e present the first of three 12inches to celebrate our 10th anniversary. for the a side dam swindle radically rework sometimes into not another sometimes, a killer raw analogue jam that demonstrates a real development of the ds sound. for the b1 we re buzzing to finally release an original track from matthew styles, who s been on remix duties 3 times over the years, with the infectious house of jungle fever. last and by no means least the carter bros give us tempting disco fate, a rolling disco loop with the mother of all bassline changes at the end of the track. look out for part two dropping in april featuring a jimpster edit of galcher lustwerk, fort romeau remixing the first ever tsuba release from williams and a tsuba debut from roy comanchero.

serge devant returns to the forefront with always on my mind for damian lazarus crosstown rebels, complete with remixes from kornél kovács and pirupa. first heard on lazaruss essential mix in 2015 and much requested since, always on my mind has been causing tremors in its wake. oceanic waves of melody frame muted vocals from ali love, resulting in a chiselled classic bridging the splintered sounds of today.

hamburg based hafendisko has been re- sponsible for some incredible output over the last few years, and are noted for their judici- ous selection of remixers. this vinyl only release confrms the fact - a selection of four shimmering remixes of hafendisko material including a new remix by smallville s julius steinhoff which is exclu- sive to this vinyl release

for our 9th instalment, holdie gawn takes the lead and is delivering his first solo ep for sylphe, while micawber takes a break. on the a-side, holdie gawns natural habitat, we find yborg, a 12 minute long piece of darker, glitched-up techno which moves slowly yet forcefully. expanding into a terrain of bleeps and dissonant harmonies, ‘’yborg’’ number remains loyal to the twisted sylphe electronics we have been used to. on the b side we have t & t, a rolling, broken beat swingy techno-house jam which grooves effortlessly and shows a different of holdie. wonky, bubbling basslines and stretched voices complete the mosaic of holdie’s the first b side. our 9th release will be out in time for our 3rd birthday, around mid-late february

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kon’s startime.

vinyl only, after a busy year and two widely acclaimed releases with record label rutilance under his belt, the time is right for the southern based french producer ortella to launch his own eponymous imprint: mad in lyon. 69001 ep - introduced by the producer himself - is the first of a series of releases in the same mood, with some new jersey inspired deep house and straight forward uncompromised groove. it does exactly what it says on the tin: -from thugs to clubs-. watch out people, lyon has never been so hot!

reaching the milestone of its 100th single/ep release, circus company welcomes back aquarius heaven with a new ep of poignant, uplifting house music loaded with a meaningful message for these transient times. its nearly three years since brian brewster delivered the parallela mundi 12inch, and in that time he has been on a relentless mission to spread his unique blend of house music, caribbean roots and psychedelic magic across the globe in a whirlwind of live performances and collaborations.

after a killer 2015 for heist that brought with it 12inches from (a.o.) brame & hamo, fouk and new recruit m.ono, and a great frits wentink release to kick off 2016, were happy to bring you this bright and vibrant package courtesy of..ourselves. 2015 has been such an amazing and busy year for us, with loads of work on a new version of our live show with a new dam swindle member on the keys well as countless other shows and records on heist and freerange). pressing on 180 gram vinyl.

following the recent acclaimed release of his “space” lp, on which bruno “patchworks” hovart transformed himself into patchworks galactic project for a fantastic musical trip, favorite recordings proudly presents this new 2 tracks remix ep. on the a side, rising uk producer ny*ak provides a blowing version of “surrounded by the gobblins”. what do the letters stand for? why the asterisk?” you ask. the origin of the asterisk has something to do with donating dates of birth on family trees, from back in the medieval times. in music, an asterisk denotes when a sustain pedal should be lifted. ny – new york? ak – alaska? is it something to do with the three stooges? nyak nyak nyak… it leaves the mind thirsty for answers... in reality andrew scott, the man behind ny*ak, banged his computer keyboard in frustration one day – and out came ny*ak. if that’s taken the shine off it a little, we’re not worried. listen to any of andrews tracks and we guarantee you’ll be drawn straight back in, but this time – deeper. for the b side, underground house producer kool vibe also delivers a brilliant rendition of “gobblins are gone”. producer & owner of kv records (paris), record collector since 1993, and definitely part of the new deep house music scene that is emerging from france at the moment, laurent, aka kool vibe, was born in paris in 1970. kool vibe s music reflects the best of the 90s house music sound that he manages to love so much. in 2011 and 2012, his first releases have been cult tracks out on “my love is underground” and “traxx underground” imprints.

asa moto are two mysterious producers from belgium who have been honing their sound at deewee for a number of months, delivering with their first release two futuristic pieces for the slowed down dance floor.

hypercolour proudly announce the latest long player from uk stalwart, ed dmx aka dmx krew, the visionary british electronic producer who has been responsible for a slew of excellent releases for labels like rephlex, spectral sound, permanent vacation and his own breakin records and fresh up records since the mid 1990s. you exist is dmx krews debut appearance on hypercolour, and as expected the record features nine tracks of beautifully crafted, melodic electronic sounds.

karim sahraoui has been producing gems for many years under various names such as djinxx, soul monkey and electronique resistance. after a break 2014 saw his return to the business under his real name and producing music that is closer to him than ever. releases included the future classic eternal life ep pt 1 on derrick mays transmat and appearances on labels such as cocoon. the a-side features the epic 10-minute original version of horns of glory on which karim takes his time to unfold the story of the track: a journey filled with beautiful melodies and rhythms that paint a lush landscape of sound. side b features the earth from above which again has a fairy-tale feeling to it. the b2 is vince watsons pumping and powerful remix of horns of glory which gives the track an energetic hypnotic quality and rounds off the package well.

mono junks dum records has been dictating trends in the world of minimalistic techno since the 1990s, and its 34th release is as special as any. this one comes from label boss kimmo rapatti aka mono junk vs mesak, who is better known as fellow finn, tatu metsätähti, aka one half of mr velcto fastener and someone who has released on dexter & steffis klakson. together the pair serve up three mixes of their jam and an additional track. title track deep in my mind is a paranoid techno cut with freaky vocal riffs repeating the title as gurgling synth lines and sleek drums rumble below. twitchy synths and high pressure perc add to the hypnotic effect, and overall its easy to see this one making for some perfectly weird dance floor moments. the mix by mono junk is completely the opposite: in his hands it is a beat-less, serene and beautifully styled electro cut that takes you deep into brain soothing space. the electro mind version is then a full on electro jam, with plenty of aqueous synths and fluid lines all squiggling along in classic detroit style. final track sysdrum is back to the raw, with angsty drum lines, crisp and slapping snares and oodles of reverb all making for a brain frying trip.

strings 001 comes to us from oporto boys fauvrelle & serginho. the duo have really been making a name for themselves lately when they play b2b, so it was about time they have their ideas come together in the studio! they delivered 3 solid tracks and to complete this start up release we have invited our friend and la vie en rose owner terence terry for the remix duty! dj support shonky djebali tuccillo mr. ks terence terry

for those that knoe is proud to present some of the freshest and timeless sounds the uk has to offer from numonika, sounding as good now as they would have done when recorded ten years ago. three tracks from the original demo cd have been selected, compiled, re-mastered and pressed by for those that knoe onto a special 12- for collectors and club djs alike. in true knoe fashion, release 4/1 is a compilation of tracks unearthed from a cd squirrelled away for a decade in a dusty loft. the cd in question was loaded with unreleased and untitled material from the owners of and producers for two of the uks rarest and sought after tech house labels rinsed by djs such as craig richards in the late 90s.

2016 repress.. these reworks by the revenge (soul heaven, jisco music) & greymatter (mr bongo, unique uncut) present two unique interpretations of the original, the revenge strips the track down into one of his trademark slamming mid tempo grooves, whilst greymatter keeps it closer to the original but adds a new level of drama for the dance floor. side b introduces a new talent to the scene – krl. playing on samples and influences from the soul scene and restructuring and resurrecting them as modern dance floor bangers, krls tracks are already creating a big buzz. the massive recession beat has been in constant demand since its first initial promo airings and the storming remember (greymatter rework) is also set to do big things.

ltd supply , max 1 per kunde (customer) .. back since we discovered him five years ago as one half of genius of time, alexander berg has been one of our favorite producers. under his dorisburg alias, hes built one of the most consistent discographies in contemporary club music. yet, his debut in hivern is one of his most captivating releases to date.

in demand repress for this great title ! ...great dont release featuring lots of acid and cover versions to boot! fresh re-rubs of blake baxters >sexuality< and joey beltrams >energy flash< dont recordings reaches the big 20th release and marks the occasion with a double headed ep that looks both backwards and forwards! neil landstrumm has always been a big influence on the sound of the label and here he steps up and delivers 2 monsters that while being completely his own, are also respectful cover versions of classic techno tracks that any techno head worth their salt will recognise. the originals are from 1988 and 1990 but these versions have been completely programmed from scratch using no samples. this is one for the connoisseurs! flip the 12 inch and what you get is two massive acid house party rippers from matt whitehead. matts been tearing up the london scene the last few years with his fresh take on the classic house and techno of the late 80s and when we at dont heard >to the beat< it was snapped up immediately! simply great, dramatic acid house music that is as catchy as it is timeless

two tracks one from each rim & kasa recent albums out in latter part of 2015 on bbe get the official edit treatment from mukatsuku that have never been out before as official singles.

soooo here we are with the tenth and final release, thought it would be nice to finish on a nice zen like number, so this is a extra special release kind of a mini lp almost -opened up by fx mchn flush the trush is an intro to the comp and a reverse funk skittish affair next up is new man on the block for us here we been sitting on a collection of his tracks but felt this one complemented this ep the most, ecco foul, gloss is a sleazy machine groove that does t do much but thats just the way we like it .then comes mr facade with his jerky funk sweet surprises and warm melodies. the b side is opened by another newcomer from running back record hugh mane new age dawns whose track come s deep and wide open has to be heard on the headphones as well as the club jamie blanco s chord arrangments get opened up and spaced out by lht office boy toby tobias in a detroitesque ditty thats been used to open a few sets in 2015 already and finally alphonse delivers an out and out machine jam with the usual dub influence brought in vocal fashion.

san proper gushing on dg..small initial pressing on this one... be quick... tip! san: “lovers, friends, fam. and fans – love is in the air, get ready.” finally, the craze you’ve all been waiting for. this ep listens like one of dr. proper’s infamous radio show or deejay set. impossible to categorize, dropping house, electro, funk, and paying homage to disco. l.o.v.e. is a collaboration with ms. hollywood. an alliance that results in the whole breathing sexy and deep. whereas san proper stays in character for the rest of the ep. his use of the reverb adds shine and glory, and the drums are hit hard. in other words, music with an unprecedented character–just the way we like it.

the last couple of years have been huge for pomo, going from a relatively obscure canadian producer to releasing his debut ep on hw&w, remixing for the likes of janet jackson and mark ronson, and touring the globe with disclosure as their hand-picked opening act.
bastard jazz has commissioned pomo to be next in line for the fourth volume of their *tempo dreams* compilation albums, following on the heels of the hotly contested soul clap compiled vol. 3. as with other tempo dreams records, we tease it out with a limited 7 inch release with tracks from the compiler made specifically for the tempo dreams album.
*blue soda* (part 1) - pomos first original release since his ep in november of 2014 is a typical, rollicking pomo new disco joint with stabbing synths, chopped vocal samples and an irresistible bassline. part 2 on the flip-side delivers more of the same, with a little more of an introspective twist. part 2 is exclusive to the 7 inch only and wont be on the album.

thomas mullarney iii and jacob gossett are unstoppable. the new york artists, collectively known as beacon, have been on a productive hot streak since 2012, and their efforts continue to pay off. here they are with their 2nd album “escapements”, once again released via ghostly international. the vinyl release includes a download code.

since its birth in 2002, truesoul has grown into a solid, dependable label. known as drumcode s little brother, adam beyer has taken truesoul and twisted it into a platform for new and emerging talent to be thrust into the world of electronic music. each release has its own unique identity and each track brings something new and unique to the label. the quality of each track is paramount and that has been proven with previous releases from some of the finest talent within the industry

new york haunted have invited some of our own favorite artists to explore the boundaries of techno as a form of communication. straight from detroit, the legendary terrence dixon represents the minimalist funk like no other in his contribution star dust. straightforward dance floor action with a truly hypnotic vibe. former yellow swan, pete swanson comes from a noise background and has been adding monolithic rhythms for some years now, his dirty work blurs these lines and shifts between harsh noise and distorted machine rhythms. cryptic techno philosopher jamal moss, aka hieroglyphic being drops an exercise in sun ra worship called speaking in tongues and label boss drvg cvltvre rounds of the ep with a combination of shortwave radio transmissions and walls of gutwrenching bass drums. often imitated, never duplicated. these are the unique voices of a techno generation.

italian trio agents of time make their ellum debut with a weighty, two track release. magma shares remnants of label head maceo plexs own formidable style, with compelling synths, punchy claps and a rumbling bassline. obsidian is finally seeing a release after causing heat from fur coat’s feature in their bbc essential mix a few months ago. heady, powerful, stirring, expertly crafted, adjectives that are regularly used for ellum releases and agents of time have confidently followed their predecessor’s footsteps. agents of time are andrea di ceglie, fedele ladisa and luigi tutolo. making music together since july 2013, they have clocked up an album on stem records and the massive polina ep on correspondent. their supporters include dixon, agoria and tiga, and their sound has been brought to over 20 countries through a live platform with analogic instruments.

tectonic label boss pinch returns to home territory with his latest tales from the darkside. hard, uncompromising beats, sculpted for twisted dancefloors. lead track ‘screamer’ sees recent collaborator and grime-legend, riko dan, pick up the mic to voice pinch’s industrial garage style rhythm, true to terror-form. complementing the darkside sonics, riko’s savage delivery threatens from the offset, with no let-up, no sign of weakness. not for the faint hearted. flip for ‘no justice’, seeing pinch on solo production duties providing a sub-heavy pounding rhythm, twisting an almost ragga style beat in dark dub territory. police sirens wail around calamitous thunder and atmospherics before the beat pounds in. second drop brings warped basslines to the forefront, pushing things further down the rabbit hole. ‘screamer’ has been played on bbc radio 1 on the benji b show, also featured on mary-anne hobbs’ 6 music show. dj support from the likes of mumdance, loefah & many more.

love notes from brooklyn is proud to present a brand new and promising young american artist in the form of tape hiss. these three moody and emotive tracks fit in perfectly with the label sound love notes has been developing over their last few release. the panic in needle park, the clear standout track, begins the ep with gloomy synth washes at a chugging, pitched down speed. that track is then ably reworked by fellow brooklynite, willie burns, of lies and wt records, who breaks the beat up for a stunted and unique reinterpretation. on the flip, love is a dog from hell brings a little acid to the proceedings, and traces to nowhere closes it out on consitantly dark and moody note. literates will note the bukowski references throughout. another winner for this label

its been just over a year since cale sexton emerged out of melbourne s suburban sprawl into the centre of its thriving club scene, in which time the sets he s delivered from behind a nest of wires and hardware have gained recognition as some of melbourne s most compelling and sought after. moving across a vast terrain of reference points, sexton constructs dense soundscapes held together by tight programming, all of this culminating in the powerful live delivery hes become known for. these four songs mark an impressive debut ep, and the second release on melbourne imprint temporal cast.

merc return with the second in the next phase of e-versions ! as ever, mark e s best selling and precision club jams project delivers big things for discerning dancers here we have a reload of easily one of mark s finest moments the womack & womack rework which made his name, certainly with the likes of giles peterson introducing a bright new star to a wider audience appears again here for the first time since its original release back in 2005. a bona fide classic ! plastic people has never been available on vinyl (only as a bonus cut on his 2010 works cd comp) so it s a fitting addition to this majestic platter ! merc to the future !

motormännen has made a huge impact in sweden with its unique & successful information techno. informal, their debut album has been praised countless times by the press and caught the attention of swedens hottest techno producers as manic brothers, inter gritty, nima khak & ragnar atari takes the concept of swedish welfare into the darkest and hardest corridors of techno.

moon harbour kick off 2016 with a very special collaborative ep featuring two essential tracks. they have been produced by label boss matthias tanzmann and fellow leipzig-based artist daniel stefanik, and it is the first time in almost a decade the esteemed pair have worked together.

inoue shirabe is no newcomer for those who have been following antinotes releases last year. with function spring / gravitation of acidtree, his third release on the parisian imprint, the okayamas producer delivers what may be his two most sophisticated tracks so far. with function spring, inoue shirabe continues to investigate the subtle equilibrium between opposite feelings of sadness and joy that he successfully reached on down into the black church, on his previous 12inch. this time, the japanese producer uses celestial elements (bells, an organ in the distance that we can hear punctually) to counterbalance the roughness of the rhythmical section, in order to plunge the listener into a profound state of meditation.

ces colab series continues with an ep from mmt-8 a new alias from sync 24 and ed dmx/dmx krew. 4 raw analogue electro jams for the dancefloor and mind!

this particular set of songs benefits from having been heavily road-tested over the last two years, resulting in greater distillation and focus.

fusing forces from norway and ghana for crosstown rebels is djuma soundsystem & yann coppier feat. king ayisoba, with the expertly crafted anyimo a african infused techno beast of a track, featuring remixes from dj and producer ibadan kingpin jerome sydenham and the illusive johnny aux who brings his signature acid house sound. king ayisoba originates from ghana and has been sharing his modern day twist on kologo music all over the world. norwegian in origin, djuma soundsystem has been creating music and touring the world for over a decade on labels such as rebirth, eskimo and noir. the two creative forces have combined here to create a truly unique afro-infused head turner of track with king ayisoba superb ghanaian vocals. the legendary jerome sydenham delivers two floor-filling interpretation of the original, both vocal an ibadan dub, hike the tempo and hit the floor running. also, johnny aux delivers a rib rattling techno take on the original with devastating effect

throwing snow presents axioms, bringing together a trio of singles developed for his ever-changing ever-changing live sets. built for the summer, yet seen through a wintery prism, these six dancefloor-facing tracks have been received wide-ranging support, including thom yorke, gilles peterson, four tet, sasha and laurent garnier. previously digital-only, the tracks are pressed onto heavyweight, multi-coloured 12inch, along with two locked grooves created especially for the vinyl release, and presented in bespoke die-cut sleeve with clear acetate window displaying the coloured wax. cut & mastered by matt colton at alchemy and limited to 500 copies worldwide

originally released in 2008 as a limited edition cd. *sniper beats* is now finally available on vinyl from kingunderground, with download code included. *sniper beats - underscores for drama & action* contains 13 instrumental tracks from mr parkers vast production collection. each track was originally selected by lewis and recorded raw out of the sp-1200 (with no external samplers involved). those same tracks have now been remastered for this limited and much anticipated vinyl release. this is a must have in any long time lewis parker fans collection and for any newcomers a record that shows his pedigree as one of the best sampling producers in the game right now. limited to 300 copies this will likely sell out fast so get your orders in now to avoid disappointment.

part 2/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

part 1/2 of his amazing album. intelligent communication. since 1967, astronomers have been receiving and cataloging very precisely timed radio pulses coming from sources they call pulsars. they have long assumed these to be natural sources, exotic spinning stars that emit laser-like radio beams that sweep through space much like lighthouse signal sequences. highly regular flashes and complex signal ordering are produced through intelligent modulation of their beam s intensity and direction of polarization. more significantly, through their seemingly purposeful geometrical alignments, pulsars appear to be conveying a coherent message. are these beacons from an intelligent origin? and are they warning beacons to warn us against the next shockwave that comes of the active galactic nucleus ore want they attack us? it might be prudent to consider whether we are talking about friends or foes.....mike storm.

panorama channel is a project of two friends from russia with the same taste and with love of good music. after a long solo career, the guys are united for the realization of common ideas. now they create an emotional electronic music with nostalgia for the past and desire for something new. coming with a dreamy remix from elijah simmons, a rare breed of talent that has, for years, been working towards perfecting his art, and is now about to enter the limelight. his track otavios dream, has been making waves as one of the biggest underground hits in ibiza this summer, getting picked up by the inter- national duo blond:ish to exclusively feature on the first ever compilation of flying circus. the lovechild of audiofly. he also recently released pisces on kompakt.
pressing on red coloured & white marbled vinyl.

the bush is a homage to the place where i have lived for the last decade (askew road). the askew road itself is slowly changing so i wanted to document all the places that play a big part in mine and my families lives before they eventually get sold for more flats or tescos. 002 was all about the mighty sun pub which has now been sold and transformed into a costa coffee and an estate agents. next up is our local park which hopefully will never see change as its been our little slice of heaven in w12 since we moved here.

over the past several years, j(ay).a.d has released several eps touching on footwork, dubstep, grime and dancehall, approaching dance music with a wide open lens that tends to blur accepted genre lines. a bjork co-sign earlier last year jettisoned the amsterdam-based artist into the popular consciousness. raised in suriname, j(ay).a.d is the consummate dance music outsider and despite living in amsterdam, his music hardly ever fits in with the citys house and techno hegemony. the ogri ai ep is very much a blueprint record, simultaneously paranoid and dark, its seeped in industrial dread and natural beauty. and while many of j(ay).a.ds contemporaries attempt to create more alien sounding music at the expense of a human element, the ogri ai ep has been a overlooked milestone for the hybrid footwork & grime realm, and its now back on re-stock.

four exceptional tracks, written by ukrainian producer vakula, form the modulation ep. arma labels 11th release. known for his classic and deep house productions, vakula steps up his techno game and approaches 4x4 zone with insistence and thoroughness his work has been always associated with. record is covered in black cardboard, main artwork created by p. kuznetsov

h-productions proudly presents >premonitions< by cari lekebusch. this is the third release in the full color spectrum serie, that is aiming to result in 9 different colored vinyl 12inch. both tracks are maintaining a stripped down policy, solid sound pictures and simple arrangements - with no unnecessary elements, breaks or changes. thus giving the dj more freedom to play around during the blending. and the sound pictures have intentionally been tuned while having the various h-productions releases in mind, that came out around 1993-1997.

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

repress !! it s been said that the day unravels what the night has woven so that each morning, we hold in our hands a few fringes of the tapestry of a lived life. the act of remembering is more like forgetting. for it is only when a memory is recalled that the fragile and forgotten quality of memories are revealed. we go about life weaving fragments together, fragments of ourselves we find staring back at us as we remember conversations, smells and quality of light.

london based producer alex around has been a mover n shaker on the scene for sometime now and looks set to further his upward trajectory with this meaty 3 tracker on geddes nofitstate label. diffuser is a subtle groove with a blissed out touch whilst homespun wisdom opts for a deeper tripped out route. djebali provides the remix of diffuser on the flip, toughening up the drums to lend the track a houser edge.

(2lp + dl code) spanish producer miguel sar has been a purveyor of tough, no-nonsense techno for over a decade now, running his own cyclical tracks label as well as appearing on other imprints like token, semantica and psyks non series. sar returns to the latter for chronicles of the future, his second album and first since 2008s contacto.