the resurgence of icelandic techno continues with the latest release on ae recordings, seeing bjarnar jonsson returning to his long standing ohm project alongside emergent talent kvadrant. the pair were last seen on kvadarant s kontakt label, and their production partnership is clearly still yielding quality, dubbed out techno in the finest scandinavian tradition. even if all the tracks are built with a steely techno focus to them, the synth work and sound design scattered throughout the tracks elevates this to a higher level, not least on the bubbling geisers of signal processing that course through the middle of grip.

damian lazarus magical live project the ancient moons returns today with their new single five moons. the band led by lazarus, is comprised of ben chetwood on drums, rob gentry on keyboards, and new vocalist j appiah. on five moons they are also joined by the australian punk sensation chela for a dubbed out, soulful excursion into the darker recesses of the dancefloor. the ancient moons first debuted in 2014 with lovers eyes, and followed that with the acclaimed album message from the other side, dubbed a a journey into technos dreamiest recesses by the fader and a psychedelic masterpiece by vice. since then the ancient moons have travelled the world with their highly immersive live show, supported roisin murphy on tour and played at glastonbury festival and melt! amongst others. last year the band resurfaced, after locking themselves away to record in the italian countryside, with i found you, which nabbed a bbc essential new tune and stunning remixes from black coffee and patrice baumel. today five moons offers another glimpse into this summers forthcoming album.

art alfie inaugurates his velvet pony imprint with a four track ep. the new label will function as a platform for the artist and his friends, shining light on a catalogue of music from the stockholm scene. having built a strong reputation alongside mr. tophat with a string of revered releases on the duos karlovak imprint, velvet pony signals the opening of a new door for art alfie. the project arrives after a highly acclaimed album on studio barnhaus, as well as his first solo ep on karlovak last year on which the underground hit flaunting was featured. velvet pony trax 1 sees art alfie brandishing his immaculate production technique over 4 distinct grooves. soft spoken takes us to the twilight zone with low slung bass riffs and jazzy chords, whilst ‘since ive seen you offers a dubbed out dose of twisted disco for the after-hours. on the b side, hideouts pairs hypnotic percussion with an undeniable funk, and front, a co-production with mans glaeser - raises the heat for an energetic finish.

the score introduces several new themes interwoven throughout the film, including identities for the character rose tico, the interactions between rey and luke skywalker on ahch-to island, and the resistance’s desperate escape from the first order. the score also reprises numerous themes and motifs introduced in the force awakens, including those for the characters of rey, kylo ren, poe dameron, and snoke, as well as the -march of the resistance- and -the jedi steps-. themes introduced in the original trilogy return as well, including -luke’s theme-, -leia’s theme-, -the rebel fanfare-, and the -force theme- from a new hope, -yoda’s theme-, -the imperial march-, and -han solo and the princess- from the empire strikes back, and, -luke and leia- and -the emperor’s theme- from return of the jedi. excerpts of the -tie fighter attack- cue, first heard in a new hope and reprised for return of the jedi, are also included. -the emperor’s theme- is the only returning theme to not be included within the official soundtrack presentation, it occurs in the film when snoke tortures rey for information. the score briefly quotes -aquarela do brasil- by ary barroso in its -canto bight- track as a reference to the 1985 terry gilliam film brazil. it also contains a brief quote of williams’s own theme for the long goodbye (co-composed by johnny mercer) during finn and rose’s escape, although this was not included in the official soundtrack release.

there is no doubt that bobby moore is an absolute f***ing legend, and a true icon r.i.p. a hero who lifted the world cup for england at wembley. he is widely regarded as one of the greatest defenders of all time, and was cited by pele as the greatest defender that he had ever played against. a leader of the highest quality and a true inspiration to us all. we would love to say that neil diablo shares these traits and acomplishments but his bewuda ep is tribute enough to one of footballs gretaest ever captians. the ep itself is a remix record , the track is called bewuda, and what a track it is. a 6 min trancy club banger. 808 drums all over the place give it a 90s vibe but with mr diablos signiture italo feel. and what we can we say about his team mates. coyote, tiago & dawn again on the same record.yes please! the coyote boys dont mess around at all. straight into a ravey, sweeping banger.teasing balaerica but keepng it a fully loaded dance floor bomb.tiago does what tiago does. his signiture sunshine vibe oozing out of the track from start to finish. the drums are something to behold and the piano riff drop packs a real punch. and last but not least our mate from melbourne dawn again tears up the track and brings us a classic weird re-triangluation in true banging dawn again fashion. big record from team rothmans for their 15th release!

for his last dance with lolea blutch sets our soul on fire. showing a new side of himself with 3 bangers rounded off with a remix by red rack em, author of the aptly named hit, -wonky bassline disco banger-. as complex as his previous releases, this ep draws on the influences of hip hop, house and soul for a more powerful and electronic effect .... that ll blow your socks o

slam and obscure shape & shdw step up for the second wave of radio slave ‘grindhouse’ remixes on rekids this february. one of techno’s most iconic records, ‘grindhouse’ first appeared on radio slave’s ‘no sleep’ series before spawning multiple remixes from dubfire, danton eeprom, terence fixmer and nic fanciulli. kick-started by len faki, last year saw the announcement of a series of remixes with more to come from vatican shadow, markus suckut, lady starlight and special request. complete with relentless kicks, sinister drones and industrial elements, part two is not for the faint-hearted. starting with slam, the soma bosses keep things dark, with rattling top lines and echoing effects resulting in a truly decadent techno floor destroyer. following a remix of radio slave’s ‘vision’ in 2016, obscure shape & shdw’s abilities are held in high regard by the rekids owner and their rework of ‘grindhouse’ reinforces why. complete with a rumbling lowend, metallic melodies and soaring synths, the from another mind founders continue to establish themselves as two of techno’s most exciting names.

new to the naar stable, in:state & giuli make their debut in stunning style.visitoz is a straight forward techno affair, as bumping as it is surprising. using a deceptively simple gated arp and horn to dazzlingly complex effect. the track is potentially the most peak time naar has gone yet, and it s an incredibly welcome addition to their canon. on remix duty lauer takes a hold of the main arpeggio and turns it monstrous in the style of liasions dangeruese, yet balances this with his trademark lightness of touch and his ear for a heart wrenching synth line, creating an instant classic that feels like it was beamed straight in from 1986. -plus 1- has been sent from a parallel dimension where the evolution of music took a turn so different that proto garage stands where proto house should be. the track has the step and swagger of the most compelling end of the 2 step movement, but balances that with the surprising naivete and earnestness found in italo, ebm and early forays from chicago. finishing things off, lizards return to the label for a welcome encore following last years success with their 1st release,tanni.

beautiful melodic driving techno by hiver. especially the title track stands out with a killer remix from jp enfant that adds some bottom weight and masculanity to the original! the italian pair of giuseppe albrizio and sergio caio recently released on belgium s curle label, and this ep confirms their talent. three original tracks ranging from driving techno to electro-tinged broken beat territory, with watery sound design, liquid keys and icy hi hats getting you into a trance. nice!!

finally here we are with the fourth release on last drop records, signed by the london-based stavrogin. collectors takes a more subdued approach from his debut on australian label 3bs, focusing on ampdriven ambient textures and digital experimentation. sixty acres is a juddering mass of static textures and penetrative low end, forcing itself to a crumbled close. title track collectors is something like the afterglow. weary and destitute, the track stumbles through heatwave soaked atmospheres, fragmented voices stuttering like a malfunctioning android. are these actual miles? is perhaps the most direct, with its tremors of noise punctuated by a rhythmic pulse. this is a feature italian duo ichinen have capitalised on in their closing remix, reducing the track to a warbling, dead-eyed drum workout.

travellin music drops their first ep from prakash. the ep features a stunning jay tripwire remix alongside a brace of stand out originals.

setting out to make some happy music, sophie lloyd produced calling out in a dreary january as an antidote to the pervading doom and gloom of the news, summoning the power of the most joy-filled sound of all, gospel. this no-holds-barred anthem radiates all the live atmosphere of gospel worship in mid flow, with full instrumentation, keyboard breaks and understated kick drum pulling it all together. bringing in the uplifting voices of soul trio dames brown to re-record some old gospel samples was the icing on the cake, adding the last element of authenticity. a new member of the classic family, sophie lloyds impeccable knowledge of disco, soul and house shines through in this sparkling record, available on 7inch for the very first time.

man power returned to his northern home for one last waltz. this is their joint offering for the esp institute. on side a, man power welcomes us with tistish, stepping slightly out of his comfort zone and employing a boxy breakbeat to create a dose movement. this contrasts his signature fatty bassline and together they establish a ground on which to stack layers of atonal square and sawtooth waves. about halfway through he introduces a massively seductive string lead and for the remainder of the ride this palette of sounds coalesce in dark orchestral beauty. on side b, man power’s cohorts last waltz deliver nee shitteru, a true stomper of a track complete with in-your-face toms and off-time percussion patterns, an intense driving acid line, and aggressive shamanic chanting. throw in some crash cymbals, sci-fi sound effects and a smattering of gamelan and it amounts to an overwhelmingly chaotic and psychedelic trip. these two songs will have you speaking in tongues.

the nite owl diner co-founder alex burkat finally graces us with a full ep! spinning plates, style wars, moving day and red pineapple are all driving late night stompers sure to leave an impression long after the party has ended. support from the black madonna, octo octa & others.

the third release from samulis label power of voltages is an excursion to broken 4/4 on the a-side tracks and muddy lofi aesthetics and restrained progression on the b-side tracks. all tracks are live recordings executed with hardware only. raw and functional tracks, already tested and approved on some of the finest floors.

strut present the first ever new international studio album by one of the all-time great african big bands, orchestre les mangelepa. “last band standing” is out now! comprising congolese musicians who settled in kenya, les mangelepa helped drive the east african evolutionary spur of one of the greatest musical artforms, african rumba, during the 1970s.

smooth deep space techno four track ep with detroit inspired sounds. the ep kicks off with -last nite- - a beautiful and melodic techno track, revolving around a hypnotizing lead. -new beginnings- meanwhile is a deep and mysterious affair, magically combining soulful techno with more experimental leftfield sounds. the b-side starts with -track 13-, a finely crafted groover that grows into a melodic gem with an old-school detroit flavour to it. the ep ends with the deep yet euphoric -so far-, perfect for those early morning dj-sets. offering a perfect combination of deepness and driving energy, the ep is a versatile release guaranteed to get the dance floor moving. an impressive vinyl debut by lioness and a must have for all heads interested in deep, soulful and intelligent techno.

aaaron joins forces with newcomers deckert and singer valentine to unveil the new title track for connected. the three combine all the talents of each individual to create something really special. while aaaron provides a sub heavy african inspired groove pattern and combines it with deckert’s intense harmonies, valentine finishes off the track with her touching voice performance and lyrics that are both melancholic and deep. wether you listen to it on your odyssey through the night or while watching the sun rise again: if you had to choose a hymn for your last night on this planet, ‘l.d.o.e.’ might be your future pick. floyd soaks up everything that was happy, bright and ancestral and pushes it straight into the void twisting it into a hypnotic techno chant where leftovers leave nothing but ashes behind. perfect for a rough peaktime approach or the early morning hours when the storm is hitting the coast. this track is a predator and will haunt you in your dreams through an endless jungle of insanity.

six years after their debut release on all inn, premiesku is back to the label with a brand new three tracker. last man on moon brings the usual winner formula of the trio. the proper hypnosis of drum machines, featherweight spacey themes with a pinch of classical house flavour on the top. a must have record for all periods of the weekend.

runemark records comes back with the seventh release and this time it s a perfection from dumming dum and rush midnight and their co-creation three pills into a fist including remixes from atapy, black mami and the first ever remix from ten walls. the original version from dumming dum sets a deep and groovy tone with acidic bass line and the wonderful rush midnight s creamy vocals on top. ten walls has made an official remix that grabs attention from the very start. it s ten-wall-ish bass line, orchestral and emotional breakdown construct dark and epic vibes. a beautiful trip through deepness and back to the dance floor is laid out in black mami s interpretation. and the last but not least remix in the release is a banger from atapy. dance-able as hell and the most energetic composition in the pack. dumming dum - three pills into a fist (feat. rush midnight) is available in vinyl and digital formats. enjoy the music!

after a year long break pepe bradock is back on the regular atavisme catalogue number order. and back to straight up long and burning 4 2 the floor house - at its deepest. #12@last! be (a) ware of ata 017 // #12@last ! the new orna-mental atavisme explores the rebirth of pÚpÚ bradock. after the dirty baby incident and the numerous & consuming time traveling trips to villa-beonis, deciphering the precious lines of medieval sequencing - they canÆt be read with numbers, trÚsors & tsundoku are a sudden return to approximative and abstract dancing containers, with or without filters, but often on the edge of the nerve-wracking pepexit for obvious reasons. it is an evocation of a spiritual ballroom haunted with unmatched awkwardness and a healthy dose of invisible whirling mascarons. would you kiss an ox for the sake of peace of mind ? well, you should

coyu is working on his highly anticipated debut album it will explain a story, my story attests the big cat. it s the first chapter of this story and the debut single of the album is 1+1, a track made in collaborating with thomas gandey a perfect summer track, powerful but addictive and catchy. in coyu s own words 1+1 it s me and my girlfriend, me and my mother, me and my team, suara and me, my music and me, the world and me. because without the people you love and all that you love you are nothing. 1 + 1 is a claim to love and be loved, to embrace sensibilities, to create synergies and teamwork. but also, it is the communion of my two great passions: techno and house music. nine minutes of linear and heavy groove that melts with the notes of an emotional piano. it s a track that i m deeply proud of, i am pretty sure that in 10 years from now i will continue to enjoy it like i did the first day it was finished and after a year and a half i can now say that it is just as much mine as it is yours. because you and me are also 1+1. for the remixes probably we have the greatest pack ever on the label: gerd janson delivered an amazing interpretation of the track: truncate takes the track down to raw techno, less is more. last but not least we have the introspective trip of cosmin trg which completes one of the releases of the year on the kitties labe

ein organisch fließendes ambient-debüt mit guten absichten.
man kann sich tim mislocks debütalbum -now is the last best time- auf zwei weisen nähern. rein musikalisch betrachtet handelt es sich um ein von der gitarre dominiertes ambient-werk. mit seinen organisch fließenden klanglandschaften ist es hörbar von größen wie brian eno, stars of the lid oder eluvium beeinflusst, was hier durchaus als kompliment verstanden werden darf. abgerundet werden die sechs tracks durch minimal-einflüsse eines max richters oder jonny greenwoods. jenseits der musik ist es mislock aber auch ein konzeptionelles anliegen, mit seinen kompositionen auf die krankheit alzheimer aufmerksam zu machen. -i wanted to raise awareness of the disease-, so der musiker. mit alzheimer kam er durch die erkrankung seines stiefvaters in kontakt. alzheimer ist eine schwere erkrankung des gehirns und die häufigste form der demenzerkrankung. in deutschland werden jährlich rund 120.000 diagnosen gestellt. tendenz: steigend! für familienmitglieder ist alzheimer eine extreme belastung, und so war es auch bei mislocks mutter, die sich aufopferungsvoll um ihren mann kümmerte. und auch daran dockt -now is the last best time- an: -i also wanted to develop a historical document to thank my mother and tell her that her generosity and kindness have not gone unnoticed.-

ltd upfront white label / max 1 per customer

shara music is proud to present -acid last- third reference in vinyl 12&#8243,,,,. this time on the part of owen ezard, owner of shara music ...an ep that comes with 4 very effective cuts of slow vibes. as appetizer presents -first reload- a cover letter to open the appetite giving some clues of the tracks that follow .... acid at soft speed to start the walk by enveloping sounds that take us to the second proposal,-acid last - where owen develops an acidic sequence that evolves until getting into his spiral. and with some more bpms comes the wonderful remix by our beloved favorite italian, fabrizio mammarella. the main course shines with percussions influence of alien alien, mysterious synthesizers taken from outer space and cosmic sound that will make lose your head ... last but not least comes -break & slow- with your hypnotic voices will guide you towards the exit of this labyrinth of eclectic sounds that surely will not leave you indifferent ...

piros 001 kicks off with 2 solid, meticulous tracks delivered by uruguayan, berlin based upcoming talent ema remedi. the ep includes a killer remix by ernesto ferreyra, a club-oriented track which will drive you deeply into a dark, subterranean dance floor at early morning hours. vinyl only!

jazz edits, on welfare!

classic live album by black sabbath!! recorded at manchester and the rainbow london.

medical records presents another gem with an expanded reissue of the last flowers from the darkness by mr. mark van hoen.

nice price deal !!! the title track of this ep is the bouncy stepper >last march<. a snarling, distorted bassline has meant that this tune has found favour with numerous a-listers in recent times and is a worthy tune for the ep to be named after. on the flip, is the ferocious >disaffected<. eeerie pads and atmospheres make way for a driving drum loop and sub bass before all hell breaks loose at the drop with one of the nastiest, most twisted reese basslines heard for a very long time. the influence of labels such as the aforementioned renegade hardware is obvious, and it is one of, if not the, most ferocious and devastating slice of d&b ever to grace dsm.

nice price deal !!! taken from the upcoming album free at last, feat the classic big spender sampler from the sweet charity original soundtrack

nice price deal !!! home based new jersey label, phuture soul, is at last again back on wax...with an energetic 3 tracker,3 versions of its in you (vocal, instru & drumapella) which brings together the soulful chords of stephanie cooke and jon pierce and backed up by mr stealvybes himself chris foreman! excellent project of talented house!

the people in fog are back on sov! as smooth sky blue colour cat can represent, this ep has a smoother beat than the artists usual style. if you remember their previous ep with a darker colour, now the punching kick and identical house bass are gone and this ep is true showing off the producer s ability as a musician who can adapt to any kind of diversity. the first track last song has deep bass and atmospheric sounds, like a typical romanian loop, but after the long trippy beat when the piano sounds kick in, the atmosphere changes and brings back the emotion. the second track get funky is also truly hybrid version of house, while the combination of funky vocals and the endless hi-hat and shaker keep the groove tight and the deep down pad sounds mixed smoothly with the forest of beat make for a truly a unique character. the last track alright is a very joyful one, even though it uses a typical funky house vocal sample. its unique way of playing percussion and vocal keep the groove totally all-right

last days debut, sea told the story of one man s journey. now with his 5th album, seafaring , graham richardson returns to the sea to examine a range of vocations and exploits adrift. drawing inspiration from shipping routes, to ernest shackleton and his crew s ill-fated voyage on the endurance, to families being disjointed and reunited, seafaring goes some way to hint at what the oceans present to us. seafaring reflects on it s subject matter by coherently linking moments that are minimal and still, to those that are compelling and cinematic.
pressing on transparent vinyl with download code included.

your lost property is ready for collection. the mysterious series of reduxes, reworks & re- versions continues. wild rumours abound about who is behind them, but it seems likely pbr streetgang may have something to do with it, that or ghost of walter gibbons, we cant be sure. from the obscure and rare proto electro gem endo to the adriatic, windswept euphoria of rimini cruising and then a sultry, spacey one night stand that is hott in the city .on the flip, the classic re-cut of do it yer sen it s vocal message ringing as true up on the bleak moors of yorkshire as it does on the mean streets of new york. finally say anything takes us home on a wing and a prayer, a perfect end of the night record

a rare look into the discotheque era of waikiki, al nobriga’s “my last disco song” tells of a time when nightclubs lined kalakaua avenue and practically every hotel hosted live entertainment. seven days a week, locals rubbed elbows with visitors in discos like the point after, cock’s roost, garden bar, infinity, duke kahanamoku’s, foxy lady too, valentino’s, hawaiian hut—the list goes on.

lost in time continues on it’s path exploring timeless underground house music with number 8 in the series. the ‘last step’ ep focuses on the extraordinary production talents of tuccillo, the italian musician widely regarded for his unblock studio. this record marks a deviation in direction for tuccillo, who is recently returning to his roots, making stripped down minimal dubs aimed directly at the dance floor. lostime008 includes four new cuts which can best be defined as ‘romanian’ style in essence. in fact raresh from a:rpia:r and livio & roby from premiesku are early supporters. the title track kicks things off with rolling percussion with more than a hint of latino attitude. dubby stabs and detroit style chords soon join the party and intricate changes in the drum programming keep subtly lifting the track throughout. ‘changed’ opts for a totally different tact, opening with lush, dreamy pads which evolve alongside rolling snare patterns and bass grooves to reveal a heavily harmonised spoken word vocal. on the flip side, ‘drum engine’ opens with feint, delayed vocal stabs which are joined by celestial, swirling pads, before being abruptly stripped away to reveal a menacing growling bass finally, ‘titled’, takes thing in a more minimal direction with airy pads and acid bleeps panning around the mix, showing off tuccillo s immense production talent

restauriert und remastered: nigerianische afro-rock-rarität von 1977.

junto club kicked off snap crackle & pop late last year, and now the label returns with the debut solo release from london-based outfit deeds. while rollo and kiri inglis may have previously popped up on an obscure compilation on anti-ghost moon ray, this record should see their coldwave sound shoring up with many more adventurous listeners. video dreams is a beautifully melancholic slice of electronica while unknown reaches for euphoric heights. remixes from bezier and the field round the record out as a wonderful exercise in emotive home listening electronics for sensitive souls.

quantize recordings is elated about this record store day version of without your love. last year, john morales and dj spen (spencer morales) presented an incredible composition that not only rose to the top of the charts, but got for heavy dance floor rotation around the world. randy roberts soulful and energetic song about finding his true love is exceptional and his vocal delivery is unparalleled!

for its 6th release on ed banger records busy p asked his longtime friend from los angeles mayer hawthorne to write a love song. while the world is going crazy, the only answer is love. the song was recorded between threesome studio in paris and mayer’s own in l.a. to complete this ep, we’ve asked uk’s finest producers. the mysterious kda who’s topping uk’s charts, delivers an infectious remix with mental drums and funky twist. hot chip’s main man joe goddard has been one of my favorite producer ever. it was about time to have him on board! reckonwrong dropped the hottest ep of 2015 on young turks sublabel whities. his remix is pure magic. exotic beats with techno flavours. last but not least, we went experimental on this one! this is the first flow machines remix. the goal of flow machines is to research and develop artificial intelligence systems able to generate music autonomously or in collaboration with human artists.

geneva based producer pascal viscardi steps up for the twelfth release on vinyl only imprint shall not fade with this mesmerising and dreamy ‘last day in harajuku’ ep.
pascal viscardi first emerged onto the scene with a string of releases on traxx underground, followed by an acclaimed release on love notes from brooklyn. the swiss producer has a trademark sound, club friendly cuts with layers of depth and warmth. the four track ep features moody, intricate sequences with a notable jazz influence throughout. housed in full sleeve artwork with inner disco bag.

ltd 10s vol. 6 welcomes uk native the last trip to gandahar to the family. his previous outings with our dear friends at city fly & most recent debut solo ep with dc label better listen records have helped pave the way for his very own two-tracker with us on kolour ltd 10s.

vinyl only! dj windows xp & dj relationship goals really piss off journalists with their quirky dj names! hear what all the fuss is about!

the ichinen project was born from the strong music connection between roberto bosco and kiny - both producer, performers and founders of last drop records imprint - and from the need to share their personal music concept. finally, this year they returns on their label with the first official track under new ichinen monicker. the title-track, a morning without glory, is indeed a unique melting pot of the different music approaches and visions. the track is determination at its purest form: a relentless 4/4 beat impulse, constantly striving and spaced out by industrial and metallic sounds that convey its deep and atmospheric imaginary. truly abstract and experimental techno that goes beyond its ordinary stylistic logics. on the b-side one may find a morning without glory reviseted at this time in two evocative interpretation by the most renowed artist in the nowadays techno scene. the first one is by dasha rush with a summer light remix, with a more serene and organic version of the original track. the last one is by etapp kyle who prefers to highlights low frequencies

vinyl only . for this second edition , giacomo silvestri , labels owner, invite again his talenteds friends manuel de lorenzi & stefano fabrizi

the great gatsby by f. scott fitzgerald has gone down in history as a timeless classic and is still enjoyed by readers and forced on students the world over. fitzgerald s greatest literary masterpiece was hidden not amongst his writings, but his record collection. having spent his entire life mastering writing, he was finally able to convey his indescribable experiences with long island sound by painstakingly carving the entire sonic experience into vinyl with a sharpened quill. having been now restored and reproduced, kyoku records are inordinately thrilled to present to you this miraculous work as kyoku003 - long island sound - last place you look ep.

cylon recordings with their new output