somehow no 19 are about to do it again – the label run by jonny white is about to unleash a truly monstrous new ep that will not only soundtrack dancefloors for months to come, but fully announces the arrival of a talent who has been bubbling under for a while now in the form of uk producer eric volta. having been road tested in almost every art department set since january, no 19 are now ready to unleash drop their most powerful secret weapon into the wider world, and its sure to be one of the biggest of the year.

gravious (real name alastair jackson) is a dubstep and electronic music producer based in glasgow. his early releases came via the hotflush label, and its scuba sub-label. more recent releases have come through highpoint lowlife, davey jones, saigon and broken bubble. now gravious offers halocyan his most ambitious work to date, the *rolling thunder ep*. the eps title track begins with glassy, plinking synths that segway into a rollicking, stuttering beat. pitched up vocals lend a 90s throwback vibe to this fun, uplifting number. hotly tipped new york producer octo octa (100% silk) cools down the original with loads of house flavor and his own pristine melodies. on the b-side, *release*, is a towering, glacial epic pushed along by a lurching, pulsating bassline and sensual, shifting vocals. closing out the record is *sulaco squares*, a taut, careful arrangement packed to the brim with colorful melodies and arpeggios.

support by juan atkins, brothers vibe, valnetino kanzyani, ray okpara, guy j, andre galuzzi, phil kieran, chris lattner, rampa, nekes, federico molinari, fimo, patrick bateman, mathias schaffhaeuser and many more! enough! music is back with its newest ep package made from three berlin based artists who bring their own unique sound and styles, a stong statement that these three rising talents are certainly ones to watch closely over this coming year. first we must speak about the two originals provided by george p., aptly named <start> and <stop>, each track carries the signature drive and syncopation typical in any george p. track. <start> is a hypnotic and smooth tech driver, pushing forward with intense percussion rhythms, haunting synth lines and intense pads in support, this has all the hallmarks of any classic detroit cut only with more panache. <stop> continues in the same vain with a raw and jacking tech mix, the intensity growing as the track evolves, a driving stab and tom bass establish a funkiness that becomes infectious and certainly a big dance floor number. the first remix comes from label boss danilo schneider who is <pause remix> of start brings on a solid deep groove perfect for the early hours, yet doesn t loose any of the intensity of the original, this is danilo at his very best and most definitely one killer deep ass shaker here!last but not least is the second remix is by edgar jack who is version of <stop> (aptly named <you know i don t want to>) manages to capture all the rawness and colour of the original as a funky, jacking mix with deep dubby basses and a nasty swing groove that will knock your hip out…yes, you ve been warned.enough! music delivers once again with a very strong and promising ep that will certainly please the dance floor and rumble those speakers from side to side, these three gents from berlin have delivered four powerful and unique cuts that you know you can just simply sink your teeth into.

r&s keep things in the family with mpia3s brother tessela dropping his debut ep for the label. since 2011, ed russell has been moulding a style of dance music as tessela that has evolved to become a distinctly futuristic animal that is equal parts rave, jungle and techno as it incorporates classic breaks into delirious new mutations. the three tracks on this ep all follow on from his superb *hackney parrot* track but evolve his sound even further. nancys pantry combines bruising kick drums and some slick editing of the think break, before plunging headlong into thundering techno. horizons percolating hi hats and rough-hewn percussion roll off repeating chords that recall the heady days of rave. gateways uncomplicated arrangement of high hats, sub bass, siren like synths and quaking kick drums rattle through the tracks chassis and club soundsystems. early supporters to the tracks include ben ufo, pariah, surgeon, pearson sound and paul woolford, testement to what might be tesselas most lethal offering yet.

d-edge are proud to present black belt, the stunning debut from one of brazils most important figures.

with his debut album prepped for november release, a sagittariun drops a taster of things to come, in the form of the >across the celestial sphere ep<. >clusters< rolls out another dusty breakbeat in perhaps his most dancefloor-centric offering yet. >fire sign< is a warm and jazzy slice of techno, whilst >the dna of life< is a moody, industrial electro join

frigio is very honored to release the biggest and most important spanish electronic project of all times esplendor geometrico. from the early 80s until today, theyve been delivering the most authentic, raw and powerful industrial electronics you can hear francotirador which means sniper is a track recorded back in 1989 and this record includes original plus 3 remixes by sneaker (who previously did a remix for twilight ritual), juanpablo (head of frigio records) and spanish producer vinz vincenzo

fields is the only utopia artist to have 2 solo vinyls, and now it is time for his third. championed by the likes of break, calyx and goldie, *on your own* is rugged yet snappy piece of bass music. going for a wooden not plastic approach, it combines classic hip hop vocals with new age bass work. the flip is the best stepper yet on utopia and has the funk, which is hard for most 2 steppers. the interchange of bass and mid tones creates an infectious groove perfect for the dancefloor. supported by: break, dlr, doc scott, goldie, calyx, teebee, andy c.

gaetano vinci a.k.a. hooved has been one of the most dependable producers on amam over the years, and more recently, his sound has mutated in some unexpected directions. thats why its high time to give our knob- twiddling satyr his own special catalog code from now on, and here we present amamhvd001, or for those of you who prefer titles instead of strings of letters and numbers, the timeless ep, his first 12inch of the year. the near-15-minute tmlss 1 begins with a 2-step beat, and as it unfolds, the beats only get more broken, causing a sense of auditory psychosis while somehow remaining calm, cool and collected.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

vinyl only, mastered by d&m
bergstrom cuts to the chase: cavernous, reverbed chords, slicing high hats and steely snares strapped to a sinewy 909 kick, with a siren droning faintly in the background. four-to-the-floor ekaterina is the fever dream of funky house: icy hats and reverbs trick out a heavily filtered synth and a heaving sample of vintage polka. kicking off the flip, more war: state and revolution evokes a kind of long march beneath forbidding skies, its occasional skirmishes between razor sharp hats and muted claps blanketed by echoing synth stabs. finally, damperhof draws the curtains and departs the dancefloor: a mournful, impressionistic cello, a slow throb, a little acid, sombre chords bouncing around the ruins... this is mirko at his most expressive

jamal moulays radio telepathy ep is a rolling, swooning piece of dub house with an expansive, deep and head-swimming effect. and , not to forget : its vinyl only - no digital bullshit

ndv return from summer with their 2nd release which is a bloomin all star va. the idea of the va ep is to showcase the synthy housey technoey sound theyre all about, and what better way to do it than give the vinyl over to some of the most freakishly talented producers out there.

finally somebody did it! the long awaited vinyl issue of the worlds most music nerd friendly street musician

nice price deal !!! new a made up sound! following up on the frantic start-stop action of the ahead/endgame whitelabel from earlier this year, number 6 in the series features two expansive semi-live trips. after hours offers a brooding alternative soundtrack to that most underrated of scorsese movies, while what preset sounds like a launch into stratospheric jazz territory by way of some restless broken hardcore shuffle. highly recommended!

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

using a handful of production aliases, the spanish producer has been dishing out dark-tinted techno since the early 00s, often releasing on his own mental disorder imprint. his most prolific moniker is reeko, with which hes put out some three dozen records. his relatively more recent work as architectural, meanwhile, has been highlighted by a few appearances on semantica, including the 2012 solo release peacetime-a track from that one, looking ahead, earned a place in norman nodges berghain 06 mix for ostgut ton.

tabla is back after the great reception to its first ep with a mighty second, this time from micha klang in partnership with kuroneko. the pair have made music together since 2011, most recently including remixes for safari, an ep for adult only and a track for holic trax...
supported by matthias tanzmann, andrew grant, lauhaus, brothers vibe...

the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.the mosso imprint presents the newest addition to its catalogue. the fifth episode of the series features two newly picked, slow-­&#8208,,,,,,burning numbers. reporting alejandro mossos further travels on the fine lines drawn between awakened reverie and inspirited groove, this new record could also be considered as an adroit demonstration on how to preserve delicacy in splendor. as >islote< was slowly taking its final shape in the few weeks preceding the records mastering, alejandro mosso decided to pull. >arrecife< out from his unfinished archives. it is a beautifully stern and steely work, presenting the slow development of the main lead, giving it space to gradually appear from the fine selection of uncanny percussions and steadily met by its accentuated twin. a damper invitation to look within. on the flip, >islote< begins with a selection of colourful drums, not unfamiliar to mossos usual escapades. however, spreading itself like a most complex delicacy, the apparent sweetness of this distinctive title soon gives way to a rugged melody. conveying a sharp yet cloudy feeling, this b-­&#8208,,,,,,side is located somewhere in the middle of a soft longing and bluesy bliss. mosso places the listener into the near isolation of an island, that is still anchored to its continent. needless to say, his magic is once again well at work.

hirofumi goto aka rondenion made his debut releases on still music back in 2005. shortly after, he released a streak of detroit infused house 12 on rushhour, aesthetic audio and more to great critical acclaim. a dj and producer born in japan. he began working as a recording artist in the late 90s under the name hirofumi goto, and released his global debut, >ameria ep<. it drew attention for its dark beats, unusual for a japanese artist, and was played by top djs like derrik may. he changed his name to rondenion to show respect to chicago and detroit, and began working on an overseas release. ultimately, his love bound ep was released by major labels such as >rush hour< and became a big hit. it reached the top on the rushhourstore sales chart, and became popular in europe. in 2012 he formed >ragrange symphony< with his old friends no milk and kez ym, and he is currently working on a number of projects for his own record label, >ragrange records<.after being approached by roundabout sounds for a remix, discussions shortly after were directed towards a plan for releasing rondenions debut album on both vinyl (roundabout sounds) and digital (plug research). the result is the luster grand hotel debut album, ready to drop in september 2013. luster grand hotel is the most accomplished project from rondenion, an absolute blend of detroit and chicago house, reminiscent of the music from moodymann, theo parrish and rick wilhite. a must have for any real house music fans.

one is formerly the front man of a notorious glaswegian punk band, the other a meticulously precise studio guru with creative flair way beyond the majority. as solo artists they are a formidable force, as a collective they are quite simply one of the most exciting new acts in the uk right now. refusing to rush, they spend countless hours trying ideas, searching for samples, tuning percussion and tweaking sounds. for every mia dora track that sees the light of day, there are 100 that dont. this isnt throwaway club music for the internet generation, it is soulful, thoughtful and emotive music by two producers fuelled by an intrinsic need to give life to the sounds in their heads.

guerrilla soul is amir alexanders deeper alter ego. his first official release under that moniker is a tribute to elizabeth short, the black dahlia. she was a victim of los angeless most notorious unsolved murder back in the late 40s. deep, dark, moody, and emotive vibrations evoke a feeling of wistful melancholy. amir comes with 2 different perspectives of the same theme one on each side of the record. rhythmically moving with lush pads and a minimalistic, yet succinct bass line. deep and super deep are the flavours du jour

kasket (aka charlie baldwin) returns to apollo with his second ep. warm regards, a collection of four songs left to simmer with traces of ambient, jazz, and dance rhythms, opens in dramatic fashion with a majestic title track of billowing synths and plaintively struck chords that serves as an ideal introduction to kaskets most realised work yet.

roskas shocking ep is the latest release from the long-running rinse producer and his firstfor the label since last years rinse presents: roska2 lp. it finds the uk innovator on his usual fiery form, drawing for his characteristic deftly swung percussion and grime-infused sub-bass pressure. the explosive title track is the most overtly grimey roskas sounded for some time, slow-building intro giving way to a pulsating bassline and caustic laser blasts.

since 1999 teebees subtitles music label has been an outlet for his own creative endeavours and helped spark the careers of many forward thinking producers including noisia, spor, phace, break and ulterior motive to name a few. with his labels first ever artist compilation *sine language* delivers 26 exclusive tracks from some of d&b most talented and diverse producers.

spearltd017 sees the return of mc and vocalist ad-apt to the label. this time with his own track *need your love* getting the remix treatment for two of d&b’s most prolific producers bcee and cyantific.
support from 1xtra, nu:tone, spectrasoul, savage rehab, ray keith and a whole load more ...

following on your work as one of the twin pioneers of glaswegian radge-rock in arab strap cant be an easy task. aidan clearly has had other ideas, quite different ideas, and most of them comprise his solo project release via his alter ego, lucky pierre. in these recordings, l. pierre pays an affectionate tribute to the wear and tear of overplayed vinyl, the hiss, scratch and pop of records long loved but worn down. it is the sound of survival, the echoes of a life lived well, moth eaten music of dasness and resilience, of beauty and backbone.
pressing on 10 inch vinyl, download code included.

leftroom continues its fine run of eps (recent outings have come from kate simko, sam russo, william djoko, matt tolfrey and others) with a first appearance on the label from lil mark. born mark currell, lil mark has been producing top-notch house since 2001 when he appeared on classic and music for freaks, and more than a decade later still puts most of his peers to shame. the two tracks he supplies here come with remixes from matt tolfrey and matthew styles

endless welcomes paolo tocci and russian techno dj andrey pushkarev, who is very popular with his audiences for his deep sound and signature sensitive melodic techno, in addition to his use of vinyl records from his extensive collection which he has been expanding for over 10 years. his recent ep on circus company captured the attention of many and in particular of luca bacchetti who then included him on the tracklisting of the recent arkitekt 02. paolo tocci, talented italian dj from catanzaro, has been responsible for many parties in calabria, one of the most beautiful regions in the south of italy. now living in switzerland, he produces electronic music surrounded by the natural beauty and suggestive landscapes of canton ticino. endless 004 has a romantic feel to it and features these 2 deep house gems to celebrate the end of summer.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

double lp + colour insert collectors edition of 500 copies only. features 32 of the most sought after tracks from the 2cd, 50-track set highlighting jamaican r&b and the birth of ska, one of fantastic voyages most anticipated releases of the year. compiled by genre authority mike atherton, youths boogie features 32 examples of prime early ska by artists including owen gray, hortense ellis, laurel aitken, wilfred jackie edwards, derrick morgan, and keith & enid. disc one is devoted to major players on the jamaican production scene, duke reid and chris blackwell, while disc two investigates the work of other producers vying to make their name.

uk garage legend wookie, one of the most sort after producers of our time, makes a welcome return with new single the hype. the hype features the vocals and writing talents of pop sensation eliza doolittle, who most recently ambushed the airwaves and charts with her collaboration on disclosures >you & me<

one of the most reliable names in techno and arguably berghains most prominent face, marcel dettmann has already once accomplished the difficult task of translating his pared-back techno sound to the album format

vinyl only! crystal structures brings together two very special people for this, our second release. aubrey and mark ambrose, some of you might have heard about these guys, and if not, shame on you. proper legends on the british scene, one of the most prolific producers to date

as usual in off, we keep scouting the best in deep house throughout the whole world, this time our music venture takes us again to one of the most thriving scenes in the world: brazil. experienced duo from rio, bruce leroys formed by diogo & marcelo make their debut with a huge first ep

everybody likes doumen, but also everybody says >oh no ... i love doumen, but its hard to play their records in my dj sets or to have a party with them...<
so this is why we founded van doumen. it is a rework sublabel, completely based on original doumen material, following the idea of tracks that work in dj sets, but still have the doumen spirit. the first record was done by scherbe (uncanny valley, big bait, ..), philipp matalla (kann records, internasjonal spesial, ..), webermichelson (holger) and potensia (modern soul, ..). the first two tracks are superb club smashers, followed by an angry caricature monster of techno and finally potensia walks you home in the most intimate and beautiful way possible. to be honest, we say this record as a first step of van doumen is a classic already.

a label dedicated to the freedoms of expression, the delicacies held above genre stereotypes, and the overall pursuit of unorthodoxy. we are a collection of artists, neither here nor there, visionaries who believe in the subtle variations that are frequently overlooked in todays cluttered electronic spectrum. we are devoted to the imperfections of contemporary dance music, the 4/4 pulsations of a universal language, an unconventional mindset, and, of most significance, the nuanced bedroom producer secluded from contemporary disorde

full intention bring back one of the most defining era of house music, with a double a side ep ! icon is a huge club track, already tried and tested in ibiza, with warm deep chords, a cheeky bassline and strong beats ! madness has pure house vocals, a nice old school organ and disco snippets, to make you bounce and groove through the night.

phil weeks >crate diggin< project has been bubbling under for some time while the french dj/producer carefully selected 30 of the tracks which have been most influential to him over the past 15-20 years. indeed many of the tracks - from artists including dj rasoul, dj sneak, brett johnson, inland knights, rick wade, mood ii swing and lawnchair generals - still feature as heavily in phils dj sets today as they did when originally released. released over three unmixed digital volumes and three vinyl samplers, crate diggin is a window into the musical dna of one of the most respected and prolific underground house artists of this century. as well as being a highly personal project to phil, it offers a rare chance to finally pick up hard-to-find and sought after gems that were only previously released on vinyl.

londons kodiak arrive at hot haus recs hq with their first release of 2013. since releasing one of 2012s most hyped releases spreo superbus (on numbers) kodiak have returned to uttus hot haus recs with dragon drop, an epic slice of neo-rnb futurism, a no hold barred chicago house slammer egyptian kings, plus a bonus remix from eliphino who also had one of 2012s breakthrough tracks with more than me.

house maestro nile delta returns as the architect of the aztec ep, his third release for cut copys label cutters records. building on the solid foundations of his debut release *channel / all this* and the anthemic vinyl-only tune dance to the rhythm this third outing provides the most effortless and promising release to date.

cardboard printed inner sleeve / red vinyl! climb to the dark side of modern pop as you enter the fractured, hypnotic, dance of tristesse contemporaine. new album, stay golden, out september 16th via record makers

the last 12 inch in the invisible sunrise remix series and to say they have saved the best until last would be unfair on all the other amazing remixes but this really is a doozy. quiet village do what they do best - an exceedingly epic 13 minute tropical jungle chugger that transcends time and space to take you on a trip you are never going to forget. without a doubt one of the best things we have heard from qv in quite some time. on the flip the advisory circle provide what is perhaps the most beautiful remix - melodic, inventive and deeply lush. an anthemic come down for those moments when you need a big audio hug. simply gorgeous. lastly seahawks leave us with an unreleased mix of crystal beach which sounds like george benson tripping his nuts off on a beach in hawaii at 5am….languid jazz guitar, slo mo beats, the sound of the waves and some deep electronics ... what more could you want? seahawks at their finest and one more reason this is an essential purchase. swim on forever.

dj support so far: tensnake, deetron, huxley, joris voorn, ben westbeech, george fitzgerald...
having produced some stellar jams for labels like somethink sounds, and giles petersons brownswood, eliphino aka tom wrankmore, debuts for hypercolour this autumn, opening up the labels new term with this solid two track release. i dont care opens the account, all chopped up rnb vox and rolling beats, wrapped up in a super smooth melody. already road tested by the hypercolour firm over the last few months, this deep garage vibe hits the sweet spot for sure. on the flip, understand further plunders eliphinos love of rugged garage beats and an ear for a catchy hook. a feverish interplay of vocal chops, keys and organ stabs keeps up the ante, with some decidedly trancey synth parts ramping up the 90s house influences here, and once again a cut that most definitely brings the heat to the dancefloor.

one max per customer! marks and cuts written on the body - our device of joy and pain. of memory, function, movement, ability... giegling presents prince of demarks debut album on their new techno imprint forum. most of the material recorded in 2010 shows the path of the warrior, his needs and desires that left traces along his way.

vol.3 of vinyl sampler from sprinkles remix collection queerifications&ruins (mule musiq cd42). the remix for indie rock band ducktails is straight deep house sound than usual her style, but its definetly most clubby remix from sprinkles. it will be instant house classic! on the another side, the remix for adultnapper is already classic. its typical style of her house music.

eric is definately swedens most interesting and skillful producer when it comes to underground deep house and soulful techno.

the la based artist kauf has been honing his own dark twist on modern electronic music since 2011, with heavy drum production, dense, cinematic synth buildups and high-pitched, echo-laden vocals. his aesthetic lies somewhere in between the worlds of slow house, industrial dance and drony avant-pop earning comparisons with the likes of caribou, matthew dear and toro y moi.
the as much again ep is kaufs most substantial release to date and (much like the artwork) paints a dark, but distinctive picture of the man himself, as a unique and undeniable talent.

the most people know his snork enterprises releases under his alias laufmasche, the *deep lay e.p.*, the *foreign funk* release or the *talk like a fool* 12 inch. he also hit the streets with his tracks for relax2000 records or hamburg based eminor, and played dj or live sets from frankfurt, kassel, berlin, hamburg all over germany or also up to peking which was really a special experience for him. now he is back on snork enterprises, the first time with his alter ego samuel fach! get freaked!