as an increasing number of the british producers turn to techno as a source of inspiration, the gritty sound of the uk underground is easily obscured by the polished veneer of continental 4/4 music.
having taken his time to emerge from the shadows, paleman has constructed a musical voice for himself which turns this conundrum on its head by reimagining the skeletal drums and gutteral growls of early dubstep and speed garage as a style of uk techno all of his own. for this youngster, berlin is more of a startpoint than a destination. at only 19, he joins the ever growing base of manchester-based techno producers as the first signing to fulcrum records, a new label started in south manchester by friends sam schorb (aka damu) and adam rogerson.

this release is total fire, it embodiies the feelings of the current dancefloor climate, and takes you back to the days of early house at the same time. deep hypnotic tones, musically & rhythmically. already a hit at inner rhythm. its an honour to release an isoul8 track, and especially one with such a powerfull meaning, its time for >change< - play it loud, say it proud!

the box series returns on theory with 3 peak time tough edged tracks that have been gaining plenty of attention at clubs and festivals over the past year. >bite this< sees ben sims drop an anthemic analogue fuelled jacker. >reverse processed< from hollands ritzi lee is an uncompromising old school techno banger. and >dry run< by paul mac is a drum heavy dj tool with a crowd pleasing vocal sample. 3 no nonsense cuts for your box, enjoy!
early dj support from ben sims, dave clarke, luke slater and dvs1.

the regenesis ep is the extraction of m.rahns current digital album >regenesis<. all sounding great deep and sometimes dark, based on detroit elements and enlarged chordpads. the stryx tracks are generally the most dubful tracks in here, perfectly placed for the peaktime afterhours.
welcome to a special definition of dub and techno, or let us say dimbideep music! pressing on transparent dark blue vinyl.
early supporters: xpansul, audio injection, slam, oliver klein, pablo bolivar, sis, stanny franssen, paco osuna, richie hawtin and many more...

following a heavily supported launch in july, disco bloodbath recordings delivers its second single this august in hand plants >gone ghost<, backed with a remix from jamie blanco. comprising one half disco bloodbath (ben pistor) and one half maxxi soundsystem (sam watts), hand plant is about old and new synths, samples, berlin, aircraft, what happens in the early hours, ecstasy pads that make you rush ...

with material from hyetal, bashmore, headhunter, joker and more in their discography, soul motive have established a reputation for seeking out the various strands of music blossoming both close by their bristol hq and far (cosmin trg has also featured on the label) arriving at their eleventh release soul motive further indulge the sounds of local talent coleco, a producer who contributed to one of the labels early, split releases and is now granted the full grip of a twelve inch. lead track >hypnagogia< takes its cue from the loose percussive style of shackleton, gradually weaving in a thumping half step groove and intoxicating layers of eastern strings - accomplished stuff! on the flip victoria klewin adds her floating, slightly saturated vocal tones to the galloping mysticism of >find me<.

vinyl only
ripperton with a big track on his own new tmq (tamed musiq) label. show me is a deep emotive bassline driven track slowly building up. some touches of early detroit combined with great production skills. comes with a powerfull remix by ghostek! bonus b2 track is slightly more melodic and detroit-ish and actually equaly good as the a1 track.

repress !! great original cuts - regis remix carries on where >in a syrian tongue< left off with increased club appeal... dominick fernow arrives on blackest ever black as vatican shadow. two tracks remastered from the the debut vs cassette on hospital productions, byzantine private cia, and a powerful regis remix of another early cut, >church of all images<. in the words of hospital: >militant religious industrial. music for assassins on the world-scale board game upon which it isnt clear who is winning or what side you are on.<

dutch master orlando voorn with a two-track release containing some of his pioneering material as format. rightly recognised as one of a handful of artists who built the early, crucial bridges between europe and detroit in the late-eighties and early nineties via collaborations with juan atkins and output for kms, voorn’s legacy is unquestionable. winning hollands dmc championships in 1986 and 1987 was the real career catalyst and there seems to be no let up in quality since then, either as a dj or a multifaceted, multi-genre producer. these two tracks are produced in 1993 and still didnt loose their magic!damn right and jam session have that the raw charm, edge and vibe sounds so current. energetic, melodic and broken, both tracks touch on a myriad of styles but what shines through is how modern electronic styles can be traced back to this sort of fantastic, unique output. format remastered could be sitting snuggly alongside modern house, techno, uk garage, uk funky and many more contemporary styles. this is a rare chance to grab beautifully treated versions of classic voorn material.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

emmanuel debutes on march 17, 2008 with parade (be as one), played and supported by the likes of sven vath, richie hawtin and adam beyer. after this successful project emmanuel features the main stages of the world, such as sonar festival 2008 in barcelona, and the womb in tokyo.
in early 2009 emmanuel stepped up his pace and began his series of releases on top labels of europe, including vinyl as you can remember: showtime (get phisical), apple mangroove (saved), anywhere else (outpost) coffee shop and octopus (100% pure), to the last in order of time the vulcan of the alchemist (monique musique) played for an entire season as carl cox, spring sword (monique musique) and remixes for warm cologne gabriel ananda.
now emmanuel wants to celebrate five years of work, presenting his first album: the man with no shadows, which will be in stores from mid-july 2012 on monique musique label.

greetings and thank you all for your support of our last release the mystic re-issue by norm talley. today i would like to introduce the first release from our second offshoot label tmr essentials! this label will focus on our new deeper releases. out the gate we would like to present: euphonic moods ep by brett dancer. the first release from our head honcho since 2006, and nothing but deepness on this slice of vinyl. v2 forces the boundaries of tech and house as it builds to climax, atmospheric bliss with this! space is simply rhythmatic integration, beats and chords, driving bass, get ready to move. the lost is very reminiscing of the early 90s groove with a millennium twist, bouncing bass melodic chords, call and response vocals, end result classic!

straight up raw and heavy techno tracks from jena city. detroit minimal techno early days vibes on this hand stamped white label bizz. no further artist info, but these tracks deliver a proper work out for the dancefloor!

nice price deal !!! sinistarrs take on the sounds of his native detroit has landed him releases on goldies seminal metalheadz imprint and won the hearts of discerning drum & bass heads and general beat-lovers alike, combining the sonic qualities and raw aesthetics of detroit techno and electro with jungles schizo rhythms.
hit and hope present sinistarrs first non-dnb excursion in the form of the >cetra ep<. despite jumping tempos and styles, all 3 originals manage to remain coherent with sinistarrs catalog. the emotive synth chords, beefed up roland trs and human production ethic of 90s detroit are squeezed into the format of various current underground sounds in something altogether very unique.
at 135bpm, the title track cetra is drawn out progressive structure nods more to a classic rephlex cut than the majority of current club, or bass music with despite sharing a tempo and similar rhythms.
early dj suport from om unit, goldie, gerry read and dark sky

strut continues its celebration of 25 years since the heyday of acid house as respected dj / producer richard sen (padded cell, bronx dogs) follows up his acclaimed compilation of early uk house music and acid, >this aint chicago<, with an exclusive limited edition 12 inch featuring previously unreleased edits.

a limited chance for you to get your hands on this achingly-rare panda records track >people hold on<. originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! super-tight production skills from wuf tickets james mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with earl flints elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s nyc groove. backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market. killer electro house on quality remastered vinyl - an absolute must have. people dont hold on!

foolish felix dickinsons superb cynic label with another hot one! cynics latest release features another killer track from l.h.a.s. inc. (jamie read and felix dickinson). analogue synths and vintage drum machines rock along with an infectious old school style reminiscent of the early sounds coming from chicago and new york in the late 80s early 90s. think clubhouse meets nu groove. on the b side phoreski (felixs fellow resident at londons bad passion) delivers a remix that takes the track to another level, darker haunting synths and a robo vocal asking: do you like the way you feel, will you dance with me?

there must be something in the water of the canary island seas. something that turns quiet kids into tasteful buttoned-up hooligan experts in house music. >luxemburgo< is the huge vicario musique choon everyone was waiting for. a groovy sure shot which combines commanding ferocity and a delicate class in a way reminiscent of michael j collins early work, but also hints at alex & isaacs passion for house and mysterious funky vocals- almost ambient melodies a la lone, carried by a strong rhythm built on noble drums, unraveling the most >hands in the air< breakdown since the invention of putting your hands in the air.

romes egisto sopor has been making little waves with his releases for quite a while now. since we have known him he has released a cdr album on legowelts strange life records and put a cassette out on the much admired 100% silk label, both under the name polysick. as theawayteam he has released a dvd >relax & sleep< and a cd >star kinship< on japanese label moamoo. he is also one half of the low key video unit aavv, whose work has graced many of the important releases of new lofi electronic movement.
well, here is his first album proper >digital native<, 15 tracks of glowing, nocturnal, analogue grace that hark back to acid house and early techno, but with a mood and intent that seems to be designed for watching images dance on closed eyelids. it is no surprise that his work as a video artist resonates so strongly with the music he makes.
double 12 inch vinyl, including code for free mp3 download of the album.

last copies left !!! huge support by ricardo villalobos, reboot, nick curly, magda, michel cleis, dj sneak, tini, claudevon stroke, dubfire, andre galuzzi, franco cinelli, gel abril, mihalis safras, ryan crosson, federico mollinari, nekes, anthony collins, benna schneider, m.a.n.d.y., lexy, alex bau, giovanni damico, die haustiere. nach langer wartezeit schließt sich nun endlich der kreis der movida familie. matt star, enger freund und kumpane beglückt uns endlich nach ewiger planung mit seinem ersten eigenen release auf movida records. das cover zeigt euch übrigens einige schöne selbstgeknipste fotos und einen querschnitt aus dem bezaubernden offenbach am main (matts heimat und geburtstadt) und dem labelsitz von movida records. early support : nick curly, franco cinelli, gel abril, mihalis safras, dave vega. giovanni damico.

taking inspiration from great early 90s house producers like def mix, & borrowed vocals from a pop singer, delivers an uplifting & soulful synthed out dancefloor burner that keeps the production values of 2012 in the forefront. comes on single-sided whitelabel vinyl.

dennis ferrers objektivity imprint return with their first release of the summer and a debut single from hot new talent, adam berecki. the 22 year old from dortmund is set to make a huge impact in 2012 with his westpark trax ep. a double-header that sees him channel the spirit of early nyc and chicago house.

a classically trained pianist from the age of six, jarrah mccleary grew up in the sticky heat of the northern territory, australia. his previous project, the dirty secrets saw the band working between australia and london with iconic producer and engineer, nick terry (klaxons, libertines). after working on ideas for a new record for over two years, in early 2011, mccleary declared a new album and boarded the airplane, bound for los angeles. between splashes of yacht rock, trop-pop and nods to peter gabriel (thanks to the iconic 80s yamaha dx7 synth), a short summer experience in the city where dreams are made lead to tracks tinged with hints of hopeful house music strewn with the sleaziness of venice beach and too much free poured tequila. and so, panama was born. magic is a modern summer anthem. and what better way to celebrate the party season than some bonus remix action by the worlds most avid dance enthusiasts? the sydney-based quartet join forces with dfa heavyweights and panama fans, midnight magic and gavin russom (the crystal ark) on remixing duties for their debut release.

coming back with a bang in 2012, craggz & parallel return with some eagerly anticipated new material in the form of the product placement ep. released on their own product imprint, it consists of two tracks that while different in style, still retain that certain kind of funk that has permeated through their music ever since those early releases on valve recordings right up to the guys most recent full length effort, the critically acclaimed turn the page lp.

-follow me!-, rave- and techno-classic by jam&spoon from the dawn of extatic and hypnotic rave sounds in the early nineties has been refurbished and repainted by some of the top-notch techno-producers/djs of the contemporary electronic music era.

early support by paco osuna, richie hawtin, slam, claude von stroke and many more mit audiothentica launcht der frankfurter dj und produzent sascha lebemann sein erstes eigenes label. authentische musik, ohne reduzierung auf ungeschriebene normen, das ist saschas ausdruck.

2012 will be a year for new faces on the boe release schedule and first up is professor inc., a producer from paris who has taken inspiration from the masters of the early dub house and techno sounds, incorporating samples borrowed from the days of floppy-disk sharing to create fresh new soundscapes with a very modern feel. he delivers a 4 track ep of stripped back house with complex peripheral textures and effects, from the evolving strings and moving sub bass of path illumination and vtm beos tribute to the sinister echoes and delayed drums of elements combined and essence dub.

following the amazing debut ep from yse saint laurant, we have the long-awaited follow up after releasing the incredible >abah dabah dis< on ppflimited, yse expertly handled the debut on pickpocket & now returns with the monster erasmos a mid-tempo throbber of the highest order mysterious newcomers fence handle proceedings on the flipside, letta from soweto is a dub rework of the afro-balearic beauty >normalizo< while yebo ! takes on an early 80s b side from art of noise, skillfully reworked into a super chunky slo-mo, chant laden frugger.

while feeling very honored and excited to have three extremely talented artists feature on his new real tone records release, shonky the french berlin-based producer who is also a part of apollonia, has asked larry heard, delano smith and the martinez brothers a couple of different questions each to give us more of an insight to them and their artistry.
early feedback and support from reboot, steve bug, jimpster, raresh, deetron, soul clap, subb-an, huxley, damian lazarus, tania vulcano, ryan crosson, ellen allien, dj deep, dyed soundorom, matthew styles, kate simko, d julz, trus me...

berlin based producer murphy on exploited... , with releases on clone, turbo and recently hypercolour, he has carried on the vibe of chicago and disco. on lets get to it he features one of the true cofounders of the real chicago vibe: mike dunn. on the remixtip serge santiago (who is recently in waze & odyssey) came up with a totally unexpected hot uk garage mix that already has been praised by skream. move your body to the sound. too good to miss this one! early support by a variety of djs: from joakim, to skream, to soulwax, to noir, to visionquest, robert owens, dirt crew and many more.

after introducing iron curtis and catz n dogz to the label on the chart topping retrofit no. 8 ep we follow up with another new introduction, martin dawson in collaboration with label boss jay shepheard.here on the retrofit no.9 ep the pair deliver a quad pack of quality electronic music ranging from the peak-time dance floor killers kinds of people and cut a hole to the laid back mid tempo house of obey your aul (featured as the opening track on shepheards recent ra podcast) and the bouncing hip hop groove of megaface 3k.this is certainly one of the most diverse releases on the label to date and if early crowd reactions are anything to go by looks like it will be one of the most popular too!

early support from all the usual suspects including blawan, terrance fixmer, shifted and sigha

the london based production duo dusky (a.k.a. alfie granger-howell and nick harriman) debut on will sauls recently resurrected imprint, simple records with the henry 85 ep, two tracks of uk garage infused house music. influenced by everything from classical and avant-garde electronica to uk garage and underground house, this offering is diverse and danceable, and in line with the duos singular aim, to compose electronic music with depth, soul and originality. with support from djs as diverse as joy orbison, zane lowe, annie mac and boddika as well as airplay on rinse fm from loefah and a remix for hot chip imminent on domino, dusky prove theyll be around for a while. on remix duty is fcl, otherwise known as the belgian production team red d and san soda. in early 2010, red d and san soda released their first collaborative ep, the critically acclaimed vocals for everyone via red ds we play house recordings. lets go and more than seven both became huge club hits and dominated charts, parties and playlists for the whole of 2010. they followed it up with the more vocals for everyone ep and a number of remixes for tyree cooper, subb-ann, stuffa and audiojack.

following up after the mental drop by detroits master of repetition, population one, we have a new signing hailing from the land of the rising sun, helping us to set the standards for this new imprint— uncompromised techno funk! japanese producer imugem orihasam has spent the past 3 years slowly evolving. his early work on ilian tape and esperanza sounds like that of an already seasoned craftsman digesting detroit bit by bit, with a focus on lush textures and swooning eerie melodies. this past year has seen a spike in activity for imugem, with releases on patrice scotts sistrum recordings, berlins nsyde, and adam marshalls new kanada—all showcasing a more focused and exuberant approach that has sharpened his reflective compositions. with gem, imugem steps away from the supple melodies and tranquil atmospheres for a trip deep into the power plant.

amplified cointinues their quest to find new and interesting talents out there. disco in distress pt. 3 again is an amazing collection of slow house and disco. quell comes with a slow house joint that even has some techno elements: rough beats and tough stab and synth work. s3a (sampling as an art) has had an excellent release called continuation early 2012 and serves you with another killer discofied house tune holdin’ on here. russian newcomer kirill delivers the breathtaking house cut feel the broken line. last but not least sellouts does what he does best: slow-mo-spaced-out-disco in she knows. tip!

prplxs entitled fabric of space explores the deeper side of the breakbeat spectre. clever drum programming as well as going in a bass shakin direction, it reminds us of early bluenote & speed days but definitely with a modern touch. these tracks are another testament to prplxs love for the breakbeat. also included here is the roadtested taiga track which starts of deep and hypnotic but surprises you with the harsh amen drop, raw synth and dark male reggae vocal, do we hear a r.e.w.i.n.d.? the album will be released in two parts, the first one is a 250 handnumbered edition on 180 gram crystal clear vinyl (with special 75mm labelcopies and innersleeves) including free mp3 download codes and wrapped in a sealbag. all tracks have been mastered by stuart hawkes from metropolis london. support comes from all the usual suspects. on a first come, first served basis only

after the well received clone s.o.s.>all around the fires< ep and his debut vidd 001, marco shuttle starts an adventure with his very own eerie records label. first trip is a great 3 track ep in marco s signature sound. deep, super deep acid & 808 driven grooves and dark dubby reverbed drums and dramatic strings. phat tracks that sometimes remind of early aphex twin works on the selected ambient works and surfing on sinewaves but then the marco shuttle way. dont sleep on this one! recommended.

losoul is back on logistic with 2 long and strong dancefloor tracks! this ep follows the line of the acclaimed dogma & calma ep released in 2010. sawce on the a side has a jackin chicago feeling with powerful pads that goes on the entire track – an old school flavour that the early 90s techno fans might particularly enjoy. constellar on the b side is a beauty! a futuristic and sophisticated techno piece with slow minded groove. this track will take you to unknown places - a fantastic journey to be listened loud so get on board and enjoy the ride

you may be heard of a town called kassel, a label called bespmusic, a infamous club called a.r.m., than you should get to know zoka matic. raised in doboj, bosnia-herzegovina, zoka matic came to kassel / germany in the early 90ies. after spinning the wheels for over ten years know, zoka founded the label bespmusic in 2009 and holds a residency at the infamous a.r.m. for years there. now its time for him to release catalouge-no. 5 on his own imprint bespmusic named - pasted arguments.

aubrey is one of uks early 90s techno pioneers that made music still relevant today. on this contact funk 2012 ep lifeworld introduces you to 4 of his classic and rare tracks remastered. vortex two is a straight forward techno trip with minimalistic 909 programming and deep mesmerizing sounds. with reflection aubrey brings things in more playful territory. the deep driving bassline, jumpy melody line and dito percusion provide for an insane dance floor bomb. on the flip we have a melodic club banger in contact funk and a deep techno tune called ultra de ja vu. beautiful dark blue marbled vinyl. highly recommended!

killer techno!! gag reflex is one of those tracks that tears down the walls youll find yourself fist pumping to this one day at some obscure techno party! influences of early 90 s detroit techno all the way up to darkest & sweatiest corner in the berghain. gag reflex is a distorted throbbing stab heavy work out. the bottom end rolls along while the crashing hi hats juxtapose to create a sense of havoc. essential techno tool! on the flip angry dragon focuses its energy on the synth work. the overlaying 909 claps adds more aural pleasure rounding off the package in proper form. issued in limited hand stamped form - vinyl only!

after all, the successful song produced by franck roger and mandel turner originally released in october 2011, is back this year with a number of remixes. flying the french flag are remixes from d’jjulz and seuil. joining the french team is burnski, the young english berlin-based dj/producer who recently rocked real tone records with his latest collaboration with manik you know what its like. each coming with their own flavour, d julz, seuil and burnski all add their individual style to after all.early feedback and support from ian pooley, robert dietz, steve lawler, manik, okain, ame, ritchie hawtin, dj harvey, laura bones, dj t, efdemin, kate simko, alex from tokyo, sebo k, agoria, quentin harris, josh wink, dj deep, the martinez brothers, luciano, dan ghenacia, shonky, reboot, monika kruse, willie graff, clive henry, boris werner, dubfire

following on from the massively popular philadelphia international: the re-edits package, here is the 2nd release in our special philly 40 campaign which is celebrating the 40th anniversary of philadelphia international records. welcome to the hugely anticipated >philadelphia international classics: the tom moulton remixes<. tom moultons involvement with philadelphia international spans the entire 40 years of their existence with many of his early mixes unaccredited in the era before the 12 inch disco disc. in 1977 pir released the ground-breaking historic original double lp philadelphia classics which featured 8 of tom moultons greatest pir mixes. the album has subsequently been reissued several times and is rightly hailed as a must have classic for any serious music lovers collection.

begin clocks a fourth release with another vinyl only limited edition. the next image ep is a dreamy, warm and breezy affair made with the optimism of spring and beyond in mind. the title track has live instrumentation and a recurring guitar motif based around a midtempo groove wrapped in a bed of strings. on the flip the tempo slows for the blissed, brasilian morning sound of day happens. the guitars and feedback lay the foundations for vocals and hypnotic synth/xylophone elements. in early 2012 the previous release sold out. the three track lay ep got support from aficanados moonboots and jason boardman. balearicmike features it on his stunning mix for japanese peeps higherfrequency and james murphy of lcd soundsystem has recently opened his boiler room mix with elate,which is also getting spins and support from zurichs tastemaker lexx . the vibe is growing for begins releases so grab em while you can.

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

journey, the american hard rock band that was formed in 1973 and became a sensation in the early 80s, didnt fully break through until their 1982 hit >dont stop believin<.
this classic rock anthem has been used in many a soundtrack, from southpark and my name is earl to bedtime stories, and most recently with great success as the theme tune for glee.
remastered audio on 180 grams audiophile vinyl.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

the wind up of phillip lauers album debut phillips (still available in all formats including gatefold double vinyl) is in the hands of nyc remix/production outfit runaway and versatiles very own i:cube. runaway do their best to turn tentatious into one of those early morning deep house dubs that you could find on the b-side on vintage designer labels of their hometown. music for baby powdered wooden floors. i:cube does the opposite and manufactures a bumper car boogie beat that also works as a uk rave dub. he likes to move it. on the flip, lauer himself turns in the hidden album track boringtone - his very own secret ode to the café del mar - and the super exclusive smashing pumpkin that is highdimes 100percent overground melodies

vinyl only ltd to copies! avotre present santes first release on his new born label. homegirl is a vinyl only summer tune. a mixture between house and r&b, smooth and chordy, for sunrise sets and open air feelings, perfect for homeboys and homegirls. the flipside features a remix of rampa who is also well known from the berlin label keinemusik. cause no one fits better for the hookline >can i take u home girl< like the brother in crime rampa. his remix increased the dancefloor hysteria by picking up a percussion and 808 groove. early support by the berlin crew &me, adam port, re.you.