guitarist peter greens lead.
pious bird of good omen was originally released in 1969 as a compilation of the bands bluesy roots: their first four uk singles and their b-sides and two tracks by bluesman eddie boyd with fleetwood mac backing. the albums sound is laidback, down & very dirty, featuring scorching cover versions of little willie johns >need your love so bad< and robert johnsons >i believe my time aint long<. the b-side features the international hit single >albatross< and peter greens composition >black magic woman<, the latter being popularized by santanas version in 1970. this album is a must-have for blues fans. anyone interested in the roots of fleetwood mac might discover they are essentially a totally different band than one might think.

dood, the second single from claude vonstrokes forthcoming album, urban animal. dood is inherently dirtybird and the one youve been waiting for if you were expecting something nasty from the project. the heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates vonstrokes witty spirit. the track is an homage to the time claude spent in los angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis.

2013 marks the introduction of a new imprint in music: touch of class records. the labels founders, pillowtalk member michael tello along side ray zuniga, pay homage to their fathers business continuing the family name and artistic principle. originally from los angeles, the label mates migrated north, to san francisco. toc records puts a new west coast label on the map aspiring to exhibit the distinctive deep-house, indie dance and raw-techno textures that embody both hometowns.

the first release for the duo wot 2 browns (uncle dog & mirco berti) - a fine example of their pure house sound, deep grooves and haunting, soulful vocals. sure to be a successful union for many more hip-shaking tracks like this one, a sure dance floor filler!supported by: marco caro

supported by eric duncan, red axes, bottin, tensnake, massimiliano pagliara, sean johnston, dj rocca, dj zak, fabrizio mammarella, johnwaynes, discodromo, dirty channels, makossa, tim paris, balearic gabba sound system

> cant wait<,is reminiscent of some of vonstrokes deeper classics while also pushing further into new territory. a sense of restraint and release play games throughout this melancholy tune with a fat bassline locking down the groove. >cant wait< has fleeting moments of euphoria that are both surprising and uplifting especially for a summer open air crowd. coming up strong on the b-side, >the clapping track< shows us the fun side of vonstroke where he cuts apart 16 claps and then brings them back together - building up to a standing ovation as a resonate organ sounds. this house anthem has already been destroying the dirtybird ibiza residency and summer festival circuit as well.

- enoe is one half of the production duo background sound, with releases on join the dots and more recently on the percussion lab cambio compilation.
- rudimentary records are pressing up a piece of wax which will feature * do em dirty* and * top bill

dsr001 has been assigned to the italian talent marco effe. born in livorno and resident in berlin, certainly he doesn t need introduction after the latest releases on cocoon, break new soil e cecille. both tracks represents the quality and technique of this artist. the energy of pjanicside and rawside combined with the madness and the great quality of seph give life to an output ready to burn the dance floors all over the world!

cardiff massive giovanni branciamore and bradley albertides heard nicoles amazing sultry folky tones on the flowers of flesh & blood album and just had to work up some nip and bop to sit with her voice. nicole loved it and this is it! we are not too sure what to label this music under but tags of future nip hop ambient folk bop seem to be close. sarah burgess is a secret forest folky vocalist from york with a super soft ambient tone to her voice which was crying out for a touch of flyypost nip. luv*jams ambient alter ego flyypost slides out some wobbled out bass lines, floaty synths and a 68bpm raw kick drum all gliding on a bed of waves with sarahs stunning memories vocal. what style of music do we label this as? neo italo nip folk acid whop?

pow! belgian duo goldffinch are back on saigon recordings, bringing things back to where they should be: the dancefloor. the duo of yoann and gilles, from brussells, belgium, launched themselves swiftly to the forefront of their chosen electronic music style with a series of unmissable dancefloor weapons on labels like jackmasters numbers, claude von strokes dirty bird, saigon, airflex labs and audio culture. four new tracks on an ep entitled the volume, guess what the first track is called ... (yes, we dont do cleverly named eps). the lead track is smashing up airwaves/dancefloors around the world to the extent that we do sincerely hope that no injuries may have occurred due to any aggro-dance moves (we are not liable). support thus far has come from the likes of paleman, loefah, mary anne hobbs, and benji b, amongst others. goldffinch/saigon fully endorse the use of peacock related imagery.

4 track ep dripping wet with deep house analog warmth. dirty laundry is an old skool chi-town house cut ala washing machine, not so wicked a deep jack track b/w nocturnal emo, a frenetic acid trax and last but not least fabric softener a slow bubbly groover. on soo wavey. limited (250).

with what looks like a summer heatwave on the horizon, it seems right to call on dirtybirds european extension to deliver a sundrenched dance floor stormer to see in the new season. the two track love ep sees catz n dogz join forces with the everinnovative kink, a pairing that has proved striking in the past year after kinks beautiful follow the step release on the polish duos label, pets recordings.

the best is yet to come is the title of the newest release by schallbox records and also stands for the claim of the basel based recording label to continually evolve and develop itself further, thereby upping the ante with each new release.
schallbox014 is a deep and ever grooving track made by berlins michael nielebock and leevey that will definitely see the openair season prolonged until the end of the year. additionally, larsson delivers a dubby remix featuring an electrifying beat and broad synth sounds. schallbox even resurrects some golden memories of legendary bar25 - courtesy of sasch cawa and dirty doerings remix which is furthermore gratifying the vinyl package. last but not least the release is completed by the contribution of newcomer benotmane from basel, who converts the original into a dreamy sunrise tune.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

it has been 10-years of blood, sweat & tears. perhaps that is what fuels their grunge tech energy. bringing madd chaise back to the fore the oliverwho factory serve up some spiced up oldies (rain 5th wave remastered & touch me remix) along with the new bonus feature 2morrow. just the way we like it. deep, dirty and raw detroit house!

drmc gets his dirty mits on chaka khan and twists up 4 of her biggest tunes into some serious heads down dance floor action.
dj support: terry farley / jacques renault / mike w (kolour) / bonar bradberry / griffin james / guy monod de froideville / ali herron / deadly sins / yamwho? and more.

vinyl album released to coincide with bbcs punk britannia and the queens jubilee. a re-recorded greatest hits album by the original 1977 line-up of jimmy pursey (vocals), dave parsons (guitar), dave tregunna (bass) and mark cain (drums) released to coincide with bbc tvs punk britannia series featuring jimmy pursey and sham 69, and the queens jubilee.

david bowie s 2013 album on 180 gram double vinyl, housed in a gatefold sleeve

26 year old julien perez was the former frontman of french band adam kesher (2007 - 2011). he writes and sings now in french. his songs are urban, ethereal, nocturnal soundscapes, infused with a sweaty variete touch. the way he builds his tracks is tense and sensual, reminding of christophe and la perversita lyrics, as much as of border community label and invisible conga people productions. perez will release his first ep in february 2013 on dirty. it has been produced by pilooski (discodeine, tristesse contemporaine), already supported by laurent garnier and tim sweeney.

audiojacks gruuv label drops its twentieth release this december, deep futures fixations ep backed with remixes from the highly in-demand dam swindle and dirty channels.

in 2012, ed banger was proud to announce its collaboration with laurent garnier and the release of its ep timeless. one more time, ed banger and laurent garnier work together to give birth to a new remixes ep of the track jacques in the box.

the black madonna returns to home taping with another classic release in the making! we still believe captures that early sound of chicago when you could still hear the euro and italo influences as they were re-interpreted through the beat boxes & synthesisers of the windy city, and made to jack. on the flip, home taping favourite the revenge delivers his own take on that classic sound with an understated and yet pumping rework. packed full of authentic beatbox sounds and warehouse style keys, it works it to the boom boom. last but not least, the black madonna finishes off the package with say my name - a dirty, menacing and incessant groove that makes out like a wild new street dance that just got turned loose. the black madonna is here to stay!

finally, a new, true doering, whose other name dirty is something of a fake-out: >i would< captivates the listener with clean, maximum minimal beauty, in typical doering style. the melodies swing gentle as a cradle, the beats take effect in a supporting role and the vocals, though sparsely deployed, complete the demand for inner harmony. the elements combine to create a languorous, warm feeling around the heart û a flawless hit.

while a series of projects are slated for release under the dirt tech reck banner, the first is the electric street orchestra. its inspiration is from those who are called street people. forgotten people from a forgotten city. it has also steeped in the detroit tradition of ignoring the notion of genre and taking a broad range of elements and inspiration to create something that is both new and familiar. bringing together a constellation of detroits sonic masters. dtr-01 takes urs mad mike and agent chaos, house music king theo parrish, hip hop/house percussionist dez andres, and rock/funk master guitarist duminie deporres, and joins them through the lens of jeedo’s vision of the future

vinyl only, ltd copies. after the doubtless success of the first release. the second bomb of nilla comes in the picture of gerressen & tetelepta. four heavyweight dancefloor-dynamites infected by funk and tasty classic house atmospheres. recommended into main-time djsets

supported by jacques renault, luminodisco, bjorn torske, soft rocks, fabrizio mammarella, a love. from outer space, blackbelt andersen, dirty channels

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

dirty minds – i m for pleasure (claptone vocal + dub mix) is the first in a series of eskimonde 10 inch releases. limited edition, with exclusive artwork.the claptone remix of >i m for pleasure< was one of the many highlights on our anniversary box eskimonde - a decade of eskimo recordings. the vocal version is featured on the remixed disc of eskimonde, which contains 12 new and unreleased remixes. now it will be available on vinyl too. the 10 inch is backed by a yet unreleased claptone dub mix of the track.

die zweite single auskopplung aus dem aktuellen album >swing lo magellan< der dirty projectors. in >about to die< gibt ein markant-trockenes schlagzeug den rhythmus vor, an den sich sänger david longstreth aber scheinbar nicht halten will. selten klang existentielle angst so entzückend!
inklusive code für kostenfreien mp3-download aller titel.

limited white coloured one sided edtion, flipside is handsprayed!venetian disco master bottin comes with the 2nd release on his newly launched tin imprint!

a sonic journey like no other- harry axt takes you on a ride through the dimensions of sound. begining deep harry gets dirty with dimensions then delivers some top tier tech-funk with drifting. the third stop is 2 faces, perfect for the remaining open-airs of the summer with a melody that will stay with you long after the journeys over. with its unorthodox vocal loop and a jacking four-to-the floor-beat!

naytronix is the new project from the tune-yards bassist-turned-solo artist nate brenner. here is his debut lp, dirty glow, as limited edition double 10 inch transparent red vinyl in gatefold sleeve, including code for free mp3 download of the full album.

the second of two eps from talented californian newcomer, tyler friedman, has now arrived. a night in the woods ep starts of as a murky rhythmic experiment. when released of its bound, it transforms into a hailstorm of sound that builds in melodic intensity towards a final climax. this is scenic and brave electronic dancemusic that over and over again will capture the focused listener. on the b-side rivet for sure push tyler towards berghain. but now the tool is somewhat different. rivet transforms the cinematic original into a very dirty and dry party stomper.

two massive reworks from 2 of the biggest names around - sure fire dancefloor fillers, delivered on white vinyl!

fenou no.17 is the first collaboration of powel & lake people aka lake powel. this wonderful symbiosis created two really charming tracks. with its melodious feel of late summer atmosphere these tracks exude charm to unwind and relax, just right for this time of year.

souvenir is proud to present the follow up to last years in the city compilation. this time round, we are using it as a way of presenting some of the newer talents to have been introduced to the souvenir stable. the track provided by athenian and rhythmetic records label boss cj jeff, is an upfront cover of the the 89 uk hip house anthem dirty cash from the adventures of stevie v.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

he guys are known from berlin to leipzig for his tribing hard techno sound in east germany and the whole nation. zybrixx first vinyl release on dirty bitch records #001 - never been kissed ep!
he is supported by other leading east german techno acts: norris terrify and psychodevils ... also included are maschienenmafia and marcel cousteau.

summer is here people and ovum recordings are about to kick start the season with yet another label debut from dirty channels & bugsy. and this time it already comes recommended. techno takes a back seat as the label continue their stunning run of house releases with alone. label chief josh wink had asked house don, dave pezzner if he had anything in the locker for ovum. having just completed his own rework of alone, he sent it across and within minutes the ovum crew had fallen for its charms. josh actually tweaked the original pezzner remix for his own sets and before long has snapped up the whole release for ovum. dirty channels team up with longtime friend bugsy on the deliciously smooth alone. with their warm bassline, velvety synth and the sultry vocals of amina, the trio have delivered the perfect summer soundtrack. with a brace of mixes from wink backed with a reworked and refreshed double from pezzner, ovum are ready to turn up the heat. enjoy!